[]

THE YOUNG QUAKER; A COMEDY.

AS IT IS PERFORMED AT THE THEATRE ROYAL IN SMOKE ALLEY, WITH GREAT APPLAUSE.

DUBLIN: PRINTED FOR THE BOOKSELLERS.

MDCCLXX [...]V.

Dramatis Perſonae.

[]
MEN.
  • Young Sadboy, (the Quaker) Mr. Daly.
  • CHRONIGLE, Mr. O'Reilly.
  • CAPTAIN AMBUSH, Mr. Wood.
  • SHADRACH BOAZ, Mr. Cornellys.
  • CLOD, Mr. G. Dawſon.
  • Old SADBOY, Mr. Hurſt.
  • LOUNGE, Mr. Sparks.
  • TWIG, Mr. M'Cready.
  • GOLIAH, Maſter Gemea.
  • MALACHI, Mr. Murphy.
  • SPATTERDASH, Mr. Rider.
WOMEN.
  • DINAH PRIMROSE, Miſs Hitchcock.
  • Lady ROUNCIFUL, Mrs. Heaphy.
  • PINK, Mrs. Hitchcock.
  • Mrs. MILLIFLEUR, Mrs. Hannam.
  • JUDITH, Mrs. O'Reilly.
  • ARAMINTA, Mrs. Cornellys.

THE YOUNG QUAKER.

[]

ACT I.

SCENE I.

A Room with a Couch, and LOUNGE, Young SADBOY'S Servant.
Enter PINK and SPATTERDASH.
SPATTERDASH.

THIS fellow, Lounge, ſleeps till noon.

JUDITH.

Aye, he ſleeps all day. His maſter has a pretty ſervant of him.

SPATTERDASH.

His maſter Young Sadboy, is beating his rounds; he no longer wears the broad brim of a Quaker; he has already been to one play, and begins to ſwear, Zounds! He is between the character of a Buck and a Quaker, in a continual ſee-ſaw of diſſipation.

Enter Coachman and Young Sadboy.
COACHMAN.

My Fare is One Shilling and Sixpence.

Young SADBOY.

I tell thee, friend, thee art paid. Thou art full of guile.

COACHMAN.

I full of guile! It is no ſuch thing; I drink nothing but right good beer.

Young SADBOY.

I will give thee a crooked bit of ſilver called a Sixpence.

COACHMAN.

I will have my Fare.

Young SADBOY.

Another word, you raſcal, and I'll break your pate!—Go, friend.

[Exit Coachman.] (To Spatterdaſh.)

Was there any gold or ſilver left in paper for me, or any one called for me?

SPATTERDASH.
[6]

There was a gentleman who deſires you would call on him.

Young SADBOY.

If I do, damn me.—What, my ſervant aſleep when he ſhould watch?

(Sees Lounge.)

I will ſmite his Holofernes with the hand of Judith.

[Strikes Lounge with the hand of Judith.]
JUDITH.

You did ſmite him hard.

Enter AMBUSH.
AMBUSH.

Old Sadboy is arrived.

Young SADBOY.

Though my father would not ſuffer me to take Primroſe's daughter in Philadelphia, as the wife of my boſom, becauſe her father was gone off—but now I am in London, and as I have a tempting purſe of gold in my pocket, I will take my round of pleaſure. With the weight of much gold is my purſe weighed down.

AMBUSH.

Preſently you ſhall ſee the weight paid of Araminta.

Young SADBOY.

My attachment to my poor Dinah, was the reaſon of my father ſending me to England.

Enter SERVANT.
Young SADBOY to SERVANT.

Do thou take my two horſes from the ſtable, unto the leathern vehicle, and drive it unto the porch of my dwelling.

SERVANT.

Yes, Sir.

Exit.
Enter Pink and Spatterdaſh.
PINK.

Here is a letter from Araminta. Where is Captain Ambuſh? I muſt give it into his own hand.

SPATTERDASH.

So you want to give this letter into his hand, that he may ſlip half a guinea into yours.

PINK.
[7]

My miſtreſs, I hear, will marry a rich man, if ſhe marries your maſter the Captain.

SPATTERDASH.

What, my maſter rich! why he is only a Lieutenant.

PINK.

Lieutenants and Enſigns they are called Captains. They are all great officers.

Enter AMBUSH.
PINK.

Here is a letter from Araminta.

AMBUSH.
(Reads.)

Going to Chronicle's! how unlucky!—Where does Chronicle live?

PINK.

In Groſvenor-ſtreet.

AMBUSH.

That is an odd place for a Stock-broker.

SPATTERDASH.

Chronicle lives in the houſe in Groſvenor-ſtreet.

PINK.

What token am I to carry to my miſtreſs?

AMBUSH.

By the ſame token take this.

Kiſſes her, and Exit.
PINK.

I know poor Spatt. has nothing elſe to give: but the Captain might have given him ſomething elſe.—Well, ply us home with that, and I'll enſure you ſucceſs.

SCENE II.

