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SUBLIME AND BEAUTIFUL OF SCRIPTURE: VOL. II.

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THE SUBLIME AND BEAUTIFUL OF SCRIPTURE: BEING ESSAYS ON SELECT PASSAGES OF SACRED COMPOSITION.

By COURTNEY MELMOTH.

INSTANCES, ALSO, OF MAJESTIC SIMPLICITY AND UNAFFECTED GRANDEUR, ARE TO BE MET WITH IN GREAT PLENTY THROUGH THE SACRED WRITINGS. Smith's Longinus.

IN TWO VOLUMES.

LONDON: PRINTED FOR J. MURRAY, (No. 32) FLEET-STREET. M DCC LXXVII.

CONTENTS.

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  • ESSAY XXI. INSTITUTES of MOSES. ‘PASSAGE. And if a man cauſe a blemiſh in his neighbour; as he hath done, ſo ſhall it be done unto him. ’ Page 1
  • ESSAY XXII. STORY of BALAAM and his ASS. ‘PASSAGE. And the Lord opened the mouth of the aſs, and ſhe ſaid unto Balaam, what have I done unto thee, that thou haſt ſmitten me theſe three times? ’ page 9
  • ESSAY XXIII. DEATH of MOSES. ‘PASSAGE. And the Lord ſaid unto Moſes, get thee up into this mount Abarim, and ſee the land which I have given unto the children of Iſrael. And when thou haſt ſeen it, thou alſo, ſhalt be gathered unto thy people.’ page 21
  • [] ESSAY XXIV. STORY of CALEB and OTHNIEL. ‘PASSAGE. And Caleb ſaid, he that ſmiteth Kirjath-ſepher, and taketh it, to him will I give Achſah my daughter to wife. ’ page 27
  • ESSAY XXV. STORY of NAOMI and RUTH. ‘PASSAGE. And Ruth ſaid, intreat me not to leave thee, or to return from following after thee; for whither thou goeſt, I will go; and where thou lodgeſt, I will lodge: thy people, ſhall be my people; and thy God, my God. ’ page 37
  • ESSAY XXV. GOLIAH of GATH. ‘PASSAGE. And David ſaid unto Saul, let no man's heart fail becauſe of him: thy ſervant will go and fight with this Philiſtine. ’ page 79
  • [] ESSAY XXVI. STORY of ELIJAH and the Widow of ZAREPHATH. ‘PASSAGE. And ſhe ſaid, as the Lord thy God liveth, I have not a cake, but a handful of meal in a barrel, and a little oil in a cruſe. ’ page 113
  • ESSAY XXVII. CHARACTER of SOLOMON. ‘PASSAGE. And Judah and Iſrael dwelt ſafely, every man, under his vine, and under his fig tree, from Dan, even to Beer-ſheba, all the days of Solomon. ’ page 135
  • ESSAY XXVIII. CONCLUDING STRICTURES. On SCRIPTURAL SUBLIMITY and BEAUTY. ‘PASSAGE. He was honoured in the midſt of the people, in his coming out of the ſanctuary. ’ page 147

ESSAY XXI. INSTITUTES of MOSES.

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PASSAGE.

AND IF A MAN CAUSE A BLEMISH IN HIS NEIGHBOUR; AS HE HATH DONE, SO SHALL IT BE DONE UNTO HIM.

THE laws of Moſes are, in part, very properly aboliſhed, being, indeed, only inſtituted for local occaſions, and adapted to the temper of the times. But there are others which, with little or no alteration, are, and deſerve to be, of eternal force. In the two verſes [2]directly preceding this paſſage, there is a very excellent diſtinction made in point of puniſhments and offences. ‘He that killeth a man ſhall ſurely be put to death: and he that killeth a beaſt, ſhall ſurely make it good.’ Thus the human perſon is rendered ſacred, and the animal, which is private property, is made ſecure to the proprietor. Methinks the following verſe may be conſidered as one of the great and original foundations of ſocial preſervation: ‘Breach for breach, eye for eye, tooth for tooth.’ It is at this very day the true recriminating principle, not, indeed, quite literally, [3]but eventually: and who can call the rectitude of it in queſtion? In reading theſe ancient records, however, we find ſeveral crimes penable, which are now, though highly attrocious, ſcarce within the letter of the law. The blaſphemer, and ſabbath-breaker, for inſtance, was ſtoned; and now the price of an oath is, at worſt, but a ſhilling: and the other matter, for the moſt part, is no object of attention. There are many minute articles in the code of Moſes ſtill in being amongſt us: thus, an hired horſe, dying upon its journey, is, to this day, as it was formerly; being an hired thing, [4]it came for his hire. The matter and cuſtom of gleaning was, certainly, firſt derived from the following command:

When thou cutteſt down thine harveſt in the field, and haſt forgot a ſheaf in the field, thou ſhalt not go again to fetch it; it ſhall be for the ſtranger, for the fatherleſs, and for the widow; that the Lord thy God may bleſs thee in all the work of thy hands.

The term of an apprentiſhip ſeems to originate from the following inſtitute: ‘If thou buy an [5]Hebrew ſervant, ſix years he ſhall ſerve, and at the end of the ſeventh he ſhall go out free: and if a man fell his daughter for a maid-ſervant, ſhe ſhall not go out, as the men ſervants do.’ There is, I think, no doubt, but this is the foundation of the rule of allotting the harder labour of the fields to the male, and the eaſier cares of the houſe to the female. Theſe are, indeed, curious and ſmall; but ſurely, no man will think them unintereſting remarks. Now I am upon the ſubject of the ſtatutes of Moſes, I cannot neglect mention of various humane and ſocial inſtitutions, [6]ſome of which are very improperly abrogated.

If thou meet thine enemy's ox, or aſs, going aſtray, thou ſhalt ſurely bring it back to him again: if thou ſee the aſs of him that hateth thee, lying under his burthen, thou ſhalt ſurely help him.

It is much to be feared, the enemies of the preſent day will ſcarce forbear ſmiling at this injunction, ſo far from obeying it.

Thou ſhalt not countenance a poor man in his cauſe.

[7] In one ſenſe, this is moſt rigidly obſerved in all the courts of Juſtice.

And if thou ſell ought of thy neighbour, or buy ought of thy neighbour, ye ſhall not oppreſs one another.

The modern maxim of ſtriking a bargain, is, perhaps, ſomething different from this.

And if thy brother be waxen poor, and fallen in decay with thee; then, thou ſhalt relieve him, ſo that he may live with thee.

[8] It is really painful to comment, and draw parallels betwixt ancient and modern times, when we are compelled to cenſure the latter in ſo many caſes:—let us, therefore, cloſe the ſubject.

ESSAY XXII. STORY of BALAAM and his Ass.

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PASSAGE.

AND THE LORD OPENED THE MOUTH OF THE ASS, AND SHE SAID UNTO BALAAM, WHAT HAVE I DONE UNTO THEE, THAT THOU HAST SMITTEN ME THESE THREE TIMES?

IN whatever light this matter is viewed, whether as an operation of the Deity (which we have no right to diſpute, ſince the ſame power which can command water from the rock, can as eaſily inſpire [10]the animal with argument) or whether we conſider it in the light merely of a moral fable, it is wonderfully beautiful and pathetic. I ſhall endeavour to illuſtrate it both ſcripturally and hiſtorically.

‘Now Balaam was riding upon his aſs, and his two ſervants were with him.’ In the very ſetting out of the journey, it was a thing diſpleaſing to the Deity, and the firſt hints of his diſpleaſure were very remarkably diſplayed. ‘And the aſs ſaw the angel of the Lord ſtanding in the way, and his ſword drawn in his hand.’ Upon this, the poor creature, very [11]naturally aſtoniſhed at ſuch a ſpectable, turned aſide out of the way, and went into the field; ‘And Balaam ſmote the aſs to turn her into the way.’ In oppoſition however to blows, the animal awhile went on, till the ſame angelic appearance, ſtanding in a path of the vineyards, made her fly in terror towards the wall, againſt which ſhe unfortunately cruſhed the foot of her maſter: and for this ſecond offence he ſmote her again. But ſtill the celeſtial viſitant reſolved, as it were, to obſtruct, or at leaſt to delay the journey, ſtood at laſt in ſo narrow a place, that there was no [12]poſſibility of paſſing either to the right hand, or to the left; and when the aſs found herſelf thus beſet, and thus thwarted in all her endeavours—what could ſhe do? She had reſpect to the commands of her lord, but ſhe was unable to obey them; poſſibly too, ſhe was more than affrighted—ſhe might be awed by the figure before her—ſhe, therefore, fell down; and Balaam, conſidering this third treſpaſs as a ſtill greater aggravation of obſtinacy, ſmote the aſs with his ſtaff. Then it was that the Power, who knew the innocence of the poor thing, took pity upon her ſufferings, and, to put at once [13]an end to the hard uſage, her mouth was opened, that ſhe might plead her own cauſe with the man, and enter into a pathetic remonſtrance with him upon the ſubject of his barbarity. ‘And ſhe ſaid unto Balaam, What have I done unto thee, that thou haſt ſmitten me theſe three times?’ But Balaam was now too violently angry to attend even to miracles, and, without regarding the circumſtance, as being preternatural, he replied to it merely as an ordinary queſtion, by wiſhing, in the vehemence of his heart, a ſword was in his hand, that he might kill the offender upon the ſpot. And [14]now ſucceeds an anſwer which might melt the hardeſt heart, and ſoften the compaſſionate into tears. ‘Am not I thine aſs upon which thou haſt ridden ever ſince I was thine, unto this day? Was I ever wont to do ſo unto thee?’ Imagination here unavoidably extends the commentary. How, Balaam, canſt thou thus ill entreat thy ſervant? Have I at any time, ſave now, reſiſted thy deſigns, and have not thy ſlighteſt wiſhes been to me in the nature of injunctions? Thrice haſt thou lifted up thine arm in anger againſt me, and thrice have I borne the anguiſh without complaining. Ah, ungentle [15]maſter—couldeſt thou not conceive that ſome peculiar occaſion prevented my obedience? if haply nothing ſtruck thine eye as an obſtacle, ſurely, thou mighteſt have relied upon one, whoſe fidelity, both by day and by night, thou haſt ſo often experienced. Am I not the old ſlave of your pleaſure, contented with whatever food it is convenient for you to allot me—nothing loath to perform the labours to which I was born, and to earn the herb of the field before I ate it! To this expoſtulation, which one would think might have force enough to reſtrain the iron hand of inhumanity [16]itſelf, Balaam replied, by confeſſing that her arguments were true: ‘Was I ever wont to do ſo unto thee?’ Nay, anſwered Balaam.

Soon after this dialogue, the angel convinced Balaam of his fault, and he then bowed his face to the earth—ſtruck, probably, with a ſenſe of double impropriety—Why haſt thou ſmitten thine aſs?—If a man was to be fairly aſked this queſtion in the courts of moral equity, thoſe courts where Conſcience ſits as judge, how would he be able to anſwer it? There is no need to run this fine narrative into the perplexities [17]of ſubtle and latent meaning, it is ſufficiently admirable as an addreſs to the human heart, And, indeed, the ſcriptures are not more earneſt and perſuaſive in the cauſe of compaſſion, than in the cauſe of ſalvation. There is ſcarce a chapter in which pity, that ſweet emanation of Heaven, is not enjoined; and that the reader might not be fatigued with ſameneſs of ſentiment, or tired with likeneſs of language, the ſtyle of the ſubject is varied, almoſt a thouſand times: ſometimes the lovely quality of mercy is recommended to us, (as in the preſent inſtance) by a tender and attracting narrative—ſometimes [18]by a beautiful allegory, or parable; and very often by a conciſe moral ſentence, expreſſed in a way ſo irreſiſtibly ſtriking, that we are led to the practice of the virtue, not only by a veneration for its intrinſic charms, but by the additional graces which it receives from compoſition.

Even the ſoreſt curſes in the ſcriptures are, for the moſt part, againſt cruelty, and to recommend kindneſs: and in the beginning of the 22d chapter of Deuteronomy, i. e. from verſe the firſt to verſe the ſeventh, there are ſentiments of the moſt humane and affectionate [19]tendency that ever were read, conceived, inſpired, or practiſed. Let every man who has a heart, peruſe them—I will not add—attentively—becauſe, to peruſe them negligently, where any degree of feeling is beſtowed, is utterly impoſſible.

