[]

A MISCELLANY ON TASTE.

By Mr. POPE, &c.

Viz.

I. Of TASTE in ARCHITECTURE. An Epiſtle to the Earl of Burlington. With NOTES Variorum, and a Compleat KEY.

II. Of Mr. POPE'S TASTE in DIVINITY, viz. The FALL of MAN, and the Firſt PSALM. Tranſlated for the Uſe of a YOUNG LADY.

III. Of Mr. POPE'S TASTE of Shakeſpeare.

IV.—His Satire on Mrs. P—y.

V. Mr. CONGREVE'S fine EPISTLE on RETIREMENT and TASTE. Addreſs'd to Lord Cobham.

No Author ever ſpar'd a Brother,
Wits are Game-Cocks to one another.
GAY'S Fab. the 8th.

LONDON: Printed; and ſold by G. Lawton, in Fleet-ſtreet; T. Osborn, below Bridge; and J. Hughes in High-Holborn. 1732. Price 1 s.

CLAVIS.

[]
Topham,
Richard Topham, of Old Windſor, Eſq late Keeper of the Records in the Tower.
Fountaine,
Sir Andrew Fountaine, to whom the late Dean Hickesdedicated his moſt learned Work, intituled, Linguarum Septentrionalium the ſaurus, two Toms Folio.
Curio,
Dr. A—tt.
Hearne,
That ingenious and learned Antiquary Mr. Thomas Hearne of Edmund-Hall, Oxon.
Mead,
The learned Richard Mead, M. D.
Sloan,
Sir Hans Sloan, M. D.
Virro,
Mr. S—es of Hertfordſhire.
Sir. Shylock,
Sir R—W—
S—d,
One Stafford, a Carpenter.
Babo,
Lord C—d—n.
Villario,
Lord C—le—n.
Sabinus,
The Son of Virro.
Bridgman,
A Gardener of that Name.
Timon,
Duke of C—.

Of TASTE: Or, (As it is altered in the SECOND EDITION) * Of FALSE TASTE.
AN EPISTLE To the Right Honourable RICHARD Earl of BURLINGTON.

[1]
a TIS ſtrange, the Miſer ſhould his Cares imploy
To gain thoſe Riches he can ne'er enjoy:
[2] a Is it leſs ſtrange, the Prodigal ſhould waſte
His Wealth to purchaſe what he ne'er can taſte?
b Not for himſelf he ſees, or hears, or eats;
c Artiſts muſt chuſe his Pictures, Muſic, Meats:
d He buys fore Topham Drawings and Deſigns,
For Fountain Statues, and for Curio Coins,
[3] a Rare Monkiſh Manuſcripts for Hearne alone,
b And Books for Mead, c and Rarities for Sloan.
[4] Think we all theſe are for himſelf? no more
a Than his fine Wife (my Lord) or finer Whore.
[5] a For what has Virro painted, built, and planted:
Only to ſhew how many Taſtes he wanted.
What brought Sir Shylock's ill-got Wealth to waſte?
b Some Daemon whiſper'd, "Knights ſhould have a Taſte."
c Heav'n viſits with a Taſte the welath Fool,
And needs no Rod, but S—d with a Rule.
See ſportive Fate, to puniſh aukward Pride,
Bids Babo build, and ſends him ſuch a Guide:
[6] A ſtanding Sermon! at each Year's Expence,
a That never Coxcomb reach'd Magnificence.
b Oft have you hinted to your Brother Peer,
A certain Truth which many buy too dear:
Something there is more needful than Expence,
And ſomething previous ev'n to Taſte—'Tis Senſe;
c Good Senſe, which only is the Gift of Heav'n,
And tho' no Sience, fairly worth the Seven.
[7] A Light, which in yourſelf you muſt perceive;
* Jones and Le Nôtre have it not to give.
To build, to plant, whatever you intend,
To rear the Column, or the Arch to bend,
To ſwell the Terras, or to ſink the Grot;
In all, let Nature never be forgot.
Conſult the Genius of the Place in all,
That tells the Waters or to riſe, or fall,
Or helps th' ambitious Hill the Heav'ns to ſcale,
Or ſcoops in circling Theatres the Vale,
Calls in the Country, catches opening Glades,
Joins willing Woods, and varies Shades from Shades,
Now breaks, or now directs, th' intending Lines;
Paints as you plant, and as you work, Deſigns.
a Begin with Senſe, of ev'ry Art the Soul,
Parts anſw'ring Parts, ſhall ſlide into a Whole,
[8] Spontaneous Beauties all around advance,
Start, ev'n from Difficulty, ſtrike, from Chance;
Nature ſhall join you; Time ſhall make it grow
A Work to wonder at—perhaps a* STOW.
Without it, proud Verſailles! thy Glory ſalls,
And Nero's Terraſſes deſert their Walls:
The vaſt Parterres a thouſand Hands ſhall make,
Lo! Bridgman comes, and floats them with a Lake:
Ora cut wide Views thro' Mountains to the Plain,
b You'll wiſh your Hill, and ſhelter'd Seat, again.
[9] Behold Villario's ten-years Toil compleat,
His Quincunx darkens, his Eſpaliers meet,
a The Wood ſupports the Plain; the Parts unite,
And ſtrength of Shade contends with ſtrength of Light;
His bloomy Beds a waving Glow diſplay,
Bluſhing in bright Diverſities of Day,
b With ſilver-quiv'ring Rills maeander'd o'er—
—Enjoy them, you! Villario can no more;
[10] Tri'd of the Scene Parterres and Fountains yield,
a He finds at laſt he better likes a Field.
Thro' his young Woods how pleas'd Sabinus ſtray'd,
Or fate delighted in the thick'ning Shade,
With annual Joy the red'ning Shoots to greet,
And ſee the ſtretching Branches long to meet!
b His Son's fine Taſte an op'ner Viſta loves,
Foe to the Dryads of his Father's Groves,
[11] One boundleſs Green or flouriſh'd Carpet Views,
With all the mournful Family of Yews;
The thriving Plants ignoble Broomſticks made
Now ſweep thoſe Allies they were born to ſhade.
a Yet hence the Poor are cloth'd, the Hungry fed;
Health to himſelf, and to his Infants Bread
The Lab'rer bears; what thy hard Heart denies,
Thy charitable Vanity ſupplies.
b Another Age ſhall ſee the golden Ear
Imbrown thy Slope, and nod on thy Parterre,
[12] Deep Harveſts bury all thy Pride has plann'd,
And laughing Ceres re-aſſume the Land.
At Timon's Villa let us paſs a Day,
a Where all cry out, "What Sums are thrown away!
So proud, ſo grand, of that ſtupendous Air,
Soft and Agreeable come never there.
[13] Greatneſs, with Timon, dwells in ſuch a Draught
As brings all Brobdignag before your Thought:
To compaſs this, his Building is a Town,
His Pond an Ocean, his Parterre a Down;
a Who but muſt laugh the Maſter when he ſees?
b A puny Inſect, ſhiv'ring at a Breeze!
[14] Lo! what huge Heaps of Littleneſs around!
The Whole, a labour'd Quarry above ground!
Two Cupids ſquirt before:a A Lake behind
Improves the keenneſs of the Northern Wind.
His Gardens next your Admiration call,
b On ev'ry ſide you look, behold the Wall
No pleaſing Intricacies intervene,
No artful Wildeneſs to perplex the Scene:
[15] a Grove nods at Grove, each Ally has a Brother,
And half the Platform juſt reflects the other.
b The ſuff'ring Eye inverted Nature ſees,
Trees cut to Statues, Statues thick as Trees,
With here a Fountain, never to be play'd,
And there a Summer-houſe, that knows no Shade.
Here Amphritrite ſails thro' Myrtle bow'rs;
Then Gladiators fight or die, in flow'rs;
[16] Un-water'd ſee the drooping See-horſe mourn,
a And Swallows rooſt in Nilus' duſty Urn.
Behold! my Lord advances o'er the Green,
Smit with the mighty pleaſure, to be ſeen:
But ſoft—by regular approach—not yet—
Firſt thro' the length of yon hot Terras ſweat,
And when up ten ſteep Slopes you've dragg'd your thighs,
b Juſt at his Study-door he'll bleſs your Eyes.
[17] His Study? with what Authors is it ſtor'd?
a In Books, not Authors, curious is my Lord;
To all their dated Backs he turns you round,
Theſe Aldus printed, thoſe Du Suëil has bound.
Lo! ſome are Vellum, and the reſt as good
For all his Lordſhip knows, but they are Wood.
b For Locke or Milton 'tis in vain to look,
Theſe Shelves admit not any Modern book.
[18] And now the Chappel's ſilver Bell you hear,
That ſummons you to all the Pride of Pray'r:
Light Quirks of Muſick, broken and uneven,
Make the Soul dance upon aa Jig to Heaven.
On painted Cielings you devoutly ſtare,
Where ſprawl the Saints of Verrio, or Laguerre,
On gilded Clouds in fair expanſion lie,
b And bring all Paradiſe before your Eye.
To Reſt, the Cuſhion, and ſoft Dean invite,
Who never mentions Hell to Ears polite.
[19] But hark! the chiming Clocks to Dinner call;
a A hundred Footſteps ſcrape the marble Hall:
The rich Buffet well-colour'd Serpents grace,
And gaping Tritons ſpew to waſh your Face.
b Is this a Dinner? this a Genial Room?
No, 'tis a Temple, and a Hecatomb;
A ſolemn Sacrifice, perform'd in State,
You drink by Meaſure, and to Minutes eat.
c So quick retires each flying Courſe, you'd ſwear
Sancho's dread Doctor and his Wand were there:
[20] Between each Act the trembling Salvers ring,
From Soup to Sweetwine, and God bleſs the King.
In plenty ſtarving, tantaliz'd in State,
a And complaiſantly help'd to all I hate,
Treated, careſs'd, and tir'd, I take my leave,
Sick of his civil Pride from Morn to Eve;
I curſe ſuch laviſh Coſt, and little Skill,
b And ſwear, no Day was ever paſt ſo ill.
In you, my Lord, Taſte ſanctifies Expence,
For Splendor borrows all her Rays from Senſe.
[21] a You ſhow us, Rome was glorious, not profuſe,
And pompous Buildings once were things of uſe.
b Juſt as they are,c yet ſhall your noble Rules
Fill half the Land with Imitating Fools,
[22] Who random Drawings from your Sheets ſhall take,
And of one Beauty many Blunders make;
Load ſome vain Church with old Theatric State;
Turn Arcs of Triumph to a Garden-gate;
Reverſe your Ornaments, and hang them all
On ſome patch'd Doghole ek'd with Ends of Wall,
Then clap four ſlices of Pilaſter on't,
And lac'd with bits of Ruſtic, 'tis a Front:
Shall call the Winds thro' long Arcades to roar,
a Proud to catch cold at a Venetian door;
Conſcious they act a true Palladian part,
And if they ſtarve, they ſtarve by Rules of Art.
[23] a Yet thou proceed; be fallen Arts thy care,
Erect new Wonders, and the Old repair,
Jones and Palladio to themſelves reſtore,
And be, whate'er Vitruvius was before:
Till Kings call forth th' Idea's of thy Mind,
Proud to accompliſh what ſuch Hands deſign'd,
Bid Harbours open, publick Ways extend,
b And Temples, worthier of the God, aſcend;
[24] Bid the broad Arch the dang'rous Flood contain,
The Mole projected break the roaring Main;
Back to his bounds their ſubject Sea command,
And roll obedient Rivers thro' the Land:
Theſe Honours, Peace to happy Britain brings,
Theſe are Imperial Works, and worthy Kings.

