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THE LONDON HERMIT, OR RAMBLES in DORSETSHIRE.

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THE LONDON HERMIT, OR RAMBLES IN DORSETSHIRE, A COMEDY, IN THREE ACTS, AS PERFORMED WITH UNIVERSAL APPLAUSE AT THE THEATRE ROYAL, HAYMARKET, WRITTEN BY JOHN O'KEEFFE, Eſq.

AUTHOR OF Tony Lumpkin in Town, The Son-in-law, The Dead Alive, Agreeable Surprize, Caſtle of Andaluſia, Fontainbleau, or Our Way in France, The Poſitive Man, The Poor Soldier, Love in a Camp, or Patrick in Pruſſia, The Farmer, The Young Quaker, Beggar on Horſeback, Peeping Tom, The Priſoner at large, The Toy, or Hampton Court Frolics, Wild Oats, or the Strolling Gentlemen, Little Hunchback, The Siege of Curzola, Modern Antiques, or the Merry Mourners, The Highland Reel, Birth-day, or Prince of Arragon, Sprigs of Laurel, &c.

LONDON: Printed for J. DEBRETT, oppoſite BURLINGTON-HOUSE, PICCADILLY. 1793.

DEDICATION.
TO THE REV. — BALL, OF WINFRITH, NEAR WEYMOUTH.

[]
DEAR SIR,

WHEN I rambled into Dorſetſhire in the ſummer of 1791, my only introduction to your acquaintance was your own frank affability, and my ſole recommendation to your hoſpitable roof, that I was a ſtranger. By your good-natured politeneſs, my mind was cheered in the ſolitudes of Lulworth, and by your many friendly and kind offices I was furniſhed with information in a place where all was novelty, []though my firſt charm there was the certainty of what I had ſuppoſed to be common in England, a pious and benevolent clergyman; and though I could, previous to my viſits at Winfrith, boaſt the honour of having ſtood before the great gates of a biſhop's palace; yet, for the comforts I there enjoyed in the little parlour of a country parſonage-houſe, accept this trifling teſtimony of well-remembered goodneſs to,

DEAR SIR,
Your highly honoured, and much obliged ſervant, J. O'KEEFFE.

PROLOGUE.

[]
DREAD cenſors! by whoſe nod we ſink or riſe!
Be merry, pray, to-night, and not too wiſe!
Our bard will ſmile at the ſtrict critic rule,
He had his learning in a laughing—ſchool.
Order, and ancient laws, he dares neglect;
And rather would be pleaſant, than correct;
Nay, ſpite of all grave claſſical communities,
Wou'd ſooner make you laugh than keep the unities.
Mirth is his aim—and critics! we implore you,
Relax, while our light ſcenes we lay before you!
Good-humour to the countenance adds graces,
Unbend the iron muſcles of your faces!
Lay acid wiſdom by; think mirth no ſin;
Throw your ſour dignity aſide,—and grin!
Yet tho' we laugh we won'd not quit the grounds
Where ſportive nature marks her ample bounds:
Various her range! calm, gay, then in the vapours—
We catch the goddeſs while ſhe's cutting capers.
To prove that we have caught her in the act,
Our Hermitage is built upon a fact.
If, then, the drama's frolic pencil draws
A frolic fact—away with critic laws!
And grant the ſketcher's fancy your applauſe!
Oft has he drawn before—this ſhop is full
With touches from his hand; and none thought dull;
Should this, to-night, ſeem vapid to your eyes,
'Twould prove a Diſ-Agreeable Surprize—
Oh! think on his collection now in ſtore,
And ſmile on him, on whom you ſmil'd before!

DRAMATIS PERSONAE.

[]
MEN.
  • WHIMMY, Mr. SUETT.
  • OLD PRANKS, Mr. AICKIN.
  • YOUNG PRANKS, Mr. BANNISTER, Jun.
  • PEREGRINE, Mr. EVATT.
  • APATHY, Mr. BLAND.
  • POZ, Mr. BARRETT.
  • BITE, Mr. COOKE.
  • NATTY MAGGS, Mr. PALMER, Jun.
  • BARLEYCORN, Mr. BENSON.
  • TULLY, Mr. JOHNSTONE.
  • SKIP, Mr. ABBOT.
  • BAREBONES, Mr. WEWITZER.
  • TOBY THATCH, Mr. PARSONS.
  • CARTER, Mr. BURTON.
  • JOHN GRUM, Mr. ALFRED.
  • POST BOY, Mr. CORNERFORD.
  • JOHN, Mr. LYONS.
  • COACHMAN, Mr. LEDGER.
WOMEN.
  • DIAN, Miſs HEARD.
  • Mrs. MAGGS, Mrs. WEBB.
  • KITTY BARLEYCORN, Mrs. KEMBLE.
  • FISHWOMAN, Mrs. POWELL.
  • LADIES, Mrs. CUYLER.
  • LADIES, Mrs. HALE.

SCENE, DORSETSHIRE.

THE LONDON HERMIT, OR RAMBLES in DORSETSHIRE.

[]

ACT I.

SCENE I. Before a Country Inn and great Gates leading to Whimmy's Houſe.

Enter BARLEYCORN, (from the Inn.)
BARLEYCORN.

TOBY, Toby Thatch! what doſt ſtand gaping about there?

Enter TOBY.

Been up hill to look towards great road.

BARLEYCORN.

Any carriages coming?

TOBY.

Fine coach and four horſes—a high thing—O me! chay—a pheaton (I think they call it)—and a whiſkey-me-gig.

BARLEYCORN.
[2]

And there's a boat full of company juſt put in at the cove, all to ſee 'Squire Whimmy's improvements—Then there's our poney-race. Dang my buttons, we ſhall have a houſe full to-day. What a donkey was I to let that daughter of mine go gadding to Blandford. Company flocking,—and my child, that ought to have my intereſt at heart, when ſhe ſhou'd be preparing entertainment for the gueſts, mayhap, ſhe's now gawking over a race-courſe.

TOBY.

And all the buſineſs left upon I.

BARLEYCORN.

Always grumbling, you idle raſcal.

TOBY.

Well, I've more trades than the beſt idle raſcal in all England. I'm waiter and attend the company, as oſtler I wait on horſes; I paints the names on the ſmugglers' boats; I plays the fiddle at church; I'm a tight lockſmith; I'm a bit'n a pariſh conſtable; and for walking on meſſages to Weymouth, Blandford, Corfe, Poole, or Wareham, I'm allow'd to be as ſmart a footpad as any in the county of Dorſet. [Laughing without.] There's the 'Squire's ſarvants within, ha! ha! ha!—they've rare ſtingo at home, and yet come drinking our taplaſh. I'll go ſarve 'em. (Going.)—but there's their maſter come upon 'em;—he's in a mortiſh fury with ſom'at.

BARLEYCORN.

Dang my buttons! This daughter of mine not come yet, and here the houſe now chuck full.

TOBY.
[3]

I'll run and ſee; for I warrants Kitty will bring home ſome fine ballads.

BARLEYCORN.

Our ſubſcription' not full to buy the ſilver cup; and the folks are already gaping for the race. Take you the paper about and ax what the company will give towards it.

TOBY.

I wool.

Exit.
Enter WHIMMY, (in a rage.)
WHIMMY.

You, ſirrah! did I not build this inn here for you at the very entrance of my improvements? Did not I put you and your family into it, and an't you getting money here as if you coin'd it? Is it not a bean-garden that I've turn'd you into; and an't you fattening in it, like a baſe ungrateful great boar as you are?

BARLEYCORN.

Great boar! I don't underſtand what your honour would be at.

WHIMMY.

Here, on the very day I have propriated to oblige the world of taſte and faſhion, by ſhowing them my houſe, pictures, gardens, and improvements, you muſt fix your damn'd twopenny poney-race.

BARLEYCORN.

I did it to draw company to the village.

WHIMMY.
[4]

Yes, to your own paltry alehouſe, you ſordid raſcal!

BARLEYCORN.

Improvements!—Who'd come to view your improvements, Sir, if they wa'n't ſure of a good dinner from me? If they can eat marvel and drink water, they may feaſt upon your improvements; but after all their eye-gluttony in your gardens, their palates are ready enough for a Scotch-collop at the Red Lion. Here, you Toby, why don't you mind the company. (Calling off.) Dang my buttons!—Landlord—Big boar—Pay his rent.

Exit muttering.
WHIMMY.

Here's plebeian gratitude!—Oh! plague of the fingers that ſign'd you a ſeven years leaſe.

OLD PRANKS without.

No, no,—I'll walk up to Whimmy's—Oh! why he's here—How d'ye do, Dick?—Found you out, eh!

WHIMMY.

My name is Richard.—What! the friend of my youth, Billy Pranks.—

(Aſide.)

Now ſhall I be twitted with former favours; and I don't like that.

OLD PRANKS.

So, you've pick'd up the mocuſſes in the Indies! Pack'd up, came over.—Never look'd after me.

WHIMMY.

I aſk'd every body after you.

OLD PRANKS.
[5]

What! I ſuppoſe you aſk'd King Charles at Charing-Croſs;—Nobody about 'Change could tell of William Pranks, the banker, of Lombard-ſtreet.—You hound, I was your friend when you hadn't another; but now you don't want one—

WHIMMY.

Hound, what's the matter with you? Wou'd you have me advertiſe or ſend the bellman about to cry you?

OLD PRANKS.

You're moſt plaguily alter'd for the worſe. Well, I've been told all about you.

WHIMMY.

Then, as you have heard l've hopes of a peerage, you might be a little more reſpectful, Billy.

OLD PRANKS.

If you want to have more reſpect than another man, be better than another man; for your being call'd a lord, can neither give you a wiſe head or a good heart. How's your daughter? fine girl, I hear; wonder'd at it, when I thought of your phiz.

WHIMMY.

You are as civil as ever.

OLD PRANKS.

You ſhall give her to my nephew, the greateſt rogue in England.

WHIMMY.

Why there may be finer girls than my daughter, yet I think ſhe's too good for a rogue.

OLD PRANKS.
[6]

Where did you make your fortune?

WHIMMY.

You know in the Indies to be ſure.

(Aſide.)

If I had millions this fellow ſtill overawes me, that I'm a mere mouſe before him.

OLD PRANKS.

I ſcorn to remind you;—you owe all that fortune to me.

WHIMMY,
(aſide.)

'Twill be long enough before I repay you.

OLD PRANKS.

Only think of all the good things I've done for you. Didn't I ſuffer you to write for me from ſix in the morning to ſeven at night; lock'd you up, and fed you upon bread and cheeſe, to ſharpen your induſtry upon the grindſtone of neceſſity.

WHIMMY.

Yes; you did keep my noſe to the grindſtone.

OLD PRANKS.

Wasn't it I got you out to Bombay in a reſpectable line of a guinea-pig? Didn't I procure the letters to the Governor and general officers? Didn't I write myſelf, "This young man, the bearer, is a "prudent lad, that will do all you dirty work?"

WHIMMY.

Certainly, your letter did me great honour.

OLD PRANKS.

Didn't you derive all your intereſt from a pamphlet [7]that I wrote, and gave you the credit of, tho' I thought 'twou'd bring the author to the pillory?

WHIMMY.

I acknowledge all your goodneſs.

OLD PRANKS.

Then give your daughter to my nephew; they ſhall have every penny I'm worth when I die.

WHIMMY.

Aye; but there's danger of your living a great while, Billy.

OLD PRANKS.

What! are you afraid of it, you golden calf?

WHIMMY.

Where is your nephew?

OLD PRANKS.

Was in the Temple; is now in the King's Bench; he doesn't know it, but it's I that keep him there, to make him, from a dread of confinement, avoid running in debt. Shan't give him two ſixpences unleſs he marries your daughter.

WHIMMY.

Aye; but I've promis'd her to a good young man in the neighbourhood here, who has made the tour of Europe. Ah! Mr. Peregrine brought home taſte enough to lay out my gardens, diſpoſe my ſtatues, and make yon ſpot the ſeat of virtù and elegance.

OLD PRANKS,
(aſide.)

Got his money like a knave, and now gives it away like a fool.

WHIMMY.
[8]

Not half an hour ſince I actually promis'd Mr. Peregrine that he ſhou'd marry her to-morrow.

OLD PRANKS.

But, don't you recollect a prior promiſe to me? Didn't you engage if you ever made a fortune and had a child, my next a-kin ſhou'd have both?

WHIMMY.

Aye; but Peregrine will ſhoot me if I break my word to him.

OLD PRANKS.

Break it with me, and I'll cut your wizen.

WHIMMY.

Oh dear! I'm brought into this dilemma by my bad memory. Hark ye, Billy, I'll make Peregrine wait, on pretext that his conſtancy muſt be tried.—Yes, I'll ſend him to travel again for a ſeven years.

OLD PRANKS.

Inſtead of marriage, let him go to-morrow.

WHIMMY.

Aye; but on his return he'll claim my promiſe.

OLD PRANKS.

Pſhaw!—his back turn'd, my nephew will be here;—I've already ſent for him; Tom's a ſprightly blade, monſtrous wicked tho'.—This the entrance to your grounds?

WHIMMY.

Yes, I've tranſported Italy into England.

OLD PRANKS.
[9]

Italy!

WHIMMY.

Here you'll ſee gardens.

OLD PRANKS.

I've a garden at Brixton Cauſeway.

WHIMMY.

Such bananas—

OLD PRANKS.

What! do they boil better with a bit of corn'd beef than a ſummer cabbage?

WHIMMY.

Cabbage! My hot-houſe!—half a dozen ſuch peaches laſt Chriſtmas! upon a ſum up, the rearing will coſt me two guineas a piece.

OLD PRANKS.

For whoſe eating?

WHIMMY.

My own, to be ſure.

OLD PRANKS.

Old Nick jump after them; ſwallow in a minute what would have kept a whole family for a twelvemonth.

WHIMMY.

Wer'n't they my own?

OLD PRANKS.

Superfluities are not our own, whilſt the poor want common neceſſaries. When do you dine?

WHIMMY.
[10]

Not till to-morrow, becauſe I reſign my houſe and improvements to-day to the admiration of a wondering public; but you ſhall ſup with me, my friend.