What muſt have been the ſenſations of Balaam when he underſtood from the lip of a Divinity, that unleſs the aſs had turned in the very manner he did, the maſter would have been ſlain, and the ſervant preſerved alive? How extreme ſhould be the caution, and how palpable the error before puniſhment [20]is inflicted; for ſuch is the infirmity of man, he may thrice ſmite his preſerver for thoſe very actions, which, ultimately, produce the moſt deſirable and eminent bleſſings; and when once ſuch a miſtake happens, and the indignity is given, where is the man poſſeſſed of ſufficient effrontery to meet the eye of his benefactor? Every ſtroke we have given returns invigorated upon ourſelves, and we feel the blows ſhamefully burning upon our cheeks.

ESSAY XXIII. DEATH of MOSES.

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PASSAGE.

AND THE LORD SAID UNTO MOSES, GET THEE UP INTO THIS MOUNT ABARIM, AND SEE THE LAND WHICH I HAVE GIVEN UNTO THE CHILDREN OF ISRAEL.

AND WHEN THOU HAST SEEN IT, THOU ALSO, SHALT BE GATHERED UNTO THY PEOPLE.

HOW few are there at this day in the world, whom ſuch a command would not terrify? It is plainly aſcertaining the moſt aweful [22]moment of mortality: yet the excellent perſon to whom it was ſpoken, appears to have received it without the leaſt alarming emotion; and that, not becauſe he was inſenſible, but becauſe he had talked with his maker as with a friend, and becauſe he was aſſured. Being informed of his own death, indeed, he was anxious to fill up the vacancy which he ſhould leave, properly, and therefore for the ſake of poſterity, petitioned for a ſucceſſor. In theſe times, ſuch intelligence, even though it were communicated in a dream, would diſorder all the felicity of the day, and the very beſt of us, [23]would dread the advances of the night, leſt the horrid images ſhould again appear: but if, as in this place, the tidings were conveyed by the voice of God himſelf, although the event was not to happen for fifty years, the whole ſcheme of life (however delightfully our imaginations had before coloured it, however bright our expectation, or ſplendid our circumſtances) would be inſtantly deſtroyed: The radiance of the morning enwrapt ſuddenly amidſt the gloom of midnight, gives us but a faint ſimile to expreſs the aſtoniſhment and the anguiſh, that would, upon ſuch an occaſion, ſeize [24]the ſoul: Inſtead of attending to our ſecular affairs, we ſhould be incapable either of buſineſs or pleaſure; even intereſt would want its uſual ſtimulus, the verieſt Niggard would forget his unviſited hoard, and at laſt, when the blow was juſt deſcending, with a fearful voice, and trembling hand, he would appoint a ſucceſſor; or what is full as probable, his apprehenſions would predominate over all ideas of natural juſtice, or elſe the ſtrange ſuggeſtions of at leaſt a poſſibility, that deſtiny might delay to diſcharge its promiſe, would induce him to die amidſt the deceits of hope, and [25]leave his unſecured property to the rapacity of law, and the conteſt of various claimants. Moſes, however, is repreſented as going on, immediately after this, in the great affairs which were allotted to him. Undiſturbed by the common terrors of ordinary men, we ſtill find him tranſmitting the laws of life and eternity, from God to man: He continued, as before, to ſettle with the ſame ſagacity, the moral, civil and religious ſyſtem: He was the amanuenſis of Providence; and after he had done all the appointed ſervice to ſociety, he died at the age of one hundred and twenty years, in the fulleſt poſſeſſion of [26]every faculty; for ‘his eye was not dim, nor his natural force abated.’ And yet, as there has not ariſen another like unto Moſes, whom God knew face to face; and, as the life of man is, ſince conſiderably ſhortened (inſomuch that all the ſcriptural ſimiles of its brevity are in a moral ſenſe unable to give us the preciſe idea) the concealment of the laſt hour, is a particular indulgence to us: Preſcience would diſtreſs the moſt virtuous mind, and in every light we can poſſibly view this matter, ignorance is bliſs, and foreknowledge, would, to all intents and purpoſes, be agony.

ESSAY XXIV. STORY of CALEB and OTHNIEL.

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PASSAGE.

AND CALEB SAID, HE THAT SMITETH KIRJATH-SEPHER, AND TAKETH IT TO HIM WILL I GIVE ACHSAH MY DAUGHTER TO WIFE.

IN the ſhort, but very pleaſing narratives of Caleb and Othniel, bravery and piety are powfully recommended and rewarded. Caleb's ſtory is related by himſelf in the 14th chapter of Joſhua, [28]from whence we eaſily ſee into his character. Enamoured of glory himſelf, he naturally loved it in others; and being called to battle in a righteous cauſe, he propoſed, by way of encouragement to the youthful heroes of his day, the moſt precious prize in his poſſeſſion—even Achſah, his daughter. This propoſal fired the boſom and, animated the exertions of the youth Othniel, who took it, and received the beautiful reward. With this fair preſent, it ſhould ſeem, he led a life of honour and virtue, ever warmly devoted to his God, and his country: for, after the death of Joſhua, when the children of [29]Iſrael again relapſed into diſobedience, and ingratitude, and the Almighty ſold them to the king of Meſopotamia, as a puniſhment, Othniel was the perſon who, upon their repentance, was ordained to deliver them from the chains of captivity: and ſuch was the wiſdom of this hero's mind, that after he had reſcued them from ſlavery by the valour of his arm, he kept the land in the compoſure of peace forty years. All that time the place had reſt; nor do we hear of any farther flagrant inſtances of treſpaſs, or violation, till after his death; upon which, that diſobedient [30]people once more began to revolt, and degenerate.

The union of magnamity and moral goodneſs well deſerve the higheſt treaſures of reward; and it were to be wiſhed, that the courage of Othniel was conſtantly enriched by the principles of Othniel. War, in itſelf, is certainly only a more legal butchery than private murder, but when the ſword is drawn in a cauſe like this, where integrity was blended with intrepidity, every boſom is officious to ſhare the honours, and every hand ready to beſtow the laurel. The father-in-law of Othniel was, himſelf [31]not inſenſible, however, to the deſerts of victory, and we find him aſſerting his claim before Joſhua, like a ſoldier. How beautifully has be contrived to rehearſe his own ſucceſſes, without vain-glory, or oſtentation! And he ſpeaks of the ſervices he has done, and is ſtill able to do the ſtate, without incurring from delicacy itſelf the character of a boaſter. ‘Forty years old was I, (ſays he) when Moſes, the ſervant of the Lord ſent me from Kadeſh-barnea to eſpy out the land; and I brought him word again, as it was in mine heart. And Moſes ſware on that day, ſaying, ſurely the [32]land whereon thy feet have trodden, ſhall be thine inheritance, and thy childrens' for ever; becauſe thou haſt wholly followed the Lord thy God. And now, behold the Lord hath kept me alive, as he ſaid, theſe forty and five years, even ſince the Lord ſpake this word unto Moſes, while the children of Iſrael wandered in the wilderneſs; and now, lo, I am this day, fourſcore and five years old: and yet, I am as ſtrong this day as I was in the day that Moſes ſent me: as my ſtrength was then, even ſo is my ſtrength now for war, both to go out, [33]and to come in. Now, therefore, give me this mountain, &c. if ſo be the Lord be with me then I ſhall be able to drive them out.’

His plea was irreſiſtible. The whole ſpeech was ſuſtained by a manly firmneſs, and a diſdain of all that nauſeous incenſe which is too frequently laviſhed by the ſervile petitioner. In conſequence of this oration, Joſhua bleſſed him, and willingly gave that which was requeſted. His own conqueſts thus paid, he was reſolved to do juſtice to congenial merit: and, as an inſtance of his love of [34]glory, and an example to others, he gave his child to him who ſhould moſt deſerve her. Othniel had no ſooner obtained her, than the noble parent ſettled upon their iſſue a freſh inheritance of fields and ſprings. Here it is not eaſy to glance at a deficiency of modern times—a deficiency long deplored, and ſtill remaining to be ſo. Where is the adequate meed for the preſent race of conquerors? Are the deliverers of our country for ever to be neglected—to ſtarve after the toils of war, upon the ſtipend of divided pay, and to ſee the hand of power lifting up over their venerable [35]heads, the beardleſs babies of the troop to the very top round of the ladder of preferment, while they are condemned to languiſh at the view, and, even in the ſeaſon of the ſilver hair, ſtand uncovered in the preſence of their puerile ſuperiors?—O, Britain, where is thy gratitude! O, ye diſtributers of honour, whither is fled the ſpirit of recompenſe?

ESSAY XXV. STORY of NAOMI and RUTH.

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PASSAGE.

AND RUTH SAID, INTREAT ME NOT TO LEAVE THEE, OR TO RETURN FROM FOLLOWING AFTER THEE; FOR WHITHER THOU GOEST, I WILL GO; AND WHERE THOU LODGEST, I WILL LODGE: THY PEOPLE, SHALL BE MY PEOPLE; AND THY GOD, MY GOD.

THERE never was any thing more happily conceived, or more ſweetly told than the book of Ruth. It ſeems chiefly deſigned to exhibit to us a lively and [38]high-coloured picture of the force of female friendſhip on the one hand, and the weakneſs of reſolution, when oppoſed by cuſtom, on the other. The general circumſtances of the ſtory being uncommonly fine, will ſpeak beſt for themſelves, and afford proper comments in the progreſs of reciting them.