Lady ROUNCIFUL'S Houſe.
Lady ROUNCIFUL and ARAMINTA.
Lady ROUNCIFUL.

I would have you to think of Mr. Chronicle.

ARAMINTA.
[8]

My father never enjoined me to do any thing againſt my own will.

Lady ROUNCIFUL.

Chronicle is a man of good fortune.

ARAMINTA.

It is much better to go to church with a young gentleman, than go hobbling there with an old one. It is ſufficient where two fond hearts unite.

(Sings.)

‘Gang down the bourne, Davy love, and I'll follow thee.’

Lady ROUNCIFUL.

Your duty and gratitude ſhould induce you to follow my advice.

ARAMINTA.

My heart was ever ſwayed by duty and gratitude. I thank you for your paſt care of me; but prudence will lead me to be the guardian to my own happineſs.

Enter PINK.
Lady ROUNCIFUL.

What have you been about?

PINK.

Who I?—I have been about the town.—I gave the letter.

(Aſide to Araminta.)
Lady ROUNCIFUL.

Have you been carrying letters then?

PINK.

Not I.

ARAMINTA.

Has he ſent no anſwer?

(Aſide.)
PINK.

Not a line.

(Aſide.)
ARAMINTA.

I will ſtay at home this evening, and will ſee Mr. Chronicle.

Exit.
Lady ROUNCIFUL.

This is indeed kind of you. I beg you will receive him reſpectfully.

Exit.
ARAMINTA to PINK.

My mother has no power over me.

PINK.
[9]

But if I loſe my place by this affair, I muſt look out for better place than depending on little Cupids.

ARAMINTA.

Did he ſend me a token?

PINK.

He did ſend a token—but here is his man.

Enter SPATTERDASH.
ARAMINTA.

I muſt have this token.

SPATTERDASH.

I have ventured into the enemy's lines: if I ſhould ſee Lady Rounciful, what ſhall I do?

ARAMINTA.

I hope Mr. Godfrey is well?

SPATTERDASH.

Mr. Godfrey! hum!—My maſter is well.

ARAMINTA.

I hope you have brought the token. What was the token your maſter gave my maid?

SPATTERDASH.

Oh, oh!—I have a great mind—She wants to have a kiſs.

(Offers to ſalute Araminta, who ſcreams out.)
Enter Lady ROUNCIFUL.
Lady ROUNCIFUL.

Why did you ſcream?

ARAMINTA.

This ſervant wanted to ſalute me.

Lady ROUNCIFUL.

Whoſe ſervant is he?

PINK.

Mr. Chronicle's—Say your Chronicle's ſervant, if ever you expect favour from me.

Aſide to Spatterdaſh, and whiſpers.
SPATTERDASH.

I am Mr. Chronicle's ſervant.

Lady ROUNCIFUL.
[10]

What meſſage have you brought me?

SPATTERDASH.

He begs you will be at his houſe this evening, inſtead of he coming to yours.

Lady ROUNCIFUL.

We expected him here: are you ſure you are right?

SPATTERDASH.

I inſiſt on it that I am right: he deſires you to come to his houſe.

ARAMINTA.

Give our compliments to him, and we ſhall do ourſelves the honour of waiting on him.

PINK.

Had you the impudence to offer to kiſs the lady?

SPATTERDASH.

I knew the token that was given was only a kiſs.

PINK.

Deſire your maſter to bear his own tokens another time himſelf.

SPATTERDASH to ARAMINTA.

I hope you will not tell my maſter.

ARAMINTA.

Indeed I will not.—Here, go with this card.

(Reads.)

"Lady Rounciful will wait on Mr. Chronicle this evening."—Chronicle will certainly hang himſelf to-morrow,

(Aſide.)
Exit.

ACT II.

SCENE I.

Enter CHRONICLE'S Servants, TWIG, and CLOD.
TWIG.

MY maſter gets the tenants ſons from the country, and then ſtarves them, as he has me.

CLOD.

Starve!—How is it poſſible that a ſervant could ſtarve in ſuch a fine houſe as this?

TWIG.
[11]

Let who will be a ſervant to the old ſtingy Curmudgeon for me—I will go and ſlip into my own cloaths.

CLOD.

Oh! here's my maſter.

CHRONICLE.

I ſhall be too late for my viſit; my buckles are rather dull, but cleaning them wears the ſilver—I will go in my blue and ſilver, but I will keep the paper on to the laſt moment, for fear of tarniſhing the embroidery. My white and ſilver I will keep for my wedding cloaths.

(Aſide.)

Are you there, Clod?

CLOD.

Yes, Sir, I's be come.

CHRONICLE.

Your livery muſt be let out—

(to Clod.)

—Go your ways, you are in fine running order—

(Puſhes out Twig.—Clod laughs.)
CHRONICLE.

What makes you laugh?

CLOD.

You look in that great white wig, all the world like the ſign of the White Lion in our village.

A rap at the door.
CLOD.
(Goes to the door and returns.)

—Here the poſtman has left that letter,

[gives a letter]

but he did not wait an anſwer.

CHRONICLE.

