DIBDIN'S SELECTED SONGS.
A COLLECTION OF SONGS, SELECTED FROM THE WORKS OF Mr. DIBDIN.
VOLUME II.
LONDON, PRINTED FOR THE AUTHOR: AND SOLD BY HIM AT HIS WAREHOUSE, NO. 411, STRAND, OPPOSITE THE ADELPHI.
PREFACE.
[][]I CANNOT reſiſt the inclination this opportunity gives me of noticing how ſincerely I rejoice that the tongue of malignity, which has ſo opened againſt me on the ſubject of theſe ſongs, is likely to be com⯑pletely ſilenced.
Let it however be underſtood that, for any pri⯑vate uneaſineſs the ſaucy ſlander ever gave me, for any fear I entertained leſt it ſhould depreciate me in the opinion of the judicious and the worthy, for any perſonal enmity I feel towards the miſerable fools, who are puniſhed enough by the gnawings of their own rancour:—for any of theſe, or ſimilar conſidera⯑tions, I ſhould have ſuffered the noiſome ſnuff to linger, till it became choaked in its own fetid dregs: but it has annoyed the public, and therefore it is my duty to put on the extinguiſher.
[] The hiſtory of this buſineſs is very ſimple and ſelf-evident. I ſtarted in life with ſome popularity, and therefore became an object of envy. Thoſe who were galled at my ſucceſs, endeavoured to cruſh me. They knew they could not do ſo honeſtly, and there⯑fore they attempted it by villany. Public indigna⯑tion, however, ſo aſtoniſhed the reptiles, that they were glad to ſlink into their filthy lurking places for ſafety.
From that time onward, till within theſe three years—being connected with managers and muſic-ſhops, and working for mere hire—I lived pretty free from calumny. Throwing off every kind of yoke, however, and ſtanding upon my own foundation—at which time I pledged myſelf that my productions ſhould not, even in the minuteſt degree, receive aſ⯑ſiſtance from either manager, author, or compoſer—the vipers began again to rear their heads; and many—to the reproach of manhood, and the diſhonour of human nature—are the wanton and wicked proofs that they are only ſcotehed, not killed.
[vii] This will be clearly evident if we notice that the medium through which they have attempted to emit their poiſon is a revival of the ſame ſlander which was originally levelled againſt my reputation, and which only ſhews that they have more wickedneſs than cun⯑ning. They fancy that, could they induce a general belief that I impoſed upon the world the productions of ſome other perſon, as my own, I ſhould be held as a man void of faith or honour; but what proper indignation muſt fill every heart if it could be brought home to conviction that the principles of this perſon, of whom I am ſuppoſed to be merely the agent, are deteſted, and his memory execrated!
Could this be maintained, it would cut two ways. It would hold me up, both profeſſionally and morally, as an impoſtor, and ſtimulate the public not only to damn my works, but my character. Poor, ſhallow-ſighted idiots! They indeed know nothing of the na⯑ture of public generoſity. They have never ex⯑perienced that it conſtantly follows laudable induſtry; that it ever encourages thoſe endeavours which aim at conveying reaſonable pleaſure and uſeful inſtruc⯑ſion; [viii] and that whom it protects, it raiſes far above the reach of malice or detraction. They only know, fallen as they are, that it is a bliſs they dare not hope to enjoy, becauſe they are unworthy to poſſeſs it.
Having ſpoken of managers and muſic-ſhops, it may not be improper to notice, that in ſeparating myſelf from public connections, I am not actuated by any thing captious or capricious. I have no wiſh to cavil at men who have made bargains with me to their advantage. I cannot blame them for taking care of their intereſt, nor do I believe they blame me for taking care of mine: but, on the contrary—particu⯑larly thoſe with whom I have been moſt connected—wiſh well to my purſuits, and would lend my exertions every advantage in their power. Nor is there any thing wonderful in this; for it is a poor compliment to human integrity to ſuppoſe that it is not very na⯑tural in us to aſſiſt thoſe from whom we have received aſſiſtance.