When the famine raged with much ſeverity in her native land, Naomi, and her huſband Elimelech, and their two ſons, went to ſojourn in the country of Moab; but Elimelech died, and Naomi, the widow, was left with her children: [39]ſoon after this, thoſe children ‘took them wives of the women of Moab; the name of the one was Orpah, and the other Ruth.’ It came to paſs that the young men, their huſbands, died alſo, both of them, and now the poor widow was bereaved of her ſons and her huſband. Unable, therefore, to bear any longer a place in which every ſcene preſented ſome image of loſt endearment, or revived ſome diſtracting idea of conjugal or maternal tenderneſs, ſhe reſolved to ſeek ſolace from her ſorrow, by change of reſidence. So ſhe aroſe with her daughters-in-law Orpah and Ruth, [40]that ſhe might return from the country of Moab. It preſently occured to the poor woman, as ſhe was journeying on her way, that if ſhe was herſelf unhappy, it was no teſtimony of her affection to involve her ſons' wives in equal calamities; and judging the reception ſhe would be likely to meet in the land of Judah, entering it deſolate, unfriended, and unadorned, ſhe pauſed a moment, and thus pathetically addreſſed the young widows: ‘Go, my children, each of you return to your mother's houſe; the Lord deal kindly with you as you have dealt with the dead, and with me. [41]The Lord grant that ye may find reſt, each of you, in the houſe of your dear deceaſed huſband.’— Having uttered this ſhort prayer for their happineſs, ſhe kiſſed them, and prepared to depart alone. How true to nature was their reply! They did not pour forth unmeaning compliments of condolance—They did not interchange any idle civilities of ſorrow, for their anguiſh was too ſincere for ceremony—Neither did they enter into the parade of promiſing future interviews—for they ſpoke not at all. The extreme of grief has, at the firſt ſurprize, little to do with language—at the [42]moſt, it burſts into ſhort exclamations, as if it would ſhew the impoſſibility of proceeding: for our alleviation, therefore, in theſe caſes, that power, who to every wound hath provided ſomething wherewith to heal it, gave the comfort of tears, ſo that the fullneſs of the ſad heart is, in part, diſcharged by that kindly effuſion which Providence has intended as a fountain to relieve the exceſſes of nature; either in the ſurplus of miſery, or tranſport. ‘They lift up their voice and wept’—A folio could not ſo well diſplay their condition—After ſome time paſſed in this kind of ſignificant ſilence, they ſaid unto [43]her: ‘Surely, we will return with thee unto thy people.’ Here again genuine grief diſcovers itſelf: one tender ſentence, and one only, expreſſes their deſigns and wiſhes to attend her. In ſuch caſes, conciſeneſs is nature, and circumlocution, mere art and affectation *. Perceiving the deſign of the daughters, [44]the widow-woman Naomi again began to diſſuade them, and to [45]preſs their ſpeedy return. She painted the various diſaſters they [46]would be liable to, in her company—told them ſhe had no more ſons to give them for huſbands— nor even a hut, however uncheary, and forlorn, to accommodate them with in her own country—and furthermore, that ſhe had not wherewithal to repoſe her own head upon, if, after the fatigues of travel, ſhe ſhould haply arrive ſafe. And, now ſhe once more preſſed the women in a farewel embrace, whilſt ſhe cloſed her arguments with another bleſſing, more melting even than the firſt. ‘Nay—my daughters—weep not I intreat you. It grieveth me more for your ſakes than my own, that the hand of the [47]Lord hath gone out againſt me.’ This was the touchſtone: ſhe had now fairly diſcovered all the horrors of her ſituation, and ſhewed herſelf a woman without accommodation—a traveller without hope of reſt at the end of her journey, and a widow, without one to take her by the hand, and ſay unto her, Welcome unfortunate —welcome again to thine own country. The picture was too darkly ſhaded for Orpah. The dread of poverty, and all its ſable catalogue of terrors, ſtruck her at once: ſhe ſhed the tribute of a few more tears—ſacrificed a few more ſighs, and went her way. Not ſo the [48]affectionate Ruth. How excellently marked, and that, by a ſingle word, is the conduct of each. ‘Orpah kiſſed her mother-in-law; but Ruth clave unto her.’ The ſentence, though thus compreſſed, is emphatically copious in point of meaning: but, indeed, the multum in parvo, ſhould be one characteriſtic of the ſacred writings. ‘Orpah kiſſed her mother-inlaw,’ i. e. ſhe gave her a farewel embrace, wept a woman's ſorrow, and left her mother to wander over the world. ‘But Ruth clave unto her.’ Struck to the heart at the proſpect of ſeeing her friend and parent no more, and ſtill calling [49]to mind the thouſand endearments which had formerly made precious her ſociety, and even feeling ſome additional ſympathy from being involved in a calamity, which aroſe from the miſchances of one houſe, and one family, ſhe endured not the idea of her departure: ſo far otherwiſe, indeed, that ſhe clave unto her,’ i.e. clung round her neck—kiſſed her with an ardour, as if ſhe deſigned to leave the ſeal of her very ſoul impreſſed on her lips for ever. In vain did the noble-minded Naomi exhibit to her the various miſeries which were at hand, and againſt which, there was no comfortable proviſion— [50]In vain did ſhe point to the example, the politic and prudent example of Orpah, her ſiſter—In ſcorn of ſuch conduct, and to cloſe at once all future diſſuaſions, ſhe thus deelared, to the eternal honour of her ſex, the glowing reſolutions of her ſoul. ‘Intreat me not to leave thee, or to return from following after thee, for whither thou goeſt, I will go; and where thou lodgeſt, I will lodge: thy people ſhall be my people, and thy God my God.’ The whole beauty and force of this paſſage is not ſeen at once: it is a very fine climax, and there is amazing elegance in the gradations. [51]The full ſenſe implied, ſeems to branch out in this manner. She begins with deſiring Naomi to urge the ſubject of ſeparation no longer, ſince ſhe has completely made up her mind upon it. This is the firſt and ſlighteſt part. In the next place, ſhe unfolds her firſt deſign to follow her fortunes in whatever part of the habitable globe ſhe thinks proper to purſue them: but not thinking this ſufficiently expreſſive of her affection, ſhe reſolves to take up her abode in the ſame houſe with her—to lodge under the ſame roof, however poor, and to ſhare the ſame bed, however inelegant.— [52]After this, ſhe reſolves to know no other people, than ſuch as are equally the common friends of both—to enter into no attachments, but thoſe which are united by the ſame tender ties to her dear Naomi; and to form no connections whatever, that can, in the leaſt, derogate from the love ſhe bore her. But ſhe is not contented with having delivered theſe aſſurances, for ſhe goes on, declaring that her very religion ſhall be the religion of her friend—that one faith, and one hope, ſhall animate their devotion, and that the God of one, ſhall be the God of the other. Even this does not ſatisfy [53]her: for, ſhe next determines not only to go with her the pilgrimage of life, but attend her beyond the gate of death—to die with her Naomi, ſhould it be her Naomi's lot to fall firſt, and to be buried at laſt in the ſame grave: and this ſhe confirmed by an immediate oath of the utmoſt importance and ſanctity amongſt the daughters of Judah: ‘The Lord God do ſo to me, aud more alſo, if ought but death’—ſhe might have ſaid—if death itſelf, part thee and me.

‘When Naomi ſaw that ſhe was ſteadfaſtly minded to go, ſhe left [54]off perſuading her; ſo they went until they came to Beth-lehem; and when they arrived, it came to paſs, that all the city were moved about them, and they ſaid, Is this Naomi?’ Here are freſh morals and freſh elegancies opened upon us: the diſconſolate Naomi had no ſooner ſet her foot upon her own land, than all thoſe little paſſions which lie lurking in the boſoms of the illiberal and the inhoſpitable, were inſtantly awakened. Curioſity ſurveyed the tatters which ſhe had not the ſoul to repair.—Ill-nature was, we may be ſure, officious enough to throw in her bitter ſarcaſm. Pride was [55]ready with her inſulting offer of pity—Avarice lamented his incapacity to anſwer the good wiſhes of his heart; and in ſhort, every arrogant, every paltry propenſity was in arms againſt our defenceleſs travellers. But as Naomi originally lived in ſome degree of comfort and credit in her own country, and was now reduced, ſhe, of courſe, more particularly was the mark of their obloquy and converſation.

Upon entering the city, therefore, the mob flocked about her, to indulge the vulgar and villainous joy, of adding a freſh load to the [56]heart which was already groaning under its burthen; for it is, but too generally the horrid maxim, to aſſiſt where aſſiſtance is unneceſſary, and to deny ſuch aſſiſtance where it may be the means of continuing life, or of promoting happineſs. And they ſaid one to another—meaſuring no doubt the poor wretch from top to toe; and noteing with cruel criticiſm, every unfortunate particular—‘Is this Naomi?’ God of Heaven, as much as to ſay—is this the woman —the wife of Elimelech, who lived in ſuch plenty—this poor ragged wretch—this ſhadow of herſelf— "Is this Naomi?" Mercy upon us [57]—who would have thought it? Having exhauſted all the unfeeling and hardened remarks, cuſtomary on ſuch occaſions, all their compaſſion, and all their cruelty, ended exactly in the old way:—in leaving her the loſs of ſome ſighs and tears—poorer than they found her. She ſoon found, that to rely upon the kindneſs of old friends, was but a precarious mercy: for it is not bearing too hard I fear upon human nature to ſuppoſe, that her very next-door neighbour, the very companion of all her girliſh ſports, would give with an ill grace, if ſhe gave at all, that pillow, or that bread, of which, after [58]ſo wearyſome a journey ſhe certainly ſtood much in need. Illuſed by the world therefore, ſhe began to loſe the hope of ſuch reſources—the benevolence of diſtant relations, in whoſe memory ſhe might be able to revive the images of tenderneſs, was likewiſe a fond idea, that was born and buried almoſt in the ſame inſtant. Nothing of comfort ſeemed to remain in reſerve, till the excellent Ruth, the faithful partner of her ſufferings, ſuggeſted an expedient. And ſhe ſaid unto her friend, I perceive, oh my dear Naomi, that our conveniencies muſt depend upon ourſelves, and that we muſt [59]owe our daily bread, to our daily labour: as it is now the beginning of the harveſt, behold the opportunity of exerting ourſelves is at hand. Thou, indeed, art too much afflicted to toil: but for my part —much and tenderly as I ſympathize with thee, I am in the prime of my youth, and able to gather ſomething from the field: ‘Let me now therefore go and glean ears of corn after him in whoſe ſight I may find grace.’

‘Now it was ſo, that Naomi had a kinſman of her huſband's, a mighty man of wealth, of the family of Elimelech, and his [60]name was Boaz:’ and it happened as Ruth was gleaning after the reapers, ſhe was ſituate on a part of the field belonging to Boaz. This circumſtance occaſioned a turn of fortune perfectly dramatic. For, Boaz, coming to take a view of his reapers, perceiving the ſtranger, ſaid unto the ſervant who was ſet over the reapers, ‘Whoſe damſel is this?’ The ſervant's anſwer is penned with the moſt natural ſimplicity. ‘It is the Moabitiſh damſel, that came back with Naomi, out of the country of Moab: and ſhe ſaid, I pray you let me glean, and gather [61]after the reapers among the ſheaves: ſo ſhe came and hath continued amongſt us even from the morning until now, that ſhe tarried a little in the houſe.’ Something there was either in this account, or in the appearance of the object, which won much upon the favour of the landlord: for it is ſurely a ſofter voice, even than the voice of hoſpitality, that ſpeaks in the ſequel. ‘Heareſt thou not my daughter? go not I charge you to glean in any other field, neither go from hence, but abide here faſt by my maidens.’ I have given particular injunctions to ‘the young [62]men that they ſhall not touch thee. And when thou art athirſt, go to the veſſels, and drink of that which the young men have drawn.’ Here, began the firſt fruits of her fidelity; and the partiality of Boaz made a very rapid progreſs, for in his ſecond addreſs he was more benevolent than in the firſt: He invited her to conſider herſelf, as one of his own people, to ‘eat of the bread, to dip her welcome morſel in the vinegar’ at meal times, and to ſit chearfully beſide the reapers. Nay more, with his own hand—ſurely the heart extended it—‘he reached her parched corn, [63]and ſhe did eat, and was ſufficed and left.’ Now it was that Boaz began to diſcover more evidently, that, the ſpring of this generous current lay very near the heart: When ſhe was riſen up to glean after her repaſt, he commanded the young men to ſhew her all poſſible marks of courteſy and diſtinction. His ſtrict orders were, not to ſuffer her to gather the ſcanty pittance, ear by ear, after the cautious rake had gone over the ground, but to let her glean unqueſtioned, even amongſt the ſheaves. Nay more, they were to let ſome handfulls fall on purpoſe for her, and leave them for [64]her particular gleaning: And indeed, ſuch was the ſucceſsful conſequence of theſe indulgences, that after ſhe had beat out what ſhe had been permitted to glean in one ſingle day, ‘it was about an ephah of barley.’ This, the kind creature carried with all the expedition of affection to her friend: and when Naomi ſaw it—when the ſoul of the ſorrowful widow ſang for joy; then Ruth related to her the whole hiſtory of her good fortune, and concluding that the name of the hoſpitable owner of the land was Boaz. This intelligence revived her ſpirits like a cordial, and ſhe exclaims with the [65]moſt animated tranſport: ‘the man is near a-kin to us,’ my beloved Ruth—‘one of our next kinſmen.’ Often, and with equal ſucceſs, ſhe went after this into the field, and continued there to earn a very comfortable living for herſelf and her friend, even to the cloſe of the harveſt. In the mean time, the paſſion of Boaz had made a very pathetic progreſs, and the reſult of it was, that he became the honourable lover of our fair gleaner, and renewed his acquaintance with his relation Naomi, to whom he made, we are told, various preſents. Boaz and Ruth were ſoon united, and, as a convincing inſtance [66]of the harmony in which the family lived together, we find, highly to the gratification of every elegant heart, that when Ruth preſented to Boaz a child—her firſt-born—Naomi,—after all the perils of her paſt life,—re-enjoyed the ſweets of privacy and peace: ‘for ſhe took the babe, and laid it in her boſom, and became nurſe unto it:’ And I muſt not forget to add, that this very child, whoſe name was Obed, was the grandfather of the famous David, to whoſe pen, the Pſalms are attributed; which, both as pieces of ſcripture and of writing, are totally unrivalled in point of energy [67]and ſublimity, by any compoſition that hath yet been, or that probably ever will be, produced in human language.

