HARVEST-HOME. A COMIC OPERA, IN TWO ACTS. AS PERFORMED, WITH UNIVERSAL APPLAUSE, AT THE THEATRE-ROYAL, IN THE HAY-MARKET. BY MR. DIBDIN.
LONDON: Printed for HARRISON and Co. No 18, Paternoſter-Row. M DCC LXXXVII.
DRAMATIS PERSONAE.
[]- Glanville
- Mr. MEADOWS.
- Scandaroon
- Mr. USHER.
- Muzzy
- Mr. MATHEWS.
- Trim
- Mr. CHAPMAN.
- Congo
- Mr. JOHNSON.
- Pickle
- Young SESTINI.
- Signora Eſtella
- Mrs. POUSSIN.
- Cleora
- Mrs. BANNISTER.
- Goody Muzzy
- Mrs. EDWARDS.
- Unah
- Miſs GEORGE.
[]HARVEST-HOME. A COMIC OPERA.
ACT I.
SCENE I. A Lawn pretty far back, terminating with a Country-ſeat; on one Side, the Entrance to Muzzy's Houſe; and on the other, an Avenue of large Trees.—All the Spaces are interſected with Corn-Fields.
JOHN Muzzy!—John Muzzy!—I tell thee, the poor thing ſha'n't be impoſed upon!—She is friendleſs, and helpleſs; and, what's worſe than all, loveſick.—Ah! I have been loveſick, myſelf, before now!—You know ſhe was left by her lover, Patrick O'Liffy, laſt hay-time; and if it had not been for me, and my good Lady Signora Eſtella, Heaven knows what would have become of her!—Lord, Lord, how I do love to hear her chaunt her wild Iriſh notes! and then her comical brogue—
Haſt done?—Why, what harm do I intend to do the wench! I like her Lango-lee's, and her Gramacree's, and her Lilly Lilly Loo's, as well as thee doſt; and don't I prove it, by giving her a good huſband?
Yes, with a vengeance!—Old Congo, the exciſeman.
An honeſt fellow, like myſelf.
A drunkard, like thyſelf!
Why that's the ſame thing: all drunkards are honeſt fellows!—I hate your ſober, ſneaking raſcals; give me the man that will take a dobbin with his friend!—But ſtay, ſtay, who have we here!
Some of your honeſt fellows, I ſuppoſe. Won't you aſk them to take a dobbin with their friend?
Pray, Meaſter—
What!
Zur.
Oh, ho! Hem.
Your worſhip!
What do you ſay, friend?
Craving your pardon, and under favour, a'n't you Mr. Gaffer Muzzy; game-keeper of the hundred, bailly of the village, and ſteward to our outlandiſh lady of the manor?
I am, friend.—Hem!
I know'd it!—for they ſaid I ſhou'd find you out by your portly belly and your handſome feace.
Yes; and they ſays you have the fineſt yeal in the kiounty!
Wife—get theſe honeſt people ſomething to drink.
I thought ſo!—Well, I may as well fetch a quart; for, if he went, he'd bring them a gallon.
And now, friends, what's your buſineſs?
Why, hearing as how harveſt was begining in theſe um here pearts, we comed to lend you a hond.
Can you drink like a fiſh?
You don't mean the ſame liquor, I hope?
Well anſwered!—I take you for my right-hand man.— As for you—
But here comes the liquor.
I do wonder, John Muzzy, thou canſt take delight in this filthy liquor! 'Tis fit for nothing, but to make thee quarrel with thy neighbours.
Well, well; don't abuſe it, wife, but give it me.
Why, haſt no more manners? Let me drink to the ſtrangers firſt!—Young men, your healths.
Faith, well pull'd!—Well, my lads, we ſhall have rare work this harveſt: 'tis to begin with a wedding; how it will end, is another matter.
'Wounds! I do like a wedding, hugeouſly!—And who is to be married, pray?
Slidikins, ſhe is a nice one!—You muſt know that my wife—
John Muzzy, let me tell my own ſtory!
What a good creature it is!—She hates ale, and will [5] drink firſt: ſhe never talks, and yet nobody muſt tell a ſtory but herſelf!
Meaſter Muzzy, you are wanted in field. Madam and the gentlefolks be there.