Putting out of the queſtion the raſcality of my ſlanderers, I ſhall next examine whether there is any⯑thing [ix] like probability in their ſlander; premiſing, that I ſhould not have condeſcended ſo far but for the only circumſtance in all this buſineſs that gives me any thing like pain; and it is, that many men of ſtrict honour, and cordial good wiſhes towards me, have, even in my preſence, apparently given into ſomething like a belief of what has been urged againſt me.
Such a leaven is there in the compoſition of man, and ſo captivating is a novel opinion, that I am afraid, ſhould there be any malignity in it, there are very few who may not, under particular circumſtances, ſuffer a momentary ſuſpenſion of their integrity, to indulge an abſurd curioſity. I declare I have had ſuch queſtions aſked me, by even kind and worthy friends, that had I not known an anxious ſolicitude had for an inſtant obſcured probability, and outran re⯑flection, I muſt, for the ſake of my honour, have ſpit in their faces.
Nor is this language too ſtrong. In what way can the beſt friend make me amends for having in⯑dulgel, even for a ſingle moment, a belief that I am [x] the wretch theſe execrable villains would fain deſcribe me? But my only revenge on thoſe who have been thus betrayed from their duty as men, and tricked out of their charity as chriſtians, ſhall be to ſhew upon how unſubſtantial a foundation they have grounded their belief.
To go into this examination then. What is there in all we know of Mr. BICKERSTAFF to give the fainteſt colour to probability that he has written my ſongs, and that I always have been, and now am, his intimate friend? Is it becauſe whatever he has written and whatever I have written are of a totally different complexion? Does he write my ſea ſongs, becauſe thoſe in his Thomas and Sally are, taken technically, the abſurdeſt nonſenſe that ever diſgraced paper? Does the ſpirit of my poetry bear the cha⯑racteriſtic of his, becauſe his was ſtudy and mine is in⯑tuition? Becauſe he was timid, and I am bold? Be⯑cauſe what I write is temporary, and for the mo⯑ment, when he was the tardieſt and moſt tedious of all writers? Did he, or could he, write any thing but ſongs? Do I write any thing but ballads? Have [xi] I not uniformly rejected all aſſiſtance?—nay the aſ⯑ſiſtance of much better poets than he—and did he not court aſſiſtance from any body who would lend it him? Were not the ſuggeſtions of GOLDSMITH, KELLY, GARRICK, nay even SHUTER, and many others, caught at by him with avidity?
But did not theſe plain and ſelf-evident facts laugh the aſſertion to ſcorn, is it likely that a man, as he was, of the moſt offenſive and inſufferable vanity, who never allowed the ſmalleſt ſpark of merit to his friends—no, not even in the moment they were lend⯑ing advantage to his productions—is it probable that ſuch a man, notwithſtanding the merited obloquy a diſcerning and virtuous public has properly heaped on his head, would not manifeſt in ſome way his title to a ſhare in my popularity? Or, to take it the other way, what ſtrange inconſiſtency, or what ſingular atrocity, has ſo marked my public career as to make me appear on one ſide ſuch a fool, and on the other ſuch a knave, as to riſk being firſt diſcovered, and afterwards betrayed, by the man of all others the moſt capable of ſuch conduct?
[xii] Again, what are the faſcinating qualities in Mr. BICKERSTAFF that ſhould induce me to imitate him as a man, and riſk public benevolence for private in⯑famy? Am I impelled by gratitude in return for his driving hard bargains with me; of his taking ad⯑vantage of my inexperience, and rewarding me with a trifle, for labours by which he got large ſums of money; for being continually unfaithful to his en⯑gagements, or for running away in my debt? Am I enamoured of that inſincerity for which he was re⯑markable and notorious?—for that profligacy and immorality which characteriſed his opinions?—for that ſupercilious hauteur through which he would affront his friends?—or the puſillanimity which terri⯑fied him into begging their pardon! The climax of this paragraph I will not ſtain my paper with. My heart does not tell me that any ſingle diſpaſſionate man upon earth will accuſe me of an inclination to emulate the above qualities, and I flatter myſelf I ſhall not eaſily be ſuſpected of pre-eminence in iniquity. And now let my calumniaters, with their uſual truth and conſiſtency, aſſert that this is a panegyric on Mr. BICKERSTAFF, and that he wrote it!