Hah! a letter from my old friend Shadrach Boaz.—He ſays he is juſt arrived in town, and requeſts I will meet him at the Swan with Two Necks, in Lad-lane; he ſays he has brought a pretty girl with him from Dover, and he is reſolved not to loſe ſight of her. Come along, Clod.—This fellow's looks will ſave me half a muffin every morning.

(Aſide.)
Exit.
Enter Young SADBOY, AMBUSH, and CHRONICLE.
SADBOY.

Welcome to your own houſe.

AMBUSH.

How came you in poſſeſſion?

(To Chronicle.)
CHRONICLE.
[12]

By the means of ready money—Shadrach's name is in the mortgage.

AMBUSH.

Where is Shadrach?

CHRONICLE.

At Hamburgh or Spa—I know not where he is.

SADBOY.

Damn you and Sadrach—I am troubled leſt thou become a bye-word with thy neighbours—What, would you turn a gentleman out of his own houſe?

CHRONICLE.

Captain march out of your own houſe.

SADBOY.

Were I a Captain, I would collar that man.—I would kill that man.

CAPTAIN.

I will ſettle my affairs myſelf.

CHRONICLE.

Is this the ſon of old Sadboy?

CAPTAIN.

What would you ſay to ſee him dance a cotillon?

SADBOY.

Zounds! I can hardly refrain from kicking him.

(Aſide.)
CHRONICLE.

I would give a ball in your own houſe to ſee him dance, and you ſhall figure in—Come, Captain, I deſire you will march out.

CLOD.

Here is a ſervant from Araminta, with a piece of paſteboard written on.

CHRONICLE.

A card, you blockhead.

Enter SPATTERDASH.
SPATTERDASH.

This is to Mr. Chronicle from Araminta.

(Gives a card.)
AMBUSH to SPATTERDASH.

What are you about here?

(Aſide.)
SPATTERDASH to AMBUSH.

I am Lady Rounciful's ſervant.—I come here, in order to bring about an interview with a young gentleman that Araminta loves beſt.

(Aſide.)
CHRONICLE.
(Reads.)

"Lady Rounciful's compliments to Mr. Chronicle, and [13]ſhall do herſelf the honour to pay him a viſit, inſtead of ſeeing him at her houſe."

SADBOY.

She thought Spatterdaſh belonged to Chronicle. Old Square-toes is finely taken in.

CHRONICLE.

Come to my houſe—Well, Shadrich ſhall give up the mortgage of the houſe to-morrow.

SADBOY.

Won't you entertain the ladies?—you cannot get off.

CHRONICLE.

What brought this expence on me?

AMBUSH and SADBOY.

We will be of the party.

CHRONICLE.

No, you will not.

SADBOY.

I'll bet you five guineas of it.

CHRONICLE.

Well, if you like a briſk widow—I will let you be at the whole expence of this evening's entertainment, and then you will ſee her.

AMBUSH.

I don't value a few guineas.

SADBOY to CHRONICLE.

You won't lay out, you ſay—

CHRONICLE.

Not a ſhilling.—Are you who wears the king's cloth afraid?

To Ambuſh.
AMBUSH.

Afraid!—Afraid of what?

CHRONICLE.

Of being at the whole expence of this entertainment yourſelf. You need not lay out more than 40 or 50 guineas.

SADBOY.

Well, Captain, you will pay it I am ſure—Honour is the characteriſtic of a Britiſh ſoldier.

Exit.

SCENE II.

[14]
A Room in Mrs. MILLIFLEUR'S Houſe.
Enter BOAZ, and SERVANTS, with Trunks.
BOAZ.

Shew the young woman who came in the diligence in.

To a ſervant, who exits.
BOAZ ſolus.

I find ſhe knows no one in this town. A young woman without friends or moneys in London, cannot long ſubſiſt on virtues.—This is her trunk:—Perhaps the contents of that trunk may keep her honeſt for ſome ſmall time.

(He puts her trunk into his own in great confuſion; he cries out)

Oh! where is the young woman's trunk? ſomebody has cut it away from behind the diligence.

Enter DINAH PRIMROSE.
BOAZ.

So, we are ſafe arrived.

DINAH.

You have been very civil to me during our voyage: is there any thing I can do for you?

BOAZ.

You are come over to ſee your friends, you ſay. I am ſure you have one friend, and that is myſelf: you have no moneys—You was brought up in America, and was leſt an infant, to the care of Old Sadboy, you ſay, and your name is Dinah Primroſe—Is your father alive?

DINAH.

I believe my father is alive, and lives in London; his name is Primroſe—I do not know my parents.

BOAZ.

Have you any moneys?

DINAH.

No.

BOAZ.

There is no ſubſiſting in London without the caſh—If you will go with me to my friend in the Old Jury, you muſt be mighty cautious. This is a wicked town; there are ſo many ſnares laid—I ſhall have her all to myſelf.

(Aſide.)

Have you any luggage?

DINAH.
[15]

None left; I was robbed of it.—I was directed to Mrs. Primroſe in London.