Run, John Muzzy! run.
One pull firſt.
Now for the love-ſtory, Goody?
Why, you muſt know, that my dear child is to be mar⯑ried to-morrow.
I never heard as you had a datur.
Lord love you!—not my own child, Miſs Cleora, Madam Eſtella's daughter! I nurs'd her—I am ſorry I ſhall loſe her.
'Wounds, never mind it! She'll find thee half a dozen young ones to nurſe, in good time.
And pray does ſhe love the gentleman intended for her?
Why, I don't know what to ſay to't. There was a rake of a young man ſhe ſaw in London—one Glanville—he cer⯑tainly did ſteal her heart; but I'll take care ſhe ſha'n't ha' he!
You will!
Yes; he!—a vile wretch, making the poor dear child's heart ache—
But ſuppoſe his own aches at the ſame time?
His, indeed!
Yes; his happineſs, his very exiſtence, depends upon Cleora's ſmile! He diſſolves in rapture at her name! — he con⯑templates her charms with adoration! Inexpreſſible are his pangs at her abſence! and, though he would even conſent to this marriage, if it made her happy, it would be to him a ſource of irretrievable miſery!—In ſhort, I am Glanville, the wretched lover of Cleora.
And I his man Trim.
Never heard ſuch a pretty-ſpoken young man in my life!
Pity me, then!—Aſſiſt me.
I can't think on't! — My lady will never conſent.
Then we muſt manage it without her conſent, Goody Muzzy.
Let me think!—Will you promiſe to do nothing but what I bid you?
Moſt willingly, my dear Goody Muzzy.
Solemnly!—Sacredly!
Ah! ſhe ſaid you were a coaxing creature.—But will you love her dearly?
Tenderly!—Rapturouſly! — My life, my deſires, my every wiſh, ſhall be devoted to my dear Cleora!
And mine—to Goody Muzzy.
DUET.
What! two at a time, Goody!
Lord, now, if that little villain has not diſcovered us!
Yes, yes; nothing eſcapes me. I ſhould be a town ſervant to little purpoſe, if I did not know all the ſecrets of the family.
Ecod! well zed, younker.
Ha! now don't palm your clod-hopping dialect upon me: for, do you ſee—'I am Glanville, the wretched lover of "Cleora!"
What a little villain!
Oh! I've ſeen all your tricks for theſe three days— But, Goody, 'twas ſhameful in you to impoſe upon the young gentleman!—Mr. Glanville, upon my honour, Cleora is not the daughter of Madam Eſtella.
Why, you little prating—
Choo! choo! choo!—Mother Muzzy, Mother Muzzy! didn't her dying friend leave the little ſoul to the good lady's care?—Eſtella was never married in her life—though, I fancy, if there was a good handſome fellow in her way—like me, if I was a little bigger—ſhe would have no objection!—Hey, Muzzy? You elderly ladies, you know, love to have the young fellows at your feet.
The dog! how did he diſcover this!—We muſt not af⯑front him.
Not for the world!—Upon my word—So you have found us out, then—He! he! he!
What d'ye think on't?—Ha! ha! ha!
What's to be done?
Why, you muſt buy me for as much as I am worth.
That's ſoon done.
Soon, is it!—I'll go this minute, and tell my lady every thing that has paſs'd
Whew!
Here, here! come back. He did but jeſt!—Thou ſhalt have any thing; every thing: in ſhort, favour my pre⯑tenſions, and I'll make thy fortune.
That's what I call ſpeaking out. Hitherto I have been a ſpy on you, by my lady's directions—now, like other ſpies, if I find yours the ſtrongeſt ſide, I'll forſake my own, and turn deſerter. But mum—Ah! little Unah, are you here!
I have brought you the milk, and the pigeons, fait [...] and a long tireſome way it was. But the fatigue was a plea⯑ſure to me; becauſe I did it for you, Goody
What, you loikes to ſarve Goody, mayhap!
Muſha, my heart! I'd toil for her a whole day and a night, and all the reſt of the twenty-four hours into the bargain.
Thank thee kindly, Unah!
