AMANA. A Dramatic Poem.
By a LADY.
LONDON: Printed by T. HARRISON; For W. JOHNSTON in Ludgate-Street. MDCCLXIV.
PREFACE.
[]THE ſtory of this piece is taken from the moral and ingenious writings, lately publiſhed, ſtiled THE ADVENTURER, Numbers 72 and 73. But the Drama, which was too much confined in the fable, has been inlarged here, by the addition of four perſons, namely, NARDIC, ABDALLAH, FATIMA, and HAMET. For tho' NARDIC, and ABDALLAH (SANBAD, in the original) are mentioned in the ſtory, they are not introduced into the ſcene.
Some other alterations have been made in the fable, in order to accommodate the repreſentation to a Britiſh audi⯑ence: the machinery of genie's has been laid aſide, and the cataſtrophé brought to paſs without the declared inter⯑poſition of ſuperior agents: the time and place too, have been reſtrained, to preſerve two of the unities. Shakeſpear alone could call ſpirits from the vaſty deep; he was himſelf a ſuperior intelligence; could create beings not to be found in nature or fable, could rock ages to ſleep to haſten his events, and annihilate both time and ſpace, to bring the hiſtory of a man within the repreſentation of a day.
But modern wits are no more able to ſtride in Shakeſpear's buſkin, than modern beaus to ſhoot in Ulyſſes' bow.
[iv]The moral, profeſſed in the original ſtory, is, To ſhew the folly of human wiſhes and ſchemes for correcting the moral government of the world; which ſentiment is pre⯑ſerved here in a ſpeech of Amana's.
But I confeſs that the reflections which occurred to my mind moſt ſtrongly, on the peruſal of this tale, were a tender and humane reſentment of the miſeries of thoſe nations which are ſubject to deſpotic power, and an exulting ſenſe of the peculiar bleſſings of liberty, that we enjoy in theſe thrice happy kingdoms.
The contemplation of this contraſt, both ſuggeſted and inſpired the plan of the following writing; in which I have endeavoured to contribute my grateful mite of praiſe to thoſe laws, and to that government, under which our ſu⯑perior advantages are eſtabliſhed, defended, and preſerved; and however the preſumption of this attempt may be con⯑demned, I hope that the faults of the performance may be pardoned, as the firſt eſſay of
To the RIGHT HONOURABLE The Counteſs of Northumberland.
[]I Beg leave to lay at your ladyſhip's feet a work, which from the ſpirit of liberty it at⯑tempts to breathe, may hope for the honour of your patronage. Your ladyſhip's own character juſtifies this addreſs, and the names of PERCY and SEYMOUR demand it. Hiſtory is my voucher, and fame my herald. Liberty was their creſt, and Glory their motto.
BUT ſuch an heroic ſubject is beyond my ſtrength, and I ſhall content myſelf with praiſing and admiring the more ſocial and amiable virtues of your ladyſhip, your humanity, benevolence and affability; which latter quality is the cha⯑racteriſtic of true nobility, in oppoſition to that haughtineſs which is frequently obſervable in thoſe who have ſprung from obſcurity—Thoſe who are placed on an eminence may deſcend, but thoſe on a level would riſe.
[]IF this little work, the offspring of a female and unlettered pen, ſhall be ſo happy to amuſe your ladyſhip for half an hour, it will afford the higheſt ſatisfaction to the author, who humbly preſumes to hope, that your ladyſhip's candour will pardon whatever defects your judgment may find in this piece, for the ſake of thoſe ſentiments it is intended to convey.
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AMANA. A Dramatic Poem.
DRAMATIS PERSONAE.
[]- OSMIN, Sultan of Egypt.
- NARDIC, his Prime Miniſter.
- HAMET, Aga of his Guards.
- NOURADIN, an Egyptian Merchant.
- CALED, his Slave.
- ABDALLAH, Father to Amana.
- Amana.
- FATIMA, Sultaneſs.
Attendants, Guards, &c.
SCENE, in and near Grand Cairo.
[3]AMANA.
ACT I.
SCENE, A Fountain.
Take it freely.
Rude ſtranger, hold—
Nay then, I'll do it for thee.
O! let me hide me in my father's boſom.
SCENE changes to a palace.
Yes, mighty Sultan.
ACT II.
SCENE, NARDIC's Apartment.
'Tis well—Retire.
What would'ſt thou?
Say on, for lo! my ears are all attention.
SCENE, A Garden.
Then know my errand.
With reverence I receive the Caliph's mandate.
Obſerve this mandate.
Alas! my child, it is not in my power.
ACT III.
SCENE, NARDIC's Apartment.
Adieu, and fear not Caled's ſtricteſt duty.
The die is caſt—my life upon the hazard.
SCENE, NOURADIN's apartment.
Ariſe, my ſon, and let thy ſoul taſte hope.
SCENE, the ſeraglio.
ACT IV.
SCENE, A Gothic building, repreſenting the palace of Sakara.
SCENE, NOURADIN's Houſe.
SCENE, the Garden of the Seraglio.
ACT V.
SCENE before the Palace.
Thus then I recompence thy officious duty.
SCENE, An Apartment in the Seraglio.
SCENE draws, and diſcovers Amana in a Bower, riſing from a Couch. The Attendant waiting.
SCENE, The Pavilion. The Stage darkened.
Whence comes this boaſt? What means the frantic fair!
Oh!
Oh Nouradin! fly, fly this hated place—
Death! Said you death!
O! my unhappy children!
- Zitationsvorschlag für dieses Objekt
- TextGrid Repository (2020). TEI. 3838 Amana A dramatic poem By a lady. University of Oxford Text Archive. . https://hdl.handle.net/21.T11991/0000-001A-5D05-7