REMARKS.

[1]

* Of Taſte,] Some of our little Second-Hand Smatterers in Criticiſm, will be apt to imagine our Author ought to have wrote On Taſte, rather than Of Taſte, as if Of and On had two different Significations. But Mr. Pope has declar'd himſelf in favour of Of, and thereby clapt a Gag into the Mouths of all Gainſayers. His hoc volo, ſic jubeo is ſufficient to make any Expreſſion paſs for Standard, and ſtet pro Ratione Voluntas.

a 'Tis ſtrange, &c.] This is a vaſt deal too ſtrange to be true; and the Miſfortune is, every common Obſerver knows it to be quite otherwiſe. The Miſer's Enjoyment conſiſts in hoarding up his Wealth, and feaſting his Eyes with the Sight thereof. Our old Friend Horace has aſſured us of this, almoſt Two Thouſand Years ago; for he introduces a Man of this Character, ſaying,

—Populus me ſibilat, at mihi plaudo
Ipſe domi, ſimul ac Nummos contemplor in Arca.

[2] a It is leſs ſtrange, &c.] This Aſſertion is equally weak, and inconcluſive. The Prodigal, like every Body elſe, lays out his Money in ſomething, which he chuſes rather than the Money he parts with. And tho' perhaps his Taſte in Painting, Architecture, &c. may not be altogether ſo exquiſite as Mr. Pope's in Philoſophy or Poetry, yet ſtill he certainly taſtes the Purchaſe he makes, better than the Purchaſe Money; for otherwiſe, he deſerves to be begg'd for a Fool for parting with it.

b Not for himſelf, he ſees, or hears, or eats;] If this Sentence has any Meaning at all, it muſt certainly be, either that he ſees, or hears, or eats for ſomebody elſe or that ſomebody elſe; ſees, or hears, or eats for him. As for any Body's ſeeing, or hearing for me, I might not perhaps ſcruple it much; but for any Body's eating for me, I ſhould humbly beg he would not inſiſt upon it; my Stomach would never conſent to it.

c Artiſts muſt chuſe, &c.] I cannot forbear owning our Author perfectly in the right here, in allowing the Prodigal, Artiſts to chuſe for him, when he is incapable of chuſing for himſelf; for who, in his Wits, would not rather employ real Artiſts, in any Affair, than a Parcel of Blunderers and Blockheads?

d He buys] He buys! Who buys? Not the Miſer, I hope, his Money is too faſt lockt up in his Cheſt, ever to be let looſe on any ſuch Occaſions. Nor the Prodigal! for he is forc'd to make uſe of other People's Eyes and Ears to ſupply ſome certain Deficiencies in his own. Who can it be then? Why, it muſt certainly be the Artiſts, mentioned in the preceeding Line: But if ſo, why falſe Grammar? And why would not They buy, have done full as well as He buys? This I ſhall leave to be corrected in his next Edition.

e For Topham, Fountain, and Curio] What ſtrange Gentlemen [3] muſt theſe be, who cannot go to Market, and buy theſe Things themſelves, rather than employ others, as their Factors, and be forc'd to allow Brokerage. But the World needs not be inform'd, at this Time of Day, that few of Theſe are the Produce of this Iſland; How famous ſoever we may be for modern Improvements in Mechanicks, Mathematicks, &c. we certainly were never very famous for Antiquities, Drawings and Coins. Greece and Italy are well known to be the grand Magazines for all theſe; and whoever has not his preſent Reſidence in theſe Parts, muſt, of Neceſſity, purchaſe the Produce of them from Second or Third Hands.

a Rare Monkiſh Manuſcripts for Hearne alone,] Poor Tom Hearne! I dare ſwear, ſo polite a Genius as Mr. Pope never once ſtrained his Optick Nerves with poring over one of thy Monkiſh Manuſcripts. Robert of Glouceſter, and Jeffrey of Monmouth are quite out of his Way; and he knows no more of Florence of Warceſter, nor the Textus Roffenſis, than a Dancing Maſter does of Algebra, or a Lawyer's Clerk of Divinity.— But to the Matter in Hand.—I cannot imagine Mr. Hearne oblig'd to trot round the Kingdom in queſt of Manuſcripts, where-ever an old Abbey may have ſtood; or to travel into foreign Countries wherever ſuch Books may have been diſpers'd at the Reformation. 'Tis enough if he knows the Value of them when they are brought to him, and how to oblige the World with them afterwards, at a proper Oportunity.