Zounds! this is the girl I was ſo mad after laſt hay-time!—I pr'ythee, young woman, what's becom'd of the Iriſh⯑man that uſed to be ſo ſweet upon you?— Has he left you?
Ah! now, don't ax me.—If he had let me go along wid him, I would not have minded his leaving me a pin!
Well, chear thy heart; thou art a good girl, and mayſt get a better.
Aye, aye; never mind that fellow!
Fellow! Fait, honey, if you were his fellow, there would be a better pair of you, than if he was yours—Ah! now, don't abuſe him. I am ſure, if it was not for his being fa [...]e to me, and forſaking me for ever, he is the beſt creature in the world.
All matters being now clearly explain'd, each muſt have a ſeparate taſk. My maſter muſt marry Miſs Cleora, and I Unah; Old Congo muſt be puniſh'd for his impudent preten⯑ſions to her; and John Muzzy muſt be cur'd of going to the ale⯑houſe.
Ah! if thou could'ſt but manage that—
I'll undertake it, if thou'lt manage the other.
Aſſiſted by me, if you pleaſe, Mr. Trim!
Sir, I humbly beg your pardon.
Begone, begone! here comes Miſs Cleora.
Like another Proſerpine, ſurrounded by her nymphs!— Oh! I'll reſcue her from that infernal Pluto, or loſe my life.
My dear child, we want to talk to you.
Here I am, Madam, ready to hear you.
Here is a gentleman, for whom you ſeem to have an eſteem; he aſks your hand Speak for yourſelf, Mr. Scandaroon.
Why, Madam, you ſee I have but little to ſay. I have ſeen all the world; and men, and manners; and everything, and every body. I want to marry Miſs. My way is to make but few words about any thing!
In one word, daughter, what do you think of my friend for a huſband?
I am proud of your choice, Madam. I thank the gen⯑tleman for his good opinion of me; and yet, if I marry him— you know I ſhall leave you!
My ſweet girl, I brought thee up! It was a delicious taſk; but, were you even to forget me, you ought to marry— 'tis a duty you owe ſociety.
I forget you, Madam!
'Twas unkind to ſay ſo.
Come, come, Madam, we muſt not be too haſty with the young lady. Give her a little time. I can't preſs her, Ma⯑dam. I have not the language of a lover; for I make but few words about any thing.
Yes, but I want to ſee her chearful. When I was of her age—
My angel! my Cleora! one ſingle word, for Heaven's ſake!
Not for the world—I'll ſee you in the meadow—I have much to tell you.
Exquiſite ſounds!—
—I've ſeen my angel, Trim! She ſpoke to me; I heard her ſing, and liſten'd with the ſame rapture as a bleſt ſoul attends to the voice of the ſeraph that wings it's way to heaven!
My maſter's in a rare rapturous humour!—Oh, here come my aſſociates!—Well, good people, 'tis time we ſhould enter upon our different ſtations!—My little Unah, if I ſerve the exciſeman a good trick, will you love me?
Yes; to be after being ſerv'd as I was by Patrick!
Oh, no; I'll love you for ever.
And a fortnight!
Come, come, ſhe ſha'n't be teaz'd.
Well, well; I'll take ſome other time.—Goody Muz⯑zy, I know you hate old Congo; and therefore I ſhall ſet him and your huſband together by the ears.
What to do!
To keep him from the alehouſe.
Lord help your head!
I will, I tell you; but you muſt aſſiſt.
I! why, ſo much I love him, that, rather than he ſhould injure his health, I'd drink all the liquor myſelf.
Very conſiderate, upon my word!—Pray, was he ever jealous?
Jealous!—I never gave him cauſe.
Oh, you muſt give him a little directly.
A little!—If I do any thing, I had better give him a good deal; for John's woundy dull of apprehenſion.
Oh, as much as ever you pleaſe.
But can't you be telling us what all dis [...]s for?
I want Goody to appear fond of the exciſeman; let me alone for the reſt.
Oh, Lord! not I. What would John ſay?
He won't be thumping you, will he?
Oh, no, child! 'tis I thump him. But ſuppoſe the old fellow ſhould make love to me in good earneſt?
Why den, ſure, can't you conſent to it in jeſt?
Aye, aye; we ſhall be too near for him to uſe force.
