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The WOODMAN; A Comic Opera BY MR. BATE DUDLEY.

[]

THE WOODMAN, A COMIC OPERA, IN THREE ACTS; AS PERFORMED AT THE THEATRE-ROYAL, COVENT-GARDEN, WITH UNIVERSAL APPLAUSE.

BY MR. BATE DUDLEY.

London: PRINTED BY T. RICKABY, FOR T CADELL, IN THE STRAND. 1791.

DEDICATION.
TO BAMBER GASCOYNE, ESQ. RECEIVER GENERAL OF HIS MAJESTY's CUSTOMS, &c.

[]
DEAR SIR,

THE following OPERA is inſcribed to you, from two motives—Gratitude, and Selfintereſt. My beſt feelings are indulged by this acknowledgment of the many obligations I owe to you—and my vanity, I confeſs, will derive no inconſiderable gratification, from the world being informed, that you have long claſſed me in the reſpectable liſt of your private friends.

The ſcenes of dramatic fiction, are not perhaps the beſt calculated, to diſplay the ſincerity of perſonal regard;—but my attachment is not the novelty of a day, and depends not therefore on the form of a public offering.

[] The WOODMAN indeed, has, on this occaſion, ſome ſylvan pretenſions of his own: doing, "Suit, and Service," in that antient *FOREST, over which you exerciſe a joint juriſdiction, he may be allowed, at leaſt, a feudal claim to your protection: I ſhould pay but an ill compliment to your claſſical taſte, which I admire, to ſuppoſe he will be the leſs welcome, becauſe he approaches you in the unaffected garb of Paſtoral Simplicity.

I am, Dear Sir, With great Regard, Very faithfully your's, H. B. DUDLEY.

ADVERTISEMENT.

[]

The following Statement, proceded the Book of SONGS, in the firſt Night's Repreſentation; explanatory of the Writer's Views.

THAT the OPERA of THE WOODMAN has been haſtily put together, its defects will but too plainly point out. To excite the admired talents of a MUSICAL FRIEND, ſuperſeded every other conſideration in this undertaking. In an endeavour to ſketch his ſcenes from Nature, if the Writer has failed, the demerit muſt be entirely his own. In this caſe, he can only lament, that the genius of a great LYRIC COMPOSER ſhould have been miſguided by his inability—but the pride of having firſt introduced the modeſt merit of Mr. SHIELD to the Theatrical World, he muſt ſtill retain!

He was adviſed, to ſhelter himſelf under an aſſumed name, from ſome friendly apprehenſions on the ſcore of party prejudice; but this he thought unneceſſary.—The deciſion of an Engliſh Audience, is ſeldom regulated by unworthy motives; and perſonal reſentment is ſo invariably diſclaimed by candid Criticiſm, that to deprecate it on the preſent occaſion, would degrade, even the humility of a DRAMATIC AUTHOR!

To the friendly and liberal attention of Mr. HARRIS, and the zealous exertions of all the PERFORMERS, the AUTHOR feels himſelf much indebted.

From a combination of the moſt effective powers of the Theatre, the WOODMAN derived, that correct, and animated Performance, which ſecured to the Piece ſo flattering a reception.

*⁎* The words adapted to two or three old AIRS, unavoidably partake of a bro [...], irregular meaſure.

Dramatis Personae.

[]
MEN.
SIR WALTER WARING
Mr. QUICK.
WILFORD
Mr. INCLEDON.
CAPT. O'DONNEL
Mr. JOHNSTONE.
MEDLEY
Mr. BLANCHARD.
BOB, the Miller,
Mr. WILLIAMSON.
FAIRLOP, the Woodman
Mr. BANNISTER.
FILGERT, the Gardener
Mr. CROSS.
WOMEN.
EMILY
Miſs DALL.
DOLLY
Mrs. MARTYR.
MISS DI CLACKIT
Mrs. WEBB.
POLLY
Miſs HUNTLEY.
BRIDGET
Mrs. CROSS.
KITTY MAPLE
Miſs STUART.

Female Archers—Woodmen, &c. &c.

The Lines diſtinguiſhed by inverted Commas, are omitted in the Repreſentation.

[] THE WOODMAN, A COMIC OPERA.

ACT I.

SCENE I. A Perſpective Garden.
MEDLEY and FILBERT.
MEDLEY.

WHAT ſlaves are we men in office!—Don't you wonder, Filbert, how I get through all my buſineſs?

FILBERT.

Oh! it's your larning does it, Mr. Medley, that's certain.

MEDLEY.

Why, to be ſure, Filbert, your men of parts are the fellows after all;—but come, did you deliver the dreſſes, bows and arrows, laſt night, to the laſſes who are to ſhoot for the heifer and ribbands, according to the foreſt charter.

FILBERT.

Yes.

MEDLEY.

And did you tell 'em to meet me in good time, this afternoon, in the gladeway, near the old Oak?

FILBERT.
[2]

To be ſure I did—and gave 'em a kiſs all round into the bargain, that they might not forget it.

MEDLEY.

That was done like a man, Filbert!—Now take theſe to Goodman Fairlop's, the Woodman,—

(giving him bows and arrows, &c.)

—and tell him I ſhall be down with them before the girls have untied their night-caps.

FILBERT.

I will.—

(Laughing.)

—Efecks, Maſter Medley, you think, mayhap, I don't know who has a fancy to who, in that corner of the foreſt?

MEDLEY.

Come, jog away—jog away—I've no time now to crack jokes with you, Maſter Filbert.

[Exit Filbert.

—Like other great men—I, Matt Medley, am obliged, for the good of the ſtate, to hold many offices.—I am Deputy Ranger of the Purlieu!—Keeper of the waifs and ſtrays!—Fac-totum to his Worſhip Sir Walter!—and Mender of Morals in the abſence of our Vicar!—I think I've employment enough cut out for the preſent day.—Let me ſee—I'm to find out who this little ſtranger is at the Woodſide, which I can't learn for my life from that huſſey Dolly.—I'm to make love to her for my brother Bob, if ſhe's good for any thing—and if not, I muſt prevent Sir Walter making himſelf the hamlet's talk about her.—I've to keep peace through the day—if I can—between Sir Walter and his rantipole couſin Dinah—then to act as umpire at the archery—and at night—receive a ſmile from Dolly as a recompence for all my toils.

[3]AIR I.
In the World's crooked path where I've been,
There to ſhare of life's gloom my poor part,
The bright ſun-ſhine that ſoften'd the ſcene
Was—a ſmile from the girl of my heart!
Not a ſwain, when the lark quits her neſt,
But to labour with glee will depart,
If at eve he expects to be bleſt
With—a ſmile from the girl of his heart!
Come then croſſes, and cares as they may,
Let my mind ſtill this maxim impart,
That the comfort of man's fleeting day
Is—a ſmile from the girl of his heart!
SIR WALTER.—(Calling behind.)

Medley! why, Matt Medley! where are you, I ſay?

MEDLEY.

Yes, yes, juſt as I thought, the old Buck's noddle can't reſt for dreaming of this little fawn at the Woodſide!

Enter SIR WALTER.
SIR WALTER.

Good morrow, Medley!—how are you, Matt? always chanting with the firſt cock—eh, you rogue?

MEDLEY.

I love to be cheerful, and ſtirring betimes—but how comes your Worſhip abroad ſo ſoon?

SIR WALTER.

I could not ſleep, Matt, for the rheumatiſm—and ſo forth.

MEDLEY.
[4]

And I doubt whether your diſorder will let you reſt, now you're up—and ſo forth.

[Aſide.
SIR WALTER.

But did you think of what I was ſaying to you laſt night, Matt?

MEDLEY.

I'm going about it the firſt thing this morning! I have a good excuſe for the enquiry, as my brother's deſperately in love with this pretty ſtranger.

SIR WALTER.

What, Bob of the mill?—A great fool! why it will be the ruin of the poor fellow?—But how do you know it?—have you evidence of the fact?

MEDLEY.

He told me himſelf—ſo I'm going to look into it.

SIR WALTER.

Ay do—that's quite right: a ſilly numpſkull!—but you know, Matt, there can be no harm juſt in my having a little ſort of a curioſity about her—and ſo forth?

MEDLEY.

Oh! none at all, ſir.—Nor of my ſatisfying that curioſity according to my mind—and ſo forth.

[Aſide.
SIR WALTER.

Well then go—that's a good lad.

MEDLEY.

I will, your Worſhip.

SIR WALTER.

That's right—now go about it directly Matt, while I finiſh my morning's walk.

[Exeunt.

SCENE II.

[5]
A Woodſide, diſcovering FAIRLOP's Cottage Farm ſoon after Sun-riſe:—EMILY and DOLLY, ſitting at a breakfaſt Table near the Door.
FAIRLOP and POLLY entering to them from the Porch.
AIR II.— QUARTETTO.
FOR all thy boons below,
Oh, ruddy HEALTH! to thee
Thus ever, ever flow
The grateful ſtrains of Induſtry!
CHORUS of Woodmen.
FROM Labour's ſons around
The woodlands catch the ſound;
While ſongſters blithe on ev'ry ſpray,
Attune their voices to our roundelay!
[Exit Polly.
FAIRLOP.

So much for the firſt portion of the day!—and now, my girls, let us partake of the homely meal that Providence ſets before us.

DOLLY.

No, father—that Providence beſtows, and I ſet before you!

FAIRLOP.

You are a good girl, Doll—but tho' his Worſhip's clerk, Mr. Medley, does flatter your comelineſs—mind, [6] child, and never think of ſetting yourſelf before Providence.

EMILY.

There, ſir—there's your breakfaſt ready for you—I had the pleaſure of toaſting your brown bread—

DOLLY.

And I of rubbing the nutmeg over it.

FAIRLOP.

Honeſt huſbands to you both, for your kindneſs.—But now, Miſs Emily, for the reſt of your ſtory, which you promiſed us a month ago.—Your aunt I remember well—and a fine ſtraight woman ſhe was in my younger days.

DOLLY.

Ay, father—you'll pity poor Emily indeed, when you hear it;—ſhe told it me laſt night; and I did nothing but ſob and cry till day-light.

EMILY.

I believe I told you, that my widow'd mother was a tenant to old Mr. Wilford, in a ſmall farm near the park—

FAIRLOP.

Yes, child, you did.

EMILY.

At her deceaſe I was taken, when very young, to be a companion to their noice, Miſs Wilford, and ſhared with her, while ſhe lived, an education—far beyond what my rank in life could entitle me to.

DOLLY.

I don't know that.

FAIRLOP.
[7]

Well—and ſo.—

EMILY.

Being the conſtant obſerver of her brother's increaſing worth, my eſteem for him inſenſibly grew with it; till at length I liſten'd, too fondly, to his profeſſions of regard—which, probably, I ought to have diſcouraged!

FAIRLOP.

I don't know how that ſhould have been: but that's all over, child.

DOLLY.

Lord! father, does not love always beget love, as I've heard my poor dear mother tell you a hundred, and a hundred times to that?

FAIRLOP.

And ſo thou haſt, Dolly—but go on my dear.

EMILY.

In ſhort, a mutual vow of inviolable affection was the conſequence of this attachment.

DOLLY.

Well, and that was right.

EMILY.

His Uncle, one moonlight evening—ſurpriſed us walking together on the terrace!—The next morning—to the aſtoniſhment of every one, he hurried my Wilford off to the continent, without his being able to bid me a laſt adieu!—and, by the moſt cruel vow, declared, he would diſinherit him if ever he beheld me more!

DOLLY.

Barbarous creature!

FAIRLOP.
[8]

Hold your tongue a little—pray, Dolly!

EMILY.

He encloſed me, a bill of a hundred pounds, the legacy bequeathed me by his Lady's will—and inform'd me, that I had his permiſſion to remain at Wilford Lodge till I could otherwiſe accommodate myſelf—which I did the ſame day at my aunt's, in the adjoining pariſh.

FAIRLOP.

I honor your ſpirit!

EMILY.

After three years abſence on his travels—during which time he has written to me in terms of unaltered affection, I learnt, that Wilford was on his return to England.—To prevent, therefore, the fatal effects to him of even a ſuppoſed renewal of our attachment—I reſolved—unknown to any one, to retire in ſearch of an aſylum, which, from my aunt's deſcription of you, I flattered myſelf I might find—and, Heaven knows, have ſound under your generous protection!

DOLLY.

A'n't this very cruel, and heart-breaking, father?

FAIRLOP.

It is a little againſt the grain, to be ſure—but let's make the beſt we can of it.

DOLLY.

And ſo the dear, conſtant-hearted man is ſoon expected back again?

EMILY.

He is indeed, Dolly—

[9]AIR III.
ZEPHYR, come, thou playful minion,
Greet with whiſpers ſoft mine ear!
Hence! each breeze of ruder pinion,
Tell me I have nought to fear!
Gently, ZEPHYR, wing him over,
Tho' I ne'er behold him more;
With the breath of ſome young lover,
Waft him to his native ſhore!
FAIRLOP.

Well, child—the beſt way now, is to reconcile yourſelf to a more humble lot:—you will not fare ſo well, it's true—but you may be as ſafe under my lowly roof, as in the proudeſt dwelling!

EMILY.