b And Books for Mead,] This worthy Gentleman has a vaſt and valuable Library, ſtor'd with all Sorts of Books Foreign and Domeſtic; and he is not only a Perſon of extraordinary Learning himſelf, but one of the greateſt Patrons and Encouragers of it, in this Kingdom. However, it is not impoſſible but he may have bought Books from Second and Third Hands, and he may very likely have ſome, among ſo prodigious a Collection, which he has hardly deign'd a reading. But I hope Mr. Pope's Works are none of that Number, tho' he may well ſave himſelf the Trouble even of looking into them; for whether Mr. Pope knows it or no, he can read Homer and Statius, nay, and Chaucer and Shakeſpear, in [4] their Originals, without Recourſe either to a rhiming Tranſlator, or a Modernizer to point him out their Meaning.—But Mead is not only famous for Books, but for ſeveral choice Curioſities, among which is his celebrated Head of Homer, for a Copy of which, if I miſtake not, Mr. Pope has been oblig'd to him, to grace his Odyſſey.— And the World tells ſtrange Stories, if Mr. Pope be not oblig'd for the beſt Part of his own Head to ſome Body elſe, who may, not unlikely, meet the ſame Treatment in his next Performance, as theſe have done in This.

c And Rarities for Sloan.] Whether Dr. Sloan has a full Knowledge of the true Value of every individual Rarity in ſo extraordinary a Collection, is what neither Mr. Pope nor I can tell.—But to alledge that he employs others to chuſe for him, is as much as to ſay, that he is unable to chuſe for himſelf; or in other Words, that he has not Judgment enough to diſtinguiſh a Crocodile from a Rattle Snake. Sir Hans has purchaſed Rarities from all known Parts of the Globe.—But muſt he travel to all theſe Parts himſelf to pick them up? An Age would not bring that about: And between Mr. Pope and I, he has much better Buſineſs at Home, where he has Wealth enough to purchaſe whatever valuable Thing is offer'd him; and has, at this Time the richeſt private Collection in Europe, or perhaps in the Univerſe.

a Than his fine Wife (my Lord) or finer Whore.] What a ſpiteful Inſinuation is here, againſt the poor Artiſts, that they keep their Whores finer than their Wives. I am ſorry to hear our Author is a Batchelor, or we ſhould ſee how he would manage in that important Affair of Life. He is certainly an Artiſt, for all the World owns him a Rhimer; and ſome perhaps may look upon him as a Reaſoner.—But theſe two Faculties do not always go together; and if they did,—He is not indiſpenſably oblig'd to reaſon his beſt on every little Occaſion. Rhime may ſometimes do the Buſineſs full as well without it.

[5] a For what has Virro painted, built, and planted? &c.] What pity it is that Virro did not conſult our Author, before he went to work? Had he done that, I dare vouch, all would have been well, tho' every Thing appear'd juſt as it does. But for want of this Unum Neceſſarium, for want of conſulting this univerſal Genius, his Paintings are monſtrous, his Buildings barbarous, his Planting ridiculous, and he has no Taſte, or what's worſe, an ill one.

b Some Daemon whiſper'd, "Knights ſhould have a Taſte," Mr. Pope has not half the Modeſty of this good natur'd Daemon, who only whiſper'd a Secret ſoftly into one Knight's Ear,—He has proclaim'd it to the World. How does he know, now, but Squires and private Gentlemen may put in for their reſpective Shares; If ſo, what an Inundation of Taſte will then break in upon us: The Nation will be over run with it, and the Government oblig'd at laſt to put a Stop to it, as a growing Evil.

c Heaven viſits with a Taſte the Wealthy Fool,] Our Author, I think, is generally ſuppoſed to be pretty rich; and moſt People allow him to have a Taſte, at leaſt of ſomething.—Now as Heaven has viſited him with a Taſte, how ought he to bleſs himſelf that he is no Fool; for if he had, he might have had no more Wit than to have fallen to Building, or ſomething as bad, and thereby waſted his Wealth as ſimply as ſome other People.

[6] a That never Coxcomb reach'd Magnificence.] When Coxcombs of Quality will employ Fools of Architects, they can never reaſonably expect to reach Magnificence, ſhould they lay out their whole Eſtates: And indeed the Caſe would be much the ſame ſhould they take it into their Heads to turn Architects themſelves, with a Deſign to ſave Charges.

b Oft have you hinted to your Brother Peer, &c.] How much had the World been obliged to this noble Lord, if he had once generouſly publiſhed that grand Secret to the World, which he ſo oft hinted to his Brother Peer in private Converſation.—But if he had, others would have been preſented with that Experience, which they have ſince purchaſed at ſo dear a Rate; and this Lord's Buildings would never have been found Non-pareils, had not ſome hundreds fallen ſhort of them, out of an Ambition of excelling them.

c Good Senſe which only is the Gift of Heaven, &c.] This is a much greater Compliment to good Senſe, than ever one would have expected from Mr. Pope: But the Truth is, he has a Mind to ſet Senſe and the Sciences at Variance, by ſhewing that they have not the leaſt Affinity with each other; and inſinuating, that 'tis no great Difficulty for a Man to become an Adept in any of the Seven Sciences, tho' he was a Changeling himſelf, and his whole Family had been Fools for fifteen Generations.

[7] a Begin with Senſe, &c.] 'Tis ſomewhat odd that Mr. Pope ſhould be capable of giving ſo good Advice to others, and mind [8] it ſo little himſelf.—What a woeful Beginning did he make, and how miſerably did he blunder between his Miſer and Prodigal!—But enough of that:—I am ſurpriz'd to find Senſe here ſtyl'd the Soul of every Art or Science, when there was a ſtrong Inſinuation not much above a dozen Lines before, that they had very little Buſineſs together; or, in other Words, that Senſe might, without any Detriment to the Sciencies, be divorc'd from them, and put to a ſeparate Maintenance.

* The Seat and Gardens of the Lord Viſcount Cobham in Buckinghamſhire.

a Cut wide Views thro' Mountains] If Ten Thouſand Hands were employed in any Work without ſome good Head to direct them, it is no Wonder if they make mad or fooliſh Work on't: But how a Mountain in one Line ſhould dwindle to a Hill in the next, without any viſible Means, ſurpaſſes my Comprehenſion, unleſs it be merely to anſwer the Meaſure of the Verſe.

b You'll wiſh your Hill, and ſhelter'd Seat, again.] Then he [9] may have it. He had a Mountain to remove, in the former Line; and, without doubt, he was at the Charge of doing it. Now he he has only a Hill to bring back, and all is right again, and his Houſe in ſtatu quo. And ſure leſs Charge will bring a Hill Home again, than would carry a Mountain Abroad.

a The Wood ſupports the Plain;] I have heard of a Plain ſupporting a Wood a thouſand Times, becauſe the Plain was below, and the Wood above.—But how Mr. Pope's Wood comes to ſupport his Plain, I own myſelf unable to determine, unleſs His was a ſubterraneous Wood, which ſupported the Plain above, as a convenient Number of Columns do a Stately Cupola.

b His bloomy Beds, &c. with Silver quiv'ring Rills maeander'd o'er.] This is the moſt myſterious Paſſage I have lately met with. How, in the Name of Goodneſs, can Silver quiv'ring Rills maeander Beds o'er. Had it been maeander them thro', that is, divide them with a winding Stream, it had been Senſe; but [10] then the next Rhime muſt have ſuffered.—But now I recollect, theſe ſuperterraneous Rills were, perhaps, deſigned for his ſubterraneous Wood; and as ſuch, I ſhall leave them to perform their Office.