[xiii] But this dare not now be ventured. The public indignation is once more rouſed, and woe to thoſe who have provoked it! My cauſe is become the cauſe of every honeſt man in the kingdom. Every man's honour, every man's character, and every man's intereſt is involved in it. It is not now a queſ⯑tion whether, in common with hundreds of high diſtinction, brilliant talents, and unſpotted honour, I ſhall, with indifference and contempt, ſee the lie of the day levelled at me, but it is a queſtion whether, as an innocent man, I ſhall be protected by ſociety, or, as a perjurer, driven from it.
This ſlander became at length ſo rank, ſo ſhame⯑leſs, and was ſo univerſally diffuſed, that, in juſtice to myſelf as a man and a citizen, I have appealed to the laws of my country. Diſdaining to proceed other⯑wiſe than by indictment, I have been granted a rule to ſhew cauſe why an information ſhould not be filed againſt the perſon who has thought proper to libel me; and, to obtain that rule, I have ſworn ‘"that I have not, at any time, ſeen Mr. BICKERSTAFF, nor had any [xiv] correſpondence with him, ſince he abſconded, and that I know not whether he be alive or dead."’
The matter is therefore now brought to a moſt ſerious and ſolemn point. My reputation is in the hands of the public, and every man of virtue and ho⯑nour muſt pronounce for me, that no one, but an un⯑principled villain, will hereafter dare to mention my name coupled with any inſinuation of the nature I complain of, unleſs he ſhall not only accuſe me, but convict me, of perjury.
I have written this preface at the ſolicitation and for the ſatisfaction of thoſe many friends whoſe warm and kind anxiety ſhall be remembered by me while my heart feels that gratitude which is its ſweeteſt and deareſt ſenſation. In the courſe of it I have carefully ſtudied not to anticipate nor prejudge any thing before the court. I have only given an unqualified contradiction of what has been alledged againſt me, and maintained my poſition by ſuch probable circumſtances as ſug⯑geſted themſelves. This it was particularly my duty [xv] to do, on bringing out theſe ſongs; but I have not preſumed to teach, or dictate. The ſubject is open to liberal diſcuſſion. It is here at iſſue, as well as at the King's-bench; and I am neither aſhamed nor afraid of what may be the deciſion in either place.
[] DIBDIN's SELECTED SONGS.
BALLAD.
IN THE WHIM OF THE MOMENT.
BALLAD.
BALLAD.
SONG.
BALLAD.
BALLAD.
[7]BALLAD.
IN THE LONG ODDS.
[9]BALLAD.
IN THE LONG ODDS.
[11]BALLAD.
IN HARVEST HOME.
BALLAD.
IN HARVEST HOME.
SONG.
IN HARVEST HOME.
BALLAD.
IN HARVEST HOME.
BALLAD.
IN THE ISLANDERS.
BALLAD.
IN THE ISLANDERS.
BALLAD.
IN THE ISLANDERS.
[18]BALLAD.
[19]BALLAD.
[20]BALLAD.
IN THE ODDITIES.
BALLAD.
[23]WELCH BALLAD.
[25]BALLAD.
BALLAD.
BALLAD.
[29]BALLAD.
[30]GLEE.
BALLAD.
IN THE ISLANDERS.
BALLAD.
BALLAD.
[35]BALLAD.
[36]BALLAD.
[37]BALLAD.
BALLAD.
BALLAD.
BALLAD.
IN THE WAGS.
[43]BALLAD.
IN THE WAGS.
[45]BALLAD.
IN THE WAGS.
[48]BALLAD.
IN THE WAGS.
BALLAD.
IN THE WAGS.
[52]BALLAD.
IN THE WAGS.
[55]BALLAD.
IN THE WAGS
[57]BALLAD.