Oh, the feelings of my heart!—

FAIRLOP.

I'm glad on't—they'll ſpare you the trouble of ſaying, what I neither deſerve, nor deſire to hear.—But come, girls, I'll now take a ſtep into the Hop-ground, while you finiſh dreſſing the garland pole; and in the evening we'll all dance round it, and forget our ſorrows.

AIR IV.
ON Freedom's happy land
My taſk of duty done,
With Mirth's light-hearted band
Why not the lowly Woodman one?
Tho' Fortune's ſmile our groves forſake,
Mirth may be left behind;
For wealth can neither give, nor take
This treaſure of the mind!
On Freedom's happy land, &c.
[10]
Come, Cheerfulneſs, with blithſome gait,
Trip by the peaſant's ſide;
While Care—in cold, and ſullen ſtate,
Sits on the brow of pride.
On Freedom's happy land, &c.
[Exit.

SCENE III.

A Woodland View near FAIRLOP's Cottage.
EMILY and DOLLY, decorating a Hop-Pole with Ribbands.
AIR.—DUET.
"The bluſhing pink—the ſpotleſs white,
"Will always charm the purer ſight,
"Diſdaining gaudy pride:
"How can ſuch colours fail to pleaſe,
"When, oh! with ſilken bands like theſe,
"True Lover's knots are ty'd?"
DOLLY.

I've another bit of pink upon my beſt cap, that will do for the top to a T.—I'll run and fetch it.

[Exit.
EMILY.

Ah, my Wilford!—had fate but faſhioned thee for theſe humble ſcenes of life, I might then perhaps have aſpired to thy love without preſumption.

Re-enter DOLLY.
DOLLY.

Here it is!—but hold—this was given me at our laſt [11] fair by Medley—and I ſhould not like to part with it, tho' he is an audacious creature!—But I'll pin it ſo high, that nobody can reach it.—There!—

EMILY.

Well, this muſt be the ſmarteſt Pole in the pariſh, to be ſure!

DOLLY.

And bleſs me, what kiſſing there'll be under it!

AIR V.
THERE's a ſomething in kiſſing—I cannot tell why,
Makes my heart in a tumult jump more than breaſt high:
For nine times in ten,
So teazing,
And pleaſing,
We find thoſe rude creatures—the dear kiſſing men,
That we wiſh it repeated again, and again!
Though a kiſs ſtop my breath, oh! how little care I,
Since a woman at ſome time or other muſt die!
For nine times in ten,
So teazing,
And pleaſing,
We find thoſe rude creatures—the dear kiſſing men,
That we wiſh it repeated again, and again!
POLLY peeps at the latter part of this Air, and entering archly, ſings, "We wiſh it repeated again, and again!
DOLLY.

Heighday, little Miſs Nimble-tongue!—who aſk'd for your piping?

POLLY.
[12]

Dear ſiſter! I thought I ſhould always ſay, and do, every thing after you.

DOLLY.

Indeed!—but come, Miſs—here, take your baſket—

(giving her one)

—and pack off to ſchool.—Marry come up—I think we can find you ſomething elſe to mind, or I wonder!

EMILY.

Oh! ſhe'll be a good girl, Dolly, I'll anſwer for her.

DOLLY.

And ſo ſhe ought—mind and finiſh your taſk in your ſampler before you come home, Miſs.

POLLY.

Well—ſo I will, if you don't ſ [...]ub a-body.

[Exit Emily and Dolly.
[Sings]—"There's a ſomething in kiſſing—I cannot tell why!"
[Exit Polly.

SCENE IV.

MEDLEY coming to the Woodman's.
MEDLEY.

So!—ſo!—why theſe girls are not up yet!—by their lying in bed thus—they fancy themſelves married already!

[13] Enter BOB.
BOB.

Good morrow, brother Matt.

MEDLEY.

Good morrow again, Bob—if it's not too late—well, do you continue in the ſame mind?

BOB.

Yes—I love her dearly.

MEDLEY.

Come, then, I'll try what's to be done for you.

BOB.

Don't expect me to talk much at firſt—for when I ſee her, I know I ſhall be as dumb as my breaſt-wheel in a hard froſt.

MEDLEY.

Leave it to me, and never you mind it—Halloo! halloo!—why houſe! are you all dead, or faſt aſleep?

Enter EMILY and DOLLY, from the Woodſide-part.
DOLLY.

As I hope to live, there's my ſpark, and his brother Bob the miller, your intended lover.

EMILY.

How can you be ſo abſurd, Dolly?

DOLLY.—(Advancing.)

Pray, Gentlemen—or rather middling kind of men—what may be your buſineſs here ſo early this morning?

BOB.

"Now mind, brother—for I can't ſpeak a word.

[To Medley.
MEDLEY.
[14]

"Firſt of all, Dolly—I came to enquire, whether you have received the bows and arrows, and how you like your dreſſes?

DOLLY.

"Why, ſo-ſo!

MEDLEY.

"Then, Mrs. So-So—the reſt of my buſineſs happens not to be with you—but with your pretty companion there.

[Turning to Emily.
EMILY.

"With me, ſir?

DOLLY.

"Oh! I ſee he's in his airs this morning—but I'll match him.

[Turning off with Emily.
MEDLEY.

"Faith, Bob, ſhe's a nice griſt!

BOB.

"A pure white ſample, an't ſhe brother?"

MEDLEY.

Come, we'll to the point at once.—May I crave your name, fair one?

EMILY.

If it can be of any ſervice to you to know it—'tis Emily.

MEDLEY.

Emily!—a pretty name enough for the top of a love letter—an't it, Bob?

DOLLY.

I have no patience at his impudence, and neglect of me!

[Aſide.
MEDLEY.

Why then, Miſs Emily—the long and ſhort of the [15] matter is this:—my brother Bob here, as ſtirring a lad as any on the ſtream, has ſouſed over head and ears, for you, into the mill-pond of affection—

EMILY.

Ridiculous!—

MEDLEY.

And thinks he ſhall prefer the pretty clapper of a wife—to the clack of his mill—

DOLLY.

Impudent fellow!

MEDLEY.

And unleſs you take compaſſion on him, he is determined—what are you determined upon Bob?—

(aſide)

—oh! he's reſolved to knock down his hopper, and let the ſtream of life run waſte with him the remainder of his days!

EMILY.—(Smiling.)

Lamentable indeed!

DOLLY.—(Tauntingly.)

But that an't all?

MEDLEY.

Why, what the deuce would a reaſonable woman have more?

EMILY.

I would ſave you and your brother the trouble of any further explanation, by aſſuring you, that I can never liſten to his addreſſes, tho' I feel myſelf honor'd by his eſteem!

MEDLEY.

Lord, Miſs!—but his love—

DOLLY.
[16]

And lord, ſir!—don't be ſo meddling—it is enough for you to explain your own love!

EMILY.

Ah, Dolly!—how ſew are there able to reveal to others this myſtery of the mind!

AIR VI.— GLEE.
What is LOVE?—An odd compound of ſimples moſt ſweet,
Cull'd in life's ſpring by fancy—poor mortals to cheat;
A paſſion—no eloquence yet could improve,
So a ſigh beſt expreſſes the paſſion of Love!
[Exeunt Bob, and Emily ſeverally.
DOLLY.—(Laughing.)

Ha!—ha!—ha!—

MEDLEY.

What is it you giggle at ſo—Ma'am Dolly?

DOLLY.

At you, and your fooliſh brother!

MEDLEY.

Oh! you do?

DOLLY.

Yes, to be ſure I do!—I can't help it for my life.

[Still laughs.
MEDLEY.

Then, ſince my brother is to be fobbed off by your companion in this pretty manner—I'll enquire a little into what's what? and who's who?—

DOLLY.

Oh! pray do, Mr. Jack in office!

MEDLEY.
[17]

Yes, Ma'am—and know how Miſs Proud-Airs came here?—whether ſhe gets an honeſt livelihood?—and where's the place of her laſt legal ſettlement, Ma'am!

DOLLY.

Pitiful ſpight!—But I can ſave you all this trouble. She's a thirteenth couſin by the ſide of my mother's halfbrother:—ſhe came on a viſit to us from foreign parts—has been better brought up than either you, or I, ſir—and being, at this time, a little in adverſity—why—my father has taken compaſſion upon her.—

MEDLEY.

Taken compaſſion upon her?

DOLLY.

Yes, ſir.

MEDLEY.

And, like an old fool—keeps her, I ſuppoſe?

DOLLY.

Well—and ſuppoſe he does.

MEDLEY.

What?—after the faſhion of the great folks above!

DOLLY.

For my part, I don't ſee that ſuch an action is a diſgrace to any one, gentle, or ſimple.

MEDLEY.

You don't, upon your little wicked ſoul?

DOLLY.

No.—And ſo, till you learn to behave yourſelf a little more like a man, I don't wiſh to ſee your ſpiteful face again.

[Exit Dolly.
MEDLEY.
[18]

Here's a pretty ſkit for you!—Have I been fifteen months at a Latin ſchool?—two years hackney-writer to an attorney on Tower-hill—more than three years juſtice clerk to Sir Walter?—and to be outwitted, after all, "by this old ſtub-fox, and his young cubs?—Surely, Maſter Solomon—by your leave, there's now and then ſomething new under the ſun!—Old Fairlop, the Woodman, to take a flaſhy young huſſey into keeping!—and his daughter,—in whom I placed every hope of future comfort—to encourage and laugh at it?—I'll go inſtantly to Sir Walter to prevent his falling into the trap that may be laid for him, however—and as to Dolly—"

AIR VII.
Say—what kind of revenge ſhall I take?
Shall I quit her—and ſee her no more?—
Tis a pity at once to forſake
What we've learnt a long while to adore!
If I tell her, for life we muſt part,
Ten to one if it gives her much pain!
Should the feel it—my own rebel heart
Will fly to her ſuccour again!
[Exit.

SCENE V.

[19]
The Foreſt.
WILFORD, and CAPT. O'DONNEL.
CAPT. O'DONNEL.

Upon my conſcience—but you true lovers are reſtleſs creatures!—We will only have been landed ſix days from the continent, and here are we again launched upon a more ſlippery element, in chace of your run-away miſtreſs.

WILFORD.

Ah! my friend O'Donnel—but what a treaſure are we in purſuit of?

CAPT. O'DONNEL.

Well, but I wiſh you to be after giving me a more particular deſcription of this ſame treaſure—for which, I think, we will encounter a ſmall number of difficulties.

WILFORD.

Oh! ſhe will repay all my anxieties!

CAPT. O'DONNEL.

Yes, faith! and what's to become of mine into the bargain?—but—I ſee your's is a daſhing kind of love—which my friendſhip is eager enough to follow;—ſo order it upon any ſervice you pleaſe, in ſearch of your goddeſs.

WILFORD.

My dear O'Donnel—I cannot thank you as you deſerve. [20] —My intelligence informs me, that Emily has, unaccountably, ſought a retreat on the confines of this extenſive foreſt.—We muſt, therefore, vigilantly explore it, taking different directions.—The guide told you where we ſhould meet?

CAPT. O'DONNEL.

Not he indeed!—but what occaſion for a rendezvous, when we are only going upon a foraging party!

WILFORD.

He directed our ſervants to the Rein Deer, near the ſamed Oak:—there, at leaſt, we may have tidings of each other's ſucceſs.—Here let us part!

CAPT. O'DONNEL.

And ſee who ſtarts the firſt doe on the foreſt.—But hark ye, Wilford!—how ſhall I be ſure of her, ſo as not, by one of my conſounded country miſtakes, to take her for one of the little wild fawns of the chace?

WILFORD.

If you have no eyes,—hear her but ſpeak, and the mild melody of her accents will inſtantly convince you!

AIR VIII.
THE ſtreamlet that flow'd round her cot,
All the charms of my Emily knew;
How oft has its courſe been forgot,
While it paus'd, her dear image to woo!
Believe me, the fond ſilver tide
Knew from whence it deriv'd the fair prize,
For ſilently ſwelling with pride—
It reflected her back to the ſkies!
[Exeunt ſeverally.

SCENE VI.

[21]
Garden.
SIR WALTER, and MEDLEY.
SIR WALTER.

Did you ever hear ſuch a perſecuting clapper as couſin Di's?

MEDLEY.

A little out of tune now and then, to be ſure, your worſhip: but how did this ſtorm break out?

SIR WALTER.

Only, forſooth, becauſe I good humour'dly laugh'd at her a little, for ſaſhing herſelf off like a young girl, and telling her, ſhe would make a better patroneſs of beefeaters, than female archers!—However, I'll ſee none of her prudiſh nonſenſe there—I'll ride ten miles firſt another way.

MEDLEY.

That's a pity; for it will be a fine ſight.

SIR WALTER.

What ſignifies your finery, and foolery, Matt?—if a man can't be comfortable, and take a quiet peep at a pretty girl—and ſo forth.—But when am I to ſee this little ſtray wood-nymph, Matt?

MEDLEY.

We can't too ſoon enquire into the merits of the caſe;—you'll find her no better than I told you.—We may take out orders of removal for her directly.

SIR WALTER.
[22]

But not without poſitive evidence of the fact.

MEDLEY.