a He finds at laſt he better likes a Field.] That is, he finds at laſt, he likes a Field better. Where is the Poetry here? Where, the Majeſty of Thought, The Sublimity of Diction?—But to paſs theſe by, and proceed to the Sentiment. I can ſee no Manner of Wonder, why a Gentleman, in his declining Years ſhould be tired with the Diverſions of his Youth, when we find it common for moſt of us to diſlike thoſe Things to Day which we doted on but Yeſterday.

b His Son's fine Taſte an op'ner Viſta loves, &c.] The Father was of the ſame Opinion before he died, (if we may ſuppoſe Villario and Sabinus Relations, and believe what has been advanced half a Dozen Lines before.) But how comes his Son to have a Taſte ſo much finer than his Father? The Father planted noble Gardens in his Youth, and delighted to walk in the Fields in his [11] old Age. However he had his Choice, and might have taken a Turn in his Gardens whenever he had thought fit.—The Son, to ſhew a Specimen of his ſuperior Taſte, makes quick Work, grubs up his Father's Woods, and converts his thriving Plants to Broomſticks.

a Yet hence the Poor are cloth'd, &c.] This would certainly be a fine Reflection, were it not deſign'd for the ſake of a Stroke of Satyr in the next Stanza. Villario is here brought upon the Stage again, and accus'd for what every wiſe and good Man ought to applaud him; namely, for ſetting the Poor to Work, and rather chuſing to have his Money circulate thro' the Neighbourhood, than ſuffer it to lye pil'd up in his Cheſts, and ſee his Poor Dependants ſtarve for want of Employment.

b Another Age ſhall ſee, &c.] This is no more than what has ever been common to all Nations in all the later Ages of the World. The Stately Palaces of the Aegyptian and Perſian Monarchs lye now buried under huge Heaps of Duſt and Rubbiſh: All [12] the pleaſant Gardens of Ancient Rome are long ſince turn'd to a Wilderneſs: Nay, the very ſituation of ſeveral of the moſt renowned Cities in the World are now become ſo obſcure, that Travellers into thoſe Parts, cannot agree where they have formerly ſtood.—In one Word, the whole of the Story reſts here. Villario pleas'd himſelf with Planting and Gardening, and by that Means kept his poor Neighbourhood from Want. A deſcendant of his, of a different Taſte (or, if Mr. Pope pleaſes, of a finer Taſte) may poſſibly, ſome Ages hence, cut down his ſhady Woods, plow up his fine Walks, and turn the whole to Corn-Ground again. This will alſo be Employment and Bread for the Neighbourhood, whenever it happens.—And whether Mr. Pope be ſenſible of it, or no, Satyr rebounds back upon the Author, whenever it is pointed at a wrong Object.

a Where all cry out, what Sums are thrown away! &c.] 'Tis ſomewhat ſtrange that all ſhould conſpire, with one Voice, to blame Timon's profuſeneſs in Building; and what is ſtranger ſtill, how it came to our Author's Knowledge. But perhaps this is only his private Opinion, which he has a mind to father upon the Publick. —Be that as it will, any other Extravagance would have produced as ill an Effect, and ſeveral, much worſe.—But Timon has thrown away vaſt Sums in Building.—The Publick [13] certainly gathered up as much as he threw away, and this was no more than changing Hands. The whole was undoubtedly given to Stone-Cutters, Carvers, Statuaries, Bricklayers, Carpenters, Joyners, Labourers, &c. All the Materials too were undoubtedly the Produce of our own Iſland, except a little foreign Marble, and ſome other Trifles of ſmall Importance. So that ſuch a private Expence is ſo far from being a Publick Loſs, that the Nation would not be one Farthing the poorer, if fifty ſuch Fabricks were erected every ten or a dozen years.

a Who but muſt laugh the Maſter] Who but muſt laugh at our Poet for writing ſuch barbarous Engliſh? I am really ſurpriz'd to think how he ſuffered ſuch an Impropriety to eſcape him. The Truth is, laugh at the Maſter would have ſtretch'd the Verſe a Syllable beyond its ordinary Length, for which Reaſon He, having more Regard to Sound than Senſe, choſe to omit the Particles.

b A puny Inſect, ſhiv'ring at a Breeze!] The puny Inſect in this Page, is declared a Lord in the next; and it is undenyable that there may be little Lords as well as great ones.—Every one who has the Honour to be acquainted with Mr. Pope, owns him to be a fine, tall, proper, well-ſhap'd agreeable, jolly Gentleman, with a Conſtitution ſtrong enough to enable him to defy Winds and Weather: But how he happens, here, to reflect upon a little Lord, meerly for ſhrinking at a fit of Cold Weather, is what I cannot well reconcile, either to good Senſe, or good Manners. However, if our Author has here, confin'd himſelf to one Day, a he aſſures us, it ſeems a little extraordinary, methinks, that my [14] Lord ſhould be taken with a ſhivering Fit when ſeveral of his Viſitors were ſweating upon a Hot Terras. But if he takes in the Compaſs of ſeveral Months, 'tis not unlikely but the whole Company might ſhiver and ſweat at different. Times of the Year, and by that Means keep his Lordſhip in Countenance.

a A Lake behind improves the keenneſs of the Northern Wind.] 'Tis not improbable that the Lake mentioned here, may be the ſame with the Pond or Ocean in the preceeding Page; if ſo, it is no great Wonder it ſhould chill the Part of the Houſe adjacent to it, which our Author has aſſured us was the North Side. And if the Lake lay on the North Side of the Houſe, then the Houſe moſt certainly ſtood on the South Side of the Lake.

b On every Side you look, behold the Wall!] If a Perſon could behold my Lord's Garden Wall on every Side, from any particular Station within, 'tis ſtrange how it was capable of containing that Down of a Parterre and that Ocean of a Pond: or how that Brobdignagian Palace, or Town of a Houſe (mentioned about half a Score Lines ago) could lye adjacent to it.

[15] a Grove nods at Grove, each Ally has a Brother, &c.] This is the very firſt Time I ever heard either a Houſe or Gardens condemned for Regularity. Groves, Allys, &c. are, or may be all, in their proper Places, beautiful and agreeable; and why an exact Regularity ſhould make them otherwiſe, is impoſſible to know. The beſt of all the Gardens, as well as Fabricks, of ancient Times, were perfectly Regular: And had Mr. Pope been the Deſigner of theſe, I dare almoſt venture to aſſert, he would either have plann'd them out in a regular Form, or every good Judge would have condemn'd his Gothick Fancy.

b The ſuff'ring Eye inverted Nature ſees, &c.] 'Tis a thouſand Pities, one of ſo exquiſite a Taſte as Mr. Pope is own'd to be, ſhould meet with any Thing diſagreeable. Trees cut to Statues are held abominable. Statues ſtanding too thick, deteſtable. A dry Fountain, inſupportable; (This indeed ought to have been ſet a playing to welcome ſo great a Perſonage to Lord Timon's Villa) and an unſhaded Summer-Houſe, an unpardonable Object.

[16] a And Swallows rooſt in Nilus' duſty Urn.] Theſe Printers are ſome of the moſt ignorant, and withal the moſt ſelf-conceited Coxcombs breathing; One may tell them their Faults Ten Thouſand Times over, yet ſtill they will go on in a Mill-Horſe Tract, and commit the ſame Blunders afreſh. For Swallows rooſt in Nilus' duſty Urn, read, Sparrows neſt in Nilus' duſty Urn. If the Houſe was a Town, a Brobdignagian Palace, or a labour'd Quarry above Ground, (as we are told ſome lines before) then, nothing could be more fit than Nilus's Urn to clap up againſt one of the Walls for a Bird-Bottle.

b Juſt at his Study door he'll bleſs your Eyes.] Here we find my Lord, firſt of all, advancing o'er the Green on purpoſe to expoſe his Perſon to view;—And now we are told that our Eyes muſt not be bleſt with the Sight, till he appears at his Study-door.—Quere, Whereabouts, upon the Green, my Lord's Study-door ſtands? ‘Aliquando bonus dormitat Homerus.’