IN THE WAGS.
[59]BALLAD.
IN THE WAGS.
[61]BALLAD.
IN THE WAGS.
BALLAD.
IN THE WAGS.
[66]BALLAD.
IN THE WAGS.
[68]BALLAD.
IN THE WAGS.
BALLAD.
IN THE WAGS.
BALLAD.
IN THE WAGS.
BALLAD.
IN THE WAGS.
[75]BALLAD.
IN THE WAGS.
[77]BALLAD.
IN THE WAGS.
BALLAD.
IN THE WAGS.
[81]BALLAD.
IN THE WAGS.
[83]BALLAD.
IN THE WAGS.
[85]RONDEAU.
IN THE WAGS.
[88]BALLAD.
IN THE ODDITIES.
RONDEAU.
IN THE WAGS.
BALLAD.
IN THE WAGS.
SONG.
IN THE WAGS.
[95]BALLAD.
IN THE WAGS.
[98]BALLAD.
IN THE WAGS.
BALLAD.
IN THE WAGS.
[102]VAUXHALL BALLAD.
[104]BALLAD.
IN THE WAGS.
[106]BALLAD.
IN THE WAGS.
RONDEAU.
IN THE WAGS.
[110]BALLAD.
IN THE WAGS.
[113]RONDEAU.
IN THE WAGS.
[115]BALLAD.
IN THE WAGS.
BALLAD.
IN THE WAGS.
BALLAD.
IN THE WAGS.
[121]BALLAD.
IN PRIVATE THEATRICALS.
RONDEAU.
IN PRIVATE THEATRICALS.
BALLAD.
IN PRIVATE THEATRICALS.
BALLAD.
IN PRIVATE THEATRICALS.
[129]BALLAD.
IN PRIVATE THEATRICALS.
[132]BALLAD.
IN PRIVATE THEATRICALS.
[133]BALLAD.
IN PRIVATE THEATRICALS.
[136]BALLAD.
IN PRIVATE THEATRICALS.
BALLAD.
IN PRIVATE THEATRICALS.
[140]BALLAD.
IN PRIVATE THEATRICALS.
BALLAD.
IN PRIVATE THEATRICALS.
[146]BALLAD.
IN PRIVATE THEATRICALS.
[148]BALLAD.
IN PRIVATE THEATRICALS.
BALLAD.
IN PRIVATE THEATRICALS.
[153]BALLAD.
IN PRIVATE THEATRICALS.
[156]BALLAD.
IN PRIVATE THEATRICALS.
BALLAD.
IN PRIVATE THEATRICALS.
[160]BALLAD.
IN PRIVATE THEATRICALS.
BALLAD.
IN PRIVATE THEATRICALS.
BALLAD.
IN PRIVATE THEATRICALS.
BALLAD.
IN PRIVATE THEATRICALS.
[169]RONDEAU.
IN PRIVATE THEATRICALS.
[172]RONDEAU.
IN PRIVATE THEATRICALS.
[174]BALLAD.
IN PRIVATE THEATRICALS.
[176]SONG.
IN PRIVATE THEATRICALS.
BALLAD.
IN PRIVATE THEATRICALS.
[182]BALLAD.
IN PRIVATE THEATRICALS.
[185]BALLAD.
FINALE.
IN THE COALITION.
Appendix A INDEX.