Let me beg your worſhip to be a little upon your guard—if Miſs Di gets hold of it—ſhe'll prattle about it merrily, I warrant you.

SIR WALTER.

Yes, let her alone for that:—ſhe's ſqueamiſh enough about other people—but as to her fantaſtical ſelf—you'll find her always upon the ogle—and fancying every man ſhe ſees—in love with her—and ſo forth.

MEDLEY.

Suppoſe, ſome time or other, we were to humour this fancy of her's:—I don't think, your worſhip, it would be of any diſſervice to her!

SIR WALTER.

My dear Matt, give me your hand!—prithee don't forget it!—Let me get her but once fairly on the hip, and then at all events I ſhall ſecure a good peace, with the enemy I never can conquer!

AIR IX.
SURELY woman's a powerful creature
In every ſtage of her life,
So arm'd at all points, by dame Nature,
As Maiden—Miſs—Widow—or Wife!
In her bloom, ev'ry glance ſhe ſhoots thro' you;
Ever after her la [...]um's well ſtrung:—
And ſure is that force to ſubdue you,
Which ſhifts from the eye—to the tongue!
[Exeunt.

SCENE VII.

[23]
The Foreſt.
CAPT. O'DONNEL alone.
CAPT. O'DONNEL.

Upon my conſcience—but this is likely to turn out a very clever expedition of mine!—A pretty account I'll be able to give poor Wilford! I marched out in ſearch of his rivulet goddeſs—and the devil a human creature have I clapped my eyes on—except two huge bucks at a tilting-match under an oak!—But hold—what have we here? ſomething nimbly ſcudding along—and this is her track!—

Enter POLLY.
POLLY.

Oh la! what fine gentleman can this be?

[Aſide.
CAPT. O'DONNEL.

How are you, my little innocent?

POLLY.

Very well, I thank you ſir—

(curteſying)

—Pray, if I may be ſo bold, do you belong to our foreſt?

CAPT. O'DONNEL.

No, my little dear—I'm a roving buck from foreign parts! "what would you ſay to ſuch a one for a huſband?

POLLY.

"Oh! dear ſir—you are very good—but I muſt not think of one 'till my eldeſt ſiſter's married.

CAPT. O'DONNEL.
[24]

"No—who tells you that?

POLLY.

"My father—he ſays my waxen baby is a better play-thing than a huſband, after all!

CAPT. O'DONNEL.

"But you don't believe him?

POLLY.

"I don't know, ſir."

CAPT. O'DONNEL.

Where do you live?—and what may be your little name?

POLLY.

I live hard by, and my name is Polly Fairlop. I'm going to ſchool—but I think I'm too old for that, however!

CAPT. O'DONNEL.

Indeed! and ſo you are, my dear!

AIR X.
WHEN firſt I ſlipp'd my leading ſtrings—to pleaſe her little POLL,
My mother bought me at that fair, a pretty waxen Doll;
Such ſloe-black eyes, and cherry cheeks, the ſmiling dear poſſeſt,
How could I kiſs it oft enough—or hug it to my breaſt?
No ſooner I could prattle it, as forward Miſſes do,
Than how I long'd, and ſigh'd to hear—my Dolly prattle too;
I curl'd her hair in ringlets neat, and dreſs'd her very gay,
And yet the ſulky huſſey not a ſyllable would ſay.
[25]
"Provok'd, that to my queſtions kind, no anſwer I could get,
"I ſhook the little huſſey well—and whipp'd her in a pet:—
"My mother cry'd, Oh fie upon't—pray let your Doll alone,
"If e'er you wiſh to have a pretty baby of your own!"
My head on this I bridled up, and threw the play-thing by,
Altho' my ſiſter ſnubb'd me for't—I know the reaſon why—
I fancy ſhe would wiſh to keep the ſweet-hearts all her own,
But that ſhe ſhan't, depend upon't—when I'm a woman grown!
CAPT. O'DONNEL.

Bravo, my little warbler!—Tho' you are not tall enough, d'ye ſee—for a huſband—I dare be bound you're cunning enough to tell me—whether you have amongſt you, ſuch a thing as a ſtray young lady, almoſt as handſome as your own ſweet ſelf?

POLLY.

As true as any thing this muſt be Miſs Emily's ſweetheart, that I've heard e'm talk, and cry ſo much about.—

(Aſide.)

—A ſtray young lady?—what ſort of one, ſir?

CAPT. O'DONNEL.

Faith, an odd ſort enough!—one that run away from her lover, for fear of being married to the man of her heart!

POLLY.

Oh, dear ſir!—we have no ſuch girls in our parts, I can aſſure you.—But here comes Mr. Bob, the Miller; perhaps he can inform you better—and ſo good bye, ſir—for I ought to have been at ſchool full half an hour ago!

[Exit ſinging—"But that ſhe ſhan't, depend upon't, when I'm a woman grown."
CAPT. O'DONNEL.
[26]

Well done, little Whirligig!—

Enter BOB.
CAPT. O'DONNEL.

Good day to you, friend Bob.

BOB.—(Surpriſed.)

Why, how the dickens did he know my name to be Bob?—

(Aſide)

—The fame to you, ſir.

[Bowing.
CAPT. O'DONNEL.

Faith, honeſt miller—you will confer an obligation upon me, by telling me whereabouts I am.

BOB.—(Smiling.)

By your queſtion, ſir, I ſhould gueſs you a bit of a ſtranger in this foreſt!

CAPT. O'DONNEL.

Indeed and you've hit it.—What's more, I came upon a ſtrange bit of buſineſs—and, to tell you the honeſt truth, I need not walk much further to be tired, as well as hungry.

BOB.

Lord love you! ſay no more—the traveller that has loſt his way, ſhall never want a welcome at my mill, ſo long as I am able to grind a griſt in it.—

CAPT. O'DONNEL.

Upon my conſcience, but this honeſt fellow would ſoon make a man forget that he was out of his own country! What a fine thing is generoſity! but what's it good for without a little gratitude?—

[27]AIR XI.
OH! a French foederation,
Or courtier's oration,
Is all botheration,
To you Bob, and me!—
But what's more inviting,
My own heart delighting,
Faith better than fighting,
I'll tell you—d'ye ſee:
Why the ſnug little bleſſings, that moſt men deſire,
The girl we can love—and the friend we admire!
But the ſight above all, would you feel, my lad, here below,
Make the warm flame of gratitude tenderly overflow!
Tho' drones heap with pleaſure,
Wealth's miſchievous meaſure,
Faith that is no treaſure
—To you Bob, and me!—
But what's more inviting, &c.
BOB.

But what might bring you into theſe out-of-the-way parts, if I may be ſo bold?—and how did you know my name was Bob?

CAPT. O'DONNEL.

Becauſe I take you to be the ſon of your father—whoſe name I gueſs was Robert!

BOB.

Efecks! that's no bad gueſs for a ſtranger, however!—But now, ſir, for your buſineſs—

CAPT. O'DONNEL.

Faith, I came only to enquire after a ſtray dappled fawn, the owner of which would recover it at any pains, or price.

BOB.
[28]

Oh! if that's all, ſet your heart at eaſe.—When you have refreſhed yourſelf, I'll take you to my brother Matt, who is all in all with Sir Walter—and looks after the waifs and ſtrays—ſo if any body can give you intelligence, he's the man.—Beſides, there's to be fine doings this afternoon round here—ſo you may as well tarry, and ſee the paſtimes of the place!

CAPT. O'DONNEL.

With all my ſoul!—Then, miller, I may peep at ſome of your Woodland nymphs—You have a few pretty ones ſkipping through theſe gladeways, I ſuppoſe?

BOB.

Oh, a mort!—I'll ſhew you one among 'em ſhall make your mouth water—if you're ever ſo nice.

CAPT. O'DONNEL.

Why don't you pick out one amongſt 'em for a wife, Bob?

BOB.

Becauſe I can't chooſe the ſample I like.

CAPT. O'DONNEL.

A little ſhy—ch! Bob—of the antlers that flouriſh ſo thick around you?

BOB.

No—no—I underſtand your joke, ſir—but I've no fears of that kind, I promiſe you.

[29]AIR XII.
MY heart is as honeſt, and brave as the beſt,
My body's as ſound as a roach;
Tho' in gay fangled garments I never was dreſt,
Nor ſtuck up my nob in a coach:
If Fortune refuſes to ſlow with my ſtream,
My ſacks with her riches to fill,
Why ſurely 'tis Fortune alone that's to blame—
And not honeſt Bob of the Mill!
My breaſt is as artleſs, and blithe as my lay,
From my cottage Content never flies,
She is ſure to reward the fatigue of the day,
And I know how to value the prize:
Would the girl that I love, then, but give me her hand,
The world it may wag as it will;
I deſy the firſt 'Squire, or Lord of the Land,
To diſhonour plain Bob of the Mill!
[Exeunt.
END OF ACT I.

ACT II.

[30]
SCENE VIII. EMILY alone, [...]ting near the Cottage.
EMILY.

WHY ſhould the report of a ſtranger's arrival on the foreſt, ſo much alarm me?—But may he not, by this time, have removed me as far from his memory, as his perſon?—Oh, no!—my Wilford is ſtill the ſame—and, ill-fated as we are—my heart muſt dwell upon his fidelity with emotions of delight!—

AIR XIII.
SWEET inmate—SENSIBILITY!
How pure thy tranſports flow,
When even grief that ſprings from thee,
Is luxury in woe!
Without thee—where's the ſigh of love,
Or bluſh by grace refin'd?
Where Friendſhip's ſacred tear, to prove
The triumph of the mind?
RONDEAU
Sweet inmate, &c.
[Emily continues reading.
Enter SIR WALTER, and MEDLEY with his Clerk's Bag.
MEDLEY.

Yes, yes—there ſhe is upon the layer, as I expected!

SIR WALTER.

Why, ſhe warbles as innocently as a little Robin, Matt!

MEDLEY.
[31]

Oh! ſhe can warble faſt enough, if that's all—why, I dare ſay ſhe'll turn out, upon examination, to be one of the little hurdy-gurdy girls that grind muſic about the ſtreets of London!

SIR WALTER.

But are you ſure that my tenant, Fairlop—like a ſly old fox—has pick'd up this pretty chicken for himſelf?—have you evidence of the fact?

MEDLEY.

To be ſure, your Worſhip.—I've his daughter Dolly's own confeſſion of the whole.

SIR WALTER.

Well—I'll frighten her a little—but I cannot find in my conſcience to hurt her—for every moment I perceive in her freſh beauties—and ſo forth.

MEDLEY.

Juſtice you know, ſir, ſhould be blind on theſe occaſions.

SIR WALTER.

What ſignifies that, Matt—when one can ſee ſuch charms with half an eye!—But what can ſhe be reading?

MEDLEY.

No good, I'll anſwer ſor't—

Enter DOLLY, who ſeeing them, goes up to Emily.
DOLLY.

As I live, here's Sir Walter!—We muſt make a curteſy to him.

[Emily riſes, and modeſtly curteſies with Dolly.
SIR WALTER.
[32]

They obſerve us—what a pretty rogue!—Hark ye—young—blooming damſel?

DOLLY.

Which of us, and pleaſe your Worſhip?

MEDLEY.

Not you, Ma'am Forward-ſtep—Here, Miſs Scapegrace, walk this way.

[To Emily.
SIR WALTER.

Don't, Matt.—I won't ſuffer you to be ſo harſh with her.—How came you, child, into the limits of this foreſt?

EMILY.

Good heav'n, how ſhall I ſupport my ſelf!

[Aſide.
DOLLY.

Why, pluck up a good ſpirit, and never mind it!

[Aſide.
MEDLEY.—(Beckoning Sir Walter aſide.)

As this may turn out a nice point at ſeſſions,—you ſhould aſk her,—where ſhe was born?—and then, how ſhe got her bread from her youth up?—that's the practice according to law!

SIR WALTER.

But not exactly, Matt, according to my nature.

MEDLEY.

Indeed, firſt of all ſhe ſhould be ſworn!

[Takes out a book.
SIR WALTER.

Well, you may ſwear her—but I cannot be ſevere with her, without poſitive evidence of the fact!

MEDLEY.

Take off your glove—

EMILY.
[33]

What can this mean?

[To Dolly.
DOLLY.

I'm ſure I don't know—but I'll run and fetch my father.

[Exit.
SIR WALTER.

Come—come, pretty one—the law requires you ſhould be ſworn.

EMILY.

Pray, ſir, inform me—againſt what rule of ſociety have I offended, that my humble character ſhould be thus ſcrupulouſly enquired into?

MEDLEY.

You hear his Worſhip's commands, and that's ſufficient.

EMILY—(To Sir Walter.)

I fear, ſir, I know not the extent of ſo ſolemn an obligation!

SIR WALTER.

No?—not an oath?—oh fie!

EMILY.

No, indeed, ſir!—I intreat you would have the goodneſs to expound it to me.

SIR WALTER.

Why, child—an oath—is—as one may ſay—a ſacred—kind of a—taking of a—

MEDLEY.

Lord, ſir! I'd be above explaining it to her! beſides, here comes the old offender.

[34] Enter FAIRLOP.
SIR WALTER.