OLD PRANKS.

Thank ye.

Enter BARLEYCORN.
BARLEYCORN.

Sir, Parſon Jack be making collections for the poor ſufferers that was burnt out there at Minehead. He has ſent the paper here, to put down your worſhip's name for a trifle.

WHIMMY.

I wiſh Parſon Jack would mind the buſineſs of his own pariſh; what have we to do with the poor of another county?

OLD PRANKS.

Hark ye, Dick Whimmy, in the hour of calamity, the unhappy of every country are our fellow-citizens

(gives money.)

Put that down.

BARLEYCORN.

Your name, Sir?

OLD PRANKS.

Never mind my name—If I can do any good, I don't want to blow a trumpet about it.

WHIMMY.

Eh! well, as it's a charity, I'll give—

BARLEYCORN.
[11]

How much?

WHIMMY.

I'll give them—As I love to be modeſt, put down plain Dick Whimmy, one pound one.

BARLEYCORN.

I'll give it myſelf, and dang me if your ſhabby name ſhall diſgrace our pariſh paper.

Exit.
OLD PRANKS.

That fellow has a ſoul.

WHIMMY.

There's a ſaucy villain.

OLD PRANKS.

Yes; but Dick, a ſordid mind ſinks a man into contempt, though maſter of millions.

WHIMMY.

I deſire, Billy, not to hear diſagreeable things; will you come up with me now?

OLD PRANKS.

I'll throw on a ſhirt.

WHIMMY.

Well, you'll excuſe me till ſupper.—I muſt give Tully, my gardener, his leſſon,—and—no hermit got yet! Look! I've advertiſed for a man to ſit dreſſed up as a hermit in the hermitage of my gardens.

OLD PRANKS.

Dick, have a good ſupper; remember old times.

WHIMMY.
[12]

Yes, I ſhall never forget bread and cheeſe.

Exit.
OLD PRANKS.

Invites every body to ſee his gardens, and then the ſhy churl ſneak out of the way. Tell me of carvings and paintings! I ſay the beſt part of a gentleman's houſe is his kitchen and wine cellar.

Enter TOBY.
TOBY.

Shall your horſe have any oats, Sir?

OLD PRANKS.

Yes, Sir; but if you pleaſe, Sir, I'll ſee him eat them myſelf, Sir; for if the poor beaſt is cheated, he can't even ſummons us to a court of conſcience.

Ex.
TOBY.

Stand to look at a horſe eating corn! Ecod then you muſt be main fond of ſeeing other folks at dinner.

Exit.
Enter YOUNG PRANKS, and KITTY BARLEYCORN in a genteel travelling dreſs.
YOUNG PRANKS.

Have you forgot any thing in the chaiſe, Ma'am?

KITTY.

Oh dear! yes,

(ſearching her pockets.)
Enter POST BOY.
BOY.

You dropt this.

Exit.
KITTY.
[13]

Oh Lord! my book of ballads that I bought at Blandford.

YOUNG PRANKS.

A divine girl!—but what the devil does ſhe want with a book of ballads?

(aſide)

—Really Miſs don't you go any farther?

KITTY.

Why no, Sir.—Lud I hope he won't find out that my father keeps this inn here,

(aſide.)

—Sir, I wait here, and expect my friends to ſend a ſervant and a horſe for me.

YOUNG PRANKS.

Oho! then you're fond of riding, I preſume, Miſs?

KITTY.

Oh, yes, Sir, with a pillion.

YOUNG PRANKS.

Oh!—behind a—Heavens! that I was the happy ſervant to ride before you.

KITTY.

Cou'dn't expect a gentleman like you, Sir.—Dear, I'm afraid my father or Toby will come out to expoſe me,

(aſide.)

Then, Sir, you're going on to Weymouth?

YOUNG PRANKS.

Yes, Ma'am, my feet, head, body, and hands, but my ſoul remains at—What's the name of this village, Miſs?

KITTY.
[14]

I really don't know, Sir,—though I was born in it,

(aſide.)
YOUNG PRANKS.

I wonder, do we change horſes here, or get another chaiſe?

KITTY.

I fancy, Sir, you change the carriage.—Lud! I wiſh it was ready, and he'd go off, though when he's gone, I ſhall be indeed unhappy.

(aſide.)
YOUNG PRANKS.

Miſs, won't you take ſome refreſhment? we'd beſt—ſtep in.—Permit me the honour of accompanying you.

KITTY.
(Aſide.)

Oh dear! then he finds out who I am, and will deſpiſe me.—Why no, Sir—my grand papa's ſervant may be now waiting, and he's a very croſs cruſty grumps, if he'd ſee a gentleman with me.

YOUNG PRANKS.

Eh! what's going forward yonder up the hill? a race here I believe.

KITTY.

Oh! yes, Sir, for the ſilver cup.—Dear! what a fine thing 'twou'd be for father to win it. Our parlour cuſtomers love to drink out of ſilver.

YOUNG PRANKS.

Cuſtomers!

KITTY.
[15]
(Aſide, and confuſed.)

Oh, Lud!—I mean, Sir—my papa—likes a race. Sir, your moſt obedient humble ſervant.

YOUNG PRANKS.

Madam,

(they part with great ceremony and tenderneſs.)
Exit Kitty into the houſe.
YOUNG PRANKS.

Oh, by Heavens! ſhe's a cherubim! a good fortune, I dare ſay—thinks me rolling in gold. Ah! ſhe'll be in all the faſhionable blaze of Weymouth, and ſhou'd I ſee her, I muſt ſneak out of the way with my empty pockets.

Enter PEREGRINE.
PEREGRINE.

I was right enough—'tis Tom Pranks.

YOUNG PRANKS.

What! my worthy Cambridge Johnian, George Peregrine? ah! how d'ye do?

PEREGRINE.

Ah! but Tom, what has brought you here? what are you on?

YOUNG PRANKS.

I'm on air, fire—Are you on a viſit down here?

PEREGRINE.

Viſit! no, at home; I've a ſort of little lodge hard by, at which I ſhall be very happy to ſee you; but, come, what brought you down here? To ſee Mr. Whimmy's gardens!

YOUNG PRANKS.
[16]

Whimmy! who's he? You can't conceive what a variety of high—low—jack—and game, ſince the morning we parted at the Shakeſpeare, you in a poſt-chaiſe for Dover. I in a phaeton for New-market, juſt run a horſe at Blandford—loſt—beſt of the fun, I'm at this moment a priſoner in the King's Bench.

PEREGRINE.

A priſoner in the King's Bench, and 122 miles from town? Why, Tom, you've ſkipp'd out of bounds indeed! Come, how?

YOUNG PRANKS.

Why you may ſuppoſe, George, that my expences far exceeded my uncle's allowance—thought to help out by a lucky hit now and then, ſo bought a blood mare, had her put in training, then entered for the plate at Blandford—a beautiful thing—the crack of the caurſe—but before the meeting, a few poſitive mechanical raſcals thruſt me into the King's Bench—muſt go to Blandford though, ſo procured the rules, and in hopes the turf could bring me in money enough to pay my debts, off I ſpank'd for Dorſetſhire, and, ſpite of informers, appeared on the courſe. The opinion ſeemed all in favour of my mare; but, like a curſed green horn, I withdrew her from the plate, and made a by-match to run her againſt Lord Skelter's ſour-crout, to ride ourſelves—but after the firſt round, my infernal groom told me I carried too much weight, ſlung part away, came in firſt; but my Lord inſiſting on our being again weighed, I was too light by a pound and an half, ſo that though I won, I loſt the race; two hundred to my Lord; in ſhort, every guinea of a full [17]five hundred that an honeſt methodiſt preacher, my landlord in the rules, raiſed to equip me for the expedition.

PEREGRINE.

Ah, Tom! I thought when you and I were at Cambridge together, your ſcampers to Newmarket would turn to this at laſt.

YOUNG PRANKS.

Certainly it's life, my boy.—You were always a dead fag, and I was a blood. You know I never could prevail on you, even then, to make one of our toxophilite club.

PEREGRINE.

But where are you going now?

YOUNG PRANKS.

Can you tell me? Dem'me if I can tell you.—Sir, I was diſtreſſed—diſtracted—I—

PEREGRINE.

Ay! but Tom, your mare,—as ſhe won—

YOUNG PRANKS.

She's gone; ſold her for five hundred—went to dinner, tuck'd three bottles under my girdle—hopp'd off as ſteady as old time to the aſſembly, laugh'd at the minuets—tol lol,

(mimicks)

adjourned to a ſnug hazard party—loſt every face—roll'd into the ſtreet at eight in the morning—ſaw a carriage at the Greyhound door—pretty girl all alone—finding it was a return chaiſe, ſtept in without knowing whither bound—had a moſt delectable chat—a lovely creature—ſingle—hither we've come—ſhe's there—I'm here—ſhe's an angel with a great fortune—I'm a dog without the price of a collar.

PEREGRINE.
[18]

Ha! ha! ha! Well this is a moſt curious detail of your adventures. Tom you hav'n't heard, perhaps, I'm going to be married to the heireſs of the Caſtle yonder?

YOUNG PRANKS.

Indeed! this is your muzzing for a fellowſhip.

PEREGRINE.

But won't you return to the King's Bench?

YOUNG PRANKS.

No! can't do that; they'd never let me out again.

PEREGRINE.

Yes; but if you're found out here, it will be worſe: what will you do?

YOUNG PRANKS.

What will I do? Damn it, you're always putting me to the mathematics: fling by your Euclid, and you tell me what I ſhall do.

PEREGRINE.

Ha! ha! ha! the very thing for you, Tom, ha! ha! ha!

YOUNG PRANKS.

Plague of your ſneer; what are you at?

PEREGRINE.

Read that paper.

YOUNG PRANKS.

Paper! what's this?

(reads an advertiſement which is poſted up againſt the ſign poſt.)

‘A liberal offer.—A perſon wanted to ſit dreſſed as a hermit in the hermitage [19]of very capital gardens: on condition of his attendance for ſeven years, he will be entitled to a gratuity of two thouſand pounds, and three hundred a year for the remainder of his life.—For particulars inquire within.’—Eh! what's all this about? Hermit!

PEREGRINE.

Tom, why ſuppoſe you apply for this.

YOUNG PRANKS.

Me! what I turn hermit?—Pooh, nonſenſe! a high go, faith.

PEREGRINE.

Will your uncle pay your debts?

YOUNG PRANKS.

He! I've got a hint 'twas he threw me into priſon.—No! never ſhall I touch an ounce of his.

PEREGRINE.

A couple of thouſands—three hundred a year for life!

YOUNG PRANKS.

Oh! but how wou'd it tell among one's friends? mine are all bloods, my dear.

PEREGRINE.

While you can keep pace with them in flaſh and expence: but drove into a corner by ſickneſs or poverty, there they leave you.

YOUNG PRANKS.

Three hundred a year—

PEREGRINE.

If you think it an object, I'll anſwer for your getting the ſituation.

YOUNG PRANKS.
[20]

What elſe can I do? for when I came into this village, I didn't know which way to turn my face; back to London I cannot go; I'll have it—two thouſand! three hundred a year! I'll have it. Tol, lol.

PEREGRINE.

No, but ſtop—can I believe that you'd continue ſeven years?

YOUNG PRANKS.

Seven thouſand! Be independent of uncle—dreſs'd up in a gown and long beard, dam'me, I'll be a fine old bald-headed buck—beſides the change of perſon, if the marſhal ſhould ſend conſtables down here after me—the very thing!

PEREGRINE.

Stop in the houſe a few minutes and I'll acquaint Mr. Whimmy.

YOUNG PRANKS.

Do, tell him I'll be a hermit, a pilgrim.

(Sings.)
In pennance for paſt folly,
A Pilgrim blythe and jolly.
Exeunt.
Young Pranks goes into the houſe.

SCENE II. A Room in the Inn.

[21]
Enter BARLEYCORN.
BARLEYCORN.

Oh! the gentlefolks that came from Weymouth by water; they ſeem to have got a ſouſing.

POZ without.
POZ.

All your fault, Bite.

BITE
(without.)

Mine! 'twas your's, Mr. Poz.

Enter POZ and BITE.
POZ.

You know you wou'dn't let the ſail be up.

BITE.

If it had we ſhou'd have tipp'd over, been knock'd againſt Durdle Door rock, as they call it.

POZ.

I know better; we ſhou'd ha' ſkim'd like a ſwallow—boxing about three hours in dabbling oars.

BITE.

I wiſh we had dinner; I'm proud to ſay I'm quite peckiſh.

POZ.

Ay! you peck'd all the way at the ham and cold fowls.

BITE.
[22]

We were ſo blown about—the wind ſharpens one's appetite.

POZ.

I know better—we came upon a party of pleaſure, and had nothing but croſſes and wrangling. Keep your temper like Mr. Apathy yonder.

BITE.

Aye! becauſe Mr. Apathy's a man of faſhion, his abſent inſipidity is thought agreeable.

Enter APATHY and LADIES.
FIRST LADY.

Water excurſion! horrid!

APATHY.

And this is a party of pleaſure,

(yawns.)
FIRST LADY.

Some vulgar club-room, I ſuppoſe.

BITE.

This the preſident's chair.

POZ.

Aye, it juſt ſuits a fat beadle.

APATHY.

So it does. Will you pleaſe to ſit, Ma'am,

(hands it to Firſt Ladſ.)
FIRST LADY.

Offer me a great chair, indeed.

[23] Enter KITTY.
KITTY.

Oh! that dear ſweet gentleman—from his having ſuch fine running horſes, he muſt be certainly ſome great ſquire. Heigh ho!

(ſits in the great chair.)
FIRST LADY.

Pray do you know this young lady?

BITE.

Miſs, will you take a glaſs of negus?

BARLEYCORN.

I ax pardon. Miſs, will you be kind enough to go boil the lobſters for the company? Dang my buttons, this is letting you go to Blandford races—I'll buy riding habits and feather'd hats for you—go put on your mob-cap and whire apron—there's the keys—get along.

KITTY.