[]- And did you hear what ſad diſaſter, 9
- A ſailor and an honeſt heart, 11
- Arrah Pat, did you leave your poor Unah to mourn 13
- Away pale fear and ghaſtly terror, 14
- Ah let not an inſtant of life paſs in vain, 17
- An infant defenceleſs, 32
- A Drop of the Creature, 45
- All the Birds in the Air, 176
- Buxom Nan, 71
- But perhaps while thus boldly expoſing each elf, 121
- Bill Bobſtay, 122
- Celia, 21
- Curſed be the ſordid wretch of yore, 36
- Camp of Pleaſure, 91
- Conſtant Sailor, 98
- Conjugal Comfort, 137
- Devoted to Celia, 33
- Death or Victory, 68
- Death Alive, 93
- Far from ſtrife and love's alarms, 4
- Forgive me if I thus preſuming, 19
- Family Likeneſs, 73
- Give round the word diſmount, 41
- Happy Jerry, 61
- Honeſty in Tatters, 187
- I vow I thought you at firſt ſight, 1
- I went to ſea with heavy heart, 5
- I pray you when your ſweetheart pouts, 25
- If, my hearty, you'd not like a lubber appear, 26
- In which of all thy various joys 27
- If tars of their money are laviſh, 30
- Indian Death Song, 59
- Jack in his Element, 63
- Iriſh-Italian Song, 95
- Jack's Gratitude, 150
- Italian Recitative and Duetto, 178
- Like a very gallant, 29
- Leap Year, 140
- [iv]Life's a Pun, 169
- Lawyers pay you with words, 189
- Morality in the Foretop, 75
- Meum and Tuum, 164
- Nautical Philoſophy, 57
- Neighbour's Fare, 106
- Nothing but Drunk, 148
- Once on a time to mighty Jove, 2
- Our Jupiter has near his throne, 20
- Olympian Hunt, 89
- Propitious Gods, 37
- Patrick O'Row, 52
- [v]Peace and War, 110
- Poor Peg, 146
- Robin Hood, 39
- Roſes and Lilies, 124
- Such love as holy hermits bear, 38
- Sound Argument, 50
- Swizzy, 79
- Soldier Dick, 81
- Shenkin and Winny, 100
- Savage Love Song, 108
- Smoke the Beau, 156
- The boatſwain calls, &c. 7
- Though I am humble, 15
- Truly friend Gill, 16
- This life's a day's journey, 18
- [vi] The wind blew hard, 23
- To a ſlight common wound, 35
- The Watery 'Grave, 43
- The Pleaſures of the Chaſe, 48
- The Soldier's Adieu, 55
- The Joys of the Country, 66
- The Virtue of Drunkenneſs, 69
- The Duſtman, 77
- The Shipwreck, 83
- The Negro and his Banjer, 88
- The Woodman, 102
- They tell me I'm mad, 113
- True Engliſh Sailor, 115
- True Friendſhip, 116
- The Royal Nuptials, 126
- The Lucky Eſcape, 129
- The Beggar, 133
- The Rara Avis, 16
- Tantivy, 143
- The Drummer, 153
- The Soldier's laſt Retreat, 158
- [vii]Tack and Tack, 160
- The Sailor's Conſolation, 162
- The Sailor's Return, 166
- True Wiſdom, 172
- The Sultan and the Wag, 174
- The Waggoner, 182
- Tight Lads of the Ocean, 185
- Vauxhall Song, 104
- Virtue, 132
- When laſt in the Dreadful, 3
- Wounds, here's ſuch a coil, 12
- Would ye know where freedom dwells, 31
- Wigs, or the Inundation, 85
- What ſong ſhall I chant? 118
Appendix B A CATALOGUE OF MUSIC, MUSICAL INSTRUMENTS, AND VARIOUS OTHER ARTICLES, SOLD WHOLESALE & RETAIL BY C. DIBDIN, MUSIC-SELLER, AND PUBLISHER OF HIS OWN WORKS, AT HIS WAREHOUSE, No. 411. STRAND, OPPOSITE THE ADELPHI.
[]- —In the Oddities—
- THE Greenwich Penſioner, Price 1s.
- The Tar for all Weathers, 1s.
- Poor Tom, or the Sailor's Epitaph, 1s.
- Peggy Perkins, 1s.
- The Iriſh Drinking Song, 1s.
- Ben Backſtay, 1s.
- Taffy and Griddy, 1s.
- The Indian Song, 1s.
- The Lamplighter, 1s.
- On Gratitude, 1s.
- Bachelor's Hall, 1s.
- Flowing Can, 1s.
- Mock Italian Song, 1s.
- Saturday Night at Sea, 1s.