Undoubtedly our Engliſh Virgil, the author of the Seaſons, took from this ſtory the hint of his epiſode of Palemon and Lavinia: but, beautiful as that epiſode may be, I by no means think he hath improved the preſent ſubject. Indeed, it is not eaſy to improve any of the ſacred narratives, nor was Mr. Thomſon a poet of ſimplicity. He hath, however, followed the original pretty cloſely, eſpecially in the [68]principal incidents: yet Palemon is a poor copy of Boaz, and Lavinia is leſs captivating than Ruth.

But I ſhall quote Mr. Thomſon's poetical paraphraſe—for it is little more—that the reader may compare it with the original.

The lovely young Lavinia once had friends;
And fortune ſmil'd, deceitful, on her birth,
For, in her helpleſs years depriv'd of all,
Of every ſtay, ſave innocence and Heaven,
She, with her widow'd mother, feeble, old,
And poor, liv'd in a cottage, far retir'd
Among the windings of a woody vale;
By ſolitude and deep ſurrounding ſhades,
But more by baſhful modeſty, conceal'd.
Together thus they ſhunn'd the cruel ſcorn
Which virtue, ſunk to poverty, would meet
[69] From giddy paſſion and low-minded pride:
Almoſt on nature's common bounty fed;
Like the gay birds that ſung them to repoſe,
Content, and careleſs of to-morrow's fare.
Her form was freſher than the morning roſe,
When the dew wets its leaves; unſtain'd, and pure,
As is the lily, or the mountain ſnow.
The modeſt virtues mingled in her eyes,
Still on the ground dejected, darting all
Their humid beams into the blooming flowers:
Or when the mournful tale her mother told,
Of what her faithleſs fortune promis'd once,
Thrill'd in her thought, they, like the dewy ſtar
Of evening, ſhone in tears. A native grace
[70] Sat fair-proportion'd on her poliſh'd limbs,
Veil'd in a ſimple robe, their beſt attire,
Beyond the pomp of dreſs; for lovelineſs
Needs not the foreign aid of ornament,
But is when unadorn'd adorn'd the moſt.
Thoughtleſs of beauty, ſhe was beauty's ſelf,
Recluſe amid the cloſe-embowering woods.
As in the hollow breaſt of Appenine,
Beneath the ſhelter of encircling hills,
A myrtle riſes, far from human eye,
And breathes its balmy fragrance o'er the wild;
So flouriſh'd blooming, and unſeen by all,
The ſweet Lavinia; till, at length, compell'd
By ſtrong Neceſſity's ſupreme command,
With ſmiling patience in her looks, ſhe went
To glean Palemon's fields. The pride of ſwains
Palemon was, the generous, and the rich;
[71] Who led the rural life in all its joy
And elegance, ſuch as Arcadian ſong
Tranſmits from ancient uncorrupted times;
When tyrant cuſtom had not ſhackled man,
But free to follow nature was the mode.
He then, his fancy with autumnal ſcenes
Amuſing, chanc'd beſide his reaper-train
To walk, when poor Lavinia drew his eye;
Unconſcious of her power, and turning quick
With unaffected bluſhes from his gaze:
He ſaw her charming, but he ſaw not half
The charms her down-caſt modeſty conceal'd.
That very moment love and chaſte deſire
Sprung in his boſom, to himſelf unknown;
For ſtill the world prevail'd, and its dread laugh,
Which ſcarce the firm philoſopher can ſcorn,
[72] Should his heart own a gleaner in the field:
And thus in ſecret to his ſoul he ſigh'd.
"What pity! that ſo delicate a form,
"By beauty kindled, where enlivening ſenſe
"And more than vulgar goodneſs ſeem to dwell,
"Should be devoted to the rude embrace
"Of ſome indecent clown! She looks, methinks,
"Of old Acaſto's line; and to my mind
"Recalls that patron of my happy life,
"From whom my liberal fortune took its riſe;
"Now to the duſt gone down; his houſes, lands,
"And once fair-ſpreading family, diſſolv'd.
"'Tis ſaid that in ſome lone obſcure retreat,
[73] "Urg'd by remembrance ſad, and decent pride,
"Far from thoſe ſcenes which knew their better days,
"His aged widow and his daughter live,
"Whom yet my fruitleſs ſearch could never find.
"Romantic wiſh! would this the daughter were!"
When, ſtrict enquiring, from herſelf he found
She was the fame, the daughter of his friend,
Of bountiful Acaſto; who can ſpeak
The mingled paſſions that ſurpriz'd his heart,
And thro' his nerves in ſhivering tranſport ran?
Then blaz'd his ſmother'd flame, avow'd, and bold;
[74] And as he view'd her, ardent, o'er and o'er,
Love, gratitude, and pity wept at once.
Confus'd, and frightened at his ſudden tears,
Her riſing beauties fluſh'd a higher bloom,
As thus Palemon, paſſionate, and juſt,
Pour'd out the pious rapture of his ſoul.
"And art thou then Acaſto's dear remains?
"She, whom my reſtleſs gratitude has ſought,
"So long in vain? O Heavens! the very ſame,
"The ſoftened image of my noble friend,
"Alive his every look, his every feature,
"More elegantly touch'd. Sweeter than ſpring!
"Thou ſole ſurviving bloſſom from the root
[75] "That nouriſh'd up my fortune! Say, ah where,
"In what ſequeſter'd deſart, haſt thou drawn
"The kindeſt aſpect of delighted Heaven?
"Into ſuch beauty ſpread, and blown ſo fair!
"Tho' poverty's cold wind, and cruſhing rain,
"Beat keen, and heavy, on thy tender years?
"O let me now, into a richer ſoil,
"Tranſplant thee ſafe! where vernal ſuns, and ſhowers,
"Diffuſe their warmeſt, largeſt influence;
"And of my garden be the pride, and joy!
"Ill it befits thee, oh it ill befits
"Acaſto's daughter, his whoſe open ſtores,
"Tho' vaſt, were little to his ampler heart,
[76] "The father of a country, thus to pick
"The very refuſe of thoſe harveſt-fields,
"Which from his bounteous friendſhip I enjoy.
"Then throw that ſhameful pittance from thy hand,
"But ill apply'd to ſuch a rugged taſk;
"The fields, the maſter, all, my fair, are thine;
"If to the various bleſſings which thy houſe
"Has on me laviſh'd, thou wilt add that bliſs,
"That deareſt bliſs, the power of bleſſing thee!"
Here ceas'd the youth: yet ſtill his ſpeaking eye
Expreſs'd the ſacred triumph of his ſoul,
With conſcious virtue, gratitude, and love,
Above the vulgar joy divinely rais'd.
Not waited he reply. Won by the charm
[77] Of goodneſs irreſiſtible, and all
In ſweet diſorder loſt, ſhe bluſh'd conſent.
The news immediate to her mother brought,
While, pierc'd with anxious thought, ſhe pin'd away
The lonely moments for Lavinia's fate;
Amaz'd, and ſcarce believing what ſhe heard,
Joy ſeiz'd her wither'd veins, and one bright gleam
Of ſetting life ſhone on her evening-hours:
Not leſs enraptur'd than the happy pair;
Who flouriſh'd long in tender bliſs, and rear'd
A numerous offspring, lovely like themſelves,
And good, the grace of all the country round.

ESSAY XV. GOLIAH of GATH.

[]

PASSAGE.

AND DAVID SAID UNTO SAUL, LET NO MAN'S HEART FAIL BECAUSE OF HIM: THY SERVANT WILL GO AND FIGHT WITH THIS PHILISTINE.

IT is very remarkable, that all thoſe perſonages of ſacred memory, whoſe tranſactions are recorded in the biographical parts of the Bible, have diſtinguiſhed themſelves for perſonal bravery in the moſt early periods of life. [80]Thus, Moſes, yet a child, ſmote the Egyptian in defence of his brother; and, in the caſe before us, the youth David, who was, even before this time, ſo enchanting a muſician, as to vanquiſh an evil ſpirit by the melody of his harp, commences an illuſtrious and warlike character all at once, by ſubduing the man, of whom, whole armies were afraid, in ſingle combat. This hiſtory, is, likewiſe, fruitful of very fine things, and favourable to the remark of a commentator. There is a ſkill obſervable in the conduct of the ſacred narratives rarely, if ever, ſeen in other writings: and it ſhall he [81]the buſineſs of this illuſtration to ſhew, that the chain of real circumſtances relating to the duel betwixt David and Goliah, is, from the beginning to the end, from the firſt ſyllable to the laſt, a match for any compoſition whatever—ſetting aſide the matter of ſcripture—even in point of what the dramatiſts call fable. And I am thus particularly earneſt to diſplay, in this work, the literary excellence of the Holy Bible, becauſe I have reaſon to apprehend it is too frequently laid by, under a notion of its being a dull, dry, and unentertaining ſyſtem; whereas the fact is quite otherwiſe: it contains [82]all that can be wiſhed, by the trueſt intellectual taſte; it enters more ſagaciouſly, and more deeply, into human nature; it developes character, delineates manner, charms the imagination, and warms the heart more effectually than any other book extant: and if once a man would take it into his hand, without that ſtrange prejudicing idea of its flatneſs, and be willing to be pleaſed, I am morally certain he would find all his favourite authors dwindle in the compariſon, and conclude, that he was not only reading the moſt religious, but the moſt entertaining book in the world.

[83] It is my preſent deſign, therefore, to diſplay the ſtory now under conſideration, as a performance, written with the greateſt art, and managed with the moſt maſterly judgment. This will beſt be done, by ſelecting, from the whole matter, particular paſſages, and making a few comments thereupon.

The very exordium of the ſtory preſents us with an image, that prepares us for ſomething extraordinary.

‘Saul and the men of Iſrael were gathered together, and [84]pitched by the valley of Elah, and ſet the battle in array, againſt the Philiſtines. And the Philiſtines ſtood on a mountain on the one ſide, and Iſrael ſtood on a mountain on the other, and there was a valley between them.’ Fancy herſelf could not have imagined any thing more pictureſque; nor could any martial ſkill have made a more aweful arrangement. The next circumſtance is as intereſting as unexpected: ‘And there went out a champion out of the camp of the Philiſtines, named Goliah of Gath.’ The deſcription of this man is every way ſuited to [85]alarm; and I will be bold to ſay, far tranſcends in equipment the heroes of Homer himſelf. I ſubmit it to all the poetical enthuſiaſts. ‘His height was ſix cubits and a ſpan: he had an helment of braſs upon his head, and was armed with a coat of mail; and the weight of the coat was five thouſand ſhekles of braſs.’ I muſt here interrupt the narrative, to obſerve, with what ſkill we are told of the ſtrength of Goliah. It is not mentioned in the ordinary way, by a recital of his former atchievements, but it is implied by the prodigious burthen he was able to bear upon his back; for, beſides [86]that, ‘the head of his ſpear weighed ſix hundred ſhekles of iron, the ‘weight of his coat was five thouſand ſhekles of braſs. But to go on.

‘And he had greaves of braſs upon his legs, and a target of braſs between his ſhoulders: and the ſtaff of his ſpear was like a weaver's beam; and his ſpear's head weighed ſix hundred ſhekles of iron; and one, bearing a ſhield, went before him.’ The terror and conſternation with which this gigantic appearance muſt ſtrike the ſpectators, is much eaſier conceived than it can be deſcribed. All muſt [87]have been ſuſpenſe, and ſilent agitation—the Iſraelites muſt look at the man of Gath, with diſmay; and the Philiſtines muſt have viewed their warrior as the tremendous tower of their ſtrength. His addreſs to the armies of the adverſe party, could only ſerve to heighten their apprehenſions, for he defied the whole force of Iſrael, and thirſted for war, as if it were an appetite in him: ‘Give me a man (ſaid he), give me a man, that we may fight together.’ What a ſanguinary ſentence! it ſmacks of blood and of diſpatch: it ſhews at once, an eagerneſs to deſtroy, and to ſeize a ſecond victim. Even [88]Saul was daunted at the challenge, and in all the tribes of embattled Iſrael (amongſt which were the brothers of David) there could not be found a man to accept it. The unrivalled Philiſtine, in all the arrogance of ſuperiority and triumph, repeated the challenge, morning and evening, for forty days.— About this time, young David was diſpatched by his father Jeſſe to carry proviſions to his brethren in the camp; for this office he was called up from the paſtoral employment of tendence on the flocks. Theſe, he left to the care of another keeper, and went, as he had been commanded; ‘And [89]he came to the trench as the armies of the hoſt were going forth to the fight, and were ſhouting for the battle: for Iſrael and the Philiſtines had put the battle in array, army againſt army.’