I ſhall, father; don't be angry. As that charming gentleman doesn't ſee me in this mean ſituation, I don't care what any body elſe thinks of me; but he's far off by this,

(aſide)

What wou'd you pleaſe to have, ladies?—Father, I hope the gentlemen haven't been long waiting. Here, Toby, I'll look to every thing myſelf, father; don't make yourſelf uneaſy.

Exit.
FIRST LADY.

Oh! then, good man, that is your daughter?

BARLEYCORN.
[24]

Yes, Ma'am, that is my daughter.

FIRST LADY.

You ſhou'dn't ſuffer her to give herſelf ſuch airs before people.

BARLEYCORN.

True, Ma'am, that's all along of an aunt of her mother's—leaving her a little budget of money—makes the ſaucy ſlut independent of me.

Enter YOUNG PRANKS.
YOUNG PRANKS.

I aſk pardon, I fear I intrude?

POZ.

Oh! no, Sir, we dine in this room; but we were juſt on the wing to ſee the gardens, come.

Enter FISHWOMAN.
FISHWOMAN.

Maſter, I be's poor woman, brings fiſh to Blandford; Mrs. Pooley, at the Greyhound, ſends you this, you had forgot there,

(giving a ſmall portmanteau.)
YOUNG PRANKS.

Yes, faith, here's my jockey dreſs—there you beauty

(gives money.)
Exit woman.
[25] Enter TOBY.
TOBY.

If one of you gentlefolks be called Lawyer Poz, and be come from London to breed diſturbances, there's a mon would talk with you.

POZ.

Any man that talks to me, muſt pay for my talk to him. Where?

Exit, Toby follows.
YOUNG PRANKS.

Landlord, I have now ſeen ſince I came here two ſuch females, one, the fineſt woman in the world—and—

FIRST LADY.

Sir, you ſhould always except the preſent company.

YOUNG PRANKS.

Madam, I aſk pardon—and the other the moſt ordinary I ever ſaw, except the preſent company,

(bows.)
APATHY.

I like a party of pleaſure, come Madam.

(Takes Barleycorn by the hand.)
Exeunt all but Young Pranks.
YOUNG PRANKS.

Yes, I recollect this Attorney Poz, and a very litigious ſcoundrel he is too. Eh! they ſell wine in our ale houſe—waiter!

(rings)

—the charming young lady by this is with her friends.

[26] Enter KITTY, (in a plain dreſs, with a bowl in her hand.)
KITTY.

Did you pleaſe to call? this brandy and water for you, Sir?—Oh, Lord! I ſhall ſink with ſhame,

(aſide.)
YOUNG PRANKS.

My dear, if you pleaſe to get me—Eh! why 'tis certainly ſhe? could ſhe have ſo much deception? but I'll not diſtreſs her,

(aſide.)
KITTY,
(confuſed.)

Sir, I—I—the—the waiter—ſhall bring—you what—you want.

YOUNG PRANKS.

Poor thing! I feel her confuſion from my ſoul,

(aſide)

I—do, Miſs—Ma'am—my dear—I—I—dam'me but I'm as much confuſed as herſelf! I—hem!—Irang the bell.

KITTY.

Yes, Sir—you call'd—I thought you call'd—you wanted—

YOUNG PRANKS.

Yes, my dear, I wanted—that is it.—Curſe me if I know what I wanted,

(aſide).

Her modeſty gives me ſome hope that this may have been the firſt little art ſhe was ever guilty of.

KITTY.

Toby! bring the gentleman the—the—Sir, you ſhall have it preſently.

Exit with emotion.
YOUNG PRANKS.
[27]

You moſt delicate piece of artful lovelineſs!—now is ſhe the maid or daughter of the Red Lion? the daughter ſhe muſt be. Oh! ho! now I ſee her wiſh for the ſilver cup—dam'me I wiſh I cou'd win it for her. I've my jockey dreſs here ready (puts his hand on the valiſe.) and wou'd ride, but a horſe is neceſſary. This lovely impoſtor—ſuch a fair cheat! old Grumps waiting to bring her to grandpappa! a very good offer that, faith, ha! ha! ha! Oh! this has clinch'd it. I'll turn hermit for one-and-twenty years, if only to be near this beautiful hypocrite.

Enter SKIP.
SKIP.

Sir, I believe you are the gentleman—Mr. Peregrine's compliments, would be glad to ſee you up at my maſter's.

Exit.
YOUNG PRANKS.

Very well, Sir! I've a mind to ring the bell again for another look at this charming girl—girl! true, I'm a hermit.

"In pennance for paſt folly,
"A pilgrim blythe and jolly."
Exit ſinging.
END OF ACT I.

ACT II.

[]

SCENE I. Before the Inn.

Enter from it TOBY and POZ.
POZ.

WELL, where is this man?

TOBY,
(looking about.)

He's not in the road, nor he's not in the houſe, nor he's not in the ſtable, nor he's not in—

POZ.

Zounds! I don't want to know where he is not—where is he?

TOBY.

Here be the very mon.

POZ,
(looking out.)

Eh! what Ham Bar [...]bones, the Methodiſt preacher, informer, pedlar, money-lender, broker, old-clo [...]hs-man, in the way of my profeſſion a moſt choice friend; the converſation between him and I won't admit of a third perſon.

(To Toby)

Has your maſter no call for you? but you muſt ſtand grinning here.

TOBY.
[29]

Yes, Sir, I've the knives to rub, and dinner-tables to ſet out; but I'll be in the way, for I know when a lawyer comes down here amongſt us, he ſoon cuts out work for the conſtable.

Exit.
Enter BAREBONES.
POZ.

Ah! Maſter Barebones, ſo far from London, how doſt do?

BAREBONES.

Lives—as much as honeſt folks can do now-a-days.

POZ.

I know better, my old friend; you'll live where an honeſt man will ſtarve.

BAREBONES,
(canting.)

Vhen I vas a coal-heaver, my face vas a black angel, but my inward man vas as vhite as a vhite wall that is vhite.

POZ.

Plague o'your canting to me! any buſineſs? Come, to it.

BAREBONES.

I am a tender Chriſtian, and vith my money I did relieve the poor by lending it them.

POZ.

On good intereſt.

BAREBONES.
[30]

I did take care of myſelf; I did lend five hundred pounds to a young Muſter Pranks.

POZ.

What! are you telling me this? Wasn't it I that threw him into the King's Bench for you?

BAREBONES.

As he received the money by a third hand, not knowing I vas the creditor, vhen he got the rules he did take lodgings in my houſe in St. George's Fields; I did adviſe him to run away, he did; then I did tell the Marſhal.

POZ.

But I ſuppoſe, as you knew where he went, you'll try to re-take him for the reward.

BAREBONES.

I'll do that thing. 'Twas to run a horſe at Blandford races that made him run from his bail. Don't you know him?

POZ.

No! when I ſend a man to quod, 'tis enough for me if my bailiff knows him. Lucky for you finding me here; I come down to Weymouth on buſineſs; as I ſhall charge my client three guineas a day for my travelling expences, I thought I might as well give my wife a little country air and a ſea-dip—left her behind, ill at Weymouth, when I came upon this water excurſion to ſee Mr. Whimmy's improvements. Barebones, I'm in genteel company, ſo don't ſeem to know me—Oh! yonder I ſee they're [31]going into the gardens; you and I will talk over this affair.

BAREBONES.

You are encompaſſed with the wicked—I am moved by the ſpirit.

Exit Barebones as in ejaculation.
POZ.

Ha! ha! ſanctified muns and rogue's heart.

Exit.

SCENE II. A magnificent Garden, with Statues, Fountains, &c.

Enter WHIMMY, (repeating with great exultation)
"I build, I plant whatever I intend,
"I rear the column, and the arch I bend,
"I ſwell the terrace, or I ſink the grot,
"My taſte refined"—

The company flocking in already to ſee my gardens; that tough old bully Pranks won't even pay me the compliment. I muſt have a good ſupper for him tho', or he'll do nothing but quarrel—give orders to Mrs. Maggs, my houſekeeper, about it. Oh! here ſhe is. Since I ſet her to ſhow my houſe and pictures, it has given her ſuch a conſequential—all talk herſelf, but never liſtens to any body elſe, always dinning in my ears the grandeur of the laſt people ſhe lived with; nothing but the family of the Olmondles.

[32] Enter Mrs. MAGGS.
WHIMMY.

Mrs. Maggs, you muſt—

MRS. MAGGS.

Well, Sir, I know that very well.

WHIMMY.

What, before I tell you! a gentleman ſups with me to-night.

MRS. MAGGS.

Well, Sir, I know a gentleman ſups with you.

WHIMMY.

Ay! you know now I tell you; and I'll have—

MRS. MAGGS.

Well, Sir, I know what you'd have.

WHIMMY.

Before I tell you! I muſt be ſure have a brill and variety of other fiſh.

MRS. MAGGS.

Well, I know you muſt have a brill, and variety of other fiſh.

WHIMMY.

Certainly you know when I tell you. Beſides all other wines, as my friend is a London ſoaker, have ſome of my oldeſt port, ſome bottled porter, and a pipe.

MRS. MAGGS.
[33]

Well, I know you muſt have bottled porter and pipe of port.

WHIMMY.

Now you know nothing at all about it—go along.

MRS. MAGGS.

Ah! when I lived with Squire Olmondle, he never bid me go along.

WHIMMY.

Stupid wiſe fool!

MRS. MAGGS.

Ah! the Olmondles! that was the genteel family that knew how to treat a houſekeeper like a gentle-woman.

WHIMMY.

Damn the Olmondles! I deteſt the very name; it grates my ear like cutting of cork—a teaſing ninny! you know all, won't let any body elſe know any thing, and after all know nothing at all. Mrs. Maggs, ſtep and bring me word.

MRS. MAGGS.

Certainly, Sir, I'll bring you word—

(going.)
WHIMMY.

Of what now? See if the young man, the hermit that I hir'd—

MRS. MAGGS.

Well, Sir, I know that.

WHIMMY.
[34]

Ay! you know that and this—and after that, Mrs. Maggs, you muſt—

MRS. MAGGS.

Well, Sir, I will, you may depend upon it.

Exit.
WHIMMY.

Now what will ſhe! never knew one of your profeſs'd, notable, clever women worth a penny in a houſe, but to ſay all and do nothing. Where's my—Oh! Tully, my Iriſh gard'ner?

Enter TULLY.

Tully, have you placed my new hermit yet at his poſt?

TULLY.

Ay! faith, and he ſtarted for the poſt; for as I led him thro' the paddock yonder, up he jumps upon a little horſe, and away he ſcampered as if the devil was before him, round the fiſh-pond.

WHIMMY.

My hermit galloping round a fiſh-pond! Tully, to-morrow you may go with the other ſervants to Wool Fair, but to-day you muſt bruſh up all your eloquence for your poſt of Ciceroni to deſcribe the attic urbanity of my Engliſh Tuſculum here. But mind, Tully, I command you not to take a penny from one of the company.

TULLY.

A penny! not I, Sir: but mayn't I take half-a-crown if they offer it?

WHIMMY.
[35]

No. Gentlemen ſuffering the public to pay their ſervants wages, and turning their own houſes into a Sadlers Wells and a Royal Grove, is mean. I never paid for ſeeing pictures in palaces and grape vines in gardens, that I didn't bluſh for the diſgrace thrown upon the dignity of the owner. Is the water party come that ſtopt at the Red Lion?

TULLY.

Yes, Sir. Mrs. Maggs is now ſhowing them the houſe. Ah! ſhe told them, that the picture of Mary Magdalen was Mrs. Molly Olmondle.

WHIMMY.

A moſt horrid—

TULLY.

Sir, don't fret about that woman; you know in the ſhowing way I'll bring up your credit with a wet finger; Mrs. Maggs will inſiſt that this is a pyramid—now pray, Sir, isn't it an obſticle? I muſt go and put on my Wedneſday's fine ſuit of cloaths that you gave me to ſhow the gardens in.—What country fellow's that ſtalking about the walks—only I'm in a hurry to dreſs myſelf, or by my ſoul I'd knock his head againſt the gateway.

WHIMMY.

Stop, Tully, pray remember the names and characters of the ſeveral antiques.

TULLY.

I'll tell 'em of your anticks.

Exit.
WHIMMY.
[36]

Obſticle! my anticks! very ignorant this ſaid Maſter Tully; I muſt watch how you go on with your deſcription.—Poor Peregrine thinks he marries my daughter to-morrow, I've ſcarce the heart to kill him with the diſappointment.—I ſhou'd like to come at the people's real opinion of my gardens and improvements.

Enter a WAGGONER, (whiſtling and ſtaring about.)
WHIMMY.

Were you deſired to walk in here?

WAGGONER.

Noa! 'twas my own fancy.

WHIMMY.

Why then it's my own fancy that you walk out again.

WAGGONER.

Ah! if I thought I cou'dn't do that I ſhou'dn't have comd in, I can tell thee.

WHIMMY.

What! keep your diſtance.

WAGGONER.

I wool; becauſe, at the ſame time, you keep your's—

(A laughing without.)
WHIMMY.

Oh! the company. I wiſh to hear how Mr. Tully performs his office of orator. If I could mix amongſt them without being known—this clodpate's ha [...] wig, and frock, may do it—you've no objection to a draught of ſtrong beer and a ſlice of beef?

WAGGONER.
[37]

Noa!

WHIMMY.
(Mimicking.)

Noa! then come with me.

WAGGONER.

I wool.

WHIMMY,
(turns to look at him.)

Doo!

(mimicking.)
WAGGONER.

Yez.

Exeunt.
Enter TULLY, in a ſuit of tarniſhed laced cloaths and a bag wig, with a ſmall white rod in his hand, followed by BITE, POZ, APATHY, BAREBONES, and LADIES.
TULLY.

Hem! my Lady, this is counted the fineſt place in all Ireland—England I mean.

BAREBONES.

Pagan wanity!

SECOND LADY.

What noiſe is this under ground?

TULLY.

My Lady, its the ſuccedaneous river of black Tartary; it creeps over ſticks and ſtones like an eel, hops like a trout, and then jumps like a ſalmon up the rocks yonder; then it ſails away ſo gay into the ſea like a maiden ray.