Force! I ſay, force!—Oh, I ſhould like to catch any body forcing of me!
You muſt find him, Unah; and break it to him, while I ſtay here to receive Old Muzzy.—Pickle, you go and watch down in the meadow—And, Goody, do you go and prepare Cleora.
Well ſaid, Goody. The old girl has ſome ſpirit yet!— Oh, here comes John, half-ſeas over, i'faith!—Ah, Meaſter! you have been at the barrel.
Ah! what, Ruſſet-grey!—Yes, I have. We muſt empty the poor things, how could they get fill'd elſe? Where's your partner?
At your houſe, with the women-folks. I am of your way of thinking. Hang the petticoats, I ſay; give me yeal.
Strike us thy fiſt!—Remember, I give you a general invitation to the buttery. You are my friend—I'll tell you all my ſorrows; nothing but ſorrow makes me drink!
Indeed!
You know I have a wife.
So you have.
She is the devil!—Don't you tell her I ſaid ſo!—She has ſuch a tongue—I ſhould never go to the alehouſe, if it was not for her damn'd tongue!—Never.
'Wounds! that's well enough.—But I have heard 'em ſay, a wife and a guinea are two bad things; one a body can't keep, and t'other one can't get rid of.
Well ſaid, Linſey-woolſey!—There's one thing in my wife, though, that all men are not bleſt with—She's honeſt!
Icod! ſo we be all, till we be found out.
What do you mean by that?
Mean! that I can ſing your ſong to another gueſs- [...]ort of burden.
Pooh! pooh! all nonſenſe. Odd's wounds! I ſhould like to ſee her old wither'd jaws trying to ſmile at a lover! No, no! ſhe is a devil of a fury, to be ſure; but all's ſafe here, for all that.
Doſt think ſo?—Why, then, come along with me; and I'll ſhew thee one old fox that's after thy poultry.
Here's to thee, however, all the ſame.
DUET.
But here come the reapers!—Do you go, Maſter Muzzy, and ſleep off your ale; and then well ſet to work at this diſcovery.
So! ſo!
In ſhort, my dear Cleora, there is not a moment's time for heſitation: we can get a chaiſe inſtantly.
You know, Glanville, this was our former quarrel!
You cannot be more obedient to the will of Eſtella than I could wiſh you: but conſider, charming Cleora, ſhe was al⯑ways inexorable to me; and her title to your eſteem is not, per⯑haps—
You muſt part! you muſt part! The reapers are coming this way, and my lady and Mr. Scandaroon with them!
Here they are, ſure enough!
ACT II.
[16]SCENE I. A Hall.
THY little heart does not know it's own wiſhes.
Yes, it does! It wiſhes for a huſband—if I muſt marry—that can make it dance with joy at the ſight of him, and whoſe abſence can give it pain; aye, pain!—but then it's ſuch a ſort of pain, that's better than all the pleaſure in the world!
And pray does not Mr. Scandaroon do all this?
No, indeed! If he was only a friend, or a relation, though ever ſo near, I ſhould love him dearly: but, for a huſ⯑band—
You prefer young Glanville?
Young Glanville, Madam!
Yes—you have ſeen him; liſten'd to him; met him privately; promis'd—Oh! Cleora—to elope with him!
Why, Ma'am, if—
Come, my dear girl, do not conſider me as a mother, but as a friend. I'll ſee him for you. If he ſhould prove worthy of you, I'll even intereſt Mr. Scandaroon in his behalf; but you muſt firſt ſolemnly bind yourſelf, neither to marry him, nor any other, without my approbation.
After this, Madam, it would be the higheſt want of duty not to truſt you implicitly!—Take my hand; beſtow it where you pleaſe; and may the prudent foreſight of a parent lead me to happineſs.
Dear girl! ſhe knows not half the felicity that awaits her. A parent's conſent will, indeed, ratify her happineſs. But now, to ſee after my own affairs a little.
The poſt-chaiſe, Madam!—
—Eh! eh!—why—I ſay—
What do you ſay?
I ſay, tea's ready!
Very well.