The ſtripling could not have arrived in a more critical time, nor at any more likely to awake in him the ſparks of glory, eſpecially as his brethren were all engaged in the cauſe. He had ſcarce finiſhed the firſt ſalutations with his brethren, before another matter fell out wonderfully well calculated to kindle the flame of honour; for, while [90]he was converſing with his brethren, there came up the Philiſtine of Gath again, and, with additional inſolence, announced his defiance. The Iſraelites were ſore afraid, and ingloriouſly fled. David's brethren, then, related to him, the former menaces of Goliah, and the promiſes of reward which the king offered to any man who ſhould kill him—that the houſe of the conqueror's father was to be free, and the victor himſelf, to have great riches, and the hand of the king's daughter. How finely is the nature of envy and warlike ambition touched in the conduct of David's brother, when the lad [91]firſt ſhewed the dawnings of his ſpirit: and this is carried ſtill higher, when Saul himſelf expreſſes, afterwards, the jealouſy of his heart, at his being called only the Slayer of Thouſands, while to David's arm the women aſcribed victory over Tens of Thouſands. But of this in its place. Some ſtrokes of emulation there were in David's diſcourſe, which ſoon reached the ear of the general, and which procured him an immediate interview. Courage is no reſpecter of perſons: the young man is repreſented as ſpeaking to Saul, with even more intrepidity than he ſpake to his brethren. In [92]the firſt part of his converſation he addreſſes him upon the ſubject, with all the ardour of a glowing and independent ſpirit. He ſaid: ‘Let no man's heart fail him, becauſe of this Goliah; thy ſervant, will go, and fight with the Philiſtine.’ Modeſt, but glorious: thy ſervant will, at leaſt, go and fight with this preſumptuous boaſter. It was natural for Saul to treat this offer at firſt, as a ſally of juvenile ſpirit, laudable enough, but nothing effectual; and his reply to it muſt have been delivered ſmilingly. Thou, child! Thou art not able to go againſt this Philiſtine, to fight with him: for thou art but [93]a youth, though a brave one; ‘and he a man of war from his youth’ —from his very infancy, trained to the knowledge and exerciſe of arms. The modeſty, brevity, and conciſeneſs with which our young hero aſſerts his pretenſions to ſucceſs from this engagement, is inconceivably pretty, and attracting.

‘Thy ſervant kept his father's ſheep, and there came a lion and a bear, and took a lamb out of the flock:’

‘And I went out after him, and ſmote him, and delivered the lamb out of his mouth, and [94]when he aroſe again, I caught him by his beard, and ſmote him, and flew him.’

‘Thy ſervant ſlew both, the lion and the bear: and this uncircumciſed Philiſtine ſhall be one of them, ſeeing he hath defied the armies of the living God.’

‘The Lord that delivered me out of the paw of the lion, and out of the paw of the bear, he will deliver me alſo out of the hand of this Philiſtine *.’

[95] Saul was ſo charmed with his bravery and herioc ſentiments, [96]that he began already to hope ſomething from his efforts, inſomuch, that he ſaid: ‘Go, my lad, and the Lord go with thee.’ But the preparatory ceremony, [97]which ſucceeded this commiſſion, is moſt beautiful, indeed! Delighted with his generous ambition, Saul, with his own hand and acoutrements, equipped David for the battle; he put an helmet of braſs upon his head, and defended his body with a coat of mail; then, girding his ſword upon his armour, he aſſayed to go—but— touched by ſome ſecret inſpiration —he again diveſted himſelf of the armour, and putting only five ſmooth ſtones out of the brook, he took his ſtaff, his ſcrip, and his ſling, and thus, like a ſhepherd, drew near to the Philiſtine. There [98]is great imagery in the following verſes.

‘And the Philiſtine came on, and the man that bare the ſhield went before him; and when the Philiſtine looked about and ſaw David, he diſdained him.’ Diſdained is, perhaps, the only word in this language that could have been uſed properly on this occaſion. There was ſo palpable a difference between the combatants, and the ſuperiority and ſtrength evidently lay ſo much on the ſide of Goliah, that he diſdained to fight with him, very naturally thinking him no object of his ſpear: for David had [99]every perſonal advantage, being a lad of a ruddy and fair countenance.

It never entered into the imagination of the Philiſtine that the battle was not always to the ſtrong, nor the race to the ſwift. The ideas of a more powerful Providence were ſwallowed up in the vanity of his own vigour; and yet that vanity was ſomewhat piqued, when he beheld our daring youth meet him only with a ſtick, and a ſtring. ‘Am I a dog, that thou comeſt to me with ſtaves?’ This ſoon exaſperated him, and he curſed David by his own gods. [100]Whoever examines the ſcriptures, will find the niceſt preſervation of character, each delicately deſcriminated, and ſo admirably contraſted, that nothing which marks one, is given heterogenouſly, to another. This has alſo been conſidered among the firſt excellencies of compoſition: its beauty is manifeſted in Shakeſpear much, but in the Bible more. An inſtance of this is before us. We never once loſe ſight of the ſavage audacity of Goliah, from his firſt menace to his death—he ſpeaks but little, but every word ſeems to fall from the lip of a giant. When David perſiſts in his reſolution to [101]fight, he ſaid, ‘Come to me, and I will give thy fleſh unto the fowls of the air, and to the beaſts of the field.’ The dependence of David was upon his God, and in ſuch confidence he returned the threat of Goliah with additional fury. ‘This day will the Lord deliver thee into my hand, and I will ſmite thee, and take thine head from thee, that all the earth may know there is a God in Iſrael: and all this aſſembly ſhall know that the Lord ſaveth not with the ſword and ſpear; for the battle is the Lord's, and he will give you into our hands.’ They engaged, and the propheſy [102]of the young warrior was fulfilled. The power of the Divine aſſiſtance which can make all human ſtrength more feeble than the ſinews of the new-born babe, is nobly illuſtrated in the death of Goliah, which, notwithſtanding all appearances, was effected by a ſtone ejected by a very boy, from a ſling. But the account itſelf is well worth reciting.

‘And it came to paſs, when the Philiſtine aroſe, and came and drew nigh to meet David, that David haſted, and ran toward the army to meet the Philiſtine. And David put his [103]hand in his bag, and took thence a ſtone and ſlang it, and ſmote the Philiſtine in his forehead, that the ſtone ſunk into his forehead; and he fell upon his face unto the earth.’

‘Then he ran and ſtood upon the Philiſtine, and took the ſword of Goliah, and drew it out of the ſheath, and ſlew him and cut off his head therewith: and when the Philiſtines ſaw their champion was dead, they fled.’

By ſuch means was the victory completed, and thus fell that terror [104]to the Iſraelitiſh bands, Goliah of Gath.

Having gone through the moſt important parts of this intereſting duel, we have leiſure for a few ſupplemental reflections, in the way of literary criticiſm. This Goliah of Gath reminds one of Homer's Ajax; and, indeed, the proceſs of the engagement between the giant and David, is, in many particulars, like the ceremony of the ſingle combat of Telamon and Hector. The above deſcription of Goliah's perſon, and warlike preparations, are more military and formidable than the hero of [105]Homer. Let the foregoing character of the Giant of Gath be compared with what follows:

Now Ajax brac'd his dazzling armour on,
Sheath'd in bright ſteel, the giant warrior ſhone:
He moves to combat with majeſtic pace;
So ſtalks in arms, the grizly god of Thrace.
Thus march'd the chief, tremendous as a god:
Grimly he ſmil'd; earth trembled as he ſtrode;
His maſſey javelin, quiv'ring in his hand,
He ſtood the bulwark of the Grecian band.
Thro' ev'ry Argive heart new tranſport ran;
All Troy ſtood trembling at the mighty man;
Ev'n Hector paus'd; and with new doubt oppreſs'd;
Felt his great heart ſuſpended in his breaſt.

Scarce any part of this deſcription, [106]nor of its original, will bear bringing near that of the ‘giant warrior’ of the ſcripture. His moving with majeſtic pace to combat, is leſs terrific than Goliah's triumphant march in the full view of the aſtoniſhed Philiſtines. There ſeems alſo leſs propriety in Hector's pauſe of fear, than in the inapprehenſive and intrepid conduct of David, who, though not practiſed like Hector,

From right to left the dextrous lance to wield,
And bear thick battle on his ſounding ſhield;

was, nevertheleſs, uniformly brave and heroic to the very heart, [107]without ever finding that heroiſm ſuſpended, even at the preſence of Goliah. "All Troy" might, indeed, be ſuppoſed to tremble at the mighty ſon of Telamon, in the ſame manner as Saul and the tribes of embattled Iſrael, trembled before the arrogant Philiſtine: but for Hector's heart to fail him, though but for a moment, was, ſurely, ſuch a falling off from the idea we wiſh to entertain of that celebrated hero, that one is almoſt angry with Homer for doing our favourite ſo palpable an injury in the tendereſt and brighteſt part of his character. It may be urged, indeed, that David had confidence in [108]his God, and that his bravery emanated from inſpiration. An argument, very ſimilar, may be brought in favour of the Trojan hero, who, as we are to believe, certainly truſted as much in the virtue of his cauſe, and the goodneſs of his god, as the other; nor did the poet ever ſuffer him to go to the battle till thoſe deities were firſt ſupplicated. Witneſs the addreſs offered up, on the very occaſion of the conteſt with Ajax.

Oh, Father of mankind, ſuperior lord,
On lofty Ida's holy hill ador'd:
Who in the higheſt Heav'n has fix'd thy throne,
Supreme of gods, unbounded, and alone:
Grant thou, &c.

[109] The ſhield of Ajax is, however, more particularly deſcribed than the ſhield of Goliah.

Stern Telamon, behind his ample ſhield,
As from a brazen tower, o'erlook'd the field.
Huge was its orb, with ſeven thick folds o'ercaſt,
Of tough bull-hides, of ſolid braſs, the laſt.

But the circumſtantial account of the giant's ſpear, the weight of its head, his greaves of braſs, and his target; his coat of mail, and his maſſey helmet, are all ſuch evidences of his aſtoniſhing STRENGTH, and, apparently, invincible vigour, that, without any parade or ſuperfluity of words, they give us the exact [110]image of the ſavage, who called out, in an exclamation, worthy of him, ‘Give me a man, give me a man, that we may fight together.’

But if, indeed, we expect in any performance to find a character delineated with parallel force—if we wiſh to read any deſcription like Goliah of Gath, we muſt ſearch for it in the writings of one, whoſe inſpiration was chiefly drawn from the ſources of ſacred compoſition. Milton drank at the fountain-head, and his poetry flowed

—From Siloa's brook,
Faſt by the oracle of God.

[111] The ſublimity with which he has drawn Satan, when

—Front to front he ſtood,
In terrible array,

is ſuch a piece of poetry, and exhibits ſuch an aſſemblage of grand images, as nothing but a genius altogether illimitable could poſſibly furniſh. Long quotations, however, not coming within the deſign or compaſs of this work, I ſhall only preſent ſuch lines as ſhew the Prince of Darkneſs not very unlike —in point of warlike preparation, and perſonal appearance—to the giant, who was ſubdued by the youth David; and with theſe verſes we will cloſe the Eſſay.

[112]
—Before the cloudy van,
On the rough edge of battle e'er it join'd,
Satan, with vaſt and haughty ſtrides advanc'd,
Came tow'ring, arm'd in Adamant and gold.
—Then on the heads of foes,
Main promontories flung, which in the air
Came ſhadowing. Long time in evil ſcale
The battle hung—Like a god he ſeem'd,
Stood he, or mov'd; in ſtature, motion, arms,
Now wav'd his fiery ſword, and in the air
Made horrid circles. A broad ſun his ſhield,
While expectation ſtood in horror.

ESSAY XXVI. STORY of ELIJAH and the Widow of ZAREPHATH.

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PASSAGE.

AND SHE SAID, AS THE LORD THY GOD LIVETH, I HAVE NOT A CAKE, BUT A HANDFUL OF MEAL IN A BARREL, AND A LITTLE OIL IN A CRUSE.