BAREBONES.
[38]
(Apart to Poz.)

I've ſpoken with the poſt-chaiſe boy that did drive a gemman and the girl of the alehouſe to the village here, and by the deſcription it's young Mr. Pranks, the man ve vants.

POZ.
(Apart.)

The pariſh conſtable is the waiter at the Red Lion, engage him to arreſt—hem!

Enter WHIMMY in a waggoner's frock, &c.
WHIMMY.

I don't think they can know me—now I ſhall hear how my gard'ner performs his office,

(aſide.)
BITE.

What figure call you this?

(points to a ſtatue.)
TULLY.

Ay! you're a nice figure to come thruſt your noſe into the company of ladies and gentlemen,

(to Whimmy.)
BITE.

No! I mean this.

TULLY.

That's Venus, the goddeſs of med'cine—a pretty employment I've got to throw away my roratory and knowledge to divart ſuch dirty blackguards as you.

(to Whimmy)

—this is—

WHIMMY.

Apollo of Belvidere,

(apart.)
TULLY.
[39]

Ay! that's Poll the bell-weather, that run after Daphne, and was kick'd out of heaven by Jove, (I'll be free) and ſo turn'd cow-boy to—

WHIMMY.

Shepherd to king Admetus,

(apart.)
TULLY.

Ay! they'll all meet us; but who bid you put in your prate?

FIRST LADY.

Heavens! who is that?

TULLY.

That is—that is,

(confuſed)

—that is, my Lady—I don't know what it is myſelf,

(aſide)

—Why, your Honour, it's not a watch-box, nor it's not a wheelbarrow, nor it's not a—

WHIMMY.
(Whiſpering.)

Minerva—Pallas.

TULLY.

It's not a palace, or a cake-houſe—I wiſh you'd hold your gab—you made me ſay it was a watchbox juſt now—why it's marvle, it's all made of marvle.

SECOND LADY.

But the lady marvles who 'twas made for.

TULLY.

Oh! 'twas made for my maſter; he bought it from the ſtone-man.

POZ.
[40]

Is it like?—

TULLY.

I'm glad you like it.

FIRST LADY.

This I ſuppoſe is—

TULLY.

Not at all, my Lady, 'tis, 'tis—

WHIMMY.
(Apart.)

Saturn eating his child—

TULLY.

Yes, Ma'am, 'tis the child eating citron—will you hold your prate,

(to Whimmy)

—this, gentlemen and ladies, is—

BAREBONES.

Idolatry!

TULLY.

What is it? Pooh! Now had not you beſt all teach me inſtead of I larning you! You ſee, your Honour, he has a flute in his mouth.

WHIMMY.

Such a damn'd Iriſh plough-ploy!

TULLY.

Ay! "The Iriſh plough-boy that whiſtled o'er "the lea," that's the man.

POZ.
[41]

Curs'd ſtout fellow this, Who is he?

WHIMMY.
(Apart.)

Hercules of Farneſe.

TULLY.

It's not bare knees, but big knees and big legs,—that's the tir'd paver reſting himſelf on his ſtone paving-ſtick.

WHIMMY.

Oh heavens! I've ſent to Italy for a fine purpoſe,

(aſide.)
TULLY.

But I'm talking here by word of mouth, when I might ſay it all in reading, as I have it by heart from my deſcribing-book—now I deſire you'll hold your tongues, for if you talk, you'll put me out; pleaſe your Honour, hem! (takes out a book and looks at it) "Theſe gar"—Oh! now I go on velvet; Theſe gardens, which are now the admiration of the larn'd and curiſh, were once a barren flat, like Saliſbury Plain, till Mr. Humphry Freak Whimmy, Eſq. gave forty thouſand pounds for the ould caſtle and lands, turn'd the courſe of the river through them, and with Roman taſte and Britiſh magnificence—

APATHY.
(Advancing.)

Pray, friend,

(looking at his watch)

what o'clock is it?

TULLY,
[42]
(confuſed.)

Roman—half an hour after one—two—Roman—two—Roman—breeches—hem!—breeches—Britiſh magnificence—the river—in the ould caſtle—ran!—round the lands. The curiſh—of Saliſbury Plain. The devil's in this man, and his what o'clock is it? He's put me all out—ſo I muſt—my deſcribing book.

(Takes out his book, wets his thumb, and turns over the leaves haſtily, and vex'd.)

Bri-tiſh mag-ni-fi-ci—Oh! here it is.

(Looking and reading.)

Having firſt travell'd to ſee the ancient beauties of Italy, I-I-taly—I—

(Looks again.)

Italy,

(Puts the book behind his back.)

and ſelected with claſſical—Ah! ah! claſſical—Ah! damnation!

(Thruſts the book into his pocket.)

Theſe gardens which are now the admiration of the larned and curiſh, were once a barren flat like Saliſbury Plain, till Mr. Humphrey Freak—

APATHY.

Oh! my—Pray, my friend, does Mr. Freak take ſnuff?

TULLY.

Yes, blackguard—till Humphrey Freak Whimmy, Eſquire—Humphrey, Eſquire—Saliſbury Street—pooh!—the Plain—larned and curiſh—river upon the ould caſtle—land turned—aboat—about—

FIRST LADY.

Why the orator's in a hobble.

TULLY.

Orator Hobble—oh! the devil take—I was ſailing on like a young ſwan, till this fellow comes with his ſnuff-box.

(Very quick.)

Theſe gardens, which are now the admiration of the larn'd and curiſh, [43]were once a barren flat like Saliſbury Plain,

(drops the book, ſtoops to pick it up)

till Humphrey Freak Whimmy, Eſquire, gave forty thouſand pounds for the ould caſtle,

(Apathy picks it up)

and lands round it.

(Looks at Apathy.)
APATHY,
(opens and reads.)

Turning to the left you wind through a moſt delicious ſhrubbery.

TULLY,
(confuſed.)

Humphrey Freak—a barren flat. My maſter's a flat.

APATHY.

You reach the labyrinth.

(Reading.)
TULLY.

Like Saliſbury Plain.

APATHY.

So intricate that you're puzzled to get out.

(Reading.)
TULLY.

I'm puzzled to get out—I'm out—Humphrey Whimmy—

WHIMMY.

Damn'd blockhead!

TULLY.

Is a damn'd blockhead.

ALL.

Ha! ha! ha!

TULLY.
[44]

Well, ladies and gentlemen, I don't wonder at your laughing at my maſter's nonſenſe in laying out ſo much money on the balderdaſh you ſee round about you here. But, ladies and gentlemen, though my maſter's a fool, you'll remember my trouble, I hope.

(Stretching out his hand.)
WHIMMY.

Not a farthing.

(Apart to him.)
TULLY.

Why a didn't expect any thing from ſuch an ill-looking beggarly whelp as you. Will you walk out of the grounds, if you plaiſe, Sir? The next thing you're to ſee is—

WHIMMY.

An aviary and pheaſantry.

TULLY.

Yes, my maſter's knavery and pleaſantry. Then there is King Pluto's Tartary—then my maſter's Elyſian Fields—then my maſter's hanging wood, where my maſter will hang himſelf, and then the hermitage.

WHIMMY.

If the new hermit's not ready, he'll diſgrace me as much as my worthy gard'ner has done.

(Going.)

I muſt be ſure.—

TULLY.

Oh! ſtop—you and your farthing. Pretty manners to walk out before the gentlemen and ladies, that know how to pay their money.

BAREBONES.
[45]

The ſpirit doth whiſper, "Ham Barebones ariſe, "and ſpeak the word to thy deluded brethren."—Down, accurſed Dagon.

(Puſhes down a ſtatue and ſtands upon the pedeſtal.)
TULLY.

Why, then I ſuppoſe you think yourſelf a fine Roman buſt. The devil's in your aſſurance to cock yourſelf up there! If you plaiſe, you'll walk down.

BAREBONES.

Brethren, I vas a coal-heaver, but on the ſtony cage where I now ſtand, I have brought you ſome biſcuits, baked in the oven of charity, carefully conſarved for the chickens of the church, and the ſweet ſwallows of—

(A ſudden noiſe without of falling water.)
TULLY.

Oh! the devil!—If what o'clock hasn't pull'd up a ſluice. Half the garden will be overflowed; and we ſhall have the carp and tench dancing among the daiſes.

Exeunt haſtily ſeveral ways.

SCENE II. Another part of the Gardens, with the view of the Outſide of an Hermitage.

Enter KITTY BARLEYCORN.
KITTY.

The race is over, and I not ſee it. Since this dear gentleman is obligated to take a hermit's place, [46]he can't be angry at my playing off the fine lady upon him—In there he ſits.

(Points at the hermitage.)
Enter at the ſide YOUNG PRANKS in a looſe coat, with a ſilver cup.
YOUNG PRANKS.

Huzza, my girl! the day is your's.

KITTY.

The gracious!—

YOUNG PRANKS.

Tully left me in the hermitage—ſlipt out again—flung off my gown, beard; and girdle—had my jockey-dreſs that I rode in at Blandford ready under it—the poney I found younder; had firſt try'd it though—ſpank up the hill—four poor jades ready to ſtart—a village race—horſe, mare, colt, or filly—I was enter'd—rode myſelf—won. Huzza! the glorious prize is your's.

(Gives her the cup.)
KITTY.

What a wild gentleman! Sir, don't think little of me for the fib I told you this morning.

YOUNG PRANKS.

No, my ſweeteſt, when a man's heart is ſet in a flame by ſuch a charming girl as you, it isn't a cup of tea that can extinguiſh it.

KITTY.

Wou'd you have a cup of tea, Sir?—la! Sir, you hav'n't din'd.

YOUNG PRANKS.
[47]

Oh! yes, my dear, I did—yeſterday.

(Aſide.)
KITTY.

It's Mr. Whimmy's way not to allow the hermit any dinner on the day when the company's expected: but, ecod, you ſhan't faſt while my father's houſe affords a dinner.

(Aſide.)

—But, what did you come down here and turn hermit for?

YOUNG PRANKS.

For love of you, my dear—dying for you theſe five years.

KITTY.

Sure!

YOUNG PRANKS.

Never ſaw you before this morning.

(Aſide.)

(Looking out.)

The very Lady I danc'd with at Blandford aſſembly!—My love, a gentleman comes yonder with whom I muſt talk politics.

Kiſſes her.)
KITTY.

The deuce is in you for a hermit.

Exit.
Enter DIAN.
DIAN.

I—I wiſh my father, with his other changes of humour, wou'd give up this fancy of reſigning the houſe thus to ſtrangers; people, one don't know who, every Wedneſday here come ſtamping and ſtaring about—even my dreſſing-room is not my own.

YOUNG PRANKS.
[48]

My charming angel, to meet you here!

DIAN.

Bleſs me, Sir, you!—I hope you're very well, Sir?

YOUNG PRANKS.

On a viſit here?

DIAN.

No, Sir, this is my father's houſe.

YOUNG PRANKS.

Her father's houſe!—Oh! here may be another cruſty old grumps. And hem! my dear, you love riding on a pillion, like Queen Elizabeth going in ſtate.

DIAN.

Sir!

YOUNG PRANKS.

I mean—your parlour cuſtomers like to drink out of ſilver.

DIAN.

Parlour cuſtomers!—But the unexpected honour of ſeeing you here!

YOUNG PRANKS.

Merely for admiſſion to you, my angel; I've hired as your father's hermit—dying for you ever ſince we parted—a fine creature—but demme, if I ever thought of you ſince.

(Aſide.)
DIAN.
[49]

I thought you then a rattler, and find I was right,—but don't teaſe me now with nonſenſe, for I'm really diſtreſs'd.

YOUNG PRANKS.

Eh! Peregrine's intended, diſtreſs'd! eh!—how? tell me—you may. Why, my dear Ma'am, I'm—you don't know, perhaps, that I'm your Peregrine's moſt intimate friend.

DIAN.

Was it, indeed, you I ſaw juſt now arm-in-arm with him?—Oh! then you don't know, perhaps, that my father, after giving his ſanction to the addreſſes of a young gentleman in the neighbourhood, now ſuddenly changes his mind, and inſiſts upon my marrying the nephew of ſome old friend of his.—Yonder's Peregrine,

(looking out)

he hasn't yet heard this unlucky news.

Exit haſtily.
YOUNG PRANKS,
(whiſtles.)

My friend, Peregrine's intended ſpoſa; I had hopes, that if he got this lady and her fortune, he might tip me a thouſand pounds, without a ſeven year's impriſonment in the old gentleman's hermitage; but borrowing money is throwing water upon the warm heart of friendſhip.

(Laughing without.)

'Sdeath, the company!—I muſt now earn my annuity.—Heh! is that Kitty gliding through the buſhes?—a moſt dear dangerous little Barleycorn this. Marriage is all out of ſight, and, without it, to take all a ſimple young girl's innocence may beſtow, would be, indeed, giving life in my breaſt to the worm that never dies.

Goes into the Hermitage.

SCENE III. The Hermitage.

[50]
Enter KITTY, with meat and drink for YOUNG PRANKS, and knocks at the door.
KITTY,
(ſinging.)
"Fair Ellinor came to Lord Thomas's bow'r,
"And pull'd ſo hard at the ring,"—

Are you within, Mr. Hermit?

Enter MRS. MAGGS.
MRS. MAGGS.

This poor hermit mus'n't ſit here, and have no dinner. My maſter has got ſo cruſty with me of late, that I'm quite weary of looking after other people's concerns; and as our young lady's to be married tomorrow, this will be no place for me. If I cou'd get a man to my mind, I'd keep houſe for myſelf, and this handſome fellow is juſt to my liking.—Beſides, my conceited ſon, Natty Maggs, is ſoon out of his time; he ſhall have a father to thraſh him, when he gets ſaucy to me.

KITTY.

The hermit's Wedneſday allowance is roots and cold water, but—

"None ſo ready as Lord Thomas,
"To let fair Ellinor in."
MRS. MAGGS.

What are you doing here, Kitty Barleycorn?

KITTY.
[51]

O Lord! Mrs. Maggs the houſekeeper! Ma'am, I was going—

MRS. MAGGS.