[17] a In Books, not Authors, curious is my Lord;] If Mr. Pope has thoroughly examined my Lord in Greek, Latin, French, Italian, or any other Language, and found him defective, we may ſafely take his Word; for He has already given the World an ample Specimen, as well of his profound Skill in Languages, as of his extraordinary Candour and Humanity. But ſhould the Caſe prove otherwiſe, and our Author takes my Lord's Ignorance, as moſt of the World do his Learning, meerly from Hear-ſay, then he will go a great Way towards the forfeiting ſo amiable a Character.—It is not improbable that he may have ſeen the dated Backs of my Lord's Books, and have made no further Obſervations than that ſome of them were bound in Vellum, and others in Paſt-board. But that is no Argument why my Lord ſhould have looked no more upon the Inſides than He, who perhaps was not a full half Hour in the Place.

b For Locke or Milton 'tis in vain to look,] If my Lord admits neither Locke nor Milton, how can we reaſonably expect he ſhould allow Mr. Pope's Works a Place in his Library; and this cannot but be a ſenſible Mortification to an Author, whoſe Ambition prompts him to cry out with Aeneas.

Quae Regio in Terris noſtri non plena Laboris?

[18] a Make the Soul dance upon a Jig] This is a palpable Miſtake; they are always Minuet or Rigadoon Aires, and the Jig is only inſerted here, to ſuite the Meaſure of the Verſe.

b And bring all Paradiſe before your Eye.] If by this, our Author means either Moſes's or Mahomet's Paradiſe, nothing can be more foreign to his purpoſe, for in the Account of either of them, we read not one Word of Silver Bells, Muſical Quirks, Dancing Souls, Painted Cielings, Sprawling Saints, nor gilded Clouds, and theſe make up the whole of Mr. Pope's Paradiſe, which muſt certainly be a new one, different from both the other.

Ignotuſque locus Graiis, ſimul atque Latinis.

[19] a A Hundred Footſteps ſcrape the Marble Hall:] Our Author, it ſeems, was admitted, among a vaſt Croud, to a magnificent Entertainment. How well he requited his Benefactor, we ſhall ſee afterwards.

b Is this a Dinner?] No, I'll be ſworn, nor nothing like One, as it has been hitherto deſcrib'd. We have heard of nothing yet but Serpents gracing the Buffet, and Tritons ſpewing out Water, and then he calls out—Is this a Dinner.—However I am affraid he cries out before he has Occaſion.

c So quick retires each flying Courſe, &c.] Now we come to a Dinner, in good Earneſt, but our Author very juſtly complains of their taking all his Victuals from before him, out of an Exceſs of Complaiſance, which indeed was intollerable to one ſo ſharp ſet. Howbeit, if ever he ſhould have the Honour to be admitted to my Lord's Table again, I would adviſe him to copy after his Brother Durfey's bright Example, and take a Hammer and a Ten-penny Nail in his Pocket, to fix the firſt good Plate full of Meat, he lays his Hands on, faſt to the Table.

[20] a And complaiſantly help'd to all I hate,] I wonder how my Lord's Servants came to know his Palate ſo exquiſitely well, as to help him to nothing but what he hated.—And yet what's ſtrange, he complain'd, but a few Lines before, that the Courſes were taken too ſoon away.—If we hate every Diſh upon a Table, the ſooner they are remov'd the better.—But he ſeems reſolv'd not to be ſatisfied, and therefore I am really of Opinion, his beſt Way would have been to have din'd at Home, and paid my Lord a Viſit afterwards.—He would hardly have been chid for coming ſo late.

b And ſwear, no Day was ever paſt ſo ill.] So my Lord ſwears too, I dare affirm, if all the reſt of his Gueſts were of his Stamp. But if the reſt were of a different Diſpoſition, 'tis not unlikely but Mr. Pope might paſs unobſerv'd in the Croud, and that may be one grand Cauſe of his Uneaſineſs.

[21] a

You ſhow us, Rome was glorious, not profuſe,
And pompous Buildings once were things of uſe.

] The Roman Buildings were undoubtedly the moſt expenſive upon Earth, but, at the ſame time, they were the leaſt uſeful, whatever Mr. Pope may alledge to the contrary.—Their moſt noted Structures were their Circi, for Horſe, and Chariot Races. Amphitheatres for Combats with Gladiators and wild Beaſts. Theatres for Scenical Diverſions. Naumachiae for Naval Exerciſes. Baths, Temples, Triumphal Arches, Monumental Pillars, Pyramids, &c. All theſe were built in the moſt ſumptuous and ſtately Manner poſſible; and it is well known, that ſome of them were of little Uſe to the Republick, ſome of no Uſe, and others of vaſt Detriment, as their own Writers allow.

b Juſt as they are, yet ſhall your noble Rules, &c.] This, as it ſtands, is down-right Nonſenſe, Yet ſhall your noble Rules, juſt as they are, fill half the Land, &c. that is, your noble Rules, ſuch as they are, good or bad, rough as they run, ſhall fill.—This, I dare ſay, is none of your Meaning. The Truth is, your Deſign was to have been underſtood in a Senſe very different from what the Expreſſions will bear. Your Aim was to have ſaid, Yet ſhall your noble Rules, as juſt as they are, fill, &c. This would have been Senſe, and ſomething to your Purpoſe, but then it would have ſtretch'd your Verſe out a Syllable too long, and you rather choſe to tranſgreſs againſt Senſe, than Sound. However, for once, I will help you to an Expreſſion which ſhall ſuite you exactly. Juſt tho' they be, yet ſhall—

c Yet ſhall your noble Rules—Fill half the Land with Imitating Fools,] Better by half were it for the Land that my Lord's Rules, how juſt ſoever, had never been publiſhed, than they ſhould add ſuch vaſt Numbers to the Stock of Fools we have already.—However, I hope, my Lord had no ſuch Deſign in the Publication, but what he did was out of a generous Principle of ſerving his Country, and not with any ſiniſter View of raiſing himſelf a Name by making half the Nation appear ridiculous.

[22] a Proud to catch Cold at a Venetian door;] If either a Roman, or a Gothic Door would exempt the Maſter of the Houſe from catching Cold, no Venetian Door ſhould ever find a Place round my Manſion—If otherwiſe, I cannot imagine what Buſineſs the Venetian Door has here, ſince the Wind's roaring thro' long Arcades would cauſe a Man to catch Cold at a Door of any other Form, every whit as ſoon.

[23] a Yet thou proceed; be fallen Arts thy care,] This Verſe is Lame, and wants a Crutch. However I ſhall overlook it, as only a Printer's Error. Be the fallen Arts thy care, is the true reading.

b And Temples worthier of the God,] To talk of a Temple worthy of a God, is unworthy any Man of Senſe. Whether ſuch an Idea will go down in Poetry, I know not; I am ſure it will never do, either in Philoſophy or Divinity Why ſhould one Temple be worthier of an omnipreſent Being than another? Why ſhould a large Temple ſuite him better than a ſmall One? A Marble Fabrick, than one of Free Stone, or that, than one of Brick or Timber. Solomon has aſſured us, long enough ago, that God dwells not in Houſes made with Hands. And tho' the Pagans were taught that their Local Dieties might he confin'd within certain Limits, yet the wiſer Sort among them, condemn'd the Notion; and Chriſtianity has not only ſet us free from that, but a Thouſand other Fopperies; ſo that whoever advances ſuch Doctrine, at this Time of the Day, is making a freſh Attempt to put a Hook in our Noſes, and a Bridle in our Lips, to draw us back to Paganiſm. or, which is much the ſame, to Popery.

APPENDIX.

[]

THUS have I given my Readers a few plain Remarks upon Mr. Pope's laſt doughty Performance: I ſhall now add Mr. Congreve's Epiſtle to the Lord Viſcount Cobham, (on a Subject not much different) whereby the World will eaſily perceive that this Work falls as far ſhort of Mr. Congreve's, as his Ode on Muſic did of Mr. Dryden's; His Paſtorals of Mr. Philips's; His Windſor Foreſt of Sir John Denham Cooper's Hill; His firſt Book of Homer, of that done by Mr. Tickell, or his Dunciad of the Diſpenſary.