THIS paſſage is pregnant with pleaſing illuſtrations, being taken from a ſtory inferior to few, if any, in ſacred compoſition: for it not only abounds with moſt agreeable incidents, but furniſhes [114]a ſtriking and conſpicuous moral: the virtue of Gratitude is very emphatically illuſtrated on the one hand, and the duty of Hoſpitality, on the other. Nor has it eſcaped, indeed, the remark of ſeveral writers; but the ſcriptures, as I have before had occaſion to obſerve, are treaſuries affording inexhauſted novelty to their admirers.

The perſons particularly concerned in this ſacred drama, are, Elijah the prophet, and a poor widow-woman, who lived, by very hard and conſtant labour; ſo hard indeed, that ſhe was obliged to [115]pick her faggot to light her fire, before ſhe could bake the bread, which that labour had gleaned. At the time of her firſt meeting with Elijah, ſhe was more than uſually ſtraightened; for her whole ſtock conſiſted of a handful of meal, and a little oil; and ſhe was then ſtooping, in ſearch of a few ſticks, to dreſs this ſcanty modicum, to preſerve from death, herſelf and her ſon. Yet this was the critical period—even while ſhe was thus affectionately employed— this was the moment marked out by Providence, to try the ſtrength of her ſympathy: it was alas! no time to beſtow, while her bounty [116]was thus circumſcribed: nor was it a fit ſeaſon to ſhew the natural courteſy of her temper, when ſhe was exerting her laſt efforts in relief of her child, and wanted, in the ſoreſt degree, the ordinary accommodations of life herſelf. Under this preſſure of her circumſtances, it is worth while to ſee how ſhe conducted herſelf. When Elijah the prophet (who figures ſo ſplendidly in ſacred hiſtory) foretold, that a divine puniſhment ſhould alight upon Ahab (a man, who is repreſented as wicked and ill-diſpoſed above all that were before him) then, to eſcape that reſentment, which his prophecy [117]had kindled againſt him in the breaſt of Ahab, he hid himſelf by the brook Cherith, where the ravens were commanded to cater for his ſupport, while the brook ſupplied him with drink. The reſource of the ſtream however ſoon failing, he again ſought ſhelter elſewhere, and removed to Zarephath, where he no ſooner arrived, than he beheld this widowwoman engaged, as before deſcribed, in gathering ſticks; and he immediately called to her, and requeſted her to fetch him a little water in a veſſel. This was not unreaſonable; but did not he render it ſomewhat ſo, when he again [118]called her back as ſhe was haſtening to oblige him, to deſire ſhe would bring a morſel of bread likewiſe in her hand? A morſel of bread, and a little water, was, to be ſure, aſking the favour in as decent language as could be; but in this poor woman's particular ſituation, it muſt have had a very important ſound: there is a moſt beautiful diſplay of her charitable heart, in her anſwer.—‘As the Lord thy God liveth, I have not a cake, but a handful of meal in a barrel, and a little oil in a cruſe: and behold, I am gathering two ſticks that I may go in and dreſs it for me and my ſon, that we [119]may eat it and die: as if ſhe had ſaid, you ſee my ſtock, ſtranger— it is my very laſt meal—I am picking two ſticks that I may lay my poor meal acroſs, and then— (as all further reſources fail)—my child and I will die in the arms of one another. Then it was, that Elijah bid her not fear, for that ‘the barrel of meal ſhould not waſte, nor the cruſe of oil fail unto the day that the Lord ſendeth rain upon the face of the earth;’ and this he aſſured her, was the ſentiment of God himſelf. Now, had this woman been inclined to ſave her meal and oil to herſelf—had ſhe been ſwayed, or indeed ought [120]influenced by that powerful ſelflove which has ſo general an aſcendency in the human breaſt; or had ſhe even yielded to the force of thoſe prudent maxims which teach, that, charity begins at home, and that ſelf-preſervation is nature's firſt law, how eaſily might ſhe have evaded this requeſt? nay, what a ſwarm of right, ſound apologies preſented themſelves for a fair denial! To the reaſons already urged ſhe might (had ſhe been a woman of the world) have added many others: ſuch as the expecting condition in which ſhe left her half-famiſhed child—her own extreme hunger, and the piety [121]of preſerving herſelf and her little one, as long as ſhe could poſſibly find the ſmalleſt means of ſubſiſtance. That to die, while yet a meal remained, would be a kind of ſuicide; and to give a morſel from any part of her own family, when a morſel was all that was left for the ſupport of two, would be a prodigality for which ſhe ought to ſuffer the poverty that muſt inevitably reſult from it. As to its being, as he ſaid, the command of the Almighty, ſhe might reaſonably offer a doubt as to the truth of that particular. Is there not—ſhe might reply—is there not, ſomething of inconſiſtency, [122]good ſtranger, in this part of your ſtory? That we ſhould aſſiſt one another, is, I know a ſocial and a religious duty; but this muſt be where plenty, or at leaſt competence, preſents us with the delightful power.—It is not indeed ſurprizing that I, (being the firſt perſon you have ſeen) ſhould be the firſt addreſſed on this occaſion, becauſe I know hunger catches at the ſlighteſt and neareſt poſſibilities: but excuſe me, if I think the matter of the promiſed miracles not a little problematical. Would God have directed your application to a poor defenceleſs widow-woman, who has a fatherleſs [123]child to toil for, and is now labouring in the laſt exigency.— Would he have ſaid—let her divide her all with you? Would He, who knows human nature ſo intimately, and who never expects us to injure ourſelves on any ſcore whatever.—Would He have me liſten to that which ſounds ſo like the trick of a needy traveller, and ſhall I credulouſly give my ſtaff from my hand in expectation of another dropping down from Heaven?—No—friend—I underſtand ſomething of this world; and though I admire to do good, I muſt not expoſe myſelf to ridicule—for if I was to comply with your requeſt, [124]tell me honeſtly wouldſt thou not laugh at my weakneſs? Farwell then, and be aſſured, I lament my inability as much as thou lamenteſt thy neceſſity.

Having thus ſhewn what a very cautious woman might have ſaid: let us now ſee what was really the ſentiment of the occaſion. There is no other anſwer recorded than that ſhe did according to the deſire of Elijah. She did not even ſtay to expatiate upon her own generoſity —nor tell him, that if his prophecy ſhould be unfulfilled, ſhe muſt only ſtarve ſo much the ſooner for her good nature; but, [125]ſhe relied ſo implicity on his ſincerity, and obeyed ſo willingly the inſpired impulſe of benevolence, that ſhe haſted to make a little cake for Elijah firſt, and then attended to the wants of her little one and herſelf. But this courteſy and confidence was preternaturally rewarded: for ſhe and he, and her houſe, eat many days; ‘and the barrel of meal waſted not, nor did the cruſe of oil fail.’

Elijah now became a lodger in the widow's houſe, and was conſidered as a part of her family, till a ſuſpicious circumſtance fell out, [126]which gave her at firſt but too much reaſon to alter her opinion of him. Soon after this friendſhip was formed between them, the ſon of the hoſteſs fell ſick, and his ſickneſs was of ſo ſore a nature, that it preſently terminated in his death. The unhappy mother attributed it to ſome ſecret exertion of cruel power in Elijah; for as he could divine one miracle in her favour, ſo ſhe apprehended he might be able to effect another to her prejudice: However, certain it is, ſhe entertained ideas exceedingly to his diſcredit, and indeed, eſteemed the thing ſo very ungrateful a return for her fair [127]conduct and demeanour, that we find her reproaching him with all the ſeverity of an ill-intreated friend, and all the diſtraction of an injured parent. ‘What have I do with thee—thou man of God! art thou come unto me, to call my ſin to my remembrance, and to ſlay my ſon?’ This appears to have been ſpoken with the utmoſt bitterneſs of irony, as if ſhe had ſaid:—Thou man, who pretendedſt to have been directed hither by the expreſs orders of God: —Thou meſſenger from the Lord of Heaven—what have I done unto thee, that thou ſhouldeſt thus requite me?—Doſt thou do this [128]to warn me how I ſhare again my laſt meal with a ſtranger? True it is, that thou haſt in one inſtance been found faithful: true, that thou haſt prolonged the lives which ſeemed to be drawing ſooner to a period. But what of that— Haſt thou taken this opportunity to render the mourning of the widow thus additionally ſore, by firſt conveying to her, the joyful tidings of plenty, only to make the after-ſtroke the more intolerable, by ſlaying her dear and only darling; even him, whom the famine hath ſpared? Inhuman! ſhame upon thee! for this—ſhall the widow's curſe purſue thee for [129]ever: for this—but I cannot ſpeak. Behold, the innocent victim of your barbarity—behold—my child is breathleſs before you.—Alas! my ſon—my ſon! how haſt thou been ſacrificed to the inſidiouſneſs of a ſtranger! It was highly in character to reprove him in this manner; and it is equally natural, that the good man ſhould feel the reproof with all imaginable ſeverity. Many circumſtances concurred to make him truly wretched, even under ſuch an imputation: for he doubtleſs conſidered her in the tendereſt degree, as his beſt benefactor—as one who had manifeſted the ſenſibility and duty of [130]her heart, in the very criſis, both of his fate and her own; and laſtly, as a widow, whoſe life was wrapt up in the life of her ſon. Nor could he indeed fairly blame her ſuſpicions. Since the time, the place, and the ſuddeneſs of the lad's death, gave in ſome ſort, a colour of probability to them. Her miſery too, had its ſource ſo near the ſoul, that he could not attempt either to check or to chide it; advice would have been rejected, and pity impertinent: he troubled her with neither; but taking the baby corpſe out of the mother's boſom, where (though it was dead) ſhe was ſtill careſſing and ſtill cradling [131]it, he carried it up to his own apartment, and laid him gently upon his own bed.

And now being at liberty to addreſs the God who had ſo often, and ſo miraculouſly befriended and indulged, and honoured him, he broke out into the moſt earneſt ſupplication. ‘Oh Lord my God, my God, haſt thou brought evil upon the widow with whom I ſojourn, by ſlaying her ſon? I pray thee, that the child's ſoul may come into him again.’ The prayer was heard. In the mean time, in what a ſituation muſt he have left the [132]afflicted parent! it was however, one of thoſe ſorrows which are compenſated by a reverſe of joy: the tranſition was almoſt inſtantaneous; for when the babe began to revive, he brought it down out of the chamber into the houſe, and delivered it into the deſiring arms of its weeping mother. Were words ever calculated to expreſs ſuch a ſtroke of tranſport? it muſt have been a bliſs which trod hard upon the very heels of agony. Parents may, perhaps, paint it to themſelves: they may ſee (through the mirror of a ſympathetic fancy) the poor widow receiving her child from the healing [133]hand of the prophet—a child freſh blooming in the beauties of a ſecond birth.—They may imagine they behold the joyful woman as it were in a frenzy of felicity, kneeling, firſt to the inviſible reſtorer, then to Elijah, and laſt bathing the cheek of the child with tears of tenderneſs, unutterable. The prophet, indeed, ſaid little; for language was unneceſſary; the thing ſpoke for itſelf, the lovely eye was again gently opened on the light, the dimple reſumed its reſidence, and all its little ſenſibilities were fully reſtored. "See" cried Elijah,—"thy ſon liveth." He ſubmitted the truth of the aſſertion [134](without any tedious explanation of the means by which the recovery had been effected) to the pleaſing evidence of her own ſenſes. He had now fully rewarded her former kindneſs, and evinced his gratitude for the diviſion of her laſt meal, by raiſing the treaſure of her ſoul, even from the dead. I ſhall ſay no more on this charming ſtory, but juſt obſerve, that every gentle heart will have its own commentary, and purſue the hints I have given, till they have long indulged themſelves in the elegant reflection which ſo maſterly and intereſting a ſcene excites.

ESSAY XXVII. CHARACTER of SOLOMON.

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PASSAGE.

AND JUDAH AND ISRAEL DWELT SAFELY, EVERY MAN, UNDER HIS VINE, AND UNDER HIS FIG-TREE, FROM DAN, EVEN TO BEER-SHEBA, ALL THE DAYS OF SOLOMON.