BOAZ.

She ſaid ſomething about Primroſe being in London—You know me capable of friendſhip.

DINAH.

Yes, thee art very good to me.

Enter CHRONICLE.
BOAZ.

She comes from Philadelphia, ſhe ſays, and came over to paſs as a relation. I was ſhocked at her ſtory.

Aſide to Chronicle.
CHRONICLE.

I dare ſay—I dare ſay.

BOAZ.

I told her on the road, when ſhe found I was your very particular friend, that I would get your conſent to be married to her.

Chronicle goes to the door.
BOAZ.

Where are you going?

CHRONICLE.

To get two conſtables.

BOAZ.

You muſt not go—Cannot you give your conſent, while my love is going on?

CHRONICLE.
(Stops and looks full at her.)

She is ſo very pretty—ſhe is juſt what I ſhould ſuppoſe my poor daughter to be, if ſhe knew I was Primroſe. But I muſt give up my houſe in Goſvenorſtreet. I will have a ſnug box in Hackney—

(To Boaz.)

—Take care of the goods.

BOAZ.

You know my way.

Exit.

ACT III.

[16]

SCENE I.

An ENTERTAINMENT.
Enter Young SADBOY and SPATTERDASH.
SPATTERDASH.

I Believe I am Chronicle's ſervant now.

Young SADBOY.

I ſee they are ſumptuous in this entertainment. Here is Champagne and Burgundy; of theſe I will carry off three flaſks—I have had a bottle of each ſince dinner.—Champagne is delicious—

(Drinks)

—But if I drink too much I may come to ſhame; I am cautious in making too free with the juice of the grape; I hate a man who tipples in company with the ladies. A man that is drunk to women is always diſpleaſing.

(To Sppatterdaſh.)

When you ſee me making too free with the bottle, give me the wink.

SPATTERDASH.

Indeed I will, Sir.—

[Exit Sadboy. (Going to the ſideboard)

How came this wine decanted? Well, ſince it is decanted, I muſt decant it again. I ſuppoſe I ſhall find a bottle of Burgundy decanted by and by.

(Drinks.)

Here am I to watch Sadboy—here is a great deal of buſineſs on my hands. I am to hinder Sadboy from expoſing himſelf to the ladies.

(Drinks.)

Here is love and long-life.

(Fills a glaſs, and reels about.)

I have a great deal of buſineſs on my hands.

Exit.
Enter Lady ROUNCIFUL, CHRONICLE, and ARAMINTA.
ARAMINTA.

I am quite diſappointed—Could I imagine ſuch a figure as that, the maſter of ſuch a manſion as this—Where did you get this taſte? You have the moſt elegant taſte I ever obſerved: To ſee you in this houſe looks like an Owl in a Jay's dreſs.

Enter CLOD.
CLOD.

Here is Captain Rambuſh below.

CHRONICLE.

Captain Ambuſh, you raſcal! Admit him.

[17] Enter CAPTAIN AMBUSH.
CHRONICLE.

This is Lady Rounciful; this is Araminta, my intended ſpouſe.

AMBUSH.

Madam, you do me a great deal of honour.

(Aſide to Araminta.
CHRONICLE to Lady ROUNCIFUL.

Madam, I have ſome pictures here to ſhew you, ſome of which are originals, and ſo black.

Lady ROUNCIFUL.

Whoſe picture is this?

CHRONICLE.

Mr Godfrey's.

ARAMINTA.

What a reſemblance to Captain Ambuſh!

CHRONICLE.

Theſe are pictures of perſons of rank and condition.

Exeunt Lady Rounciful and Chronicle.
ARAMINTA.

If the original of that picture falls in my way, I ſhall certainly fall in love with him.

AMBUSH.

There is a ſtrong reſemblance to your humble admirer.

Enter CHRONICLE and Lady ROUNCIFUL.
CHRONICLE.

I have a few pictures, but they are good. I will ſpeak a good word for you to the widow.

(Aſide to Ambuſh.
Enter CLOD.
CLOD.

Here is Mr. Badboy below.

CHRONICLE.

Mr. Sadboy, you mean; this fellow always miſtakes people's names.

[18] Enter SADBOY.
CHRONICLE.

Send the Quaker to Philadelphia, and be the gentleman for half an hour: take off your beaver to the ladies.

SADBOY.

Damn you; Chronicle has, inſtead of the wiſdom of years, a head like a ball ſtuffed with hair, and covered with leather.

CHRONICLE.

Hear how he curſes and ſwears. Oh! you are a profligate.

Enter SPATTERDASH, drunk.
SPATTERDASH.

Did you call, Sir? I have laid in the wine.

CHRONICLE.

You have laid in the wine indeed.

SPATTERDASH.

I have nothing to do in the world: I want for nothing, only a little impudence.

CHRONICLE to Lady ROUNCIFUL.

If he was not your ſervant, I would—

Lady ROUNCIFUL.

He brought me a meſſage from you.

CHRONICLE.

He brought me a meſſage from you.

CHRONICLE to SPATTERDASH.