Sirrah! how dare you!—how durſt you!—You may retire, child, for the preſent.

[To Emily, who goes out.
FAIRLOP.

Mercy on us!—what? and pleaſe your Worſhip!

MEDLEY.

We are come in the king's name, to demand, Maſter Fairlop—who, and what, that little coaxing Minx is?

SIR WALTER.

Where ſhe comes from?—and how you came by her?

FAIRLOP.

And pleaſe you—all I know—your Honor ſhall know—

MEDLEY.

Now for it!

FAIRLOP.

I [...]ound this poor Emily, a friendleſs creature, that the world had turn'd it back upon—and ſo, your Honor—I took her in—

MEDLEY.

And keep her in the face of the whole foreſt?

SIR WALTER.

Why, your betters could have done no more?—an't you aſham'd of yourſelf, Maſter Fairlop?

FAIRLOP.

No, indeed, your Worſhip.

SIR WALTER.

No?

FAIRLOP.
[35]

Why ſhould a poor man be aſham'd of an act that the great are ſo proud of?

MEDLEY.

There's impudence for you!

SIR WALTER.

Why, what will the world ſay of you?

FAIRLOP.

So long, your Honor, as I can lie down with a quiet conſcience, and riſe to work under a good landlord, I heed not the world, and all its malice!

SIR WALTER.

What! have you no regard for your own precious ſoul—and ſo forth?

FAIRLOP.

When my poor trunk is ſell'd, and the knots hewn off, I hope that ſome ſound plank will be found here—

(laying his hand on his breaſt)

—as well as in finer ſticks, with a ſmoother bark!

MEDLEY.

Why, don't you know whoſe tenant you are?

FAIRLOP.

Dear heart! what a queſtion?

SIR WALTER.

Ay, anſwer him that—

FAIRLOP.

To be ſure, I am your Honor's tenant for the Hopground—the ſix acre croft—and the little woodland plot, where I was born—and I always ſtrove hard not to be behind hand with my rent.

SIR WALTER.
[36]

Then mark me—I'll let it all over your head to-morrow, if you don't diſcard that bewitching little baggage directly!

FAIRLOP.

That's rather hard!—I've lived under your Worſhip three-and-fifty years!—but if it muſt be ſo—I'll be content.—I hope your Honor will get a better tenant!

SIR WALTER.

What! you will be obſtinate?

AIR XIV.
Good lack a day!
I would not for the land I hold,
Nor ſacks brim-full of Britiſh gold
My truſt betray:—
I'll do ſuch deed for no man!
My maxim is, to do my beſt
To make each creature round me bleſt—
Much more—a helpleſs woman!
[Exit Fairlop.
SIR WALTER.

What a ſturdy old pollard this is, Matt?

MEDLEY.

Why, he'll corrupt the morals of the whole hamlet, his poor daughter Dolly and all!

SIR WALTER.

But ſtill, Medley—as to the little warbler herſelf—I do not find, yet, that we have evidence of the fact.

MEDLEY.

You know, your Worſhip, Burn ſays—

SIR WALTER.
[37]

Pooh—pooh—what ſignifies what Burn ſays. I queſtion if ever he met with ſo tickliſh a caſe in the whole courſe of his life.

Enter BOB, who whiſpers MEDLEY.
MEDLEY.

A ſtrange gentleman!—glad to ſpeak with me?

SIR WALTER.

Here, Bob!—your brother Matt wants me to play the very deuce with the pretty little ſtranger at the woodſide!

BOB.

No ſure, your Honor!

MEDLEY.

Your Worſhip, to be ſure, muſt act as you pleaſe.

SIR WALTER.

If I ſhould commit her—you, as conſtable, Bob, muſt take the poor rogue to the houſe of correction.

BOB.

I could not do it, your Honor, for the world!—Lord love her little heart, what has ſhe done?

SIR WALTER.

True, Robert!—that's what I want to know—at all events, I'll do nothing further in it, 'till I've re-examined her cloſely—and ſo forth!

MEDLEY.

I don't ſee, indeed, that there can be any harm in reconſidering the caſe.

SIR WALTER.

No, none in the world—beſides we ſhould hear all the circumſtances, pro and con—and ſo forth.

BOB.
[38]

Ay do—your Honor—why, brother Matt, you wa'n't uſed to be a hard-hearted fellow—particularly to the poor girls.

MEDLEY.

No, God forbid I ever ſhould be—'though this is a terrible example, Bob, for poor Dolly.

AIR XV.— TRIO.
ALL
—Hard is the taſk, in one decree,
To blend
Medley
—Law!
Bob
—Love!
Sir Walter
—and Clemency!
ALL
—But where they equally prevail,
Let ſoft Compaſſion turn the ſcale!
[Exeunt.

SCENE IX.

DOLLY entering the Garden.
DOLLY.

Where can this cruel monſter of mine be?—I did not intend to let him ſee that I lov'd him this half year—but if I don't—he may ſtill play poor Emily ſome ill-natur'd trick.—Oh! here he is!—As her Ladyſhip, Miſs Dina, kindly takes our part—I'll be upon the high ropes a little now, as well as he.

[39] Enter MEDLEY.
MEDLEY.

Well, Ma'am Dolly—what may your buſineſs be with me? for I'm rather in haſte—

DOLLY.

Lud—what a hurry ſome folks are in all of a ſudden!—if you muſt know, ſir—I ſent for you to tell you, that you, and Sir Walter, are going to Old Nick as faſt as you can gallop!

MEDLEY.

Indeed?—why then, perhaps, you would not diſlike to take a canter along with us!

DOLLY.

You may joke and jeer, Mr. Matt—but how can you find in your heart to collogue and plot againſt ſo innocent a creature?

MEDLEY.

I collogue?—I ſcorn your words!

DOLLY.

"I ſhould not wonder to find, when I get home, that ſhe had drown'd herſelf in the brook at the back of our orchard!

MEDLEY.

"No—no—your young father is too tender hearted to ſuffer that.—

DOLLY.

"Pray what do you mean, ſir?

MEDLEY.

"Only that, inſtead of—drowning—you'll have a little nurſing at home ſooner than you look'd for.

["Imitating the cry of a young child."
DOLLY.
[40]

What, could you learn nothing better in London, Mr. Medley, than to ſlander a poor innocent girl, becauſe ſhe refuſed your brother Bob!—poor ſpite!

MEDLEY.

Why, if you come to that, didn't you tell me with your own mouth, that—

DOLLY.

That what?—

MEDLEY.

That your father had taken—a fancy to her!—and did'n't he acknowledge it before his Worſhip himſelf?

DOLLY.

Mercy upon us!—what is this wicked world come to—I?—

MEDLEY.

"Yes you did—told me flat and plain, that your father was fool enough to—to keep her.

DOLLY.

"Keep her?—and ſo he does.

MEDLEY.

"Well—there now!

DOLLY.

"Keeps her—poor man, like another daughter."

MEDLEY.

What?—don't ſhe—now mind me, Dolly—are you ſure—and certain—that—

DOLLY.

What?

MEDLEY.
[41]

That—Emily does not—now and then—by chance—tie your father's—night-cap under his chin?

DOLLY.

I wonder you a'n't aſham'd of yourſelf, to look me in the face, after ſuch a ſpeech?

MEDLEY.

Faith, there may be ſome confounded miſtake in this affair, after all!—

(Aſide)

—why, Dolly, I only—

DOLLY.

My father may be poor, ſir—but aſk the whole hamlet whether they ever found him diſhoneſt!

MEDLEY.

No, Dolly!—but ſuch a bewitching little rogue, you know—might have done you no good—that was all my fear, I can aſſure you now Dolly!

DOLLY.

I thought you more of a man—ſhe's as innocent—

MEDLEY.

Are you in earneſt?

DOLLY.

Earneſt!

AIR XVI.
WHEN next you view the lily blow,
Or on wild heath the driven ſnow,
Toſs'd rudely by the wind—
Tell me then, which you would compare
To her—who with a form that's fair,
Adds ſtill a fairer mind!
MEDLEY.
[42]

Poor thing!—if that's the caſe—I have been ſadly to blame—But I'm glad we ſtopped proceedings—no—the law muſt not take its courſe—to trample down innocence and humanity!

DOLLY.

My dear Matt—do you ſay ſo?

MEDLEY.

To be ſure I do—

DOLLY.

Then heav'n will bleſs—and I will kiſs you for it!

[Runs and kiſſes him.
MEDLEY.

Methinks, Dolly, I like your bleſſing the beſt, at preſent!—but did you give it me for yourſelf, or your friend?

DOLLY.

Oh!—half one, and half t'other.

MEDLEY.

Then let me have a whole one on your own account—

(kiſſes her)

—and now, to make my happineſs complete, give me your hand—and ſay, you're mine for ever!

DOLLY.

Lord! you do teaſe a body ſo, Matt!

MEDLEY.

Come—come—

DOLLY.

Well then, there—

(gives her hand)

—but you muſt get my father's conſent.

MEDLEY.
[43]

To be ſure—and then all's ſettled and done. I'll go and ſet Sir Walter right—and come to you both before we meet at the archery.—But who the deuce is this pretty water-wagtail—come, ſurely you may tell me now!

DOLLY.

I can't, indeed—but you ſhall know all about it in good time.

AIR XVII.— DUET.
Medley.
HAVING brought my ſuit to iſſue,
I may venture cloſe to kiſs you,
Lovely Dolly!—deareſt Doll!
Ever ſinging toll-de-roll.
[Ad lib.
Dolly.
Aye! but when my charms are falling,
Shall I then ſtill hear you calling
"Lovely Dolly!—deareſt Doll!
"Ever ſinging toll-de-roll? &c."
Medley.
You're a woman, made for ever?
Dolly.
You're a man, Sir, made for ever?
Both.
Hold your head up now, my dear,
Such a match for you, how clever!
You'll be envy'd far and near,
Ever ſinging toll-de-roll, &c.
[Ad lib.
[Exeunt.

SCENE X.

[44]
Garden.
SIR WALTER.

Matt Medley promis'd to be with me an hour ago!—I want to know how he has manag'd it—that I may ſee her out of the reach of my prying couſin!—Hold—hold—ſuppoſe, after all—ſhe ſhould prove an honeſt, good girl!—what's to be done then?—Why, it will only be my care—as it is my duty, to protect her innocence.—But if ſhe turns out the little wanton baggage Medley ſuſpects—it will be charity to take her out of the way myſelf, and thus prevent old Fairlop's ruin!—Gads me! here ſhe is, juſt at the nick.—I muſt be cautious with her at firſt, 'till I learn how her pulſe beats—and ſo forth.

Enter EMILY.
EMILY.

I hope you'll pardon me, ſir, this bold intruſion—

SIR WALTER.

Make no apology, my little dear! I am happy to ſee you—I'll do all I can to ſerve you, depend on't.

EMILY.

Regardleſs of my own fate—I come not, ſir, to aſk indulgence for myſelf—but moſt humbly to ſolicit you in behalf of an amiable man!

SIR WALTER.

Ay! who can that be, child?

EMILY.
[45]

One, ſir, who through life has enjoyed the cheering warmth of your benevolence—and is therefore leſs able, in old age, to bear up againſt the ſeverity of your diſpleaſure!

SIR WALTER.

What, old Fairlop the woodman, you mean?

EMILY.

Yes, ſir.

SIR WALTER.

A pretty amiable fellow, to be ſure, child! but come—they ſay you're very partial to him—now confeſs the truth, and I don't know what may be done.

EMILY.

Oh, ſir! I do indeed regard him—beyond what even gratitude can expreſs!

SIR WALTER.

That's ſtrange!—but what could you ſee, child, in ſuch an old delving blockhead?

EMILY.

Every thing that can render man worthy of eſteem. I fear, ſir, that I have been the cauſe of his preſent diſtreſs:—reſtore him but to your protecting favour, and diſpoſe of me, and my ſufferings, in what manner you pleaſe!

SIR WALTER.

Gad!—that's a ſignificant hint I don't diſlike, however.

[Aſide.
[46]
AIR XVIII.
ANDANTE.
HEAR me! and comfort ſhall your ſteps attend;
Leave not the man of worth without a friend!
ALLEGRO.
Oh! the rapture of poſſeſſing
Power to diſpenſe a bleſſing,
Or to raiſe a proſtrate foe;
God-like he!—the deed concealing—
Who, with ſympathetic feeling,
Softens but one ſigh of woe!
SIR WALTER.

Well, child—I'll conſider of it—I won't detain you here any longer now—for fear of ſome inquiſitive eye obſerving us;—ſo if you'll fix a time with my clerk, Medley, where I may ſee you again preſently, I'll tell you a little more of my mind—and ſo forth—

(Emily courteſies, and retires.)

—"Diſpoſe of me as you pleaſe?"—pretty foul!—how innocently complying!—Yes, yes—the caſe now is clear enough!—but what puzzles me is, how that liquoriſh-tooth'd old woodman could come by her.—Well, ſhe's fair game now, Matt—or I wonder.—Let me ſee—how ſhall I diſpoſe of her?—I'm too much enraptured to plan the ſcheme myſelf—Matt ſhall find out ſome ſly corner, where the little rogue may live as happy as the day's long!—and then how ſnug ſhall I be with ſo pretty a companion, to read to me thro' a cold winter's night—and ſo forth!