But, what is moſt ſurprizing, Mr. Pope has not once named, nor ſo much as hinted at, his Patron's polite Taſte ſo well known to all Mankind.

Numb. I. OF RETIREMENT AND TASTE.
An EPISTLE to the Right Honourable the Lord Viſcount COBHAM.

[26]
SINCEREST Critic of my Proſe, or Rhime,
Tell how thy pleaſing STOWE employs thy Time.
Say, COBHAM, what amuſes thy Retreat?
Or Stratagems of War, or Schemes of State?
Doſt thou recall to Mind with Joy, or Grief,
Great MARLBRO's Actions? That immortal Chief,
Whoſe ſlighteſt Trophy rais'd in each Campaign,
More than ſuffic'd to ſignalize a Reign?
[27] Does thy Remembrance riſing, warm thy Heart,
With Glory paſt, where Thou thy ſelf hadſt Part;
Or doſt thou grieve indignant, now to ſee,
The fruitleſs End of all thy Victory?
To ſee th'Audacious Foe, ſo late ſubdu'd,
Diſpute thoſe Terms for which ſo long they ſu'd,
As if BRITANNIA now were ſunk ſo low,
To beg that PEACE ſhe wonted to beſtow?
Be far that Guilt! be never known that Shame!
That ENGLAND ſhou'd retract her righful Claim,
Or ceaſing to be dreaded and ador'd,
Stain with her Pen the Luſtre of her Sword.
Or doſt thou give the Winds a-far to blow,
Each vexing-Thought, and Heart-devouring Woe,
And fix thy Mind alone on rural Scenes,
To turn the level'd Lawns to liquid Plains,
To raiſe the creeping Rills from humble Beds,
And force the latent Springs to lift their Heads,
[28] On watry Colums, Capitals to rear,
That mix their flowing Curls with upper Air?
Or doſt Thou, weary grown, theſe Works neglect,
No Temples, Statues, Obelisks erect,
But catch the morning Breeze from fragrant Meads
Or ſhun the Noon-tide Ray in wholeſome Shades?
Or ſlowly walk along the mazy Wood,
To meditate on all that's wiſe and good?
For Nature bountiful, in Thee has join'd,
A Perſon pleaſing, with a worthy Mind;
Not given thee Form alone, but Means, and Art,
To draw the Eye, or to allure the Heart.
Poor were the Praiſe in Fortune to excel,
Yet want the Way to uſe that Fortune well.
While thus adorn'd, while thus with Virtue crown'd,
At Home, in Peace; Abroad, in Arms renown'd;
Graceful in Form, and winning in Addreſs,
While well you think what aptly you expreſs,
[29] With Health, with Honour, with a fair Eſtate,
A Table free, and elegantly neat:
What can be added more to mortal Bliſs?
What can he want, that ſtands poſſeſt of This?
What can the fondeſt wiſhing Mother more,
Of Heaven attentive for her Son implore?
And yet a Happineſs remains unknown,
Or to Philoſophy reveal'd alone;
A Precept, which unpractis'd renders vain
Thy flowing Hopes, and Pleaſure turns to Pain.
Shou'd Hope and Fear thy Heart alternate tear,
Or Love, or Hate, or Rage, or anxious Care,
Whatever Paſſions may thy Mind infeſt,
(Where is that Mind which Paſſions ne'er moleſt?)
Amidſt the Pangs of ſuch inteſtine Strife,
Still think the PRESENT DAY, the LAST of LIFE;
Defer not till To-Morrow to be Wiſe,
To-Morrow's SUN, to Thee may never riſe.
Or ſhou'd To-Morrow chance to cheer thy Sight,
With her enliv'ning and unlook'd-for Light,
[30] How grateful will appear her dawning Rays!
As Favours unexpected doubly pleaſe.
Who thus can think, and who ſuch Thoughts purſues,
Content may keep his Life, or calmly loſe:
All Proofs of this Thou may'ſt thyſelf receive,
When Leiſure from Affairs will give thee Leave.
Come ſee thy Friend retir'd, without Regret,
Forgetting Care, or ſtriving to forget;
In eaſy Contemplation ſoothing Time
With Morals much, and now and then with Rhime;
Not ſo robuſt in Body, as in Mind,
And always undejected, tho' declin'd:
Not wond'ring at the World's new wicked Ways,
Compar'd with thoſe of our Fore-fathers Days,
For Virtue now is neither more nor leſs,
And Vice is only varied in the Dreſs:
Believe it, Men have always been the ſame,
And OVID's Golden Age is but a Dream.

Numb II.
To the AUTHOR.

[31]
Demitte auriculas, at iniquae mentis Aſellus
Cum gravius dorſo ſubit onus.—
Hor.
SIR,

IF we will look a little into the Conduct and Cuſtom of the World, it may not appear ſo extraordinary as ſome have thought it, that Mr. Pope becauſe he cannot be the Fountain of Honour to Mankind, ſhould be fond of uſurping the Fountain of Infamy, and pleaſe himſelf with dealing out a Fund of dirty Promotions from that inexhauſtible Spring. And as nothing yields a more ſincere Delight than to ſee the Workings of a beneficent Mind; I doubt not but every good Man is rejoiced to obſerve this Great Prince creating Dunces upon Dunces, of his own free Will and Motion, with ſo much Alacrity, and all in a due Subordination. It is [32] certain, I ought to be very well ſatisfied with my Share of Honours in this Kingdom of Dulneſs, ſince the Preamble to my Patent is, That He could not find One more fit to wear them. I would not willingly act like the Favourite, whom Shakeſpeare ſomewhere deſcribes, who being made proud by his Prince, advanced his Pride againſt the Power that bred it: But I would rather, like a grateful Favourite, lay out my Talents in aſſerting the Legality of my Maſter's Title to thoſe Dominions, in which he exerciſes ſo free a Sway, and from whence he ſo unſparingly diſpenſes his Promotions.

And ſince I have mention'd Shakeſpeare, (one of the Tributaries by Conqueſt made ſubſervient to his Throne) I will attempt to convince Unbelievers, by ſome few Inſtances of his Proweſs, with what a Strength of Arm, and Fineneſs of Head, he has humbled that proud Adverſary to his Sceptre; Or, (to ſtep out of all Metaphor at once) I will attempt to ſhew with what Fidelity he has perform'd the dull Office of an Editor, hardly without aiming to underſtand his Author himſelf, or having any Ambition that his Readers ever ſhould: Or, where he does aim, to ſhew he has ſuch a happy Fatality at Miſtaking, that we are to wiſh he would not explain the Author into Nonſenſe. Give me Leave to ſubjoin ſome Examples juſt as they occur to my Obſervation.

I. Much ado about Nothing. Act. 3. Scene 5. Sometimes faſhioning them like Pharoah's Soldiers [33] in the reechy Painting, ſometimes like the God Bel's Prieſts in the old Church-Window, &c.

Mr. Pope is pleas'd to tell us, that reechie ſignifies valuable. But the Poet had no Intention here of complimenting the Richneſs, or Value of the Painting: On the other Hand, he would ſpeak deſpieably of it, as of a common Wall-Painting; as he does in another Play of the Story of the Prodigal, and the German-hunting in Water-Work. We may be pretty ſure therefore our Author wrote, the reechy Painting; i. e. Smoke-dry'd, expoſed to Weather, or reeking and ſteaming with Naſtineſs. There are two other Paſſages, where, I remember, this Word again occurrs in our Author.

Coriolanus. Act 2. Scene 4.
—The Kitchen-Maukin pins
Her richeſt Lockram 'bout her reechy Neck, &c.
And Hamlet. Act 3. Scene 11.
And let him for a Pair of reechy Kiſſes,
Or padling in your Neck, &c.

Now if reechy, in either of theſe Paſſages, ſignifies valuable, I ſhall be content to allow Mr. Pope's Gloſs upon the Paſſage firſt quoted.