Who are you?

SPATTERDASH.

I am a man very well known among the ladies.

(Sings.)
"I am a man for the ladies, with the tip of your fan, &c."
CHRONICLE.

Be gone.

SPATTERDASH.

I won't go till my maſter commands me.

AMBUSH.

I muſt not ſpeak to him.

(Aſide.)
SPATTERDASH.
[19]

I muſt watch Mr. Sadboy, to prevent his getting drunk. He is getting monſtrous drunk. I muſt get him away.

(Aſide.)

Come out, you are drunk, Sir—

(To Sadboy.)
SADBOY (aſide) to SPATTERDASH.

It was Chronicle you was deſired to watch, and not me.

SPATTERDASH to CHRONICLE.

Out you go; you're drunk.

CHRONICLE.

I am not drunk. Will no one help me?

SPATTERDASH.

You will thank me for this hereafter,—you will but expoſe yourſelf. Out you go, out you go. He is going to be amorous.

(Carries him out.)
Exit.

SCENE II.

Mrs. MILLIFLEUR'S Houſe.
Enter Young SADBOY.
SADBOY.

Yeo hoix! my beagles; yeo hillo! where are my beagles?

Exit.
Enter BOAZ and Mrs. MILLIFLEUR.
BOAZ.

I want an apartment for a young lady; but I hope you have no gentlemen lodging here.

Mrs. MILLIFLEUR.

I have none but ladies lodges here.

Captain AMBUSH
(in the houſe.)

Sings—"And a hunting we will go, we'll go, and a huntimg we will go."

BOAZ.

Does your maid go a hunting?

Mrs. MILLIFLEUR.

It is a hunting Quaker in the houſe.

BOAZ.

I never knew of hunting Quakers.

Exit.
[20] Enter DINAH.
DINAH alone.

This man giveth himſelf much trouble on my account—What could I have done had I not met with ſuch a friend? Heavens! what will become of me? How could Old Sadboy draw his affection from me! I did not encourage his ſon to love me—Perhaps I may never ſee him more; but if my dear father lives, I may ſtill be happy.

Enter BOAZ.
BOAZ.

They are very pretty lodgings indeed—I will be your friend.

(To Dinah.)
DINAH.

Thou ſhalt always expect my gratitude.

BOAZ.

You have nobody to depend upon but me; thou art poor, and I did lend thee moneys, therefore we will ſettle accounts upon your beauty; you ſhall accept my draft upon your virtue, and pay me with your honour—I will take you into keeping.

DINAH.

I did look upon thee as a ſtar of light—but now, you want to flatter me into the wilderneſs of infamy—I will preſerve my virtue with my life!

BOAZ.

This is fine talking.

DINAH.

Begone! and doo not ſeek my ruin.

BOAZ.

I will take you into keeping.

DINAH.

I will ne'er conſent.

BOAZ.

Nay, then I muſt have you.

(Attempts to force her off the ſtage, when Dinah ſcreams violently.)
[21] Enter Young SADBOY in haſte.
Young SADBOY.

What noiſe is this?

BOAZ.

Who ſent for you?

Young SADBOY.

I was willing to hinder thee from doing that which would bring thee to be hanged.

BOAZ.

I think I may venture to ſtrike him, for Quakers never fight.

(Aſide.)

Strikes him—Take that and that.

Young SADBOY.

Thou ſhalt be rewarded tenfold.

(Beats Boaz.)
BOAZ.

Oh! you a Quaker—You are the devil of a Quaker.—What will become of me to be beat in this manner?—I thought you would have turned the other cheek.

Young SADBOY.

Friend, begone! — Here, Goliah, Goliah, turn this man down ſtairs out of the porch.

Enter GOLIAH.
BOAZ.

He now calls Goliah to me. I ſuppoſe this Goliah is a Coloſſus.—Art thou Goliah?

GOLIAH.

I am called Goliah.

BOAZ.

He ſpeaks very faint. I'll face him—Oh, ho! if you are Goliah, I will whip you with a birch red.

Exeunt ſeverally.
Enter CHRONICLE and SPATTERDASH.
CHRONICLE.

What did you mean by hauling me out of the company?

SPATTERDASH.
[22]

I did as I was ordered. I am no longer your ſervant or your repreſentative.

CHRONICLE.

If every one in P— was to be hauled out by their conſtituents, there would be ſome empty benches.

(Aſide.)

Now I have theſe lodgings for a fortnight rent-free, but I long to get back to the city.

Exit.
Enter LOUNGE and CLOD.
CLOD.

Is my maſter's dreſs come here yet, young man?

LOUNGE.

Do you know who you talk to, fellow—I deſire in future you will learn how to addreſs me.

CLOD.

I learn how to dreſs you.

LOUNGE.

There is ſome difference between me and you, fellow.

CLOD.

I called you a young man; ſhall I call you a middle aged man then?

LOUNGE.

I am my maſter's own gentleman, damn me! Leſs of you familiarity, ſarrah, or I will kick you down ſtairs, damn me.

Exit.
CLOD.