- All the World's a Maſquerade, 1s.
- Every Inch a Sailor, 1s.
- Sly Old Hodge, 1s.
- [iii] —In the Wags—
- The Watery Grave, 1s.
- A Drop of the Creature, 1s.
- The Pleaſures of the Chaſe, 1s.
- Sound Argument, 1s.
- Patrick O'Row, 1s.
- The Soldier's Adieu, 1s:
- Happy Jerry, 1s.
- Jack in his Element, 1s:
- Indian Death Song, 1s.
- The Joys of the Country, 1s.
- Death or Victory, 1ss
- Nautical Philoſophy, 1s.
- Buxom Nan, 1s.
- Family Likeneſs, 1s.
- Morality in the Foretop, 1s.
- The Duſtman, 1s.
- Swizzy, 1s.
- Soldier Dick, 1s.
- Shipwreck, 1s.
- Wigs, 1s.
- [iv] Negro and his Banjer, 1s.
- Olympian Hunt, 1s:
- Camp of Pleaſure, 1s.
- Virtue of Drunkenneſs, 1s.
- Death Alive, 1s.
- Conſtant Sailor, 1s.
- Shenkin and Winny, 1s.
- True Engliſh Sailor, 1s.
- Savage Love Song, 1s:
- True Friendſhip, 1s.
- Iriſh-Italian Song, 2s. 6d.
- Bonny Kate, 1s.
- Little Ben, 1s.
- Love's Concerto, 1s.
- Wily Fox, 1s.
- The Woodman, 1s.
- Celia, 1s.
- The Portrait, 1s.
- —In Private Theatricals—
- Bill Bobſtay, 1s.
- Roſes and Lilies, 1s.
- [v] The Royal Nuptials, 1s.
- The Lucky Eſcape, 1s.
- The Waggoner, 1s.
- Nothing but Drunk, 1s.
- Virtue, 1s.
- Leap Year, 1s.
- The Sailor's Conſolation, 1s.
- The Rara Avis, 1s.
- Conjugal Comfort, 1s.
- The Beggar, 1s.
- The Reward of Fidelity, 1s.
- Tantivy, 1s.
- The Sailor's Return, 1s.
- All the Birds in the Air, 1s.
- Poor Peg, 1s.
- Life's a Pun, 1s.
- The Soldier's Laſt Retreat, 1s.
- Meum and Tuum, 1s.
- Tack and Tack, 1s.
- Jack's Gratitude, 1s.
- Twenty-ſix ſongs compoſed by Mr. DIBDIN for the By-ſtander—ſewed, 9s.
- The By-ſtander, together with the ſongs, in boards, 16s.
- Ditto, elegantly bound, 1l. 0s.
- DIBDIN's Selected Songs, being a ſelection from Mr. DIBDIN's works, printed on a fine writing paper, ſewed. Vol. I. Third Edit. 3s.
- Ditto, e [...]egan [...]ly bound, 4s 6d.
- Ditto, Vol. II, being a further Selection, 3s.
- No. 1, 2, and 3, of a Collection of Sonatas, adapted for the Harpſichord or Piano Forte, with an accompanyment for a violin or flute, from the ſubjects of the favourite ſongs in the Wags and Oddities, by Mr. DIBDIN. Price each 1s 6d.
- A ſhort Treatiſe, written by Mr. DIBDIN, on the ſubject of teaching in general, and the neceſſity of a ſimplication of muſic, intended to illuſtrate and properly ex⯑plain the utility of the above ſonatas. 1s.
- [vii] Early in next winter will be publiſhed, a Novel, in three octavo volumes, written by Mr. DIBDIN.
- Mr. DIBDIN has now on ſale a handſome aſſortment of Piano Fortes, &c. and, in paricular, a re⯑markable good Harpſichord.
- Citation Suggestion for this Object
- TextGrid Repository (2020). TEI. 4687 A collection of songs selected from the works of Mr Dibdin pt 2. University of Oxford Text Archive. . https://hdl.handle.net/21.T11991/0000-001A-5AC1-5