[47]AIR XIX.
WHAT mortal e'er ſaw ſuch a creature?
How prettily turn'd ev'ry feature!
A mouth chaſtely ſimple!
A chin deck'd with dimple,
A cheek that diſcloſes
Full-blown damaſk-roſes,
With a lip like a ruby that's brought from afar,
And an eye—that out-twinkles the bright morning ſtar!
[Exit.

SCENE XI.

The Foreſt.
DOLLY, and MEDLEY.
MEDLEY.

But where's your innocent companion—I long to attone for my offence—

DOLLY.

She's gone up to Sir Walter's—for what purpoſe I know no more than you:—but here ſhe returns.

Enter EMILY, dejectedly.
MEDLEY.

Cheer up your little heart! nobody will harm you!—I'm a whimſical fellow—and take the wrong end of a matter now and then, as well as other folks—but I think I would go as many miles on foot to ſerve one in diſtreſs, as any man upon the foreſt.

DOLLY.
[48]

There!—didn't I tell you that Matt was honeſt in grain?

EMILY.

Oh, ſir—but I dread the effects of Sir Walter's reſentment!—

MEDLEY.

Never you ſear—leave him to me.

EMILY.

He directed me to conſult you about a further interview with him to-day.

DOLLY.

What can his Worſhip want with her again?

MEDLEY.

Some buſineſs, I fancy, that I only can ſettle properly between them!—but come, I've news for you!—Have you heard of the ſtrange gentleman juſt come on the foreſt?

DOLLY.

We have, and wiſh mightily to ſee him; don't we, Emily?

EMILY.

We do, indeed—and mine is more than common curioſity.

MEDLEY.

My brother Bob firſt ſcrap'd acquaintance with him;—efaith! here they come together in ſearch of me—you may now ſatisfy your curioſity, while I examine him.

EMILY.

Let us retire awhile—

(to Dolly)

—for I feel an agitation I cannot deſcribe!

[49] Enter CAPT. O'DONNEL, and BOB.
BOB.

This is the ſtrange gentleman I told you of, brother!

MEDLEY.

Good day to you, ſir.—

CAPT. O'DONNEL.

Sir, I'm your ſervant.

MEDLEY.

I am told you wanted to ſpeak with me.

CAPT. O'DONNEL.

To be ſure and I do.—The ſhort and the long of the buſineſs is,—I have loſt a little run-away damſel, and you, my dear, muſt be after finding her for me.

MEDLEY.

That's coming to the point, indeed!

BOB.

Who knows but 'tis Miſs Emily he's hunting for?

[Aſide to Medley.
MEDLEY.

That we ſhall ſoon ſee.—

(Aſide to Bob.)

—We have choice of waifs and ſtrays on this foreſt.—Now here—

(pointing to EMILY, and DOLLY, who approach)

—here's a pair of pretty out-lying deer!—will either of theſe ſuit you?

DOLLY.—(As Capt. O'Donnel turns.)

There—now you may ſee—is that any thing like him?

[To Emily.
EMILY.

Oh, no!—

BOB.
[50]

"That's her!—that's the beauty I told you of!

[To Captain O'Donnel.
CAPT. O'DONNEL.

"Upon my conſcience, but you've a pretty choice, miller!—if I was hunting only for myſelf, I ſhould ſeek no prettier game, than that little blue-eyed doe to the left—Oh, ſhe's a ſweet creature!"

MEDLEY.

Here, laſſes, you muſt help this honeſt gentleman to find his ſweet-heart.

DOLLY.

I hope, ſir, ſhe's worth looking for!

BOB.

For my part, I hope it won't turn out a wild-gooſe chace!

CAPT. O'DONNEL.

You all ſeem to think it a very good joke—but, as a ſtranger among you, let me hope for your good wiſhes at leaſt—

EMILY.

You have mine, ſir—from a ſympathiſing heart.

DOLLY.

And I wiſh that you may recover your wandering miſtreſs, with all my ſoul!

[51]AIR XX.— GLEE.*
OH, Miſtreſs Coy! where art thou roving?
Oh! ſtay and hear thy true-love coming,
That can ſing both high, and low.
Trip no farther, pretty ſweeting,
Journeys end in lovers' meeting,
Ev'ry wiſe man's ſon doth know.
Seek for love—but not hereafter;
Preſent mirth has preſent laughter;
What's to come is ſtill unſure.
In delay there lies no plenty;
Flee not bliſs, then, ſweet, and twenty,
Youth's a ſeaſon won't endure!
[Exit Emily, Dolly, and Bob.
MEDLEY.

Well, but this is an odd kind of ſtory, Captain!—Come, as we are by ourſelves, what ſort of a damſel have you loſt?

CAPT. O'DONNEL.

Now, faith—that's the very thing I came to learn of yourſelf.—But I'm ſorry the dear blue-eyed girl has left us ſo ſoon, without leave.

MEDLEY.

What the devil!—don't you know your own miſtreſs?

CAPT. O'DONNEL.—(Laughing.)
[52]

Palliluh!—but that's a good joke! Why, my dear, ſhe's no miſtreſs of mine!

MEDLEY.

Not your's?

CAPT. O'DONNEL.

Not at all—I'll tell you, as a ſecret!—it's my friend's!

MEDLEY.

Oh! your friend's is it?—

CAPT. O'DONNEL.

To be ſure and it is!

MEDLEY.

What an opportunity for treating Miſs Di with a ſpecimen of my couſin Tipperary's courtſhip—unleſs her ſhape ſhould marr the joke.—

(Aſide.)

—Well but, Captain, let's know a few of the marks and colours—is ſhe fair or brown, fat or lean?—

CAPT. O'DONNEL.

Why, that, upon my conſcience, I forgot to aſk; but, as near as I can gueſs, by my friend's taſte, ſhe muſt be a clever, plumpiſh kind of creature—juſt about neither one thing, nor t'other, d'ye ſee!

MEDLEY.

Come then, Captain, to keep you no longer in ſu [...] penſe, your friend's laſs is lodged not far off.

CAPT. O'DONNEL.

But are you in earneſt?

MEDLEY.

To be ſure I am. Now, what will you ſay if I take you to her directly?

CAPT. O'DONNEL.
[53]

Oh, but will you now, my dear fellow? Give me your hand—and after that, I'll give you an opportunity of doing myſelf a little favour, if you pleaſe?—

MEDLEY.

What's that, Captain—'Twas lucky that I told Miſs Di this morning, ſhe would be run away with—

[Aſide.
CAPT. O'DONNEL.

Only to tell me where I may find that little blue-ey'd ſawn—as a recompenſe for my own pains!

MEDLEY.

And why not hamper Sir Walter with him a little at the ſame time, and ſo reſcue poor Emily—who may be the laſs he's in ſearch of, after all!

[Aſide.
CAPT. O'DONNEL.

But what are you proſeing ſo much about to yourſelf, little fellow?

MEDLEY.

Why, I'm thinking, that this may be a ſervice of ſome danger, as well as honor.

CAPT. O'DONNEL.

So much the better.

MEDLEY.

You can talk big—and fight a little, upon occaſion?

CAPT. O'DONNEL.—(Looking ſternly at him.)

Is it a laugh, ſir, you are after putting upon a ſoldier?—

MEDLEY.

Who me?—don't look ſo fierce, Captain!—not I upon my word!—

CAPT. O'DONNEL.
[54]

I'd have you learn, ſir—that, when neceſſary, I can fight a great deal—and ſay nothing at all about it!—

MEDLEY.

Why, that's better ſtill—then give me your hand, my dear friend—and now mind what I ſay to you.

CAPT. O'DONNEL.

Well, proceed—

MEDLEY.

You ſee that great houſe.

[Pointing to the Manſion.
CAPT. O'DONNEL.

Very well—

MEDLEY.

That's Sir Walter Waring's, where ſhe's to be found.

CAPT. O'DONNEL.

The devil ſhe is now!

MEDLEY.

Our foreſt air has not diſagreed with her; you'll find her as plump as a partridge.—How Sir Walter came by her—that you muſt learn—but he has always been a devil of a fellow, from his youth, for fighting, and wenching!

CAPT. O'DONNEL.

Oh, be eaſy!—let me ſee whether he won't give her up to me?—and a fighting fellow too!—

MEDLEY.

You'll be able to ſpeak to her now, as he is riding in the Park. Aſk for the young lady—you can't miſtake her—as ſhe is the only one in the houſe.—

CAPT. O'DONNEL.
[55]

To be ſure, and I won't beat up the old buck's quarters!—I perceive you've a little intrigue and frolic in this deſart foreſt, as well as in Ireland's own ſelf?

MEDLEY.

And why not?—

AIR XXI.
OH! Life's a gay foreſt, like merry Sherwood.
Tantarra, my boys!
Abounding with fiſh, fleſh, and fowl, that is good;
Theſe are your joys!
When the ſoft mountain-roe
Is ſkipping—ſoho!
Or tripping—teigho!
It will happen ſo!
This—this is the time, if it's well underſtood,
For the ſport of that foreſt—dear merry Sherwood!
In ſuch foreſts where game will for ever ariſe,
Tantara, my boys!
We may chace ev'ry light-footed pleaſure that flies;
Theſe are your joys!
Slyly then mark the doe,
That's ſkipping—ſoho!
Or tripping—teigho!
It will happen ſo!
For the well-flavour'd ven'ſon, dear me! is ſo good,
That is ſhot by an arrow in merry Sherwood.

SCENE XII.

[56]
A Room in Sir WALTER WARING's Houſe
MISS DI CLACKIT.
MISS DI.

I hope the archery will go off well—or my ſweet couſin will never let me hear the laſt of it—never hear the laſt of it!—He has been endeavouring to turn it into ridicule all thro' the hamlet, this morning.—What woman of ſpirit, but myſelf, would endure the mortifying control that I do?—But I'll match him one day or other, when he leaſt expects it.—Where the deuce can this girl be?—

(Rings the bell, and calls at the ſame time.)

—Bridget!—Bridget!

Enter BRIDGET.
BRIDGET.

Did you call, your Ladyſhip?

MISS DI.

Call?—to be ſure I did call!—and have call'd for you this half hour!—Is my archery dreſs ready?—quite ready? for let me tell you—

BRIDGET.

Yes, your Ladyſhip; and I think your Ladyſhip will look more handſomer in it, than ever I ſee you in all my born days—

MISS DI.

There!—there!—now you are going to crack the drum of my ear with your eternal talking.

[57]AIR XXII.
YOUNG women ſhould ſhun tittle-tattle;
Like ſun-dials, never ſhould prattle;
Juſt tell what they're aſk'd, and be ſtill!
But girls are ſo idle,
Their tongue they won't bridle,
So gallop it goes—like the clack of a mill!
We gentry you never hear rattle,
Like furies engag'd in a battle;
Of talking we ſoon have our fill:
But girls are ſo idle, &c.
MISS DI.

You may go about your buſineſs—may go about your buſineſs.—

(Exit Bridget.)

—what, the deuce, is there in talking—that people are ſo exceſſively fond of it—exceſſively fond of it? for my part!—

(Bridget reenters.)

—Well!—what's the matter?—what's the matter now? how often have I told you—

BRIDGET.

There's a gentleman in the Hall—wiſhes to ſpeak with your Ladyſhip:—he ſays he came from Mr. Medley.—

MISS DI.

Wants to ſpeak with me, child?—wants to ſpeak with me? What kind—what ſort of a gentleman?—Is the girl dumb?—why dont you anſwer?—why don't you—

BRIDGET.

Oh! a comely, genteel perſon as you could wiſh to ſee, my Lady—but he talks a little like a foreigner.

MISS DI.
[58]

C [...]me from Medley?—Then I find there was ſomething in his hint to me this morning, about a new admirer.—

(Aſide.)

—Shew him in immediately;—how, like a ſtupid ſtatue, the girl ſtands!—

(Exit Bridget.)

—I like foreigners—and ev'ry thing that's foreign!—He muſt have heard of my ſituation—and, in the true ſpirit of foreign gallantry, wiſhes to releaſe me from this hideous captivity?—there's no reſiſting one's fate!—but I fear he has caught me in a horrid diſhabille—horrid diſhabille—

[Arranging her dreſs in the glaſs.
Enter CAPT. O'DONNEL.
CAPT. O'DONNEL.—(Aſtoniſhed.)

Faith, and I believe, Arthur—you have blundered into a ſmall miſtake here!

[Aſide.
MISS DI.—(Curtesying low.)

Sir, you do me honour by this viſit.—But you ſeem a little ſurpriſed—you need not be alarm'd, for Sir Walter—

CAPT. O'DONNEL.

Oh, Madam! never fear me—I'm not to be alarmed by all the Sir ſighting Walters on the foreſt.

[Looking at her inquiſitively.
MISS DI.

Well, Bridget was quite right—he is a fine, bold man, indeed—and ſure enough—

[Aſide.
CAPT. O'DONNEL.—(Looking round.)

You've ſome agreeable female, I preſume—as a companion about your perſon, Madam?

MISS DI.