I know you was going. Child, do you know the danger of a young woman like you, reſorting to this lonely place, where this new-come hermit ſits with his books, and his ſkull, and his croſs bones? Do you know, Kitty, that this hermit may be a ramſcallion?

KITTY.

Yes, Ma'am—to be ſure, Ma'am—Thank ye, Ma'am—

MRS. MAGGS.

What have you got there?

KITTY.

A little eatables and a little drinkables.

MRS. MAGGS.

For this Mr. Tom?

KITTY.

Yes, Ma'am.

(Curtſies.)
MRS. MAGGS.

Then you were now going to ſee him?

KITTY.

Yes, Ma'am.

(Curtſies.)
MRS. MAGGS.

And you'd have heard ſome love nonſenſe from him?

KITTY.
[52]

Yes, Ma'am.

(Curtſies.)
MRS. MAGGS.

And you think me very impertinent for interrupting you?

KITTY.

Yes, Ma'am.

(Curtſies.)
MRS. MAGGS.

Child, take example from me—Do you think I'd ſit there alone, to eat and drink with any ſtrange hermit?

KITTY.

Yes, Ma'am.

(Curtſies.)
Enter JOHN, with a Tray of covered Diſhes.
JOHN.

Mrs. Maggs, here, I've brought the dinner.

MRS. MAGGS.

What dinner?—Go along!

(Apart, confuſed.)
JOHN.

Why, the roaſt fowl for you and the hermit, as you ordered me.

Exit.
KITTY,
(mimicking.)

Child, do you know the danger of a young woman, like you, going into this lonely place? Do you know, Mrs. Maggs, that this hermit may be a ramſcallion?—Ha! ha! ha!

Exit.
TULLY,
[53]
(without.)

Now, if you plaiſe, your honour, don't walk upon the graſs beds.

MRS. MAGGS.

Oh!

Steals off.

SCENE IV. Inſide of an Hermitage. Young Pranks diſcovered in his Hermit's Dreſs at a Table, with lamp, ſkull, bones, large book, and jockey whip.

YOUNG PRANKS.

A hermit ſhou'd have been my laſt trade. Tol de rol lol. How dev'liſh well Slingſby kick'd the tamborine.

(Holds up a wooden trencher and kicks at it.)

Zounds!

(Runs ſuddenly and ſeats himſelf at a table.)

Eh! Nobody!—I wiſh that gander, Tully, wou'd bring his flock of ſtaring geeſe, till I get down again to play with my little lamb at the Red Lion. Old Whimmy on the other days, it ſeems, ſtints me to a bottle. Dam'me, what's two bottles to me? how many have I won, by jumping over the table at Medley's? By'r leave pair and his nob.

Puts the ſkull and bones by, is going to jump, but ſits down ſuddenly.)
Enter TULLY, BITE, and LADIES.
TULLY.

The hermitage, plaiſe your honour.

FIRST LADY.

Is this your anchorite!

TULLY.
[54]

My Lady, I didn't hear he was an anchor-ſmith. He's old Father Anthony.

YOUNG PRANKS,
(repeating in a tremulous tone)
Here I may ſit and rightly tell
Of all the ſtars that Heaven doth ſhew
And all the herbs that ſip the dew,
Till old experience—
TULLY.

Aye! what ſignifies your old experience, man, with your beard acroſs your forehead? What the devil have you been about with your indecency?—Now, if you can but ſit quiet, Tom, juſt while I explain you.

(Apart.)
YOUNG PRANKS.

Tom!—I'll break your head.

(Apart.)
TULLY.

Will you? arrah, man, I'll break your two heads, plaiſe your honours.

(Apart.)
Enter WHIMMY, (in the Carter's Dreſs—Tully ſtares at him.)
WHIMMY.

My ſarcophagus defaced,—my Hercules thrown down,—my labyrinth overflown! Now, but let's hear how Tully and my new galloping hermit go on.

(Aſide.)
TULLY.

Gentlemen and ladies, this is a hermit. Here he lives, and never ſtirs out of this loneſome grotto.—Hide your boots, you devil, you.

To Y. Pranks.
WHIMMY.
[55]

What! not taken off his boots?

TULLY.

What's that to you?—you've come in here too. Here he always ſits at his prayers, all alone by himſelf, and nobody with him, and never ſees a human ſoul.

YOUNG PRANKS.

Tedious fool!—I'll quicken him tho' with a touch of the rippers.

TULLY.

He's ſo meek and quiet.

(Y. Pranks ſpurs him, he jumps up.)

Oh!

(Alights on Whimmy's toes.)

He eats nothing but herbs.

WHIMMY.

And wild berries.

(Apart to Tully.)
TULLY.

And gooſeberries! What, you will be putting in your jabber. Lives on roots and fruits.

BITE,
(uncovers a tray.)

Nice roaſt fowl, faith!

TULLY.

Man, what bewitch'd you to ſpoil my deſcriptions?

(Apart to Y. Pranks.)

and drinks of the pure—

WHIMMY,
(apart.)

—Purling rill.

TULLY.
[56]

He dosn't drink purl and gill. The hermit drinks nothing but—

WHIMMY.
(Apart.)

Mere element.

TULLY.

A mere elephant!

WHIMMY.
(Apart.)

The limpid brook.

TULLY.

I'll make you a limping rook, if you don't hold your—He drinks nothing but—

WHIMMY.
(Apart.)

Water.

TULLY.

Aye! this hermit drinks nothing but clear rock water.

BITE.

I'm proud to ſay, this is

(takes up a bottle and drinks)

dev'liſh good wine.

TULLY.

Wine and roaſt chicken! why you did it on purpoſe.

(Apart.)
YOUNG PRANKS.

I wiſh, whoever left them, had told me.

TULLY.

Tho' he's a clean, well-behaved old man.

YOUNG PRANKS.
[57]

Say gentleman, you raſcal.

(Apart.)
TULLY.

Oh! be aiſy. An't you an old ſaint?

(Apart.)
WHIMMY.

Theſe two villains muttering and quarrelling!

(Aſide.)
TULLY.

He neither uſes napkins, nor plates, nor knives, nor forks. All his houſehold furniture is in the empty trunk of that hollow tree. That's his cupboard; and there he keeps his wooden diſh and his little pitcher.

BITE.

Ah! well let's—

(Goes towards it.)
TULLY.

There! you ſee his bed is the moſs, and the herbs and the innocent ſimplicities of the earth. Go, you!

(Puſhes Whimmy, who falls on the leaves.)
KITTY.

Ah!

(Squalls out and diſcovers herſelf under them.)
FIRST LADY.

So! is this the hermit's ſimplicity?

BITE.

And this, I am proud to ſay, is his little pitcher.

(Pulling Mrs. Maggs out of the tree—The company laugh.)
YOUNG PRANKS,
(aſide.)

A ſmart dinner—a pair of women! and I ſitting like a grave owl!

[58] Enter BARLEYCORN.
BARLEYCORN.

I've follow'd you, dang my buttons!—So you've com'd up here after this new hermit.

KITTY.

O father! you're the cruel ſtep-mother.

(Barleycorn takes her off.)
BITE.

Well, this is—

MRS. MAGGS.

Yes, Sir, I know it is as you ſay. I have my reaſons, as Mr. Oldmondle ſays.

Curtſies round and exit.
TULLY.

Arrah! Tom, is this like a hermit, to have Kitty and Mrs. Maggs? What do you ſtand ſhaking your fiſt at?

(To Whimmy, who is threatening.)
Enter APATHY.
APATHY.

Mr.—what's it, has a pretty looking poney in the paddock yonder; but I'd run my brute againſt it for fifty pounds.

YOUNG PRANKS.

Done, damme! and I'll ride myſelf.

(Suddenly flings off his hermit's gown, and appears in a compleat jockey dreſs.)

Zounds! I forgot—but ſince it is ſo, hey!—we ſtart!—the way—knees tight—toes in—ſpur [59]out—carpet ground—ſlow gallop—crack—take the lead—tough at bottom, t'other horſes wind rakes hot—ſlack girt—want a ſob—down ears—whiſk tail—up noſe like a pig—rattle whip—give a-looſe—puſh for it, hey! all to fortune, the way, the way.

Exit running, and cracking his whip.
TULLY.

Holloa! ſtop, Tom; come back till I explain you out!

Exeunt all but Whimmy.
Enter PEREGRINE.
PEREGRINE.

Sir, here's—

WHIMMY,
(in a rage.)

Sir, cou'dn't you find any man in England to make a jeſt of but me? How dare you, Sir, introduce ſuch a raſcal as that? He a hermit!

PEREGRINE.

Sir, I'm very ſorry.

WHIMMY.

I lay out forty thouſand pounds, and then ſuch a ſcoundrel to get me laugh'd at by the world! but, you marry no daughter of mine. A good excuſe to quarrel and put Pranks's advice into practice.

(Aſide.)

You did collect ſome valuable things to be ſure, but your taſte's not confirm'd. You ſhall travel again; make another ſeven year's tour; and, by Heavens! not till you return will I give you my daughter.

PEREGRINE.
[60]

Sir! ſure you can't have the cruelty—Sir, only think.

WHIMMY.

I'm determin'd, won't hear a word.

Exit haſtily.
PEREGRINE.

But, Sir!

Exit following.
END OF ACT THE SECOND.

ACT III.

[61]

SCENE I. The Gardens.

Enter OLD PRANKS.
OLD PRANKS.

TO conſider on the plaguy news this puppy, my 'prentice, has brought me; he too gaping at Whimmy's raree ſhow.—Natty Mags.

(Calling.)
Enter MAGGS.
MAGGS.
(Looking about.)

Beats Kenſington hollow!—make a ſmart Vauxhall!—wants an orcheſter—caſkade—a handſome box to eat cuſtards.

OLD PRANKS.

The Marſhal of the King's Bench—

MAGGS.

Yes, Sir, as you deſired, he gave your nephew, young Mr. Tom, the rules; but he's run away. The Marſhal's beſt reſpects, Sir, has got information he's down in theſe parts; a man's come after him; but he'd know if you'd have him catch'd and cag'd up again.

OLD PRANKS.

A mad dog; but like me

MAGGS.
[62]

Yes, Sir, he's a ſad raſcal.

OLD PRANKS.

What!—after all I have done for him—ingratitude is worſe than—

MAGGS.

A face without cheek whiſkers.

OLD PRANKS.

Whiſkers!

MAGGS.

Sir, I was only ſaying—by the deſcription, Mr. Tom rattled off from Greyhound door at Blandford for Weymouth with a pretty girl in a poſt-chaiſe.

OLD PRANKS.

Weymouth! I'll have him—Step you and fetch my horſe up from the inn, ſirrah! Stop, I'll go myſelf.

Exit.
MAGGS.

Fetch his horſe, ſirrah! As Kit Cateaton ſays, the time's out for ſirrahs and ſcoundrels—cracks over the ſconce with canes—I'm not an apprentice now, to breakfaſt on cold ſcrag of mutton and ſmall beer—retiring from table after dinner with one glaſs of wine; I'm not an apprentice now. I'll no more puniſh my half ounce at the playhouſe, than 'fraid to cry up, or cut down the new piece over a pint and an oyſter, but thank the footman for letting me in, and ſneaking ſoftly up ſtairs with my ſhoes in my hand, and my hat in my pocket, to my flock bed in the attic.—Your authority over me is out, and I'll let you know it too, old Bounce.—I'll let him and every body know that I am out of my time.— [63]Nobody's boy; but my own man—and dem'me I'll ſet up for myſelf. Eh! hey!—

Enter KITTY.
KITTY.

For the ſoul of me I can't bide at home while this delightful Mr. Tom the hermit is here.

MAGGS.

One of the family! Servant, Ma'am,

(reſpectfully)

my dear, when in town, my mode to fetch a rural ſaunter, croſs Holborn before breakfaſt to Bagnigge Wells, cull the newſpapers, give a twiggle on the organ, and take a tiff of rum and milk. Shall I thank your pretty good nature?

KITTY.

Sir, if I had you down at our houſe, we keep the Red Lion.

MAGGS.

Red Lion!—How d'ye do, girl!

(familiarly impudent)

My dear, my late maſter, Mr. Pranks of Lombard-ſtreet, a friend of Mr. Whimmy's, they've agreed that young Mr. Tom Pranks—

KITTY.

La! I heard Mr. Peregrine call my hermit by ſome'at like that name.

MAGGS.

I ſuppoſe every body knows he's to marry the lady of this houſe.

KITTY.

No, Sir, it's the young lady of our houſe he's to marry; but I don't ſet up for a lady either; though [64]when dreſſed like, ſooth, all the folks here allows that ſomebody would make a good ſort of a lady. Aye! all except Mrs. Maggs;—but ſhe's jealous and envious.

MAGGS.

Mrs. Maggs! who's ſhe, pray?

KITTY.

The 'ſquire's houſekeeper.

MAGGS.

Oh! the devil! true, my very honoured mother, her laſt letter, which I never anſwered, ſaid, that ſhe was coming to live with ſome old rich Eaſt India Quiz in this very part of the country,

(aſide.)

She'll claim me as her ſon; but I'd ſooner be found playing at ſkettles at the Devil and Bag-o'-nails.—Oh, zounds! yon is indeed my very mamma

(looking out.)

—She'll be for calling me her ſon, and her dear boy Natty. But dem'me, as Kit Cateaton ſays, I'm juſt out of my time; nobody's boy, but my own man. Eh! hey!

Exit.
KITTY.

Mr. Tom really a gentleman after all? going to be married to Miſs Dian?—Ah! that's becauſe ſhe has fortin.—I ſhall break my heart.

Enter YOUNG PRANKS.
YOUNG PRANKS.

Ah! my cherub—

KITTY.

Ay, Sir, now that you're going to get this great fortin by marrying—

YOUNG PRANKS.
[65]

Marrying who! Mrs. Maggs?

KITTY.
(Aſide.)

Then he hasn't yet heard—and you'd really wed poor humble I?

YOUNG PRANKS.