I will kick you down ſtairs, damn me!

Mimicking.
Enter JUDITH.
JUDITH.

Is this Clod?

CLOD.

Do you know who you are talking to? You muſt learn how to dreſs me.

JUDITH.

Me learn how to dreſs you!

CLOD.
[23]

There is ſome difference between you and me, damn me!—I am my maſter's own gentleman, damn me!

JUDITH.

You are a pretty ſort of a gentleman.

CLOD.

Leſs of your familiarity, or I will kick you down ſtairs, damn me!

(Mimicking Lounge)

I will not live with Chronicle any longer—indeed I do not live with him, I only ſtarve with him. It is as good to be out of bread as have nothing to eat.

CHRONICLE.

Here, Clod.

CLOD.

I am a true-born Engliſh ſervant, I will not live with you any longer.

Exit.
Enter SERVANT.
LOUNGE to CHRONICLE.

Old Mr. Sadboy is below.

Enter Old SADBOY and MALACHI.
Old SADBOY.

His name is Rubens Sadboy—is he at home?

LOUNGE.

Quite at home here I aſſure you—Why he is ſo ſerved, he eats of the beſt in London.

Old SADBOY.

Why ſojourneth he at this end of the town? why dwelleth he not in Leadenhall-ſtreet? or Threadneedle-ſtreet? nigh unto the Exchange called Royal, and reſorteth with the merchants? I am told that he doth ſhine in gold and ſilver, and drinketh wine from Madeira and France, and doth ride in a chariot, yea in a Tim Whiſkey;—for theſe [24]evil doings I do repent me that I ſent him from Philadelphia. Oh! America, America, I find the ſpirit of anger doth ariſe up within me againſt my ſon.

MALACHI.

Thou doſt wax exceeding ſtrong in anger.

Old SADBOY.

I will peradventure examine his trunks, and of his garments of ſilk and ſilver will I deſpoil him. Humph! Neither bolts nor bars ſhall prevent me from knowing the thing which I do wiſh to know.

(They force open the cloſet door, and bring out a ſuit of Chronicle's laced cloaths.)

Here is needlework of gold, and of ſilver, made in the vanity of his heart; theſe garment will I burn, and I will leave my property to the faithful in Philadelphia, yea, even to the ſtrangers to my blood.

Exit.
Enter Mrs. MILLIFLEUR and DINAH.
Mrs. MILLIFLEUR.

I will take care of you in my houſe.

DINAH.

Though this woman be not among the faithful, yet I will do every thing I can in return for her kindneſs.

Exeunt.
Enter PINK and SPATTERDASH.
PINK.

Is Mr. Godfrey here?

SPATTERDASH.

Godfrey! I know no ſuch man.

PINK.

You ſay you know no ſuch man, marry come up indeed.

Exit
CHRONICLE
[25]
(croſſes the ſtage.)

I perceive there are many in theſe lodgings.

Enter Mrs. MILLIFLEUR and BOAZ.
BOAZ.

Only one word with the young woman.

MILLIFLEUR.

You have no buſineſs here.

Exit.
BOAZ.

Oh ſhe is damned bad goods; ſhe has robbed me, and then ran away from me.

CHRONICLE.

Had you not perſonal ſecurity?

BOAZ.

No matter for dat.

(Chronicle goes into the room, and returns.)
CHRONICLE.

Oh, I am robbed, and the key in my pocket!

BOAZ.

I hope you are not robbed, Mr. Chronicle.

CHRONICLE.

Yes, I am robbed, I am robbed.

BOAZ.

I am glad of it,

(Aſide.)

—I be ſorry for dat.

Enter Mrs. MILLIFLEUR and DINAH.
Mrs. MILLIFLEUR.

What is all this noiſe about?

CHRONICLE.
[26]

I am robbed, I am robbed. She has robbed me of my laced cloaths.

Mrs. MILLIFLEUR.

She robbed you! She is an innocent creature! if ſhe could find her father all would be well.

BOAZ to DINAH.

I have let Mr. Primroſe into your whole ſtory.

DINAH.

Tell me where is my father, my heart bleeds for him!

CHRONICLE.

I could wiſh you honeſt.

BOAZ.

She muſt not get out of my hands. Give me my moneys, 23l. 2s. 9d. I did lend thee.

CHRONICLE.

Well, if I have 2s. 9d. I will pay it.

BOAZ.

It is 23l. 2s. 9d. I have the officers of juſtice below to take her.

Mrs. MILLIFLEUR.

Officers in my houſe! I'll go ſee into this.

Returns, and gives a paper to Dinah.

Here is a receipt for the money. Oh! the dear young creature, Mr. Sadboy, the moment he heard of her diſtreſs, diſcharged the debt.

BOAZ.
[27]

That was damned impertinent in him.

CHRONICLE.

Oh, you damned infernal raſcal!

(to Boaz)

My poor beloved Dinah.

(Weeps.)

My name is Primroſe. I am thy father, child. Oh my child! my child!

DINAH.

Oh my father!

(embracing him.)