Not a ſoul, ſir—I'm confined here, as you ſee, by my ſolitary ſelf—

CAPT. O'DONNEL.
[59]

Then there can be no miſtake!—This muſt be the little fellow's Partridge;—and a plump Partridge ſhe is, ſure enough!

[Aſide.
MISS DI.

Pray what may be the commands, ſir, with which you have to honour me?—You know, ſir, that—

CAPT. O'DONNEL.

To be ſure, and are you not the dear creature, I have travelled ſo many weary miles to look after?—

MISS DI.

That's a queſtion—you, ſir, can beſt reſolve—it would ill become me to—

[Affecting baſhfulneſs.
CAPT. O'DONNEL.

O! it's her own ſelf I perceive—though ſhe's grown old enough for the lad's mother-in-law, at leaſt—but that's his buſineſs, and not mine.—

(Aſide.)

—Oh, Miſs!—we were afraid we had loſt you for ever!

MISS DI.

Too long have I been loſt indeed, ſir!—Oh! the tedious moments that—

CAPT. O'DONNEL.

Three ſhort years ſeem to have made a little alteration in you, Miſs—for the better—

MISS DI.

Better, ſir?—I thought, for the laſt twelve months, my poor heart would have been broken!—my grief of heart—

CAPT. O'DONNEL.

Well, then—under all your ſorrows, and concerns, Miſs—it's a pleaſant thing to ſee you look ſo jolly!

MISS DI.
[60]

Jolly, ſir?—my ſighs and tears, at one time, had nearly worn me into a conſumption!

CAPT. O'DONNEL.

Now, a couſin-german of mine, in the county of Sligo—by bottleing up her tears too much in a hurry,—fell, poor ſoul, into a devil of a dropſy!

MISS DI.

You've heard—you've heard, no doubt, ſir, of my deplorable fate?

CAPT. O'DONNEL.

To be ſure—and the old baronet's tricks into the bargain [...] but how came you with him at all, my dear Miſs?

MISS DI.

It was my cruel deſtiny—perhaps you've not heard how—I'll tell you the whole, ſir—I'll tell you—

CAPT. O'DONNEL.

Oh, you may ſpare yourſelf all that trouble: little mittimus the juſtice's clerk told me every ſyllable.—If theſe are her "mild melody accents!" what a comical car muſt poor Wilford have for muſic?—

[Aſide.]

—But come, madam—thank your ſtars that your faithful admirer is arriv'd—that old ſquare toes, our uncle, is gone to take a peep at the other world!—and that you may now—if you pleaſe—be made a happy creature for your life to come.

MISS DI.

Dear ſir—you only flatter a woman's weak credulity—weak credulity!—But to whom do I owe [61] the honour of ſo agreeable a viſit—this agreeable viſit?—for I bluſh to own—

CAPT. O'DONNEL.

My name, Miſs, is Arthur O'Donnel, Eſq.—I have the honour to command a company in Dillon's brigade—would lay down my life for my friend—and am arriv'd, with your leave, to take your ſweet ſelf to liberty, and the man you muſt love, and adore!

MISS DI.

But, ſurely, ſir, you are rather too impatient—too impatient;—beſides, you know, ſir, it requires time—

CAPT. O'DONNEL.

Time!—oh, have as little to do with that old rap as you can help.

Enter BRIDGET, haſtily.
BRIDGET.

La! Ma'am, Sir Walter's getting off his horſe at the keeper's lodge, and will be within, in a [...]ew minutes.

[Exit Bridget.
MISS DI.

How unfortunate!—but the wretch is always in the way—always in the way!—Dear ſir, I muſt beg the favour of you to retire!—I am afraid that—

CAPT. O'DONNEL.

Oh, never fear me, madam!—Let him come with his fighting face, and we'll ſee who has the beſt pretenſions to you.

MISS DI.

But I'm alarmed beyond meaſure for the conſequence. [62] —I intreat you to leave me for the preſent—leave me for the preſent!—and hereafter, you know—

CAPT. O'DONNEL.

Well, but if I file off—and ſuffer the enemy to repoſſeſs the garriſon.—will you guarantee me another ſpeedy interview—and hold yourſelf in readineſs for a quick march at a moment's notice?

MISS DI.

That requires a little conſideration—but I'll talk with Medley on the ſubject—and from him expect to hear, when and where you may ſee me again: but may I rely on your honourable protection?—honourable protection—for a poor—helpleſs virgin—that—

[Exit.
AIR XXIII.
OH, ſear not my courage, prov'd over and over!
Your ſoldier will rout each impertinent lover;
With a row-dow! I'll guard you—the foe ſhall your preſence fly,
Who to fall in love here—muſt have tumbled, faith, pretty high!
With wide-ſpreading charms, like the Lake of Killarney,
Dear creature, oh! liſten to none of their blarney.
With a row-dow, &c.
Your true-hearted lad is come galloping to you:
Oh! the Salmon-leap's nought to his ſlight to purſue you.
With a row-dow, &c.
Your ſhort date of beauty—your glib tongue contraſting,
Like our own Giant's-Cauſeway, will prove everlaſting!
With a row-dow, &c.

SCENE XV.

[63]
The Foreſt.
MEDLEY.
MEDLEY.

So far, I fancy, this little noddle of mine has ſucceeded pretty well!—Miſs Di, I ſhould hope is by this time, ſmitten with my couſin Tipperary—for I miſtake my man, if, in this firſt viſit, he made himſelf underſtood to be courting for any one—but himſelf!—Now muſt I contrive a few whimſical appointments—like ſo many croſs bills in chancery—but with this difference—that mine are not intended to create—but to prevent miſchief.

Enter CAPT. O'DONNEL.
MEDLEY.

Well, my friend—did you meet with her as I informed you?

CAPT. O'DONNEL.

To be ſure, and I did—for which I heartily thank you, my dear fellow.

MEDLEY.

You found her well, I hope?

CAPT. O'DONNEL.

Yes, hearty enough—conſidering the poor creature has almoſt fretted herſelf into a conſumption!

MEDLEY.
[64]

Alter'd a little, no doubt?

CAPT. O'DONNEL.

Indeed, and you may ſay that—why, ſhe's ſo plaguily alter'd, that ſhe does not look like the ſame creature.—

MEDLEY.

But how ſhould you know that captain? I thought you had never ſeen her before.

CAPT. O'DONNEL.

But haven't I ſeen her lover paint her to me a thouſand times over?—though I now perceive, that he always took a very flatt'ring likeneſs.

MEDLEY.

"You did not ſtay long with her?

CAPT. O'DONNEL.

"And you may thank the old buck of a baronet for that.—Oh, there had like to have been the devil of a kick up about his diſcovering me with her!—but I made a prudent retreat—and Emily is to plan with yourſelf, when, and where I am to ſee her this afternoon!

MEDLEY.

"Very anxious, I ſuppoſe, to return with you?

CAPT. O'DONNEL.

"No faith—to tell you the truth, I thought that ſhe put but a cool remembrance upon the worth of poor Wilford!"

[65] Enter BOB.
BOB.

His Worſhip wants you, brother, directly.

MEDLEY.

And I his Worſhip—and I fancy on the ſame buſineſs.

CAPT. O'DONNEL.

Robert!—you're an honeſt fellow—and I'm not a little indebted to you, my dear.

[Shaking him by the hand.
BOB.

None in the leaſt, ſir.

MEDLEY.

You wiſh'd, Captain, to learn ſomething further about the little nymph with the blue ſparklers?

CAPT. O'DONNEL.

To be ſure and I did;—and you'll aſſiſt me;—upon my conſcience, but it's a pleaſant thing, to be able to do a good turn now and then by one another—an't it, Bob?

BOB.

Ay, that it is, for certain.

MEDLEY.

Well then, go with my brother down to the Ballfac'd Stag—call for a bottle of wine, and by the time you're ſat down to it—I'll be with you, and give you the clue you want.

CAPT. O'DONNEL.

My dear little fellow, how friendly will that be?—Come along, Bob; we'll ſoon draw the cork, boy, and drink to the laſs we like beſt on the foreſt!

[66]
AIR XXIV.— TRIO.
SHOULD Mirth be obſerv'd by her ſons to decline,
They recruit her bright lamp with a flaſk of good wine!
When the glaſs circles round, and our ſpirits improve,
How ſweet ſlows the b [...]per—to Friendſhip, and Love!
END OF ACT II.

ACT III.

[67]
SCENE. The Foreſt.
WILFORD alone.
WILFORD.

WHICH way can I ſhape my further courſe with any proſpect of ſucceſs?—I have met with no one except a ſavage train of hunters, and they made but a ſport of my diſtreſs!—Yon track ſeems the moſt beaten, and may lead me to our appointed rendezvous:—I'll explore my way thither, in expectation of ſome tidings from my friend's purſuit;—but my heart at this moment miſgives me, and tells me, that Emily is eſtranged from it for ever!

AIR XXV.
'TIS in vain for ſuccour calling,
Hope no more my boſom cheers!
Cruel fate that bliſs appalling,
With her ſcroll of joyleſs years!
Come, Deſpair! and Diſtraction confound me!
Add ſtill to my life's wretched load;
And while your mix'd horrors ſurround me,
This deſert of wildneſs ſhall be my abode!
CAPT. O'DONNEL.—(Behind.)

Hilliho!—hilliho!—ho!

WILFORD.
[68]

That muſt be his welcome voice! halloa! boy; halloa!—

(Enter Capt. O'Donnel.)

—my dear friend! how rejoiced am I to ſee you!

CAPT. O'DONNEL.

And you may thank the luck of it, Wilford, that I ſhou'd make a blunder upon you ſo ſoon!

WILFORD.

Well—what ſucceſs?

CAPT. O'DONNEL.

Faith, as to the ſucceſs—d'ye ſee—why—I can't very well tell.

WILFORD.

Have you ſeen, or heard any thing of my Emily?

CAPT. O'DONNEL.

To be ſure, I have ſeen her—and for the matter of that, have heard a little about her into the bargain!

WILFORD.

Say, then—where? and how is ſhe?

CAPT. O'DONNEL.

Oh, ſhe's not far off—and, let me tell you, one of the plumpeſt, and ſleekeſt does on the foreſt.—

WILFORD.

Spoke ſhe not of me with paſſionate anxiety?

CAPT. O'DONNEL.

Not a great deal of that—though ſhe talk'd pretty freely too!—but the poor creature, Wilford, has loſt all the "mild melody accents" that you told me ſo much about.

WILFORD.
[69]

Pooh!—is this a time for jeſting?

CAPT. O'DONNEL.

The devil a jeſt!—however you'll ſoon ſee her, and judge for yourſelf:—beſides, you'll have to learn ſomething about her, and an old fighting Sir Walter, where ſhe's juſt gone on a comical kind of viſit—which I can hardly make head, or tail of!

WILFORD.

"Viſit to an old fighting Sir Walter?"—What can all this mean?—oh! ſly with me inſtantly to relieve my impatience.

CAPT. O'DONNEL.

And that I will, my friend—but I've a little impatience of my own to fly with firſt.—Had you ever the honor of a téte-à-téte, Wilford, with a pretty blooming a hop-ground?

WILFORD.

Indeed, I take this very unfriendly, O'Donnel!

CAPT. O'DONNEL.

What! that I won't give up the chance of my own little wild doe, to go immediately after your's, which I've got ſafe enough in the toils for you?

WILFORD.

Direct me but the way—

CAPT. O'DONNEL.

Well, then, if you are in ſuch haſte—you ſee that little crooked gladeway ſtraight before you.—It leads to the village near which ſhe lodges.—Enquire for the ſign of the Stag, with the bald—white countenance—halt [70] there—and in half an hour I'll be with you, and conduct you, myſelf, to your rivulet Emily.

WILFORD.

But may I depend upon you?

CAPT. O'DONNEL.

Oh! as ſure as fate!—

(Exit Wilford.)

—Poor fellow!—what a devil of a job will it be, if, after all this trouble, he ſhould find his Emily ſo altered—that his own eyes and ears can't put a remembrance upon her! Give Arthur O'Donnel the girl neither quite ſo plump, nor ſo fond of changing.—To be ſure, and I'm not going to meet a little creature juſt after my own heart! and, oh! will I not love her, as long as the frailty of my nature will permit?—Ay, that I will, by the—but be eaſy, Arthur,—let me ſwear by ſomething that will not diſgrace her!—

AIR XXVI.
BY her own lovely ſelf, that's my choice, and delight;
By that form I could gaze on from morning 'till night;
By that boſom, ſo prettily veil'd from my ſight,
I ſwear to adore the dear creature!
I ſwear to adore, &c.
By the ſmiles on that cheek, I could ever careſs;
By the ſtars, which her forehead ſo brilliantly dreſs;
By thoſe lips, which—my own pair would willingly preſs,
I ſwear to adore the dear creature!
I ſwear to adore, &c.

SCENE XV.

[71]
A Hop Ground.
Various Parties of Hop-pickers, working at the Cribs—Men taking down the Hop-Poles, &c. &c.
AIR XXVII.— FULL CHORUS.
HAIL to the vine of Britain's vale!
Whoſe ſtores refine her nut-brown ale,
Till that like nectar flows;
Whoſe virtues—to this iſle confin'd,
Are ſent to cheer a Briton's mind,
Too gen'rous for his foes!
Enter FAIRLOP.
FAIRLOP.