THERE is, perhaps, as much moral ſenſe, and literary beauty, compriſed in this paſſage, as ever was conveyed to the human underſtanding, by the hand of tradition. What a paradiſaical picture does it give us of the reign [136]of Solomon! Majeſty and mildneſs, power and pleaſure, ſeem to have been the grand ſupporters of his throne: and we read the hiſtory of his times, with a mixture of joy and admiration.

The very firſt inſtance of his wiſdom, gave to mankind the moſt delightful earneſt of what might be expected from him. I ſpeak of his judgment betwixt the two harlots. How finely did he diſtinguiſh the ſimplicity of natural ſorrow, from the whineing complaint of adventitious woe: he ſaw the real parent, in her fears, her wiſhes, and her tears; and he detected [137]the impoſture, by every action. The beginning of the reign exhibits this illuſtrious heir of the noble David in all the glory of ſublunary greatneſs; ‘For he had dominion over all the region, on this ſide the river, from Tiphſhah, even to Azzah, over all the kings on this ſide the river:’ and in the midſt of ſo extenſive an authority, he maintained peace on all ſides around him: ‘Every man dwelt ſafely under his vine, and under his fig-tree,’ from one end of his realms to the other, ‘from Dan even to Beer-ſheba.’

[138] What a proſpect was here for the people! What a joyful promiſe for the public heart! But with what energy—I had almoſt ſaid—enchantment—is the diſpoſition of this prince characterized in the ſubſequent verſe?

‘And God gave Solomon wiſdom and underſtanding, exceeding much, and largeneſs of heart, even as the ſand that is on the ſea-ſhore.’

He had, it ſeems, not only the greateſt wealth, but the niceſt judgment, and the nobleſt inclination, to diſtribute that wealth, to make [139]it conducive to general felicity. He equalled his father in his poetical capacity, and even ſurpaſſed him as a moraliſt: his ſongs are marked by an enthuſiaſm, a tenderneſs, and a pathos, in which all the treaſures of the warmeſt, gayeſt, and ſublimeſt imagination, appear to have been exhauſted. Image and metaphor were equally at his command; and a genius, ſo etherial, is ſometimes diſcovered in theſe ſallies of his pen, that his conception takes a flight too lofty for the eye to reach him. But, however amazing the powers of his fancy, they were, at leaſt, equalled by the graver abilities of his judgment. [140]He, by no means, figured leſs as a moral writer: for, his Proverbs are a collection of conciſe maxims, which ſtand, altogether unrivalled; and are the foundation of all thoſe ſhort, multitudinous remarks, which have been iſſued from the preſs, ſince his time: but thoſe of Solomon will, indeed, be ever ſeparated from all others. Such knowledge of life, ſuch various beauty in the expreſſion— ſuch aſtoniſhing terſeneſs in the ſtyle—ſuch poignancy in the ſatire—ſuch purity in the phraſe, and ſuch ſolidity in the ſenſe, entitled their author to the immortality [141]which he claims, and which he poſſeſſes.

There ſeems to have been a epocha in his genius: his compoſitions preſent us with a climax. From the Poet, he riſes to the Moraliſt, and from the Moraliſt he ſoars to the Divine. The book of Eccleſiaſtes, is one of the fineſt ſyſtems, or bodies of divinity. Every ſentence is ſound and orthodox. His obſervations are accurate and devotional; and the whole book well becomes the preacher and the pulpit. In a word, Solomon was the greateſt and moſt general literary character that ever [142]wrote. As a prince, he was amiable, beloved, and popular; and it is impoſſible to give a more pleaſing aſſurance of it, than the pacific and tranquil idea ſuggeſted by the text: ‘Every man dwelt in ſafety under his own vine and fig-tree, even all the days of Solomon.’ It is ſomewhat painful to view him in a religious light. Ah, Solomon, thou wiſeſt of the wiſe—how couldſt thou, at any time, forget the power who had dealt by thee in ſo liberal a manner? eminent alike, in intellect, and in magnificence, how couldſt thou ſo ſtain thy annals, as to turn aſide from the author of [143]all thy greatneſs? How couldſt thou ſo diſgrace—ſo proſtitute the ſplendour of that temple which thou hadſt reared and dedicated to the true God, to the dreams and weakneſſes of idolatry? What, alas, could the viſionary goddeſs of the Zidonians do for thee? What could Molech, or Aſhtoreth, that deſerved thy devotion, or ſacrifices? Could they inſpire thee with intelligence above all others, and ſtore thy mind with all the ornaments of taſte and ſcience, and elegance and joy?

One apology, however, not a little mitigating, preſents itſelf. [144]He did not yield to this infatuation till he was in the decline of life—poſſibly, when his faculties were ſomewhat impaired—and when the ill advice of thoſe who were about him, eſpecially his eoncubines, teazed him into error. The power of a bad woman, who has any hold upon the heart, is unlimited, and will generally render pliable to its purpoſes, not only the fineſt head, but the fineſt heart: and it muſt be alſo remembered, that the ſtrength of the tender paſſions is always in proportion to the ſtrength of the genius; ſo that Soloman might be led, as it were, captive, in the bonds of [145]love, and ſacrifice to Chemoſh, not becauſe he venerated that imaginary deity, but to avoid the perſecution of the female party, which was formed againſt his religious integrity. At all events, let us not be too rigid, to degrade ſo great a character. It is well known, that the wiſeſt men, are the moſt frequently ſeduced into the weakeſt treſpaſſes. With all his ſagacity, Solomon was a human creature. Great ſenſibility is liable to great miſtake: where we cannot defend his conduct, let us avoid it, and where we are ſtruck with the ſplendour of his capacity, let it inſpire us with a modeſt imitation.

ESSAY XXVIII. CONCLUDING STRICTURES.
On SCRIPTURAL SUBLIMITY, and BEAUTY.

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PASSAGE.

WE WAS HONOURED IN THE MIDST OF THE PEOPLE, IN HIS COMING OUT OF THE SANCTUARY.

THE elegant Mr. Burke *, with his uſual ingenuity, obſerves, that magnificence is a ſource of the ſublime: after commenting upon which, he proceeds to illuſtrate his precepts by ſuitable examples, [148]amongſt which is that of the above paſſage, and thoſe others ſucceeding it, which belong to the deſcription. It was with great propriety he fixed upon this noble panegyric, on the high prieſt Simon the ſon of Onias, as a ſpecimen of ſcriptural ſublimity, in the richneſs of imagery, and alluſion. But I cannot agree with him in thinking that ſublimity ariſes from a profuſion of thoſe images in which the mind is ſo dazzled as to make it impoſſible to attend to that exact coherence and agreement of the alluſions, which we ſhould require on every other occaſion. With due deference to [149]Mr. Burke, I will venture to ſay, that, moſt of the alluſions are exact, and coherent. The proof is before us. Read the whole deſcription.

‘How was he honoured in the midſt of the people, in his coming out of the ſanctuary! He was as the morning ſtar in the midſt of a cloud, and as the moon at the full: as the ſun ſhining upon the temple of the Moſt High, and as the rainbow giveth light in the bright clouds: and as the flower of roſes in the ſpring of the year: as lilies by the rivers of waters, [150]and as the frankincenſe-tree in ſummer; as fire and incenſe in the cenſer; and as a veſſel of gold ſet with precious ſtones; as a fair olive-tree budding forth fruit; and as a cypreſs which groweth up to the clouds.— When he put on the robe of honour, and was cloathed with the perfection of glory, when he went up to the holy altar, he made the garment of holineſs honourable. He himſelf ſtood by the hearth of the altar compaſſed with his brethren round about, as a young cedar in Libanus, and as palm-trees compaſſed they him about. So [151]were all the ſons of Aaron in their glory, and the oblations of the Lord in their hands, &c.’

It was the intention of the ſon of Sirach, in theſe ſentences, to ſet forth his object with all the advantages of language. Poetry and oratory were equally ſolicited to animate and to adorn the portrait of the prieſt: in conſequence of which, he is attended from the ſanctuary to the altar, by all the images and inſtruments of the Sublime and Beautiful. Behold him thus ſurrounded—examine the whole ſcene as it paſſes before your eye, and you will pronounce it [152]uniformly admirable. He is deſcribed as coming out of the ſanctuary amidſt the acclamations of the people. The word honoured, is a moſt dignified addition to the greatneſs of his character—Let us, for a moment, leave out this ſingle word, and ſee how the idea diminiſhes: ‘He was in the midſt of the people in his coming out of the ſanctuary.’ How poor! Reſtore to the ſentence its full compliment, and the deſign of the writer, as well as the excellence of the object, is complete. ‘He was honoured in the very midſt of the people.’ The next alluſion carries him higher ſtill. ‘He [153]was as the morning ſtar in the midſt of a cloud.’ No ſooner was he out of the ſanctuary, than his noble and majeſtic figure was diſtinguiſhable from the reſt of the multitude, ‘as the morning ſtar in the midſt of a cloud.’ The alluſion to the cloud, hath alſo the advantage of a double propriety, being, in a metaphorical ſenſe, aptly deſigned to repreſent the thickneſs, and duſky appearance of the admiring multitude. Some of the ſucceeding alluſions were admitted to give the high prieſt the qualities of amiableneſs, as well as grandeur. ‘He was as the flower of roſes in the ſpring of [154]the year: as lilies by the rivers of waters; and as the frankincenſe-tree in ſummer.’ All theſe are expreſſive rather of lovelineſs than magnificence, and are connected, rather, with the Beautiful, than with the Sublime. Yet, mark how they are heightened, and what ſuperior attractions they poſſeſs, by certain delicate ſtrokes, not to be ſeen in the ordinary ſketches of common poets. Theſe would have thought it ſufficient to have compared him to roſes, lilies, and the frankincenſe-tree. Not ſo the ſon of Sirach. He painted the ſon of Onias with more exquiſite colouring—he drew him with [155]a more maſterly pencil. The roſes to which he was compared, were the roſes of the ſpring, a ſeaſon of the year when thoſe flowers are more particularly ſweet and captivating—the lilies, which, in a fugurative ſenſe, reſembled him, were thoſe which derived more elegance from their ſituation by the rivers of waters, and, whatever perfumes belong to the frankincenſe-tree, our poet preſented it to us, in the pride of ſummer, when its beauties would naturally be in bloſſom. Beſides this, there appears a coherence in theſe alluſions, which may eſcape us at firſt. They ſeem to aim at the diſplay [156]of the moral character of the high prieſt. "A good name," ſays the ſcripture, "ſmelleth ſweet." How proper, therefore, is Simon compared to the fragrance of roſes, and other odoriferous ſhrubs. Lilies have ever been emblematic of innocence, and purity. The agreement of the alluſion is, therefore, exact here alſo. Thus might I proceed to obſerve the moral as well as deſcriptive propriety of comparing him with the reſt. But it is wholly unneceſſary. The abrupt and animated tranſition from one image to another, in this deſcription, are ſo many noble inſtances of the Sublime and Beautiful. [157]What a divine glow, and what incomparable dignity is offered to us in the following paſſage, where the figures are changed, and the alluſions altered in a moment. When he put on the robe of honour, and was cloathed with the perfection of glory; when he went up to the holy altar, he made the garment of holineſs honourable.— Had Longinus been now to reviſe his golden treatiſe, he would aſſuredly have inſerted this paſſage amongſt his examples of the genuine Sublime; becauſe it boaſts of every property, which, agreeable to his own definition, belongs thereto.

[158] "That" ſays he, ‘is grand and lofty, which the more we conſider, the greater ideas we conceive of it: whoſe force we cannot poſſibly withſtand; which immediately finks deep, and makes ſuch impreſſions on the mind, as cannot eaſily be worn out or effaced.’ Never were theſe precepts better illuſtrated than by the deſcription of Simon the ſon of Onias. The more we conſider him, the greater is our conception of his grandeur, his virtue, and the veneration which attends it. From the time that he iſſues from the ſanctuary amidſt the honours of the people, to his [159]ſtanding by the ‘altar compaſſed by his brethren,’ he riſes upon us with a force and a ſuperiority, which ‘cannot poſſibly be withſtood,’ and which makes upon the mind an indelible impreſſion. In vain ſhall we look amongſt other poets and orators for a rival deſcription ſo excellent throughout.