II. Henry VIII. Act 1. Scene 1.
One ſare that promiſes no Element
In ſuch a Buſineſs.

Here we are told that Element is Rudiment, or Beginning: But here again the common Senſe of the Paſſage is explain'd away. Shakeſpeare means no more than that, He is One who [34] promiſes no Qualifications, no Talents for ſuch a Buſineſs; or, is not in a Sphere for it. In theſe Acceptations, I think, our Poet generally uſes the Phraſe. So,

Merry Wives of Windſor. Act 4. Scene 4.
And ſuch Dawbry as this is beyond our Element.
Twelfth-Night. Act 3. Scene 2.
What you would is out of my Welkin, I might ſay Element,
but the Word is over-worn.
And again. Act 3. Scene 9.

You are idle ſhallow Things, I am not of your Element.

In every one of which Quotations Mr. Pope's Gloſs would be out of the Way: It were not amiſs, perhaps, that this Commentator ſhould remember, A Man may ſometimes be out of his Element.

III. King Lear. Act 3. Scene 2.
Crack Nature's Mould, all Germains ſpill at once
That make ingrateful Man.
[35]
Of Nature's Germins tumble all together,
Ev'n 'till Deſtruction ſicken.—

For ſo it muſt here like wiſe be corrected. And to put this Emendation beyond all Doubt, I will produce one more Paſſage, where our Author not only uſes the ſame Thought again, but the Word that aſcertains my Explication into the Bargain.

Winter's Tale. Act 4. Scene 9.
Let Nature cruſh the Sides o'th'Earth together,
And marr the Seeds within.
IV. King Lear, Act 1. Scene 6.
—wherefore ſhould I
Stand in the Plague of Cuſtom, and permit
The Nicety of Nations to deprive me, &c.

I would very willingly know, as Mr. Pope declares againſt his having made any Innovations, from what Authority he has adopted this quaint Word, Nicety. It is in none of the Old Copies, that ever I have ſeen; and if he derives it either from Mr. Row's Edition, or Mr. Tate's Alteration of this Play, he muſt give me Leave to except againſt it. The Old Reading, (which, I preſume, Mr. Pope did not know what to make of) 'tis true, is corrupted.—The Curioſity of Nations.—but out of it I will venture to reſtore the Poet's genuine Word;

The Courteſy of Nations to deprive me, &c.

Our accurate Editor might have obſerv'd, that his Author chuſes the very Term upon the like Occaſion, in another of his Plays. As you like it. Act 1. Scene 1.

[36] The Courteſy of Nations allows you my better, in that you are the firſt-born.

So, in another Place, he ſubſtitutes it for Birthright. Cymbelyne. Act 4. Scene 8.

—aye hopeleſs
To have the Courteſy your Cradle promis'd.

And, for the more vulgar Uſe of the Phraſe, I do not doubt but Mr. Pope may have heard, that certain Lands and Honours are held by the Courteſy of England.

V. Meaſure for Meaſure. Act. 3. Scene 4.
—ſay to thyſelf,
From their abominable and beaſtly Touches,
I drink, I eat away myſelf, and live.

This is a very excellent Inſtance of our Editor's Sagacity, and I wiſh heartily he would have obliged us with his phyſical Solution, how a Man may eat away himſelf and live. Till he does this, I would crave Leave to ſubſtitute by Conjecture;

—ſay to thyſelf,
By their abominable, and beaſtly Touches,
I drink, I eat, array myſelf, and live.

i. e. I feed myſelf and put Cloaths on my Back, by exerciſing the vile Trade of a Bawd.

VI. Twelfth-Night. Act 1. Scene 4.
Sir Andr.

—O had I but follow'd the Arts.

Sir Tob.

Then hadſt thou had an excellent Head of Hair.

Sir Andr.

Why, would that have mended my Hair?

Sir Tob.

Paſt Queſtion, for thou ſeeſt it will not cool my Nature.

[37] Prodigious Sagacity!—The Dialogue is of a very light Strain here betwixt two fooliſh Knights; but I would be very glad to know, methinks, why Sir Andrew's Hair hanging lank, ſhould, or ſhould not, cool Sir Toby's Nature. Till I can be informed in this Point, I fancy we may make Senſe of it thus,

Sir Andr.

Why, ſhould that have mended my Hair?

Sir Tob.

Paſt Queſtion, for thou ſeeſt it will not curl by Nature.

VII. Love's Labour Loſt. Act 3. Scene 3.
This Signior Junio, giant dwarf, Dan Cupid.

Some Readers, 'tis probable, would have been glad to know why the Poets call Cupid Signior Junio. Has it an Alluſion to any old Tale, or to any Charactar in any old Play? No ſuch Thing. As there is a Contraſt of Terms in Giant-Dwarf, ſo I have a great Suſpicion there ſhould be in theſe other Words, if we could retrieve the true Reading. And why might it not have been?

This Senior-junior, giant-Dwarf, Dan Cupid.

i. e. this Old Young Man. I am ſure there is a Deſcription afterwards of him in this very Play, which will be no bad Confirmation of this Conjecture.

That was the way to make his Godhead wax,
For he hath been Five thouſand Years a Boy.
VIII. Ibid. Act 4. Scene 3.

And why indeed Naſo, but for ſmelling out the odoriferous Flowers of Fancy? The Jerks [38] of Invention imitary is Nothing: So doth the Hound his Maſter, &c.

Sagacity with a Vengeance! What? Neither oſund Senſe, true Grammar, right Inſerence, Pointing, or Meaning?—Then, what is Invention imitary? Invention and Imitation are certainly two diſtinct Things. In ſhort, iſ Mr. Pope won't merrily call it pidling, I will venture to give Light to this very difficult Paſſage. The Speech is by a Pedant, who frequently throws in a Word of Latin amongſt his Engliſh; and he is here flouriſhing upon the Merit of Invention, beyond that of Imitation, or copying after another. Correct it thus, and all is plain and intelligible.

‘—And why indeed Naſo, but for ſmelling out the odoriſerous Flowers of Fancy? the Jerks of Invention?—imitari, is nothing; ſo doth the Hound his Mlaſter, &c.

imitari, i. e. to imitate, copy, or follow after.

IX. Titus Andronicus. Act 3. Scene 3.
Which of your Hands hath not defended Rome,
And rear'd aloſt the bloody Battle-Ax,
Writing Deſtruction on the Enemies Caſtle?

Sagacity again! unleſs Mr. Pope means an Improvement of the Art Military, by teaching us that it was ever a Cuſtom to hew down Caſtles with a Battle-Ax. Or, how if he ſhould have a Mind to tell us, that they wore Caſtles, formerly, upon their Heads for defenſive Armour? There is, indeed a Paſſage in Troilus and Creſſida, which ſuch a Commentator might take in ſuch a Senſe.

[39] —And, Diomede,

Stand faſt and wear a Caſtle on thy Head, &c. But as I cannot come in to this Interpretation, I ſhall venture to read the Paſſage in Andronicus thus,

Writing Deſtruction on the Enemies Caske?

A broken k in the Manuſcript might be miſtaken for a tl, and thus a Caſtle was built at once: But I think it would be ſomething eaſier to ſplit an Helmet with a Battle-Ax, than cut down a Caſtle, and that is one Reaſon which induces me to propoſe this Reading.

I had deſign'd to throw in another Emendation upon the Word Caſtle; but I have already tranſgreſs'd the Limits of a Letter, and there are two, or three, Topicks ſtill behind, that I have an Occaſion to touch upon.

Mr. Pope's DUNCIAD having lately made its Appearance in ſo pompous a Shape, with Notes variorum, (I am ſorry the Editor could not ſpare us this ſhort Scrap in a ſingle Language;) I am very well content to paſs over the Slander of his Wit; but ought not, as I apprehend, to reſt Silent under that of his Malice, in which he would fix a pretended Charge of Ingratitude upon Me, a Vice, I hope, of all others the leaſt ingraſted in my Nature. This Charge is, ‘That during the Space of two Years, while Mr. Pope was preparing his Edition of Shakeſpeare, I, who had then ſome Correſpondence with him, and was ſolliciting Favours by Letters, did wholly conceal [40] my Deſign (upon that Author) till after his Publication.’