Come, ſtrike—ſtrike, lads and laſſes!—you've done a fair morning's work—and now all hands to the kiln to dinner!

[Exeunt Hop-pickers, &c.
Enter MEDLEY.
MEDLEY.

I have luckily nick'd the time, I find!—but where's my couſin Tipperary?—Unleſs I trap this wild bird firſt, my whole plan will be deſtroy'd.

[72] Enter CAPT. O'DONNEL.
CAPT. O'DONNEL.

Well, my dear!—

MEDLEY.

Ecod, I ſear it's not ſo well.

CAPT. O'DONNEL.

Why? what's the matter, little ſellow?

MEDLEY.

Only your friend's damſel about to be moved off—that's all!

CAPT. O'DONNEL.

What is't you mean? Is it game you're making?

MEDLEY.

Sir Walter—hearing, I ſuppoſe, of your ſearch after her, has, ſome how or other, prevailed upon her to be ſecretly convey'd to one of his tenants on the other ſide of the foreſt—and fix d this time and place, to meet her for that purpoſe—

CAPT. O'DONNEL.

And after all her fine ſpeeches and promiſes to me?—But where's my little grig?—ſhe won't ſlip thro' my fingers after this manner, I hope.

MEDLEY.

No—no—you're ſafe enough there—I was oblig'd, you know, to put off her coming for fear of a diſcovery:—But ſee, yonder appears one of the party—and the other, no doubt, will ſoon follow.

CAPT. O'DONNEL.

And Arthur O'Donnel will ſoon make another amongſt them.

MEDLEY.
[73]

Suppoſe, then, we conceal ourſelves hereabouts, and obſerve their motions?

CAPT. O'DONNEL.

With all my ſoul!

MEDLEY.

But ſee!—what a deuced black cloud there is coming up with the wind!

[The light gradually diminiſhes.
CAPT. O'DONNEL.

Well—and what of that?

MEDLEY.

Why, an't you afraid, Captain, that it will pepper your fine jacket for you?

CAPT. O'DONNEL.

Oh! not at all—a ſoldier's jacket is not made for ſunſhine—and mine, I know, won't turn its back to a flying ſhower.

MEDLEY.

If that's the caſe—ſtep you behind that pile of hoppoles, while I get on the ſnug ſide of this tree.

CAPT. O'DONNEL.

Do ſo, little fellow,—ſaith and I have hid myſelf in many a worſe ambuſcade before now.

[Concealing himſelf.
MEDLEY.

Here he comes!—and the ſtorm cloſe at his ſkirts!

[Retires behind the tree.
Enter SIR WALTER.
SIR WALTER.

I don't much like the looks of the weather.—But here am I, ſnugly arrived firſt!

CAPT. O'DONNEL.—(Peeping.)
[74]

To be ſure, my old Cockatoo, and you are not!

[Aſide.
SIR WALTER.

The ſun ſeems to put rather a black face upon it!—but the hop-pickers are all out of the way—ſurely I can find a little ſhelter for her!—What a lucky opportunity to ſettle matters with the pretty rogue?

CAPT. O'DONNEL.

And with me at the ſame time, if you pleaſe.

[Aſide.
SIR WALTER.

Didn't I hear ſomebody?—No!—'twas only a ruſtling among the vines!—Who knows, but the little baſhful huſſey may be half concealed amongſt them? I'll take a peep—and ſo forth.

[Walks into the hop-ground.
CAPT. O'DONNEL.

There's an abominable old gander for you!

[Aſide.
MEDLEY.—(Peeping.)

Huſh!—huſh! for the hen bird's now on wing!

Enter MISS DI CLACKIT, in her Archery Dreſs.
MISS DI.

How indiſcreet to conſent to this interview!

CAPT. O'DONNEL.

Indeed, Miſs, and you may ſay that.

[Aſide.
MISS DI.

He's a man of honor, no doubt—But, bleſs me, how the ſky lowers!—what ſhall I do, if I'm caught in a tempeſt?

CAPT. O'DONNEL.
[75]

Indeed, Miſs, and you deſerve a good ſopping for your pains!

[Aſide.
MISS DI.

I thought I heard a footſtep this way!

CAPT. O'DONNEL.

Your own, my dear—for you tread none of the lighteſt!

[Aſide.
[Miſs Di Clackit goes into the hop-ground.—A tempeſtuous ſhower comes on.—Capt. O'Donnel, and Medley laugh.
MEDLEY.

Faith they've got a ſouſer!

CAPT. O'DONNEL.

So much the better.—To be ſure, and I won't wing the old cock-bird, for croſſing upon my own ſport!

[Storm ceaſes.
AIR XXVIII.— QUARTETTO.
Medley & Capt. O'Donnel.
MARK! how the cooing pair draws near!
Miſs Di.
Why, Captain?
Sir Walter.
—Emily!
Both.
—I'm here!
Where are you? Here in half-drown'd ſtate!
Medley & Capt. O'Donnel.
Hark, the old ring-dove calls his mate!
MEDLEY.
[76]

And now, Matt, muſt you avoid an untimely explanation.

[Exit.
[Sir Walter, and Miſs Di return, and firſt diſcover each other, with aſtoniſhment, as Capt. O'Donnel advances between them unbuttoning his lapels, and careleſsly throwing the rain off his hat.
CAPT. O'DONNEL.

What a mighty pretty joke is love in a ſhower!

[Looking at them alternately.
SIR WALTER.

Upon my ſoul—Madam!—I—can't ſay—that—that I expected the honor of this ducking—to—to meet you here!—

MISS DI.—(Confuſed.)

Nor I—ſir—the pleaſure of catching my death, for the—the—felicity of ſeeing you here!—Provoking wretch!—

(Aſide.)

—You may think, ſir—

CAPT. O'DONNEL.

Oh, palliluh!—I did not hope for the honor of expecting you here—nor I the pleaſure of ſeeing you there—

(imitating them)

—when you had both contrived the whole farce beforehand—except the happineſs of ſeeing my own ſelf—any where!

MISS DI.

This is very extraordinary behaviour in you, ſir!

[To Capt. O'Donnel.
SIR WALTER.

And have I caught you out, Couſin Prudery, at laſt?

[Exultingly.
MISS DI.
[77]

What is it you mean, ſir?—I came—

SIR WALTER.

To learn to pick hops according to the articles of war!—but you've got a good ſopping for't—and ſo forth.

[Aſide to her.
CAPT. O'DONNEL.

There's an honeſt fellow in the world, Madam, who has reaſon to expect better uſage at your hands.

SIR WALTER.

Excellent!—What ſay you to that, Coz?—Tho' ſhe has fluſhed my pretty game—I can match her—for now I ſhall be able to ſilence her clapper—by poſitive evidence of the fact!

[Aſide.
MISS DI.

To you, ſir, I hope I ſhall find time to explain myſelf; and as to my couſin Wiſeacre—

[Exit.
CAPT. O'DONNEL.

Oh, Madam, the thing is bad enough without any further explanation.

SIR WALTER.

And pray, ſir, who may you be—that come in this impudent, bluſtering manner, to poach after a part of my family?

CAPT. O'DONNEL.

Part of your family?—That's a good joke, my old boy!—

(laughing.)

—but I'll ſoon ſettle that.—As you're ſuch a dev'liſh fighting fellow—d'ye ſee—why, you may be pleas'd to give me a little account your own ſelf— [78] for daring to preſume, to ſeduce the miſtreſs of my friend.

SIR WALTER.—(Amazed.)

I ſeduce!—I—a fighting fellow!

CAPT. O'DONNEL.

Come, come—make no more words about it:—you'll meet me, my old buck, without further ceremony, on this very ſpot, to-morrow morning, at ſun-ſet—that I may not be compell'd to poſt you—upon ev'ry pole in your own hop-ground.

SIR WALTER.—(Looking inquiſitively at him.)

Damme, if I think this fellow's any thing but a bully after all!—I'll try him, however—

(Aſide.)

—Look ye, Captain Bounceabout!—I have ſerved three campaigns, in our county militia, with ſome credit!—and, let me tell you, ſir—I am no more afraid than you, or any other man—of ſire! ſword!—and ſo forth!

CAPT. O'DONNEL.

So much the better, my dear.

AIR XXIX.— DUET.
THE dreadful weapons chooſe, ſir!
No, that I muſt refuſe, ſir;
We'll bring enough,
Then ſight in buff,
'Twill make important news, ſir!
Sword! pike! and hand-grenade!
Will prove us not afraid,
[79]
O'Don.
With theſe try well to hack me;
Sir Walt.
With theſe you think to hack me;
But being brave,
I'll only have
Capt. O'Don.
—My honor's ſelf to back me!
Sir Walt.
—Twelve conſtables
[Exeunt.

SCENE XVI.

MEDLEY alone, in an Archery Dreſs, with a Bugle Horn.
MEDLEY.—(Laughing.)

What would I give, to know how they've ſettled their matters?—but we ſhall have it piping hot when Miſs Di comes on the foreſt, I'll warrant it!—Now to muſter my female troop.

[Winds his bugle.
Enter BOB.
BOB.

Here they come, brother Matt—and a pretty ſhew they make, ſure enough!—

(Female Archers trip in, proceded by foreſt colours—and a paſtoral band of muſic.)
MEDLEY.

Well, my ſprightly laſſes!—now fall in—and we'll ſoon march off to the Oak—and ſee who's to win the pretty prize heifer.

[80]
AIR XXX.— SESTETTO.
Female Arch.
Oh ſweet Mr. Medley, I ſay!
But mind Mr. Medley, I ſay!
Come dear Mr. Medley, I ſay!
Medley.
What the deuce is the matter?
Bob.
How neatly they prattle!
Medley.
If you keep ſuch a clatter,
Bob.
What ſweet pretty prattle!
Medley.
No game on the foreſt will ſtay,
F. Arch. & Bob.
—Oh ſie!
Medley.
But hence it will fly.
To Old Nick in a trice to get out of your way!
Female Arch.
Oh ſweet Mr. Medley, I ſay!
But mind Mr. Medley, I ſay!
Come dear Mr. Medley, I ſay!
Medley.
Now don't ſtretch your lungs—
Female Arch.
We mind not your ſneers:
Medley.
For to all your glib tongues
Little Huſſeys you know,
F. Arch. & Bob.
Come, pray let us go!
Medley.
I've only but one pair of ears!
Med. & Bob.
—Pretty dears!
(Female Archers—all talking together.)

"But I ſay, Mr. Medley!"—"Now, dear Mr. Medley!" &c. &c. &c.

MEDLEY.

Halloah!—why, if you keep up this clatter, I tell you again, that all the game will break the bbounds of the foreſt!—

[81]
(Female Archers talking together again.)

"Ay, but Mr. Medley—ſuppoſe I ſay, Mr. Medley, &c. &c.

MEDLEY.

"Now pray talk a little gently, ſweet ones!

["Bob, and Kitty Maple, looking at the colours, inſcribed IN MEDIO PALMA."]
BOB.

"An't they very gay, and pretty?

KITTY.

"Yes, very ſmart indeed!

BOB.

"They were done, ſpick and ſpan new, at London!

KITTY.

"Ay—but what's the ſignification of the gold writing, Mr. Bob?

BOB.

"Oh! that's our Vicar's doings—it's Arabac, I believe—but aſk my brother Matt—he can tell you all about it.—

KITTY.

"So I will.—Mr. Medley, what does this here mean?

[Pointing to the Motto.
MEDLEY.

"That there, my love?

KITTY.

"Yes, that—

MEDLEY.

"Why, as to Archery, it means—that—if—but, perhaps, you'd like a free tranſlation beſt?

KITTY.
[82]

"Dear! I don't care!

MEDLEY.

"Why then the plain meaning is that,—the middle's your mark!—Now for it, girls!—come, Kitty Maple, ſtand you to the right.—

(Places her.)

—You ought to ſhoot well, huſſey—for your father was always a dead hand at pulling the long bow—

[All laugh.
KITTY.

"I wonder you an't aſham'd of your wicked ſelf!"

MEDLEY.

Here, Betſy Blewit—ſtand by the ſide of her—very well.—S [...]cky Wheatſheaf, and Jenny Whitethorn, you are next—now let the reſt drop in—two and two.—But where the deuce are the little woodſide nymphs?

BOB.

I'll go and fetch 'em, brother.

MEDLEY.

Do, Bob!—tell 'em they'll be too late, if they don't put their beſt foot firſt.

[Exit Bob.
KITTY.

Somebody, I ſee, thinks there'll be no ſport, if ſome folks an't here!

[All laugh.
MEDLEY.

Smartly ſaid, Kitty!—I don't know how they may ſhoot an arrow—but you muſt take care, or ſome folks will hit as far with their ſparklers, as the beſt of you!—Now ſtrike up, pipers!—

[83]AIR XXXI.—
COME laſſes! Follow me,
With merry glee,
To ſports of Woodland Archery!
CHORUS of Female ARCHERS.
With merry glee,
We follow thee,
To ſports of Woodland Archery!
[Medley puts himſelf at their head, and they march off to the repeat of the Chorus.