Do I then live to ſee my father.

(Weeps.)
CHRONICLE.

Thou art indeed my child.—But where is my white and ſilver.

Enter Young SADBOY.
Young SADBOY.

The bailiff's are gone, and go thou likewiſe.

(to Boaz.)
BOAZ.

So you have diſcharged them, did you? She was no relation of your's.

Young SADBOY.

I heard ſhe was in diſtreſs, and that to me is claim ſufficient.

CHRONICLE.

My dear daughter will learn to thank you.—O how you are changed.

(Aſide.)
Young SADBOY.

I will introduce you to Lord Belmore.

Exeunt ſeverally.

ACT V.

[28]

SCENE I.

CHRONICLE'S Houſe.
Young SADBOY and Captain AMBUSH meet,
Young SADBOY.

I Will go court Araminta myſelf.

AMBUSH.

I am determined to propoſe myſelf to her as Lieutenant Ambuſh, and in the mean time will ſend this letter to Lady Rounciful.

MADAM,

My ſlight acquaintance with Miſs Araminta will only permit me to addreſs you in this manner for permiſſion to pay my reſpects to the young lady, &c.

BELMONT.
AMBUSH.

My wife, whoever I marry, muſt honour me for no title but that of an honeſt heart.

Young SADBOY.

I muſt call on Dinah, in my habit of Alexander the Great, as I go to the maſquerade.

AMBUSH.

You are ſure of your love.

SCENE II.

[29]
Lady ROUNCIFUL's Houſe.
Lady ROUNCIFUL to ARAMINTA.

My late huſband was always ſo willing to oblige, ſo ready at the tea-table, he was happy to ſerve the ladies; he had a ſmile to one, a nod to another, a bow to the third, a bonmot to the fourth, and a joke with fifth.—It was he that could do it.

ARAMINTA.

This picture of Captain Ambuſh muſt be of my Godfrey; he muſt be the original; "For a ſoldier he is for the ladies."

Enter SERVANT.
SERVANT.

Here is Mr. Chronicle.

Lady ROUNCIFUL.

We are at home to him.

CHRONICLE.

Soon I ſhall be your dutiful ſon-in law; when the chaplain has read the ceremony, then on I go the happy journey for life.

ARAMINTA.

Did you ſay journey?

(Sings.)
Your journey I fear, will do you no good,
For you will wander about like the babes in the wood.
Exit.
CHRONICLE.

I dare ſay ſhe will make a very agreeable gallopping dreary dun.

(Aſide.)
Young SADBOY.

Well ſaid, my old buck.

(Aſide.)
Lady ROUNCIFUL.
[30]

You will ſoon have a right to her chamber. Why don't you follow her there? Take my word for it, ſhe will not like you the worſe for it.

SERVANT.

A letter to your ladyſhip.

(Gives a letter to Lady Rounciful.)
(Lady ROUNCIFUL reads.)

"—wiſh for permiſſion to pay my reſpects to your daughter, the young lady Araminta.

I am yours, BELMONT."
Lady ROUNCIFUL.

This is a much more advantageous match for my daughter, than Chronicle—I muſt break this intended match with her and Chronicle.

Enter CHRONICLE.
CHRONICLE.

Oh the knowing rogue, ſhe would not let me in.

Lady ROUNCIFUL.

Had you the aſſurance to follow my daughter to her chamber? What encouragement did ever you receive from her or me to warrant your taking ſuch a liberty?

CHRONICLE.

Madam!

Lady ROUNCIFUL.

Sir, what have you ever ſeen in me or my daughter, to countenance ſuch an intruſion?

(Calls her ſervant.)
Enter CLOD.

Take notice that in future, that whenever this gentleman comes to me or my daughter, we are never at home to him.

Exit.
CHRONICLE.
[31]

Whew! I am not awake ſure! Clod, come, and ſhake me by the ſhoulder, leſt I fall into a lethargy.

(Shakes him.)

Are my eyes open?

CLOD.

They are wide open.

CHRONICLE.

Hit my back.

CLOD.

There and there.

(Strikes Chronicle.)
CHRONICLE.

Now I believe I am awake

Captain AMBUSH and Young SADBOY
(Come forward.)

When are we to wiſh you joy?

CHRONICLE.

Don't torment me.

AMBUSH.

Why what has been the matter here?

CLOD.

Could you believe it, my maſter has fell into a fit of lethargy!

AMBUSH.

If Araminta is altered in her love by a title, ſhe prefers me not for my ſincerity.

(Aſide.)
Enter ARAMINTA.
ARAMINTA.

My mother believes you are Lord Belmont. There was a letter came to my mother.

AMBUSH.
[32]

That letter I ſigned.

(Aſide.)
ARAMINTA.

He made propoſals as Lord Belmont.

(Aſide.)
AMBUSH.

If ſhe fixed on the title inſtead of diſintereſted love, my hopes are blaſted. Every hope of happineſs is loſt for ever.

(Aſide.)

Did you conſent to give your hand to another?

ARAMINTA.

I thought I gave my conſent to you.