To one Part of this Accuſation I have reply'd in a former Letter in this Paper. To ſay I concealed my Deſign, is a ſlight Miſtake: for I had no ſuch certain Deſign, till I ſaw how incorrect an Edition Mr. Pope had given the Publick. To the other Part, I think, I dare ſecurely charge my Memory with all the Favours that ever I ventur'd to ask of Mr. Pope: and I challenge him to produce my Letters againſt me, if he thinks there is any Room for it. The firſt Favour that I ask'd, was, when I introduced a Play upon the Stage, that he would aſſiſt me in a few Tickets towards my Benefit. In about a Month after this Requeſt, I received my Packet back, with this civil Excuſe, That he had been all the while from home, and had not my Parcel till it was too late to do any thing with it. This, I confeſs, induced me, when I put out my Propoſals for Aeſchylus, to ſollicit Mr. Pope for this Second Favour, that he would pleaſe to recommend that my Deſign, if it did not interfere with his own Affair of the Odyſſey. To this Mr. Pope reply'd by Letter, ‘That he was glad I had undertaken this Work, and ſhould be as glad to promote my Intereſt, notwithſtanding his own Subſcription to the Odyſſey: That his own Awkwardneſs, and indeed Inability, of ſolliciting in any Kind, made him quite uſeleſs [41] to his own Intereſt; but that he might not be intirely ſo to mine, he would ask thoſe of his Friends for me, with whom he was familiar enough to ask any thing.—But from that Day to the Publication of my Shakeſpeare Reſtored, (an Interval of above Two Years) I never received one Line more from Mr. Pope, no Intimation of one Subſcriber by his Intereſt, not even an Order that I ſhould put his own Name down in my Liſt. Upon this naked Fact, I ſubmit the Cenſure both of my Obligations and Ingratitude.

The Publick ſhould not have been troubled with this State of the Caſe, had not theſe Inſinuations been induſtriouſly propagated at this Criſis, both to hurt my Intereſt in my Subſcription for my Remarks on SHAKESPEARE, which will now ſhortly appear in the World; and in that Play, which is deſigned for my Benefit on Monday next in the Theatre at Drury Lane. * It is my Misfortune, I can boaſt but of a very ſcanty Intereſt, and much leſs Merit; and, conſequently, Both are the more eaſily to be ſhocked. I had no Method, but This, of appealing to thoſe Many, whom I have not the Honour of approaching, for their Favour: and of humbly hoping it the rather, becauſe all my poor Attempts in Writing are calculated to entertain, and none at the Expence of any Man's Character.

I am, Sir, Your very humble Servant, Lew. Theobald.

No III. Of Mr. POPE's TASTE of RELIGION.
Being a Tranſlation of the Firſt Pſalm. For the Uſe of a Young LADY.

[]
THE Maid is bleſt that will not hear
of Maſquerading Tricks,
Nor lends to wanton Songs an Ear,
Nor ſighs for Coach and Six.
To pleaſe her ſhall her Husband ſtrive
With all his Main and Might,
And in her Love ſhall Exerciſe
Himſelf both Day and Night.
She ſhall bring forth moſt Pleaſant Fruit,
He flouriſh ſtill, and Stand,
Even ſo all Things ſhall proſper well,
That this Maid takes in Hand.
No wicked Whores ſhall have ſuch Luck,
Who follow their own Wills,
But purg'd ſhall be to Skin and Bone,
With Mercury and Pills.
For why, The Pure and Cleanly Maids
Shall All, good Husbands gain;
But Filthy and Uncleanly Jades
Shall Rot in Drury-Lane.

Numb IV.
Of Mr. Pope's TASTE of Original Sin.

[]
To the Ingenious Mr. MOORE, Author of the Celebrated WORM-POWDER.
I.
HOW much, egregious MOORE, are We
Deceiv'd by Shows, and Forms?
Whate'er we think, whate'er we ſee,
All Human Race are WORMS.
II.
Man, is a very WORM by Birth,
Proud Reptile, vile and vain,
A while he crawls upon the Earth,
Then ſhrinks to Earth again.
III.
That Woman, is a WORM, we find,
E'er ſince our Granum's Evil;
She firſt convers'd with her own kind,
That Ancient WORM, the Devil.
[44]IV.
But whether Man, or He, God knows,
Foecundified her Belly,
With that pure Stuff from whence we roſe,
The Genial Vermicelli.
V.
The Learn'd themſelves we BOOK-WORMS name,
The Block-Head is a SLOW-WORM!
The Nymph, whoſe Tail is all on Flame,
Is aptly term'd a GLOW-WORM.
VI.
The Fops are painted Butter-Flies,
That flutter for a Day;
Firſt from a WORM they took their Riſe,
Then in a WORM decay.
VII.
The Flatterer an Ear-Wig grows,
Some WORMS ſuit all Conditions;
Miſers are MUCK-WORMS, SILK-WORMS Beaus,
And DEATH-WATCHES, Phyſicians.
[45]VIII.
That Stateſmen have a WORM is ſeen,
By all their winding Play:
Their Conſcience is a WORM within,
That gnaws them Night and Day.
IX.
Ah! MOORE! Thy Skill were well Employ'd,
And greater Gain would riſe,
If thou could'ſt make the Courtier void
The WORM that never dies.
X.
O Learned Friend of Abchurch-Lane,
Who ſett'ſt our Entrails free,
Vain is thy Art, thy Powder Vain,
Since WORMS ſhall Eat ev'n Thee.
XI.
Thou only canſt our Fate Adjourn;
Some few ſhort Years, no more:
Ev'n BUTTON's Wits to WORMS ſhall turn,
Who Maggots were before.

NB. Mr. Pope has lately reprinted this Poem, but has omitted the ivth Stanza

No V. Mr. POPE'S Satire on Mrs. P—
The LOOKING-GLASS.

[]
WITH Scornful Mein, and various toſs of Air
Fantaſtic, vain and inſolently Fair.
Grandeur intoxicates her giddy Brain,
She looks Ambition, and ſhe moves Diſdain.
Far other Carriage, grac'd her Virgin Life,
But charming G—y's loſt, in P—y's Wiſe.
Not greater Arrogance in Him we find,
And this Conjunction ſwells at leaſt her Mind:
O could the Sire, renown'd in Glaſs, produce
One faithful Mirrour for his Daughter's Uſe,
Wherein ſhe might her haughty Errours trace,
And by Reflexion learn to mend her Face.
The wonted Sweetneſs to her Form reſtore,
Be what ſhe was, and charm Mankind once more.
FINIS.
Notes
*
Mr. Pope's NOTE. Inigo Jones.
Mr. Pope's NOTE. The famous Artiſt who deſign'd the beſt Gardens in France; and plann'd Greenwich and St. James's Parks, &c.
Mr. Pope's NOTE. The two famous Statues of the Gladiator pugnans, & Gladiator moriens.

All Relations, or kindred Elements that compoſe Man, as Mr. Pope expounds it. But, with Submiſſion, the Text muſt firſt be ſlightly amended, and we ſhall eaſily come at a better Explication. Read,

—all Germins ſpill at once, &c.
i. e. Germina, Seeds of Matter.

So, again, in Mackbeth. Act 4. Scene 2.

—tho' the Treaſure
*
Double Falſhood.
Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License

Zitationsvorschlag für dieses Objekt
TextGrid Repository (2020). TEI. 3653 A miscellany on taste By Mr Pope c Viz I of taste in architecture An epistle to the Earl of Burlington With notes variorum and a compleat key II Of Mr Pope s taste in divinity viz the f. University of Oxford Text Archive. . https://hdl.handle.net/21.T11991/0000-001A-5B5F-5