SCENE XIX.

The Foreſt.
DOLLY alone, with her Bow, &c.
DOLLY.

Dear, dear!—what can I do?—We ſhall certainly be too late!—and you will not go?—

(Speaking to Emily behind)

—How can you be ſo unkind?

Enter BOB.
BOB.

Come! come! my pretty ones—they are all marched to the ground—with muſic and ſtreamers!—and by [84] this time her Ladyſhip, Miſs Dinah, is there!—Matt ſent me to look for you!—But where's Miſs Emily?

DOLLY.

There ſhe ſits under that tree—and won't budge an inch, for all I can ſay to her!

EMILY, entering.
EMILY.

I beg you to excuſe me, Dolly!—let me go back—ſay I am unwell!—

BOB.

Now, pray you, Miſs Emily, come along with us—the ſight will be worth nothing without you!

EMILY.

Well, ſince you will have it ſo—proceed—

[Sound of a Bugle horn, within the Foreſt.
AIR XXXII.— GLEE.
HARK—the Bugle's ſylvan ſtrain,
Calls us to the ſportive plain,
Scene of artleſs love!
Shepherds—faithful tales advancing,
Maidens hearts in tranſport dancing,
Happy may they prove!
How bliſsful then the Wood-nymphs green retreat,
Where Love, and Innocence enraptur'd meet!

SCENE XX.

[85]
View of the Oak.
Tents—Targets—Foreſt Colours, &c.—Female Archers, &c. ranged on each Wing—A Dance, in Character, commences on Miſs Di Clackit's entering, and taking her Seat at the Front of the Foreſt.—At the Cloſe of the Dance, Medley winds his Bugle Horn, and the Female Archers take their reſpective Poſts.
MISS DI.—(Walking down thro' the ranks.)

Are they all here?—are they all ready?—"I'm ſo flurried, and confuſed!

[To Medley apart.
MEDLEY.

"What's the matter, Ma'am?

MISS DI.

"Would you think it?—My blundering Couſin has diſcover'd me in the hop-ground!

MEDLEY.

"Why, that was a little awkward, to be ſure—but I can manage it, Ma'am—by ſwearing, that I ſent you there on purpoſe to meet him!

MISS DI.

"My dear Medley—can you, indeed—can you, indeed?—but then if he—

MEDLEY.
[86]

"Oh! never trouble yourſelf about it—to be ſure I can—and with a pretty ſafe conſcience, I fancy!

[Aſide.
MISS DI.

"As to the Captain—I can eaſily ſet him right myſelf—but I wonder he's not here.—

(Walks towards the Female Archers.)

—You've pick'd a tolerable ſet—tolerable ſet!—Hold up your head, girl—hold up your head!"

[To one of the Female Archers.
MEDLEY.

All ready—quite ready, Madam.—Where the deuce can my little huſſies be?

[Aſide.
MISS DI.

As they are already—you may ſound the charge, and let the archery commence; though I don't know—

[Medley winds his bugle.
EMILY, DOLLY, and BOB enter.
DOLLY.—(To Emily.)

That's her Ladyſhip, Sir Walter's couſin, ſitting alone!

[Medley obſerves them, as the two firſt Archers ſtand forth.]
MEDLEY.

Oh, you're come at laſt!—but you've loſt your turns—ſo ſtay here, Dolly, till I call you—for I muſt attend the targets.—

(The ſhooting commences croſs-ways at targets placed on each ſide of the Oak.—Medley holding in his hand a card, on which to mark the different ſhots.)
MEDLEY.—(After the firſt ſhots.)

Pretty well, Kitty—but levell'd a little too high!—Better, much better, Betſey Blewitt—juſt within the [87] third circle!—very well, indeed!—

(After two other ſhots.)

—Oh, bad, very bad!—

(Two others.)

—Excellent!—Well done, Jenny!—within three inches of the bull's eye!—Let me ſee who'll beat that?

MISS DI.

Who's neareſt, Medley?—who's neareſt?—who's neareſt?

MEDLEY.

Oh, Madam, Jenny Hawthorn! hollow!—

(Shews Miſs Di the mark'd card:—while the Female Archers march to muſic for their arrows, and return to different ſides.)
[Medley takes Dolly out to ſhoot.
MEDLEY.

Now for it, Dolly—Now, Dolly!

MISS DI.

Don't rattle and talk ſo faſt, Medley—you confuſe 'em—you confuſe 'em—beſides, if they—

MEDLEY.

Oh, worſt of all, Dolly!—No heifer for you, Doll—but you think a good huſband prize enough for one day, I ſuppoſe?

[To her aſide.
DOLLY.

Of all conſcience, Matt—I'm content!

Enter WILFORD and CAPT. O'DONNEL, near the Oak.
WILFORD.

Where is the perfidious Emily?

CAPT. O'DONNEL.
[88]

Oh, there ſhe ſits—

(Pointing to Miſs Di)

—juſt as unconcerned—as if nothing had happen'd at all!

WILFORD.
(Walking towards Miſs Di, ſtarts back!—turning to O'Donnel)

Why add mockery to my diſtreſs?

MISS DI.

Oh, the Captain's here!—I'll pretend not to obſerve him.

[Aſide.
MEDLEY.—(On Emily advancing to ſhoot.)

Don't be alarm'd, there's a dear.

CAPT. O'DONNEL.

But here's a creature, Wilford—here's one—

(beckoning to Wilford)

—after my own choice.

[At this inſtant Emily ſhoots—and hits the centre of the target.—Bugle ſounds.
MEDLEY.

She's won it—ſhe's won it!

AIR XXXIII.— CHORUS.
TO Beauty's ſhaft the prize decree,
In ſtrains of antient minſtrelſy!
[Wilford and Emily at this inſtant behold each other—ſhe ſinks on Dolly's arm—Capt. O'Donnel runs and ſupports her.
WILFORD.
[89]

Can it be poſſible?

CAPT. O'DONNEL.

Oh! very poſſible! keep a little back.—

(To Wilford.)

—It's only a ſmall flutteration at ſeeing me—'twill ſoon be over—ſee how ſhe revives, at the ſound of my own voice!

[Emily recovers.
WILFORD.

Oh, my Emily!

EMILY.

And do I live again to behold my faithful Wilford?

MEDLEY.

Oh, oh! the pretty loſt lamb's own'd at laſt!—the plot will unravel faſt—I muſt to Sir Walter, and by a full conſeſſion, ſecure a free pardon.

[Exit.
MISS DI.—(Drawing near.)

What is the matter?—what is the cauſe of this confuſion?—Pray, ſir—how have I deſerved this uſage? am I ſo alter'd that you don't recollect me—don't recollect me? Surely, Captain—

CAPT. O'DONNEL.

Faith and troth—for the matter of that—tho' you have forgot yourſelf—I know you well enough, Miſs Emily, and all your pranks!

MISS DI.

Miſs Emily?—all my pranks? What can he mean? what can he mean?—You well know, ſir, my name is Dinah; and that I am the neareſt relation of Sir Walter Waring—tho' you are all conſpiring againſt my honor? but juſtice, I hope—

[Exit.
CAPT. O'DONNEL.
[90]

Upon my conſcience, I begin to fancy we are all as mad as wild geeſe! Harkee, Wilford, is it you, or me, that this bewitching rogue has beplundered out of our ſenſes?

WILFORD.

It is I, my friend, who have loſt mine in love, and admiration!

AIR XXXIV.
OH tell me, Memory! no more,
What woe in baniſhment was mine—
What pain this lab'ring boſom bore,
Compell'd its treaſure to reſign!
But tell me, Memory—more kind,
The envy'd tranſports I regain;
Record them on my grateful mind,
That not a ſorrow may remain!
WILFORD.

But where is the ruſtic guardian of my Emily?

Enter FAIRLOP.
EMILY.

Here—

(Pointing to Fairlop.)

—My kind, diſintereſted protector!

FAIRLOP.

Lackaday! what is all this?

DOLLY.

Oh, father!—Miſs Emily's ſweetheart's found, and this is he!

WILFORD.
[91]

I wiſh I could expreſs the obligations I owe to you.

FAIRLOP.

Pooh! pooh! why do you give the gentleman all this trouble? May I be free enough to ſpeak a word of my mind?

WILFORD.

By all means!

FAIRLOP.

Then, ſet you, ſir, as much ſtore by this treaſure thro' life—

(takes her hand)

—as I have done but for three ſhort months—and, truſt a plain man, we ſhall all be ſufficiently rewarded!

WILFORD.

Generous woodman! Emily, you muſt prevail upon your adopted ſiſter, to attend you to Wilford Lodge.

EMILY.

What ſay you, my dear friend, Dolly?

Enter MEDLEY.
MEDLEY.

Oh! that's impoſſible, Ma'am—ſhe may ſoon have a houſe full of children of her own to take care of!

[Conceitedly.
EMILY.

How is all this?

DOLLY.

The audacious wretch coax'd me into a kind of promiſe this morning;—and I can't find in my heart to be worſe than my word.

CAPT. O'DONNEL.
[92]

Why then, give Dolly the little prize-cow, for a bride's portion—I think, Wilford, you'll not be after making a bull of that now.

Enter SIR WALTER, followed by Female Archers, &c.
SIR WALTER.

Come along, come along! and ſee how I adminiſter juſtice among 'em.—I arreſt you all in my own name!—and ſo forth.

WILFORD.

Pray, ſir, what may be your charge againſt us?—

(Smiling.)

—It's a bailable offence, I truſt?

SIR WALTER.

Yes, if you put in your appearance at my houſe, where, with your conſent, we'll have a merry night on't—and ſo forth.

[Shaking Wilford by the hand.
DOLLY.

But perhaps, Miſs Emily—

SIR WALTER.

Won't reſiſt my authority, when ſhe knows I've a chaplain at hand, who can ſoon bind her over to good behaviour for life.

CAPT. O'DONNEL.

Upon my conſcience, Sir Walter, but you may command Arthur O'Donnel, eſquire.—Give me your hand, my old buck—it's a pleaſanter thing to draw a cork, than a ſword, with an honeſt fellow, at any time.—But hark ye, little Mittimus, there'll be no need for that Snap-dragon—Miſs Conſumption there, to be one of the party!

WILFORD.—(To Fairlop.)
[93]

But, my beſt of friends, with your permiſſion,—we'll tranſplant you to a larger farm, where you may acquire the means of extending your benevolence.

FAIRLOP.

With thanks for your kindneſs, ſir,—as my Landlord's ill-will is blown over, I'll live, and die by my native woodſide! But, before you rob me and Dolly of our pretty companion, and depart—ſtop at our cottage by the way—and, if you can break bread with a lowly man—you ſhall have his bleſſing into the bargain.

VAUDEVILLE.
CHORUS.
TUNE the pipe, and ſtrike the tabor,
Quickly join their faithful hands;
This is not a time for labour,
While young Joy on tip-toe ſtands!
Sir Walter Waring, to Emily.
JUSTICE bids me now befit you,
Blind to all your roguiſh charms;
So I'll certainly commit you—
To an honeſt huſband's arms!
Tune the Pipe, &c.
DUET.—Wilford, and Emily.
Fearleſs now our vows are plighted,
Hence the clouds of ſorrow fly!
Love, and conſtancy united,
Thus reſtore a tranquil ſky.
Tune the Pipe, &c.
[94]
DUETT.—Dolly, and Medley.
Med.
Dolly—mind you love me dearly!
Doll.
—Never fear if you are true:
Med.
—Scolding, I ſhall take but queerly,
Doll.
—Chiding, I ſhall take but queerly,
Both.
—Sulky fits will never do!
Tune the pipe, &c.
CAPT. O'DONNEL.
Marriage faith's a pretty notion,
If you could but change a wife;
But a ſoldier loves promotion—
Not a warm campaign for life!
Tune the pipe, &c.
FAIRLOP.
'Though my Woodland thus you plunder,
Of the ſweeteſt plant that grew,
At the loſs I cannot wonder—
May it better thrive with you.
FULL CHORUS.
Tune the pipe, and ſtrike the tabor,
Quickly join their faithful hands;
This is not a time for labour,
While young Joy on tip-toe ſtands!
FINIS.

Appendix A ADDITIONAL SONG, By the AUTHOR, introduced on Saturday in the Comic Opera of THE WOODMAN.

[]
RONDEAU—Mrs. BILLINGTON.
Court me not to scenes of pleasure,
This fond heart no more must know;
Can it beat to Mirth's gay measure,
All its strings attun'd to woe?
No! the mind by Hope forsaken,
But of Sorrow seeks relief:
Joy no transport can awaken,
Sighs must number out its grief.
Notes
*
HAINAULT FOREST, in ESSEX.
*
The Author thought he might, with leſs preſumption, ſlightly alter theſe original words of SHAKESPEAR to make them incidental to the Scene, than adapt others, which would probably have impaired the melody of this charming GLEE.
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Citation Suggestion for this Object
TextGrid Repository (2020). TEI. 4272 The woodman a comic opera in three acts as performed at the Theatre Royal Covent Garden with universal applause By Mr Bate Dudley. University of Oxford Text Archive. . https://hdl.handle.net/21.T11991/0000-001A-5F4A-8