Wed! Eh! Why, my love, I—I—love you to be ſure, and—we'll walk and talk together, and when tired we'll ſit and reſt ourſelves in the hermitage, my love. Tol de rol lol, I love you ſo, oh! my divine creature!—Diſtraction!—Roſe buds!—Sun beams—and pretty birds! Come; but ſuch innocence.—I'm in a humour now—I'll not venture into the hermitage, honour and humanity forbid it.

(Aſide.)
KITTY.

Sir, ſince you're ſo good as to think of a poor girl like me, you ſha'n't demean yourſelf for want of being informed that you may have Miſs Dian and all her wealth.

YOUNG PRANKS.

I have Miſs Dian?

KITTY.

Yes, Sir, it's agreed upon.

YOUNG PRANKS.

By whom?

KITTY.

Miſs's papa and the old gentleman—Mr.—Mr.—Lud now I've forgot the name again.

YOUNG PRANKS.
[66]
(Aſide.)

Can't be my uncle?—Was it—but drop my name—may get about; and if the knabbers ſhou'd follow me—no, no, it can't be me.—However, her intention is charming.—Kitty kiſs me, you're a lovely—a good girl—and for your diſintereſted generoſity in revealing a circumſtance that you ſuppoſed might rob you of me; for I will be vain enough to think you're—a—little—partial—towards—a certain ordinary fellow,

(fondling.)

—I owe you eternal gratitude.

KITTY.
(Sprightly.)

Oh, then you are—but my joy that you're not to have a lady and a fortune is very ill-natured of me. Don't you think ſo?

YOUNG PRANKS.

Oh! you ſweet—

(kiſſes her hand.)
Enter BARLEYCORN.
BARLEYCORN.

Dang my buttons, go home and ſweeten the punch, and ſqueeze the lemons.—Come and handſell your ſilver cup; you're an honeſt lad, I muſt ſay; but if you want any chat with my daughter, you muſt come to my houſe for it, good Maſter Hermit.

Exit with Kitty.
YOUNG PRANKS.

Well, if a publican will keep the ſign of an angel, there a ſaint may take his bottle,

(ſings)
"In pennance for paſt folly,
"A pilgrim blythe and jolly."
Exit.

SCENE II. Before BARLEYCORN'S.

[67]
Enter KITTY (in high ſpirits) and BARLEYCORN.
BARLEYCORN.

Come, now do, child, mind the buſineſs.

KITTY.

Oh! I'm ſo happy!—I've yet ſome hopes that this dear—Father, though he is a hermit, he is a gentleman too.

BARLEYCORN.

Well, I'd be a gentleman if I'd nothing elſe to do.

KITTY.

I forgot my ſinging, I don't know how long, ſince I've ſeen this ſweet fellow,

(ſinging)

"A young gentleman ſhe ſaw."

Enter TOBY and JOHN GRUM from the houſe.
TOBY.
(Singing.)

"Who belonged to the law."—Meaſter, I'm now conſtable.—Miſs Kitty, you like bachelors of every ſtation.

KITTY.

Dearly!

BARLEYCORN.

Do you? it's that new come Mr. Tom has brought you to this; ſo if he does marry you, let him keep you to himſelf an he can.

KITTY.
[68]
(Sings.)

"Being at a noble wedding,

TOBY.
(Sings.)

"In the famous town of Reading."

(ringing within.)
BARLEYCORN.

Od dang you both, am I to be rhim'd and ballad ſung, and the buſineſs of my houſe all—Will you go?

KITTY.
(Sings.)

"If ſhe's rich you'll riſe to fame."

TOBY.
(Sings.)

"If ſhe's poor you are the ſame."

(ringing within.)
BARLEYCORN.

Will you go?

KITTY.
(Sings.)

"She was left by a good grannum."

TOBY.
(Sings.)

"Wed me, Sir, or elſe I'll fight you."

BARLEYCORN.

You'll fight me? Dang my buttons I'll fight you, and knock you to the devil, you idle raſcal; I'll ſing and ballad you,

(beats him)

and you, you baggage!

KITTY.

Father, I believe you're uncle to the Babes in the wood.

TOBY.

You're the ould barbarous Blackamore.

BARLEYCORN.
[69]

I'll

(makes a blow at Toby)

—Get in you jade,

(puts her in, and exit.)
TOBY.

Oh! Jahn Grum, here be the mon that ſent for us.

Enter BAREBONES.
BAREBONES.

According to Lawyer Poz's advice, I'll have young Muſter Pranks apprehended.—You be's a ſinner and a publican.

TOBY.

I'm no ſinner, and only ſarvant to the publican. Eh Jahn, I'm a bit'n a pariſh conſtable though, 'twas ſaid you wanted to attach ſom'en, wa'n't it Jahn?

JOHN.

Hum!

BAREBONES.

I does. Seize him; he run'd out of priſon, Thomas Pranks is the man.

TOBY.

Oh! Thomas Pranks's man.

BAREBONES.

I thought him a ſarvant of grace.

TOBY.

Oh, he thought him a ſarvant out of place, d'ye ſee, Jahn.

JOHN.

Hum!

BAREBONES.
[70]

I followed the chap with this here varrant, I be's coom'd from Babylon after him.

TOBY.

Babylon! oh, that mun be in Barkſhire.

BAREBONES.

Great London itſelf. Thou ſeem'ſt ſtrong in fleſh, is the ſpirit with thee?

TOBY.

Don't vally the devil his ſelf, when I'm doing my duty, no more does my aſſiſtant, Jahn Grum, doey?

JOHN.

Hum!

BAREBONES.

There bee's deſcription of his parſon,

(gives paper.)
TOBY.

Meaſter Barleycorn would know if you'll eat dinner at Red Lion.—You may bring company, for we've entertainment for mon and beaſt—An't we Jahn?

JOHN.

Hum!

BAREBONES.

Get a good dinner for me, for I loves to eat and drink of the beſt.

TOBY.

You're a genteel mon—

(apart to John)

Jahn, he'll be as drunk as a tinker, then I comes chalk double on him. Eh, Jahn!

JOHN.
[71]

Hum!

TOBY.

Oh! the Squire,

(looking out.)
WHIMMY.
(Without.)

Where did he run—

(Enters)

Oh, you are the canting bawler that broke down one of my ſtatues,

(to Barebones.)
BAREBONES.

I had an inward call.

WHIMMY.

Curſe your call!

BAREBONES.

He does put it in mine head, with the ſame act, to comfort my fleſh and do a good vork, I vill get myſelf an appetite fore dinner with diſboliſhing this man's idols in his groves and high places.

Exit.
WHIMMY.

If you are ſtill a conſtable, why didn't you take that dangerous leveller into cuſtody?

TOBY.

I munna, he be the planter, and walks at large where he liſt; but I'm going to catch the defender, and I'll bring his body and ſoul before your worſhip, in ſaſararo.—Come, Jahn!

JOHN.

Hum!

Exeunt.
WHIMMY.
[72]

This prancing hermit has ſo deranged and jumbled all my ſchemes of elegant magnificence—No attention to my old friend Pranks; my daughter not yet prepared to receive his nephew—the final diſmiſſion not yet given to Peregrine—Lucky that the reſt of my houſehold is in train, that all my ſervants are ſober and regular.—An't this my fine Iriſh orator?

(Retires.)
Enter TULLY (with a mug in his hand.)
TULLY.

Upon my ſoul this hermit is no better than a bad man, that he can't ſtay there at his buſineſs, where he has nothing to do but ſit quiet—Oh fie, to come here drinking in a public houſe!

(Drinks.)
Enter COACHMAN.
WHIMMY.

And my coachman!—

COACHMAN.

Ah! Maſter Tully, I ſaw you go out at the gate, and ſo out of pure good nature I followed you, to give you a little hint, that if Maſter hears you left the gardens to-day, you may chance to loſe your place; beſides, coming here to booze is not quite the thing.

(Drinks.)
WHIMMY.

My daughter's footman too!

Enter SKIP.
SKIP.

Eh, waiter!

[73] Enter BARLEYCORN (with a mug.)

The negus I ordered, a gill of wine, ſome water, ſugar, and a lemon.

BARLEYCORN.

Why, for wine, [...] out the licence to-morrow; the man is to call n [...]xt Wedneſday with the lemons; my daughter Kitty has loſt the key of the ſugar-cheſt; nobody drinks water at Red Lion, ſo I have brought you a mug of ale.

Exit.
WHIMMY.
(Advancing.)

Hey! you ſcoundrels, what are you at here with your mugs?

SKIP.

Sir, I came to look for coachman.

COACHMAN.

And I came to bid the gard'ner drive home.

TULLY.

And, Sir, I came after the hermit, becauſe he came before me.

WHIMMY.

You moſt ſtupid—

TULLY.

Stop, Sir, what ſort of talk is that, I'm ſtupid? faith, and that's a ſacret, Sir, Sir Iſaac Newton never found out. Sir, I'm a gard'ner, and though I do dig, I'm not a ſpalpeen potatoe-boy—I've read big books of bo [...]amy, and the Millar's Dictionary and Cyclopaddy's. Didn't I graft a mayduke uppon a kackagay apple-tree then in my hot-houſe. Didn't my Lord (when he breakfaſted with you) pull from the ſame tree a canniſter of Hyſon tea and a baſket of Seville oranges? A'n't my flowers ſo ſweet that the hives round the country are empty, and the ſwarms of [74]bees come in a grand congregation into your gardens, humming every body with their bagpipes, ſo diſcreet all in their black bonnets and their yellow velvet breeches?

WHIMMY.

Men! raſcals! I wiſh I could, like the Great Mogul, be attended only by women. Ay, one comfort, my female ſervants are diligent and ſober.

TULLY.

Faith, Sir, and here's the head of your female ſervants coming in very ſober here; but how ſhe'll get out, for I don't think her buſineſs here is to drink tea.

MRS. MAGGS.
(Without.)

I will find him.

(Enters.)
WHIMMY.

Mrs. Maggs, did you want me or my coachman?

MRS. MAGGS.

No, Sir, it was the hermit brought me here.

WHIMMY.

Why, I think—

MRS. MAGGS.

Yes, Sir, I know you think.

WHIMMY.

'Twas the hermit brought us all here.

MRS. MAGGS.

He's come after Kitty—and my love for him is—

TULLY.

He's a ramping devil.

YOUNG PRANKS
(without.)
(Singing.)

"With cockle ſhell on hat brim."

TULLY.
[75]

There he hops over the buſh like a jackdaw

WHIMMY.

Stop him!

Exeunt all but Whimmy and Mrs Maggs.

What vexations! Now, my dear Mrs. Maggs, I've found out that Tully is a worthleſs man, my whole dependence of ſhewing my fine place is upon you.

MRS. MAGGS.

Now that is ſo like Mr. Olmondle.

Exit Whimmy haſtily.

Bleſs me! here comes this moſt delightful young man. I proteſt his very approach brings all my blood up in my face, my heart throbs,—and my limbs—I'm ſuch a poor creature—ſo faint—I muſt ſit,

(goes into a porch at the door.)
Enter YOUNG PRANKS.
YOUNG PRANKS.

Come out there, you moſt delicate lovelineſs, my darling roſe bud.

MRS. MAGGS.
(Riſes and appears.)

Oh, dear Sir—

(ſimpering.)
YOUNG PRANKS.

By the lord, this is my little pitcher again.

KITTY.
(Unſeen, whips out of the door, and taps him on the ſhoulder.)

Mr. Thomas!

MRS. MAGGS.

A'n't you aſhamed of yourſelf, Kitty Barleycorn?

YOUNG PRANKS.
[76]

Come, my dear creatures, you muſtn't—

MRS. MAGGS.

Well, I know we muſtn't—

YOUNG PRANKS.

What, Ma'am? Don't quarrel about me, zounds! I'm like a ſtately peacock between a pheaſant and a turkey hen.

KITTY.

La! you're ſo wild—

MRS. MAGGS.

But he's very merry, he! he! he!

YOUNG PRANKS.

Wild! merry! my whole life has been one frolic.

MRS. MAGGS.

Ay, I dare ſay, when you were a boy—

YOUNG PRANKS.

Such diverſions! altering the numbers of doors to puzzle the poſtman, at Chriſtmas in a ſtage coach changing the directions of geeſe, hares, and turkeys, with a bit of chalk and charcoal making a whole room of family portraits ſquint down upon every body.

MRS. MAGGS.

I vow you muſt not come and ſee our pictures.

KITTY.

La! he's ſo pleaſant! Well, and ah, Mr. Tom!

YOUNG PRANKS.
[77]

My ſweet creature, I came to hanſel the ſilver cup. Hey! a bottle of port and a roaſted orange! Ladies, I vow on the honour of a hermit, I'll treat you with a biſhop.

Exit into houſe.
KITTY.

Toby!

(calling.)
Enter OLD PRANKS.
OLD PRANKS.

Eh! where's this young dog my prentice, bad as my mad nephew. Waiter! my horſe.

MRS. MAGGS.

Sir, you'll return to ſup at our houſe.

OLD PRANKS.

Fooliſh Dick Whimmy to have no dinner! plague of his gardens, in his ponds plenty of carp and tench, that nobody dare fling into a frying-pan; on his green ſlopes, neither graſs lamb nor aſparagus, and for flocks of geeſe and chickens, there a peacock ſtruts, or an eagle perches, that inſtead of any body eating him, by the Lord, looks as if he'd eat us. My dear, I'm going to Weymouth, cou'dn't you give one a ſnack.

KITTY.

Oh! our bill of fare, Sir,

(going.)
OLD PRANKS.
(Stops her.)

As fine a bill of fare as e'er I look'd on,

(gazing)

what diſh ſhall I chooſe—a white forehead, a brace of black eyes, garniſh'd with long [78]auburn eye-laſhes, two roſy cheeks, cherry lips, my deſert.

KITTY.

A pity, Mr. Thomas, to diſguiſe his fine hair and delightful ſhape, in that long old beard and gown. La! Sir, what a choice hermit you'd make for Mr. Whimmy; you'd be a nice bald-headed buck, as Tom ſays.

OLD PRANKS.

I a bald-headed buck! don't you ſee I wear my own hair, child?