I parried that well, at leaſt. Poor turtles! 'twould be a pity to diſturb them. How nobly he ſwore; then how prettily ſhe bluſhed—how graceful he dropp'd upon his knee; then how tenderly ſhe bid him riſe—how rapturouſly he ſnatched her hand; how reluctantly ſhe withdrew it—and, in the ſtruggle, ſuch eagerneſs, ſuch warmth, ſuch—Oh! I wiſh I was but three years older.
Scene—A Grove.
[18]Troth, and you are right enough, Mr. Trim!—She is a good creature, and loves Old Muzzy as ſhe ought; and, ſure enough, if ſhe can keep him from making himſelf ſick by going to the filthy alehouſe, 'twill be no bad thing for his health.
It has ſober'd him already; the fumes of the liquor gave way to the fumes of jealouſy, juſt as water buries itſelf under oil. In ſhort, there are two things to be done, to bring Muzzy to his fire-ſide—and you, little Unah, to mine!
Why, perhaps it might be warmer than Old Congo's; but I am afraid it would ſooner grow cold: your's would be a blaze, like ſtraw, and then go out; but his would be, like peat, always burning, and yet produce no fire but ſmoke.
Huſh, huſh! you jade, to buſineſs.—Here he comes! I ſhall be at hand.
Ah! my little ſyren of the ſod! when is this marriage of ours to be? I long to bring up the young ones. It muſt be at the Harveſt-Home—we ſhall have a houſe full of them.
Ah! now, don't be eating the bread till the corn's thraſhed—they are not born yet.
Oh, I don't deſpair of living to be a great-grandfather!
What, for you and the other infants to be children to⯑gether!—But all this is fine talking. You falſe-hearted creature, you; you are as bad as Patrick!
I am thy humble ſlave, my little humming-bird from the banks of the Shannon.
All boder and game! Do you tink it is to Goody Muzzy you are talking?
Goody Muzzy! What, that old Jezebel!
Ah! now, don't be giving me a copy of your counte⯑nance—Don't you know that you would hang yourſelf for her, but dat it would be de death of you?
Never had any ſerious thoughts of her in my life!
May be, then, they were all comical ones!
None of any ſort—I have a kind of veneration for all old women.
Fait, and you are right enough: you don't know how ſoon you may be an old woman yourſelf.—What, den, you won't make love to her for your own ſake?
Not I, indeed.
Will you do it den a little for mine?
What pleaſure can it give thee?
I'll tell you—I have promis'd Goody never to marry without her conſent; and ſhe won't give it me till Gaffer breaks his pipe and noggin, and ſtays at home with her. Now, if you'd make him jealous—
Matters could be explain'd afterwards. He would turn ſober, and we ſhould be a comfortable little family together.
Why, what a gueſs you have!
But ſuppoſe ſhe ſhould really fall in love with me?
Why then you muſt help her up again.
Remember, I do it all for thee, my little pipe and drone.
All for me, and a little for yourſelf, honey.
Well, tickle my ears with one of thy enchanting airs, a merry one—and I'll ſet about it.
Maſter Congo, Goody Muzzy is ſeeking you far and near.
Indeed! the thing looks ſerious!—If any thing ſhould happen, I ſha'n't be the firſt that has been well with his friend's wife!
Can't you go and comfort the poor creature?
I go!—Bye, my ſong-thruſh!
Ah, your ſervant!—And do you be gone; for here comes old Muzzy!
Very pretty work here!—I have found the aſſignation, the very letter of appointment!
Yes, dat Trim forged.
Let me ſee—
'CHOICEST commodity of my heart!'—There's a be⯑ginning for an exciſeman!— 'if you will but cheat your huſband often minutes duty, you will find me in the grove by the man⯑ſion, impatiently waiting to gauge your affections, which I [21] hope are, like my own, above proof. I long to ſmuggle thee; for thou haſt made a ſeizure of the heart of thy ſlave,
Ah! what, are you here?—
—You an't going to ſtay, are you?
Is it dat you want me gone, honey?
If I tell her, I do—ſhe is a woman, and will ſtay on purpoſe.—I have a little buſineſs here, to be ſure.
Why, this is not an alehouſe and what pleaſure can you have in any buſineſs but drinking? Come, come, I know what you are about—An't you aſham'd of yourſelf, to let old Congo fall in love with poor, dear Goody?