AMBUSH.

My charming Araminta, you have too fond a partiality for me.

ARAMINTA.

What, do you refuſe me then?

AMBUSH.

In conſenting to my happineſs, you are the only perſon impoſed on. I did this to prove the diſintereſtedneſs of your love—I am the perſon you would wiſh me to be.

ARAMINTA.

I would prefer being the wife of Lieutenant Ambuſh, to being the lady of the firſt peer of the realm.—Be you who you will, a lord or a lieutenant, I am happy in being your wife.

AMBUSH.

Know, then, I am Lord Belmont—May the fate of every generous woman be thus decided.

ARAMINTA.

And thus rewarded with the man ſhe loves.

Exeunt ſeverally.
[33] Enter CLOD.
CLOD.

Oh! I wiſh I could be a gentleman to a lord.

Young SADBOY.

My fellow is always out of the way—Do you live with Chronicle friend?

CLOD.

I do not live with Chronicle, but I ſtarve with him.

Young SADBOY.

Is that the caſe?

CLOD.

The caſe is good enough, but where is the lining—Lord, he would make a choice maſter for me.

(Aſide.)

Lord, Sir, what a bad ſervant you have. Sir, I am a very good one; I never would neglect a gentleman who would take me into his ſervice; I never ſtay when my maſter calls.

Young SADBOY.

Did you ever dreſs an Alexander?

CLOD.

Yes, twenty of them.

Young SADBOY.

In this habit of Alexander the Great, will I viſit my dear Dinah.

(Aſide.)

Help to attire me.

CLOD.

You will never be tired of me.

Young SADBOY.

Bring the helmit to my room.

Exit.
CLOD.
[34]

Did he not bid me bring ſomething to him? It muſt be this hermit.

CHRONICLE.

Here Clod.

Exit.
CLOD.

I can't go

(to Chronicle.)

—I am coming

(to Sadboy.)

—I can't go—I am coming.

Enter Old SADBOY and CHRONICLE.
Old SADBOY.

Here, friend.—

(To Clod.)
CLOD.

What! ſtop a man in the road to preferment.

(Runs out.)
Old SADBOY to CHRONICLE.

Doth my ſon Rubens walk with the righteous?

CHRONICLE.

He walks and rides with lords and the beſt people in town.

Old SADBOY.

What has he to do with lords?

CHRONICLE.

To be ſure he might keep better company—He is pretty good.

Old SADBOY.

It was told me he went after vanities.

CHRONICLE.
[35]

He is a good boy, a pious boy, and a holy lad.—I muſt ſpeak well of him, as he is to marry my daughter.

(Aſide.)
Old SADBOY.

Thou rejoiceth my heart.

Enter Young SADBOY in the habit of Alexander the Great.
Old SADBOY.

Art thou my ſon Rubens?

Young SADBOY.

I am thy ſon Rubens.

Old SADBOY.

I ſent thee over to England to tranſact buſineſs for the faithful in Philadelphia; haſt thou been among the merchants and the tobacco ſellers?

Young SADBOY.

No.

Old SADBOY.

Thou haſt been among wine-bibbers and horſe-racers.

Young SADBOY.

Yea, I confeſs mine iniquities.

Old SADBOY.

Little did I look for this: I have cut him off with a ſhilling; that holy man! he is dreſt now to go to the wicked places about town.—You are feathered now, you are juſt fit to be tarred.

Young SADBOY.

I will be good, very good.

Old SADBOY.

I do lament my choler: I will forgive him.

CHRONICLE.
[36]

Forgive him! but what will you give him?

Enter DINAH.
Old SADBOY.

I will give him my vineyard, my houſe, my plantations, and my ſlaves.

Young SADBOY.

I will accept of the houſe and plantations, on behalf of myſelf and my brethren in America; but as to ſlaves, I declare that every ſlave of mine ſhall henceforth be as free as air. Liberty ſhall no longer be conſidered as the peculiar bleſſing of England; it ſhall be extended to America; and may him only be deprived of it, who can make a ſlave of any one.

Captain AMBUSH.

I wiſh you joy!

Enter Lady ROUNCIFUL.
CHRONICLE to Lady ROUNCIFUL.

Poor Godfrey is become your ſon-in-law.

Young SADBOY.

Well, miſers above all human beings are the worſt enemies to mankind. How can he feel for others, who cannot feel for himſelf? The tear of ſenſibility can never have poſſeſſion of his breaſt. He never does good to any, nor never gains himſelf a friend.

CHRONICLE.

I will be hanged but that is a good ſermon, and coſts me nothing.

Young SADBOY.
Should future ills alarm,
Or innocence diſarm,
May a faithful heart and wife
Prove the guardian genius of my life!
Exeunt.
FINIS.
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Citation Suggestion for this Object
TextGrid Repository (2020). TEI. 4260 The young Quaker a comedy As it is performed at the Theatre Royal in Smoke Alley with great applause. University of Oxford Text Archive. . https://hdl.handle.net/21.T11991/0000-001A-5CD4-E