Re-enter YOUNG PRANKS.
YOUNG PRANKS.

I've brew'd the biſhop. Eh! what old fellow—ſo ſmooth with Kitty—Sir, a word if you pleaſe,

(twitches off Old Pranks's wig)

—Zounds, my uncle!

(runs off.)
OLD PRANKS.

Stop that ſcoundrel,

(runs after him.)
Bell rings violently, Kitty runs into the houſe.
Enter MAGGS walking haſtily.
MRS. MAGGS.

Oh, Heavens! my ſon Natty!

MAGGS.

Mamma! ſhe has me, but I won't be diſgrac'd,

(aſide, and turns.)
MRS. MAGGS.
[79]

My dear child, who could think of ſeeing you down here,

(he turns from her, and walks.)
MAGGS.

Any buſineſs with me, Ma'am?

MRS. MAGGS.

Why, my dear! Don't you know me, Natty?

MAGGS.

Zounds, Ma'am, don't Natty me!

MRS. MAGGS.

Won't you ſpeak to your mother?

MAGGS.

Who are you talking to, Ma'am?

MRS. MAGGS.

Look at me—my own child deny me,

(puts her handkerchief to her eyes, and walks up.)
Enter TOBY and JOHN GRUM.
TOBY.

John, is that the young man you ſaw?

JOHN.

Hum!

MAGGS.
(Looking at his watch.)

I ſhall be late with my party,

(going.)
MRS. MAGGS.

Stay, my dear boy!

MAGGS.
[80]

I'm nobody's boy, but my own man, he! he!

TOBY.

Seize him,

(to John)

Your name?

(to Maggs.)
MAGGS.

What of it?

TOBY.

What is it?

MAGGS.

What it was yeſterday, and will be to-morrow.

TOBY.

Mind how he ſhuffles; do ye ſee it, John? Tell me your name to-morrow,

(to Maggs.)
MAGGS.

Muſn't, becauſe of mamma.

(aſide.)
TOBY.

You belong to Mr. Pranks.

MAGGS.

Suppoſing ſo.

TOBY.

Then I ſuppoſe you're my priſoner.

MAGGS.

Me! for what!

TOBY.

You broke out of jail in Babylon, but we'll handcuff and ſend you to Dorcheſter.

MAGGS.
[81]
(Aſide.)

Handcuff! Broke jail in Babylon! Ay! why ſurely they take me for Tom Pranks!—I'm not the perſon you want.

TOBY.

I arreſt you.

MAGGS.

I'm not the man indeed, my friend.

TOBY.

Who anſwers for you? who knows you?

MAGGS.

Then I muſt own mother—let me go, this gentlewoman here is my honour'd mamma.

MRS. MAGGS.
(Aſide.)

A wicked wretch, firſt to deny, and now to own me in his diſtreſs!

TOBY.

Mrs. Maggs, be he your ſon?

MRS. MAGGS.

Oh! no, he's no ſon of mine.

MAGGS.

Nay, my dear mamma.

MRS. MAGGS.

Sir, don't mamma me; who are you talking to?

(mimicking.)
MAGGS.

Ay! why ſure, ſweet mamma!—

TOBY.
[82]

Stop; you ſee, my friend, it won't paſs. John, look he don't run away, while I read diſcription of his parſon,

(takes out paper and reads)

five feet eight inches tall, an expreſſive eye, pleaſing features, good complexion, fine teeth, ſhew your teeth,

(to Maggs)

a handſome countenance—

MAGGS.

'Pon my ſoul this deſcription's very much like me tho'.

TOBY.

Well-made, a genteel deportment; upon the whole, an elegant figure.

MAGGS.

Amazing! what a picture of me!

MRS. MAGGS.

Aſtoniſhing like the child indeed.

TOBY.

You ſee it's you.

MAGGS.

No, it's ſuch another handſome fellow, but really not me.

TOBY.

Come, I arreſt you with a little tap,

(trips up his heels)

hold his legs, Jahn, that he mayn't kick I.

MAGGS.

Damn'd uncivil this!

MRS. MAGGS.
[83]

I can't bear to ſee him treated ſo—let the child go, you fellows!

TOBY.

Yes, the child ſhall go—to priſon.

MRS. MAGGS.

You're wrong, he's my ſon.

TOBY.

And juſt now you ſaid—Ay, I ſee how 'tis, Meaſter Butler told me that Mrs. Maggs locks herſelf in her own room, and there drinks the preſarved apricocks—Jahn don't mind, Madam Maggs is ſo fond of talking ſhe'll ſay any thing—bring him along.

MAGGS.

Sir, gentlemen conſtables! mamma! kind country juſtices! mother!

(Toby holding him by the head, and John by the legs, they drag him off.)
MRS. MAGGS.

Why, you horrid villains, you ſhall not!—my child!

Exit after them.

SCENE III. The Gardens. Statues thrown down, and broken fragments lying about; ſhrubs and plants, as pulled up.

Enter BAREBONES, (with a broken ſtatue.)
BAREBONES.

I vill complete the good work; lay there accurſed,

(throws it down on a heap)

and I vill pulls [84]up thy groves, and I vill root thee out of the land,

(pulls plants out of pots, and flings them about.)
Enter BARLEYCORN.
BARLEYCORN.

Sir, your dinner's waiting.

(Aſide)

Dang my buttons! here's a fine kick-up! what raſcal cou'd have got in here—ſome one that owes the 'ſquire a grudge.

BAREBONES.

I've been doing of the job, 'twas all pagan wanity.

BARLEYCORN.

So it was, Sir, and you were right to capſize it.

Enter KITTY.
KITTY.

Oh! father, I ſhall go diſtracted; I'm ſure it's my belov'd Tom that they're taking pris'ner to Dorcheſter, yet ſo cruel not to let me ſee him.

Enter TOBY.
TOBY.

I've left the priſoner in ſafe cuſtody with Jahn Grum.

BAREBONES.
(Aſide.)

Then I brings him up to town, and lodges him with the Marſhal.

KITTY.

Oh heaven! tell me, Toby, is it the hermit?

TOBY.
[85]

No.

KITTY.

It is he.

TOBY.

'Tis not tho'—why you're as bad as Mrs. Maggs, who juſt now ſaid he was her ſon, and he wasn't her ſon—there's diſcription of his perſon,

(gives Kitty a a paper.)
KITTY.
(Reading with emotion.)

Handſome, elegant, fine teeth, expreſſive eye—'tis he! you hard-hearted creature—but I'll releaſe my own true love, tho' I beg my bread for it.

Exit haſtily.
TOBY.

Ay now, ſhe too has been drinking apricocks.—Be's I to lay the cloth for you in the two-bedded room,

(to Barebones.)
BAREBONES.

I loves to eat in a parlour.

BARLEYCORN.

Why we wiſh to reſarve that for—

TOBY.

Parlour! than, Sir, ſhan't I tap no vind—he won't inform—

(to Barleycorn.)
BAREBONES.

I drinks vind, for I thirſts after the good things of this world.

BARLEYCORN.

That's right.

TOBY.
[86]

He's a wet Chriſtian.

BARLEYCORN.

Shall they take up dinner?

BAREBONES.

Yes, I hungers after good; I could munch one morcil of Portlin mutton; yea, one pound and an half, and ſix, and four, and two wheat ears, roaſted in wine leaves, and other ſettries of niceiſh ſaver.

Exit with Toby.
BARLEYCORN.
(Looking out.)

The 'ſquire—dang my buttons, here'll be work.

Exit.
Enter WHIMMY, (looks at the broken Statues with amazement.)
WHIMMY.

Fury and diſtraction! what's all here!—Tully!

(calls.)
Enter TULLY, (a little intoxicated.)
TULLY.
(Singing.)
"They'd be like the Highlanders eating of kall,
"And curſing the Union, ſays Granawaile."
WHIMMY.

This is your going to the alehouſe, here's your brags, here's yellow-breech'd bees humming their bag-pipes—but I'll turn over a new leaf, I'll dig and root out—

TULLY.

Arrah, Sir, I wiſh you'd let the leaves and the trees alone! you've been digging and rooting prettily: [87]what put it into your head to pull up the plants in this manner?

WHIMMY.

My head, there's my dancing Faunus.

TULLY.

Oh! I ſee how this is; you want to keep me only as your ſhow-man, and take the head gard'ning into your own hands—the geranums all torn, the myrtles, and lillies, and laylocks, are all pull'd about as if they were old bean ſtalks.

WHIMMY.

You raſcal! what do you talk of your paltry plants—look at my ſtatues, none equal to them in the Barbarini gallery.

TULLY.

The barber's gallery! Only tell a body what you intend to put down in the place—if yourſelf was planted, the devil a thing would grow out of your head but potatoe apples.

WHIMMY.

Two of my Seaſons—

TULLY.

You don't know the ſeaſons; you're a gentleman, and you've money to buy roots and fruits, but I tell you, you don't know an annual from an evergreen. I got myſelf finely laughed at to-day by ſhowing your kickſhaws, but I waſh my hands out of it. There's your deſcribing book

(throws book down)

and you may get another Ciceroni magpye to chatter to the company.

Exit.
WHIMMY.
[88]

There's a villain!

Enter OLD PRANKS.
OLD PRANKS.

Knock people's hats off—can't think who the fellow was!—Dick, I'm on the ſpur to fetch my nephew from Weymouth; an idle ſcoundrel! what perplexities he has involved me in! Dolts to apprehend Natty Maggs for him; theſe country conſtables are ſo obſtinate, won't even take my word: but what ſort of wild people have you ſettled amongſt here that pull folks heads about?

WHIMMY.

Yes, heads, legs, and arms, look!

(points to the ſtatues.)
OLD PRANKS.
(Looking round.)

Ha! ha! ha! a good deed however.

WHIMMY.

What, to demoliſh my beauties?

OLD PRANKS.

Your modern gardens are art ſpoiling nature [...] fixing up a ſtone woman where one expects to find a roſy girl of health, fleſh, and blood: if we muſt have ſtatues, inſtead of importing ancient heathen gods into Engliſh meadow, why not encourage Britiſh arts to celebrate Britiſh heroes? for a Jupiter by Phidias give me an Elliot by a Bacon: the five thouſand pounds you laid out upon that clumſy Pantheon yonder, wou'd have built a neat cluſter of alms-houſes, where age and infancy might find an aſylum from the pangs of indigence.

WHIMMY.
[89]

Why, but Billy—

OLD PRANKS.

'Sblood, when I reflect I owe my preſent independence to my education in the Blue Coat School, as I drive my whiſky on a Sunday by Dulwich College, I feel more warmth of affection for the memory of Edward the king, or Alleyn the player, than for all the travelling cognoſcenti in Chriſtendom. Dick, I love reaſon.

Enter YOUNG PRANKS.
YOUNG PRANKS.

A rare chace, but I got from him—zounds!

(ſees Old Pranks, runs off.)
OLD PRANKS.

Oh, damme, I'll have you,

(purſues.)
WHIMMY.

He likes reaſon, and the fellow's mad; there he runs after my hermit. Certainly 'twas this ſavage old Goth committed theſe barbariſms—I hope he'll not find his nephew; however, I muſt prepare my daughter for the marriage.

Exit.

SCENE III. Inſide of Hermitage. YOUNG PRANKS ſitting in his Hermit's Dreſs, as if put on haſtily.

Enter OLD PRANKS.
OLD PRANKS.
(Looking about.)

I thought I had a glimpſe of him darting this way—Eh! one of Whimmy's toys [90]

(ſeeing Young Prauks)

Father Dominick—ſeen a ſcoundrel run in here—Do ye hear! can you ſpeak!—it was certainly my nephew; a hound! ſkulking about, and ſuffer a poor innocent man to be taken up for him; to be handcuff'd, haul'd, and dragg'd—

YOUNG PRANKS.

An innocent man ſuffer for me!

(throws off his hermit's dreſs.)
OLD PRANKS.

You! Oh you villain! How dare you borrow money about as you have done!

YOUNG PRANKS.

Sir,

(confuſed)

I—I—borrow'd money to get out of debt.

OLD PRANKS.

Eh! how?

YOUNG PRANKS.

Yes, Sir, to pay my debts.

OLD PRANKS.

But why get in debt?

YOUNG PRANKS.

All owing to my good principle, the people wou'd truſt me, my character was ſo excellent.

OLD PRANKS.

Then from your excellent character they think you a damn'd rogue—you villain!

YOUNG PRANKS.

Dear Sir, diſcriminate between vice and folly; you are the only one I ever wrong'd, my ſecond [91]parent, my friend, my benefactor. Sooner than let this perſon you ſpoke of juſt now any longer bear the diſgrace that I only deſerve, I'll inſtantly free him by delivering myſelf up to hopeleſs impriſonment,

(going.)
OLD PRANKS.

Eh! ſtop you rogue you, conſider how terrible a priſon is.

YOUNG PRANKS.

Lord, Sir, no! the only difference between the people walking by and I is, that they're on one ſide of the door and I'm on t'other. A priſon! to reſign myſelf to it, now, is barely performing the duties of honeſty.

Exit.
OLD PRANKS.

Surrenders to free the guiltleſs! Not ſo bad as I thought him.

Enter KITTY.
KITTY.

Sir, I've been told, ſince you're a banker gentleman in Lombard-ſtreet, London, you bankers, Sir, have always a great deal of money.

OLD PRANKS.
(Aſide.)

I've heard of petticoat pads—a piſtol may come out here! Well, my dear, granting I have money, do you want any?

KITTY.

Not myſelf, Sir; there's a young gentleman is taken up for debt, Sir; I thought it a pity he ſhould go to priſon, as he got out of it before, and [92]that, you know, Sir, is a ſign he doesn't like it; hard for a perſon to go where they can't be happy.

OLD PRANKS.

Upon my word this young lady reaſons exceeding pretty—Well, Miſs?

KITTY.

And Sir, my aunt by mother's ſide, has left me three hundred pounds independent of my father, here are the papers, Sir, all about it, Sir, if you'd be ſo kind as to advance the money, and tranſact the buſineſs of releaſing the young gentleman with it, I'd be very much obliged to you, Sir,

(curtſies.)
OLD PRANKS.