She knows it.
To be ſure I don't!
But how is all this?—Congo was to be married to you!
Yes; the falſe-hearted wretch—Oh, he is as bad as the beſt of you!
Zounds!—It's a comical thought!—Unah, you are a merry one, when you pleaſe.
I was, before I loſt Patrick.
Pooh! pooh! hang Patrick!—You and I ought to ſerve my wife and old Congo a trick.
A trick!
Yes; I ought to make love to you, out of revenge!
Get along with your colt's tooth! You'd be a pretty winning devil to make love! Would you begin wid axing me to drink wid you?
Nay; but, Unah—
Can't you be eaſy, and you'll have a love-ſcene in per⯑fection; for here come the turtles!
Dear neighbour Congo—kind neighbour Congo— you are ſo tender—ſo preſſing—ſo eager—ſo different from that brute, my huſband!
Brute!
Aye, aye!
But will you always be kind to me?
She grows deviliſh fond!—I wiſh ſomebody would come and interrupt us.—Always, my love.
Charming!
Tender! preſſing! and charming!—When did ſhe find time to learn all theſe pretty words?
Why, ſure, was it not while you was at the alehouſe?
Oh, neighbour; I wiſh my huſband was dead—
Deviliſhly oblig'd to you, upon my ſoul!
I'd marry you in four-and-twenty hours after I had buried him!
But, you ſee, I'm in good health, and don't chuſe to be buried.
What, you are there?—I am glad of it.
And, pray, are you glad of it, old Puncheon; old Run-goods?
Why, you ſee, neighbour—
Yes, yes, I ſee very plainly that you are an old rogue; and that, under a pretence of coming after the chicken, you are cackling after the old hen: but I'd have you to know, I am cock of the dunghill, and nobody ſhall approach my partlet.
But I ſay he ſhall!
He ſhall!—Oh, we'll ſee that preſently! Where's Lumkin and Sturdy? He ſhall firſt take a walk through the horſe-pond; and then we'll ſet Thunder at him, that he may have a good run to dry himſelf.
Suppoſe we threaten him a little with the revenge?
Hold your tongue, you jade!
John Muzzy, it does not ſignify—If you were to kill him, I'd get ſomebody elſe!
The devil you would!—And, pray, how often do you mean to play theſe tricks?
Every time you go to the alehouſe.
All in a ſtory!—What's to be done?
Done! Why, you muſt beg her pardon, and never be dry again; ſo that you may not want to drink.
What, to pleaſe a liquoriſh wife, and a wanton old gauger of Hollands!
Come, come, you had better be eaſy—it was in joke dis time; it may be in earneſt next. Crack your dobbin in your chimney-corner, and be quiet.
Aye, or in mine; where he'll hear the prattle of all our little exciſemen—won't he, Unah?
Fait, don't you tink de country's over-run enough wid dem already?—Shall I tell you how you'll do? As you intend to live till you are very old, you ſhall have my grand-daughter, after I am married to Patrick.
Friend Congo, imitate me, and cope with them no longer; they are a ſweet ſet of creatures, without a fault in the world; they are always prudent, always handſome, always good-tempered, and always ſilent!
Scene, Unah and Trim.
And now, little Unah, can you think of me?
Yes, ſure; and with a great deal of pleaſure.
Is it poſſible!
Ah! now, don't be too much in a hurry!—Nobody gets my love but Patrick: when I have two hearts, you ſhall have one of them; but, you ſee, as I never had but one, and he ſtole it, how can I give you the other?
Why, then, I muſt wear the willow!
I'll tell you what wear—Wear a heart that rejoices in the happineſs of others; and that's a willow that might grow in the garden of a prince.
Faith, Sir, I had like to have done your buſineſs ef⯑fectually: but impudence never fails me at a pinch; and ſo I gave the matter ſuch a turn—
But is the chaiſe ready?
Yes, Sir.—Huſh!—She's coming!—Zounds! it's the old Codger!—What the devil can he want!—I won't be ſeen.
Sir, your ſervant.
What does the old fool want?
Your name's Glanville?
Well, Sir—
Nay, Sir, I've a little buſineſs with you; I ſha'n't de⯑tain you long. I make but few words about any thing.