Mr. Burke * indeed, hath [160]brought one from an author * the moſt likely to furniſh it: but, although ſome of the alluſion may be equal, others are very much inferior, and taken upon the whole, cannot bear the brightneſs of the compariſon.

I have already obſerved, that the deſcriptions of Oſſian breathe ſometimes, a ſublimity truly ſcriptural; and I have already, in a former eſſay, given an inſtance.

But as was before noted, when parallel paſſages are produced by way of compariſon from the ſcriptures, [161]the pictures of the author of Fingal are only in ſhadow, and muſt ever ſtand in the back ground of criticiſm. The following alluſions would be very capital, if the imagination of the reader had not been previouſly charmed by thoſe which have been the ſubject of our preſent Eſſay.

‘Far before the reſt, the ſon of Oſſian comes; bright in the ſmiles of youth, fair as the firſt beams of the ſun. His long hair waves on his back: his dark brow is half hid beneath his helmet: the ſword hangs looſe on the hero's ſide: and his ſpear [162]glitters as he moves: I fled from his terrible eye.’ This is intereſting, warm, and warlike; but I again refer every reader of taſte to the text. The ſacred penmen ſurpaſs all writers, generally ſpeaking, in point of figure, ſentiment, alluſion, narration, and every other property of perfect compoſition. Diſtributed up and down the Old and New Teſtament, there a thouſand paſſages more than I have now leiſure to contemplate, which utterly annihilate any thing that can be brought from the ſtores of ancient or modern learning.—I conclude theſe little ſketches, which are [163]only intended as an introduction to more, with the ſelection of a few paſſages from different parts of thoſe moſt admirable volumes.

‘O Lord my God thou art very great, thou art cloathed with honour and majeſty: who covereſt thyſelf with light as with a garment: who ſtretcheſt out the Heavens like a curtain: who layeth the beams of his chambers in the waters: who maketh the clouds his chariot: who walketh upon the wings of the wind. Thou coveredſt it with the deep as with a garment: the waters ſtood above [164]the mountains—at thy rebuke they fled; at the voice of thy thunder they haſted away.’— What inexpreſſible ſublimity in every one of theſe thoughts, and with how much accuracy the diction is adapted to diſplay them! What ideas can exceed thoſe of the Deity's covering himſelf in a mantle of light, mounting his cloudy chariot, and walking on the wings of the wind?

The aſcending ſeries, is in this paſſage, very judiciouſly preſerved; the whole ſentiment is a glorious gradation from great, to greater, and from that to the laſt [165]poſitive degree of the climax. I beg the reader to mark the riſe of the expreſſions as he repeats them. There is alſo a particular beauty here, in the ſudden tranſition from one perſon to another—Who walketh upon the wings of the wind;’ and then inſtantly altering the addreſs to—Thou coveredſt it with a deep as with a garment.’

But a ſecond example courts our admiration, and that of ſo high and exalted a nature, that a reader of true taſte, and a real ſenſe of religion, will hardly bear to engage his time in looking at [166]minor or modern authors; while ſome, probably, who have been prejudiced againſt the Bible, will be ſurprized to find ſuch admirable, and unequalled writing in a book, which they have been taught to conſider as a dull, unintereſting code of maxims, proverbs, and ordinary ſentiments.

‘Whither ſhall I go from thy ſpirit? Or whither ſhall I flee from thy preſence? If I aſcend up into Heaven, thou art there: If I make my bed in Hell, behold, thou art there. If I take the wings of the morning, and dwell in the uttermoſt parts of [167]the ſea: even there ſhall thy hand lead me, and thy right hand ſhall hold me. If I ſay, ſurely the darkneſs ſhall cover me, even the night ſhall be light about me. Yea, the darkneſs hideth not from thee; but the night ſhineth as the day: the darkneſs and the light are both alike to thee.’ In ſhort, this, and various other portions of the ſacred books, as infinitely exceed Homer, as Homer ſurpaſſes Blackmore. There is a verſe or two uſed in the burial of the dead (than which there never was a ſublimer, more ſerious, or more ſuitable ceremony). Oſſian hath [168]alſo touched the ſame ſubject, but the ſacred writer hath ten times the ſimplicity, and is abundantly more correct in the metaphors; beſides that, the alluſions are truer to nature and familiar life.

‘A thouſand years in thy fight, O Lord, are but as yeſterday: ſeeing that is paſt as a watch in the night. As ſoon as thou ſcattereſt them, they are even as a ſleep, and fade away ſuddenly, like the graſs. In the morning it is green and groweth up; but in the evening it is cut down, dried up, and withered.’

[169] Were we to run the parallel between this paſſage and that quoted from Oſſian, the inferiority of the latter would, perhaps, not be very agreeable to the admirers of that pictureſque bard. To ſpeak impartially, it is ſcarcely giving any profane writers, however popular, fair play, in comparing them with thoſe Sublime, Beautiful, and Pathetic compoſitions, which are the objects of the preſent volumes: on the other hand, thoſe compoſitions themſelves, have ſo ſeldom fair play ſhewn to them, while many flimſy, frivolous, or bombaſtic performances, run away with the huzza of the multitude, that having [170]had the laſh of juſtice in hand, it was but right to uſe it a little; eſpecially as it formed an important part of my ſubject, to vindicate the Scriptures from negligence, and to hold them up as the patterns of purity, perſpicuity, and all the ſources of the true Sublime.

Theſe ſources branch out, according to Longinus, into the following diviſions:

I. The firſt and moſt excellent of theſe is a boldneſs and grandeur in the thoughts.

[171] II. The ſecond is called the Pathetic, or the power of raiſing the paſſions to a violent and even enthuſiaſtic degree; and theſe two being genuine conſtituents of the Sublime, are the gifts of nature, whereas the other ſorts depend in ſome meaſure upon art.

III. The third conſiſts in a ſkilful application of figures, which are twofold, of ſentiment and language.

IV. The fourth is a noble and graceful manner of expreſſion, which is not only to chooſe [172]out ſignificant and elegant words, but alſo to adorn and embelliſh the ſtyle, by the aſſiſtance of tropes.

V. The fifth ſource of the Sublime, which completes all the preceding, is the ſtructure or compoſition of all the periods, in all poſſible dignity and grandeur.

It hath been my endeavour in this work, to try certain paſſages in the SACRED WRITINGS, by the teſt of Longinus's principles. I ſhall account myſelf ſingularly fortunate if ſuch endeavours have, in [173]any degree, done a ſervice to compoſitions, which are ſo able to ſupport the trial; but whoſe beauties and ſublimities, though thickly ſcattered through almoſt every page, are ſo ſhamefully neglected, or miſunderſtood, merely, it is feared, becauſe they are of a devotional, as well as of a poetical nature.

THE END.
Notes
*
The pathetic, as well as the grand, ſays the moſt elegant tranſlator of Longinus, is diſplayed as ſtrongly by ſilence, or a bare word, as in a number of periods. I will venture to ſay much more ſtrongly, by a ſentence than a volume, in many caſes, and in ſome (as in the preſent inſtance) total ſilence is more expreſſive and characteriſtic than the moſt feeling or forcible ſentence.
There is a kind of mournful eloquence
In a dumb grief, which ſhames all clam'rous
Sorrow.

Or, as a bard who better underſtood the operations of the human heart, more poetically has it,

My grief lies all within;
And thoſe external manners of laments
Are merely ſhadows to the unſeen grief
That ſwells with ſilence in the tortur'd ſoul.
There lies the ſubſtance.

When words are too weak, ſays the critic, or colours too faint to preſent a pathos, as the poet will be ſilent, ſo the painter will hide what he cannot ſhew:—Mr. Smith hath offered a very fine example of this, wherein the ſkill of Timanthes, the painter, is ſhewn in marking the gradations of ſorrow in a groupe of characters, till he had exhauſted the paſſions, and ſilence became neceſſary to the laſt figure in the diſtreſful climax; but nothing can furniſh a finer illuſtration than Orpah and Ruth.

Lord Kames, however, in his chapter upon the Language of Paſſion, after having obſerved, that immoderate grief is mute, becauſe complaining is ſtruggling for conſolation, hath illuſtrated that remark by ſo apt a ſtory from the 3d book of Herodotus, that I am ſure the reader will not be diſpleaſed with me for ſetting it down amongſt the notes for his ſervice.

‘Cambyſes, when he conquered Egypt, took Pſammenitus the king priſoner; and for trying his conſtancy, ordered his daughter to be dreſſed in the habit of a ſlave, and to be employed in bringing water from the river; his ſon alſo was led to execution with a halter about his neck. The Egyptians vented their ſorrow in tears and lamentations; Pſammenitus only, with a downcaſt eye, remained ſilent. Afterward meeting one of his companions, a man advanced in years, who, being plundered of all, was begging alms, he wept bitterly, calling him by his name. Cambyſes, ſtruck with wonder, demanded an anſwer to the following queſtion:" 'Pſammenitus, thy maſter Cambyſes is deſirous to know, why, after thou hadſt ſeen thy daughter ſo ignominiouſly treated, and thy ſon led to execution, without exclaiming or weeping, thou ſhouldſt be ſo highly concerned for a poor man, no way related to thee?" "Pſammenitus returned the following anſwer:" 'Son of Cyrus, the calamities of my family are too great to leave me the power of weeping; but the misfortunes of a companion, reduced in his old age to want of bread, is a fit ſubject for lamentation.’

*

This gallant and modeſt addreſs, attended as it is with every prepoſſeſſing circumſtance, bears ſome reſemblance to the ſtory of young Norval in the Tragedy of Douglas, when he diſplays his heroic ſpirit, and is firſt admitted into the preſence of Lord and Lady Randolph. Perhaps, the author really had the bravery of the conqueror of Goliak in his eye, which is the more likely, as an intitimate acquaintance with the ſcriptures, and, no doubt, a veneration for them, was in the way of Mr. Hume's profeſſional ſtudies. At any rate, the ſpeech will read extremely well after that of the ſtripling David, whether it be intended, or accidental, the reſemblance is ſtriking.

My name is Norval: on the Grampian hills
My father feeds his flocks; a frugal ſwain,
Whoſe conſtant cares were to encreaſe his ſtore,
And keep his only ſon, myſelf, at home.
For I had heard of battles, and I long'd
To follow to the field ſome warlike lord;
And Heaven ſoon granted what my ſire denied.
This moon which roſe laſt night, round as my ſhield,
Had not yet fill'd her horns, when, by her light,
A band of fierce barbarians, from the hills,
Ruſh'd like a torrent down upon the vale,
Sweeping our flocks and herds. The ſhepherds fled
For ſafety, and for ſuccour. I alone,
With bended bow, and quiver full of arrows,
Hover'd about the enemy, and mark'd
The road he took, then haſted to my friends:
Whom, with a troop of fifty choſen men,
I met advancing. The purſuit I led,
Till we o'ertook the ſpoil-encumber'd foe.
We fought and conquer'd. Ere a ſword was drawn,
An arrow from my bow had pierc'd their chief,
Who wore that day the arms which now I wear.
Retiring home in triumph, I diſdain'd
The ſhepherd's ſlothful life; and having heard
That our good king hard ſummon'd his bold peers
To lead their warriors to the Carron ſide,
I left my father's houſe, and took with me
A choſen ſervant to conduct my ſteps:—
Yon trembling coward who forſook his maſter.
Journeying with this intent, I paſt theſe towers,
And, Heaven-directed, came this day to do
The happy deed that gilds my humble name.
*
Treatiſe on the Sublime and Beautiful.
*
All furniſh'd, all in arms,
All plum'd like oſtriches, that with the wind
Baited like eagles, having lately bathed;
As full of ſpirits as the month of May,
As gorgeous as the ſun in midſummer,
Wanton as youthful goats, wild as young bulls,
I ſaw young Harry with his beaver on
Riſe from the ground like feathered Mercury;
And vaulted with ſuch eaſe into his ſeat
As if an angel dropped from the clouds
To turn, and wind a fiery Pagaſus.
,
*
Shakeſpear.
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TextGrid Repository (2020). TEI. 5080 The sublime and beautiful of scripture being essays on select passages of sacred composition By Courtney Melmoth In two volumes pt 2. University of Oxford Text Archive. . https://hdl.handle.net/21.T11991/0000-001A-620C-9