Here's a charming girl! And ſo, my dear, you think Natty Maggs ſo fine a fellow, that you give up all your fortune to releaſe him.

KITTY.

Natty Maggs! No, Sir, our 'ſquire's hermit.

OLD PRANKS.

Hermit! She muſt mean my wild nephew,

(overjoyed.)
KITTY.

Sir, keep the papers, I know you'll free him; you look ſo good-natured, I beſeech you, Sir, Sir,

curtſies and exit.
OLD PRANKS.

Tol lol lol,

(ſings.)

The heart of an amiable woman is the true touchſtone of manly merit. This good and delicate creature loves my nephew, and he muſt be a worthy lad. The girl, no matter for [93]her ſituation, is come of a good ſtock, and ſhould be tranſplanted. I didn't, till now, know my nephew—I'll forgive, I'll give him all—Go to the King's Bench again! that he ſhan't, while I've a guinea to keep him out of it, tol lol lol.

Sings and exit.

SCENE IV. A Gallery in Whimmy's Houſe.

Enter YOUNG PRANKS (haſtily croſſing) and PEREGRINE meeting, (much agitated.)
PEREGRINE.

Stop, Tom, whither now?

YOUNG PRANKS.

To the King's Bench—what's the matter? Oh, true, Miſs Dian told me—upon my ſoul her father uſes you both very ill—who is this whelp he is going to give her to?

PEREGRINE.

I don't know; Mr. Whimmy has never even ſeen him.

YOUNG PRANKS.

No! An uncle, isn't it that's bringing this about? I've a good uncle—but long before he'd think of providing me with an heireſs—but then I've been ſuch a curſed fellow.

PEREGRINE.

One chance, this ſpark may, as it's a forced thing, [...] indifferent, and the old gentleman doats ſo upon [94]his daughter, that were an emperor to ſlight her, 'twou'd for ever loſe his favour.

YOUNG PRANKS.

What's this uncle's name?—who, where, what is he?

PEREGRINE.

I know nothing about him.

YOUNG PRANKS.

Nor old Whimmy neither.

PEREGRINE.

I've never ſeen him, I told you.

YOUNG PRANKS.

Then I'll perſonate him, and I warrant you diſguſt the old gentleman ſufficiently to make him break off the match; then, Peregrine, is your harveſt, I'll be with you in a trice. Never be diſmay'd, Peregrine, when you admit me as a ſchemer into your cabinet; for I have turn'd my coat ſo often ſince I arriv'd in theſe parts, that there is no doubt of my being a moſt finiſhed politician.

Exit.
Enter WHIMMY and DIAN, weeping.
WHIMMY.

In vain talking, child;—I muſt keep my firſt promiſe.

DIAN.

But, dear Sir, will you ſentence your child to miſery?

PEREGRINE.
[95]

Sir, you encourag'd me with a certainty that I ſhou'd be the happieſt of men, and now in a moment, to ſnatch me from Heaven, and plunge me into an abyſs of deſpair.

WHIMMY.

Can't help it, Dian;—I muſt give you to my friend's nephew.

Enter SKIP.
SKIP.

Sir, here's a young gentleman will ſee you—ſeems in a piteous taking. Here's my maſter, Sir.

(Calling off.)
Enter YOUNG PRANKS, diſguiſed like a boy, his hair pulled round his face, &c.
YOUNG PRANKS,
(crying.)

Oh! I will not have her.

WHIMMY.

Ah! who are you?

PEREGRINE.

Certainly Tom Pranks.

(To Dian.)
WHIMMY.

What do you want?

YOUNG PRANKS.

I don't want a wife.

(Roars out crying.)
WHIMMY.
[96]

Who the devil cares, whether you do or no—have you any buſineſs?

YOUNG PRANKS.

No; I'm a gentleman. My uncle ſays I muſt marry your daughter; but I won't.

(Roaring out.)
WHIMMY.

Ah! can this be the wild rogue I've heard ſo much of? why, your uncle told me you were another-gueſs being. Dian, this is your huſband.—How do you like him?

DIAN,
(apart to Peregrine.)

I fee this. Sir, if Mr. Peregrine can pardon me, ſince you've ſet your heart on't, I'm reſign'd to your will, with the dutiful obedience of a daughter.

(Curtſies.)
WHIMMY.

Now, that's very lucky. Peregrine, you ſee—

PEREGRINE.

Then, Sir, ſince the lady is ſo very fickle, I reſign her with little regret.

WHIMMY.

Ah! this is all very well; then we'll call your uncle; Parſon Jack is in the next room, and you ſhall be married immediately.

YOUNG PRANKS.

But I won't marry, oh!

(cries)

—I'll never ſay, father-in-law, to ſuch an ugly old fellow as you.

WHIMMY.
[97]

Why, you damn'd impudent young ſcoundrel, dare you affront me, and refuſe my daughter? then let your uncle do his worſt. There, Peregrine, take Dian, and may I be curs'd if ever I again attempt to part you.

PEREGRINE.

You'll alter your mind again, Sir.

WHIMMY.

I'll put that out of my power—go, Doctor,

(calling off)

tack that couple together inſtantly.

(Puts Dian and Peregrine off.)
Enter OLD PRANKS.
YOUNG PRANKS.

My uncle! oh! zounds!

WHIMMY.

Billy, what bouncing you've kept about this nephew of your's. He, a buck, and a blood!—a blubbering milkſop.

OLD PRANKS.

My Tom a milkſop! I ſay he's a buck.

WHIMMY.

I ſay he's an aſs.

(Wrangling, Y. Pranks cries out.)
WHIMMY.

There's the buck! a taſteleſs hound, has been abuſing me here, and refuſed my daughter.

YOUNG PRANKS.
[98]

Oh! the devil! am I really the character I only perſonated.

(Aſide.)
OLD PRANKS.

Where is he?

WHIMMY.

Can't you ſee? thraſh him for his impudence to me.

OLD PRANKS.

Why, ah, Tom!

YOUNG PRANKS.

Aye, poor Tom!

(Snivelling.)
WHIMMY.

By the Lord, it's my galloping hermit!

(ſurpris'd)

and your nephew.

YOUNG PRANKS.
(To Old Pranks.)

Sir, I now ſee your goodneſs; but had I even before known it, I cou'd not have enjoy'd the bleſſing you deſign'd for me, at the expence of a friend's happineſs. Mr. Peregrine has love and merit.—I admire, but don't deſerve the lady.

OLD PRANKS.

Then, ſince you're ſo diſintereſted as to decline the golden pippin, I'll give you a ſweet wild ſtrawberry.

Enter KITTY.
KITTY.

O Mr. Banker, have you—'tis he

(looking at Young Pranks with joy)

thanky, Sir.

(Curtſies to Old Pranks.)
OLD PRANKS.
[99]

Tom, here's a girl that wou'd have barter'd all her little fortune for your freedom; and now as you hope for mine, take her.

WHIMMY.

Why, ſhe's daughter to the Red Lion.

OLD PRANKS.

Aye, my honeſt landlord, that reliev'd the ſufferers, while you were ſwallowing peaches in December, and the poor ſhivering in cold and nakedneſs. Red Lion, Dick! where honour's derived from benevolence; ſhe's daughter to a nobleman. What ſay you, my girl?

KITTY.

Only, Sir, that my heart is fill'd with gratitude; but you muſt aſk the Red Lion's conſent; for tho' you were a huſband for a queen, I wou'd not have a prince, if it might grieve an indulgent parent.

Enter TOBY and JOHN GRUM, with MAGGS, (his dreſs very much diſordered and torn.)
TOBY.

Your worſhip, here's the defender is obſtropolos, and has lick'd I and John Grum.

MAGGS.

Aye, dem'me, I plump'd 'em.

YOUNG PRANKS.

Was't you, Natty? I'm ſorry that my irregularities ſhou'd have involv'd you in this trouble.

[100] Enter Mrs. MAGGS.
MRS. MAGGS.

Oh! Natty Maggs—my child to be haul'd and maul'd—but this comes of your denying me your honour'd mother.

OLD PRANKS.

Haul'd and maul'd—may the ſon never get better uſage who cou'd deny his parent.

Enter BARLEYCORN and TULLY, bringing in BAREBONES.
BARLEYCORN.

Dang my buttons, you ſhall—

WHIMMY.

What's this?

TULLY.

Only this devout preacher walks into Mr. Barleycorn's and crams himſelf like a great fowl; then walks off without diſcharging his ſhot; when aſk'd, ſays he, you'll be paid above, and ſays Mr. Barleycorn, by who there? and ſays he, why by Abdiel; ſo they walk'd up ſtairs to me, where I was taking a pint and a whiff of tobacco. I was chriſten'd Mr. Tull [...] ſo I walks down—but who ever ſaw an angel with a pipe in his mouth? I don't mind paying for a man [...] dinner; but, Sir, be ſo kind as to ſend this geatleman to jall. How do ye do, Mrs. Maggs?

(Bowing.)
YOUNG PRANKS.
[101]

My Saint George's Fields landlord!

BAREBONES.

The ſpirit openeth my mouth.

TULLY.

You opened your mouth to ſwallow a leg of lamb, honey.

BAREBONES.

All things ſhall be in common with the righteous?

TOBY.

Pay me for ſarving capias on Muſter Pranks.

YOUNG PRANKS.

Me! how?

OLD PRANKS.

Capias! What, you villain, are you that Ham Barebones that has lent my nephew money at an exorbitant uſance.

YOUNG PRANKS.

That, like the devil, tempted me by the means, and now puniſhes me for the ſin.

TULLY.

Talk of righteouſneſs! and bilk the houſe of an honeſt induſtrious man.

(Lays hold on Barebones.)
[102] Enter PEREGRINE and DIAN.
PEREGRINE.

Mrs. Peregrine

(to Whimmy.)
DIAN.

Deareſt father, your bleſſing.

(They kneel to Whimmy.)
TULLY.

There, my bleſſing on you both, you two ſouls.

(Puts his hand on their heads.)
YOUNG PRANKS.

Then, my dear uncle, I take my lovely Kitty Barleycorn, and whilſt her gentle qualities convince our friends, that birth and rank are not neceſſary to conſtitute an amiable wife, my reſpect for her virtues may prove, that the thoughtleſs prodigal can make a good huſband.

WHIMMY.

Oh! I'm happy! ha! ha! ha! We've all got ſo very generous. Peregrine, with his little fortune, have Dian and all my wealth; your nephew, with your riches, takes little Kitty Barleycorn with nothing at all; and ecod, Mrs. Maggs looks ſo ſpruce, that I could find in my heart to—

(going up to her.)
MRS. MAGGS.

Now that's ſo like Mr. Olmondle,

(ſmiling and advancing.)
WHIMMY.

Oh!

(runs from her.)
TULLY.
[103]

And now, Mrs. Maggs, you will be drinking the apricocks.

YOUNG PRANKS.

Then, Sir, ſhall we be merry. Here ends my ſeven years hermitage, and, inſtead of my annuity, I ſhall think myſelf nobly rewarded, if my extravagant tricks and fancies can, by an indulgent ſmile, receive the forgiveneſs of my generous friends.

FINIS.

Appendix A NEW PUBLICATIONS, Printed for J. DEBRETT.

[]
  • THE LITTLE HUNCH-BACK, or a FROLIC in BAGDAD Written by John O'keefe, Eſq. Price 1s.
  • JUST IN TIME, a Comic Opera, as performed at the Theatre Royal, Covent Garden, with a Preface and Dedication by THO. HURLSTON. Third Edition. Price 1s. 6d.
  • THE ROAD TO RUIN, a Comedy, as performed at the Theatre Royal, Covent Garden. Ninth Edition. By Thomas Holcroft. Price 1s. 6d.
  • The FUGITIVE, a Comedy, as performed at the King's Theatre, Haymarket. Fourth Edition. By Joſeph Richardſon, [...]
  • The HEIRESS, a Comedy. By Lieut. Gen. Burgoyne. Te [...] Edition. Price 1s. 6d.
  • FALSE APPEARANCES, a Comedy. By the Right Hon. G [...] Conway. Price 1s. 6d.
  • The FARM HOUSE, a Comedy, as altered by J. P. K [...] Eſq. Price 1s,
  • MARY QUEEN OF SCOTS, a Tragedy. By the Hon. Jo [...] St. John. A new Edition. Price 1s. 6d.
  • L'ECOLE de SCANDALE, ou Les Moeurs du Jour, Comedi [...] Par M. Sheridan. Traduite en Françoiſe par Mr. Bunel de L [...] Avocat au Parlement de Paris. Price 2s. 6d.
  • The ISLAND of ST. MARGUERITE, an Opera, in two Acts, as performed at the Theatre Royal, Drury Lane. Price 1s.
  • The TEMPEST, or the Enchanted Iſland, written by Shakeſpeare, with Additions from Dryden, as compiled by J. P. Kemble, Eſq. Price 1s. 6d.
  • KING HENRY V. or the Conqueſt of France, a Trag [...] written by Shakeſpeare, printed exactly conformable to the Repreſentation on its Revival at the Theatre Royal, Drury Lane. Price 1s. 6d.
  • RICHARD COEUR DE LION, from the French of M. [...] daine. Sixth Edition. Price 1s. 6d.
  • The FAMILY PARTY, a Comic Piece, in two Acts, acted [...] the Theatre Royal, Haymarket. Price 1s.
  • ALL IN GOOD HUMOUR, a Dramatic Piece as performed at the Theatre Royal, Haymarket. Price 1s.
  • The ENCHANTED WOOD, a Legendary Drama, in three Acts. Price 1s. 6d.
  • SHAKESPEARE's All's Well that ends Well, with Alterations by J. P. KEMBLE, as performed at the Theatre Royal, Drury Lane. Price 1s. 6d.
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Zitationsvorschlag für dieses Objekt
TextGrid Repository (2020). TEI. 4560 The London hermit or rambles in Dorsetshire a comedy in three acts as performed with universal applause at the Theatre Royal Haymarket written by John O Keeffe. University of Oxford Text Archive. . https://hdl.handle.net/21.T11991/0000-001A-6206-F