You'll be expeditious, then, I hope?
This belongs to you.
What's here?—The writings of my uncle's eſtate!
I am his executor, you his heir! I make but few words about any thing.
Nay, Sir, permit me—
And yet I care not if I ſpeak a word to you on a cer⯑tain ſubject. You love Cleora?
I adore her!
But you have been a very ſad young man—a rake!
I was, Sir, till her charms reclaim'd me.
Does Cleora love you?
I flatter myſelf ſhe does.
Marry her, then; I give her up. She is ruin'd; ſhe has not a penny in the world! I make but few words about any thing.—Your ſervant.
Ruin'd! how?—But no matter. I thank fortune that has put in my power—But here ſhe comes!—My dear Cleora, love and happineſs await thee! The chaiſe is at the bottom of the avenue, and nothing can retard our felicity!
I cannot conſent, Glanville! I have made a ſolemn promiſe to my mother—
To whom? You are abus'd, Cleora; you have no mother!
What do you mean?
That Eſtella has bred you up, and taken care of your fortune, out of reſpect to your real parents; but has carefully conceal'd from you the amount of one, and the quality of the other.
'Tis impoſſible!
'Tis truth: I can give you indubitable proof of it.
Then I am ruined!—For the implicit conſent I have given her, at firſt verbally, and at length under my hand has certainly put me entirely in her power!
I'm glad on't!
Glad!—Why?
Becauſe my fortune ſhall retrieve the loſs, and convince you of my diſintereſted affection. I am in poſſeſſion of all that belong'd to my uncle.
Yet, I cannot conſent!
Cruel, Cleora! to refuſe me the beſt and moſt ex⯑quiſite opportunity that ever preſented of convincing you of the purity of my paſſion.
Scene the Laſt —All the Characters.
Accept his offer, Cleora; he has told you the truth. I am not your mother, though I hope to be ſo to-morrow morning.
How, Madam!
By marrying your father.
My father!
Yes, my child! Come to my arms! Upon the death of your mother, whoſe loſs I could not bear, I left you in Eſtella's care, and travell'd to improve my fortune. The extravagant frolic I put in practice has anſwered my purpoſe beyond ex⯑pectation; for I find my old friend Glanville's nephew as ho⯑neſt a fellow as his uncle; therefore, to reward the fidelity of Eſtella, and his affection, we'll go all to church to-morrow morning. I make but few words about any thing!
Now the weighty matters are diſcuſs'd, we'll take the liberty to trouble your honours with our affairs.—But, firſt, health and happineſs to our noble patrons!
Oh, till they are tir'd of it!
Well, I hope we all begin to agree?
Why, yes, Sir. Unah is reſolv'd to think of nobody but Patrick, and we have agreed to teaze her no longer: Ma⯑ſter Muzzy is never to get drunk; and his wife is never to fall in love till he does!
Now, if I may be ſo bold, I think we are more likely to diſagree about what's to come than what's paſt.
Aye! How ſo?
Why, your worſhip, I foreſee we ſhall have a great deal of feaſting—
Why, dat's only ſeeing an inch before your noſe?
Spits will groan with oxen, and fountains will flow with wine; and if we don't take care to be very regular in our proceedings—
Why, to be ſure, dere will be a great deal of confuſion!
Well, well, you ſhall all have your ſtations. Trim ſhall be maſter of the ceremonies; old Muzzy ſhall have the care of the cellar—
And old Congo ſhall gauge the barrels, to ſee how much they drink.
Thank your worſhip!—I will be ſo drunk to-night!
How, John Muzzy!
For the laſt time, wife!
And, to ſhew you we ſhall be as anxious for your mer⯑riment as our own, we'll mix with you, and lead up the firſt country-dance.
And thus we bid every votary of pure and diſintereſted paſſion welcome to—Love's Harveſt-Home!
FINALE.
- Citation Suggestion for this Object
- TextGrid Repository (2020). TEI. 3987 Harvest home A comic opera in two acts As performed with universal applause at the Theatre Royal in the Hay Market By Mr Dibdin. University of Oxford Text Archive. . https://hdl.handle.net/21.T11991/0000-001A-6092-2